Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Fazekas, Gergely | A tudós zeneszerző tudósa. [Scientist of the scientific composer] http://www.muzsikalendarium.hu/muzsika/index.php?area=article&id_article=1610 |
Muzsika |
48 | 3 | 2005 |
14f |
|
| 2. | Fazekas, Gergely | Egy arabeszkfogalom és zenei konzekvenciái: Dallamformálás és polifónia Debussy zenéjében. [A concept of the arabesque and its musical consequences: Melodic construction and polyphony in Debussy's music] |
MagyarZene |
45 | 2 | May 2007 |
143-181 |
|
| 3. | Fazekas, Gergely | A variáció mint formai reflexió: A Goldberg-variációk és a zenei forma. [Variation as a reflection on form: Questions of form in the 'Goldberg' variations] Bartha Dénes-konferencia. [BWV 988] |
MagyarZene |
46 | 4 | Nov 2008 |
353-366 |
|
| 4. | Fazekas, Gergely | Megérteni Bach h-moll miséjét. http://epa.oszk.hu/00800/00835/00121/2647.html |
Muzsika |
51 | 1 | Jan 2008 |
|
|
| 5. | Fazekas, Gergely | Inventio vs. dispositio: A bachi fúga ŕs a zenei forma. [Inventio vs. dispositio: Bach's fugues and the problem of musical form] [BWV 852; 882] |
MagyarZene |
47 | 2 | May 2009 |
147-161 |
|
| 6. | Fazekas, Gergely | Improvizatív és tervezett zenei forma: Szabályok és stratégiák Vivaldi és J.S. Bach concertóiban. ['Extemporized' and planned musical form: Rules and strategies in concertos by Vivaldi and J.S. Bach] [RV 265 (op. 3, no. 12), BWV 1042] |
MagyarZene |
47 | 3 | Aug 2009 |
223-238 |
|
| 7. | Fazekas, Gergely | Euritmia, azaz, 'Wohlgereimheit': Szimmetrikus struktúrák Johann Sebastian Bachnál. [Eurhythmy, or, Wohlgereimheit: Formal symmetry in Johann Sebastian Bach's music] [BWV 1018, 803, 91] |
MagyarZene |
48 | 4 | Nov 2010 |
381-395 |
|
| 8. | Fazekas, Gergely | Inner Time, Outer Time and 'Da Capo' Form. Structure and meaning in J.S. Bach's E major violin concerto (BWV 1042). A Paper read at the 14th Biennial International Conference on Baroque Music held at Queen's University Belfast, 30 June-4 July 2010. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 9. | Fazekas, Gergely | J. S. Bach és a zenei forma két kultúrája. [J. S. Bach and two cultures of music] PhD diss., Liszt Academy of Music, Budapest, 2012. 211p. |
diss. |
| | 2012 |
221p |
|
| 10. | Fazekas, Gergely | J.S. Bach és a zenemű folgalma [J.S. Bach and the concept of the work of art] |
MagyarZene |
50 | 4 | Nov 2012 |
378-401 |
Latin 2 |
| 11. | Fazekas, Gergely | J. S. Bach and the Two Cultures of Musical Form. A Paper read at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014. |
[p]BICB_Salzburg |
| | Jul 2014 |
|
|
| 12. | Fazekas, Gergely | The conflict of symmetrical form and text setting by J. S. Bach. A paper presented at the dialogue session 'Bach's musical texts' at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 13. | Fazekas, Gergely | J. S. Bach and the Two Cultures of Musical Form. http://bachnetwork.co.uk/ub10/ub10-fazekas.pdf [BWV 870, 870a, 1011/4] |
UnderstandingBach |
10 | | 2015 |
109-122 |
|
| 14. | Fazekas, Gergely | Formal deviation in the Kyrie of the Mass in B Minor. A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on pp. 61-62. |
[p]BICB_Canterbury |
| | Jul 2016 |
|
|
| 15. | Fazekas, Gergely | The Conflict of Symmetrical Form and Text Settings by J. S. Bach. http://bachnetwork.co.uk/ub11/ub11-fazekas.pdf [BWV 91, 179, 201, 236, 803, 1051, 1053] |
UnderstandingBach |
11 | | 2016 |
83-105 |
|
| 16. | Fazekas, Gergely | Formal Deviations in the First Kyrie of the B minor Mass. |
UnderstandingBach |
12 | | 2017 |
21-36 |
|