Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Ellis, Mark | Linear aspects of the fugues of J. S. Bach's 'The Well-tempered Clavier'. A Quantitative Survey. PhD diss., Univ. of Nottingham, 1980. 594p. |
diss. |
| | 1980 |
594p |
|
| 2. | Ellis, Mark | The chord of the augmented sixth in the music of J.S. Bach and his predecessors. A paper read at the University of Huddersfield Research Forum, October 2004. |
[p]RF_Huddersfield |
| | Oct 2004 |
|
|
| 3. | Ellis, Mark | Motif and Structure in Bach's Fifth Prelude. |
Bach |
37 | 1 | 2006 |
1-25 |
|
| 4. | Ellis, Mark | Ritornello and Variation Processes in the Music of J. S. Bach. A paper read at the Biennial Meeting of the American Bach Society, Leipzig, May 11-13, 2006: 'Bach Crossing Borders'. Abstract published in BachNotesABS, 5 (Spring, 2006), p. 8. |
[p]ABS_Leipzig |
| | May 2006 |
|
|
| 5. | Ellis, Mark | A Chord in Time: The Evolution of the Augmented Sixth from Monteverdi to Mahler. Farnham: Ashgate, 2010. xviii, 249p. ISBN: 978-0-7546-6385-0. [chapter 'The Augmented Sixth in Bach's Music', pp.111-136.] |
|
| | 2010 |
xviii, 249p |
|