Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Saint Lambert, Michel de | Les Principes du Clavecin. Contenant une Explication exacte de tout ce qui concerne la Tablature & le Clavier. |
|
| | 1702 |
68p |
|
| 2. | Brossard, Sébastien de | Dictionaire de musique, contenant une explication des termes grecs, latins, italiens & françois les plus usitez dans la musique ; a l'occasion desquels on rapporte ce qu'il ya de plus curieux & de plus necessaire à sçavoir. |
|
| | 1703 |
116p |
|
| 3. | Jacquet de la Guerre, Elisabeth-Claude | Pieces de clavecin qui peuvent se jouer sur le violon. |
|
| | 1707 |
26p |
|
| 4. | Saint Lambert, Michel de | Nouveau traité de l'accompagnement du clavecin, de l'orgue et des autres instruments. |
|
| | 1707 |
64p |
|
| 5. | Montéclair, Michael Pignolet de | Nouvelle méthode pour apprendre la musique. |
|
| | 1709 |
64p |
|
| 6. | Montéclair, Michael Pignolet de | Principes de musique: divisez en quatre parties. |
|
| | 1736 |
133p |
|
| 7. | La Fage, Juste Adrien de | Inauguration de l'orgue de Sainte-Clotilde. |
RevueGazMParis |
27 | 1 | 1 Jan 1860 |
4-5 |
|
| 8. | Mitglied der Bach-Gesellschaft | S. Bach und die Bach-Ausgabe betreffend. |
AllgMlZ(3) |
1 | 16 | 18 Apr 1866 |
129 |
|
| 9. | Swert, Jules de (arr.) | Allemande und Gavotten aus der 6. Violoncello-Sonate für Violoncello und Pianoforte |
|
| | 1867 |
|
|
| 10. | Monter, Émile Mathieu de | Société des oratorios (première année): première exécution le 7 mai, au Panthéon, sous la direction de J. Pasdeloup. 'La Passion', de J.-S. Bach. |
RevueGazMParis |
35 | 19 | 10 May 1868 |
145-146 |
|
| 11. | Swert, Jules de (arr.) | Air und II Gavotten von Joh. Seb. Bach. |
CompVcell(Swert) |
| 1 | 1869 |
5p + 1 St |
|
| 12. | Swert, Jules de (arr.) | Siziliano von Wilh. Friedemann Bach. |
CompVcell(Swert) |
| 2 | 1869 |
3p + 1 St |
|
| 13. | Swert, Jules de (arr.) | Corrente, Sarabande, 2 Menuetten und Gigue (G dur) von J. S. Bach. |
CompVcell(Swert) |
| 4 | 1869 |
7p + 1 St |
|
| 14. | Swert, Jules de (arr.) | Sarabande und II Gavotten [recte: Minuets] (D moll) von J. S. Bach. |
CompVcell(Swert) |
| 5 | 1869 |
5p + 1 St |
|
| 15. | Swert, Jules de (arr.) | Sarabande und II Loures (G dur) von J. S. Bach. |
CompVcell(Swert) |
| 6 | 1869 |
5p + 1 St |
|
| 16. | Swert, Jules de (arr.) | Sarabande und II Loures (Es dur) von J. S. Bach. |
CompVcell(Swert) |
| 7 | 1869 |
5p + 1 St |
|
| 17. | Swert, Jules de (arr.) | Sarabande und II Gavotten (D dur) von J. S. Bach. |
CompVcell(Swert) |
| 8 | 1869 |
3p + 1 St |
|
| 18. | S. de Lange jr. Mede-oprichter der Bachvereeniging | Een antwoord aan Fantasio in zake de Bachvereeniging. |
Caecilia |
28 | 15 | 1 Aug 1871 |
134 |
|
| 19. | Swert, Jules de (arr.) | Andante du Concerto dans le style italien de J. Seb. Bach. |
CompVcell(Swert) |
| 13 | 1872 |
4p + St |
|
| 20. | Swert, Jules de (arr.) | Adagio a-moll von J. S. Bach |
CompVcell(Swert) |
| 14 | 1872 |
|
|
| 21. | Swert, Jules de (arr.) | Andante D-dur von J. S. Bach |
CompVcell(Swert) |
| 15 | 1872 |
|
|
| 22. | Swert, Jules de (arr.) | Andante A-dur von J. S. Bach |
CompVcell(Swert) |
| 16 | 1872 |
|
|
| 23. | Swert, Jules de (arr.) | Andante Fis-moll von J. S. Bach |
CompVcell(Swert) |
| 17 | 1872 |
|
|
| 24. | Swert, Jules de (arr.) | Adagio H-moll von J. S. Bach |
CompVcell(Swert) |
| 18 | 1872 |
|
|
| 25. | Swert, Jules de (arr.) | Adagio: D-dur von J. S. Bach |
CompVcell(Swert) |
| 19 | 1872 |
5p |
|
| 26. | Swert, Jules de (arr.) | Siciliano C-moll von J. S. Bach |
CompVcell(Swert) |
| 20 | 1872 |
|
|
| 27. | Swert, Jules de (arr.) | Adagio: Es-dur von J. S. Bach. |
CompVcell(Swert) |
| 21 | 1872 |
5p |
|
| 28. | Swert, Jules de (arr.) | Largo F-moll von J. S. Bach |
CompVcell(Swert) |
| 22 | 1872 |
|
|
| 29. | Swert, Jules de (arr.) | Andante [A-moll.] |
|
| | 1880 |
|
|
| 30. | Swert, Jules de (arr.) | Adagio. [in A-moll?] |
|
| | 1880 |
|
|
| 31. | Oliver Ditson | Catalogue of sheet music and music-books published by Oliver Ditson & Co., 277 Washington St. |
CatM(Ditson) |
| | 1880 |
341, 50p |
|
| 32. | Slade, Daracott (arr.) | Fantasie und Fuge (G moll) für Orgel von J. S. Bach. Für zwei Pianoforte |
|
| | 1887 |
22p |
|
| 33. | Lange, Samuel de (arr.) | Fuge (Ricercata) a 6 Voci, No. 2 aus dem 'Musikalischen Opfer' / Joh. Seb. Bach. |
|
| | 1892 |
|
|
| 34. | Lange, Samuel de (ed.) | Drei kleine Praeludien und Fugen |
OrgW(Lange) |
1 | | 1894 |
11p |
|
| 35. | Lange, Samuel de (ed.) | Drei kleine Praeludien und Fugen |
OrgW(Lange) |
2 | | 1894 |
11p |
|
| 36. | Lange, Samuel de (ed.) | Zwei kleine Praeludien und Fugen -- Praeludium. |
OrgW(Lange) |
3 | | 1894 |
11p |
|
| 37. | Lange, Samuel de (ed.) | Choralvorspiele: Aus dem Orgelbüchlein. |
OrgW(Lange) |
4 | | 1894 |
11p |
|
| 38. | Lange, Samuel de (ed.) | Choralvorspiele. |
OrgW(Lange) |
5 | | 1894 |
11p |
|
| 39. | Lange, Samuel de (ed.) | Praeludium und Fuge -- Fuge. |
OrgW(Lange) |
6 | | 1894 |
14p |
|
| 40. | Lange, Samuel de (ed.) | Fuge über ein Thema von Corelli -- Canzona -- Fuge. |
OrgW(Lange) |
7 | | 1894 |
15p |
|
| 41. | Lange, Samuel de (ed.) | Choralvorspiele. |
OrgW(Lange) |
8 | | 1894 |
11p |
|
| 42. | Lange, Samuel de (ed.) | Praeludium und Fuge. |
OrgW(Lange) |
9 | | 1894 |
15p |
|
| 43. | Lange, Samuel de (ed.) | Fuge -- Toccata. |
OrgW(Lange) |
10 | | 1894 |
15p |
|
| 44. | Irwin, Charles D. (ed.) | Fugue, known as the 'Little G minor Fugue' ... |
|
| | 1899 |
7p |
|
| 45. | Lange, Samuel de (ed.) | Sonate No. 3, d-Moll: mit Register und Phrasirungsbezeichnung. |
OrgW(Lange) |
11 | | 1899 |
14p |
|
| 46. | Lange, Samuel de (ed.) | Sonate No. 5, C-Dur: mit Register und Phrasirungsbezeichnung. |
OrgW(Lange) |
12 | | 1899 |
17p |
|
| 47. | Lyon, Jacques de | Bach--After Dinner. |
Musician |
8 | 12 | Dec 1903 |
428 |
|
| 48. | Lange, Samuel de (ed.) | Toccata. |
OrgW(Lange) |
13 | | 1904 |
11p |
|
| 49. | Lange, Samuel de (ed.) | Praeludium -- Fantasia con Imitazione. |
OrgW(Lange) |
14 | | 1904 |
10p |
|
| 50. | E. D. | Exécutions récents. [Les 'Passions' de J.-S. Bach] |
RevueMHistCritique |
9 | 8 | 15 Apr 1909 |
206 |
|
| 51. | Oliver Ditson | A catalog of the vocal music (folio size) published by Oliver Ditson Company. Complete to April 1, 1913. |
CatM(Ditson) |
| | 1913 |
184p |
|
| 52. | Oliver Ditson | A catalog of the piano music, published by Oliver Ditson Company. Complete to January 1, 1915. |
CatM(Ditson) |
| | 1915 |
156p |
|
| 53. | Saint-Foix, Georges de | Muzio Clementi. |
BulSocFrancMcol |
1 | 3 | 1918 |
149-161 |
|
| 54. | St. Foix, Georges de | A proposito dello scritto: TORREFRANCA. La fortuna di Ph. E. Bach nell'ottocento. |
RivistaMItali |
26 | 2 | 1919 |
332-337 |
|
| 55. | Saint-Foix, Georges de | Mozart, disciple de Bach et de Haendel. |
BulSocFrancMcol |
2 | 9 | Jul 1921 |
162-171 |
|
| 56. | Isaacson, Charles D. | Something 'Bigger' than the Bethlehem Bach Festivals. |
MQ |
7 | 1 | Jan 1921 |
118-126 |
|
| 57. | Selva, Blanche; D'Indy, Vincent (eds.) | Le Clavecin bien tempéré / J. S. Bach. |
EdFrancMClassique |
69 | | 1924 |
125p |
|
| 58. | Saint-Foix, Georges de | A propos de Jean-Chrétien Bach. |
RevueMcol |
7 | 18 | May 1926 |
83-91 |
|
| 59. | Saint-Foix, Georges de | J.-S.Bach et Mozart. |
RevueM(4) |
13 | 131 | Dec 1932 |
65-67 |
|
| 60. | Saint-Foix, Georges de | Le symphoniste Franz Beck et le pianoforte. |
RevueMcol |
13 | 41 | Feb 1932 |
24-28 |
|
| 61. | Corte, Andrea della; Pannain, Guido | Storia della musica. |
|
| | 1936 |
x, 100p |
|
| 62. | Müller, Alfred Dedo | Musik als Problem lutherischer Gottesdienstgestaltung. |
|
| | 1947 |
32p |
|
| 63. | MacKerness, E. D. | Less-known Violin Works of J. S. Bach. |
MTimes |
88 | 1248 | Feb 1947 |
52-55 |
|
| 64. | MacKerness, E. D. | Bach's Sinfonie-Satz für Violine Concertirende. |
MReview |
9 | 3 | Aug 1948 |
161-165 |
|
| 65. | MacKerness, E. D. | Bach's F Major Violin Sonata. |
MReview |
11 | 3 | 1950 |
175-179 |
|
| 66. | MacKerness, E. D. | The Bach Bow. |
Strad |
61 | 729 | Jan 1951 |
324 |
|
| 67. | Saint-Foix, Georges de | Considérations nouvelles sur quelques caractères ou éléments de l'Art Italien. |
RevueMcol |
36 | [110] | Dec 1954 |
99-115 |
|
| 68. | Müller, Alfred Dedo | Musik und Wirklichkeit. Predigt, gehalten am Trinitatisfest, dem 5. Juni 1955, zum 32. Deutschen Bachfest der Neuen Bachgesellschaft in der Thomaskirche zu Leipzig. |
MKirche |
25 | 5 | 1955 |
225-231 |
|
| 69. | Suys, Godelieve; D'Hooghe, Kamiel | De Koraalvoorspelen uit J. S. Bach's 'Orgelbüchlein'. |
Praestant |
5 | | 1956 |
81-83 |
|
| 70. | Weise, Dagmar (ed.) | Festschrift Joseph Schmidt-Görg zum 60. Geburtstag. |
[fs]Schmidt-Görg60 |
| | 1957 |
xxiv, 408p |
|
| 71. | MacArdle, Donald W. | Beethoven and the Bach Family. |
MLetters |
38 | 4 | Oct 1957 |
353-358 |
|
| 72. | Blanchard, Homer D. | You, the reader. |
AmerOrganist(1) |
42 | | 1959 |
6-9 |
|
| 73. | Cooke, Deryck | Bach Choir: St. Matthew Passion. |
MTimes |
100 | 1395 | May 1959 |
276 |
|
| 74. | La Salle, de | La Passacaille en ut mineur de J. S. Bach. |
LEducM |
15 | 69 | Jun 1960 |
18-20 |
|
| 75. | Cooke, Deryck | Bach Choir: St. Matthew Passion. |
MTimes |
101 | 1408 | Jun 1960 |
372 |
|
| 76. | Lane, Dorothy | Legato Playing on the Harpsichord: Its Value to Performers on the Piano and Organ. |
AmerMTeacher |
11 | 5 | May-Jun 1962 |
15, 22 |
|
| 77. | Lowrie, Donald A. | Bach's American Organ. |
MJournal |
20 | 8 | Nov-Dec 1962 |
14, 92 |
|
| 78. | Donoghue, Denis | The Well-tempered Klavier. |
HudsonReview |
17 | | 1964 |
138-142 |
|
| 79. | La Motte, Diether de | Musikalische Analyse; mit kritischen Anmerkungen von Carl Dahlhaus. |
|
| | 1968 |
145p; 90p |
|
| 80. | Higbee, Dale | J. S. Bach's music for recorder on records. Part I: the Brandenburg concerti, BWV 1046-51. |
AmerRecorder |
9 | 4 | 1968 |
116-123 |
|
| 81. | Lee, Douglas A. | Christoph Nichelmann and the early clavier concerto in Berlin. |
MQ |
57 | 4 | Oct 1971 |
636-655 |
|
| 82. | Lowrie, Donald A | Bach's Miracle at Cöthen. |
MJournal |
31 | 10 | Dec 1973 |
17 |
|
| 83. | Ihde, Don | Bach to rock, a musical odyssey. |
MMan |
1 | 1 | 1973 |
1-10 |
|
| 84. | Brennecke, Dietrich; Schmalenberg, Hilmar | Zum Problem der Werkbesprechung im Instrumentalunterricht. Ein Gespräch über Johann Sebastian Bachs Partita E-Dur für Violine solo BWV 1006. |
ArbHAkadKünsteDDR |
14 | | 1974 |
85-105 |
|
| 85. | La Motte, Diether de | Sondern der Geist selbst. Anmerkungen zu Bachs Motette 'Der Geist hilft unser Schwachheit auf'. |
Musica |
28 | 3 | May-Jun 1974 |
235-237 |
|
| 86. | Berke, Dietrich | Bach 1975. Zum Programm der Kasseler Musiktage vom 31. Oktober bis 2. November 1975. |
Musica |
29 | 4 | Jul-Aug 1975 |
335-336 |
|
| 87. | La Motte, Diether de | Harmonielehre. |
|
| | 1976 |
281p |
|
| 88. | La Fontaine, Michael de | Der Begriff der kunstlerischen Erfahrung bei Theodor W. Adorno. |
diss. |
| | 1976 |
iii, 132p |
|
| 89. | Higbee, Dale | Alternative Instrumentation in Bach's Second Brandenburg Concerto. |
AmerRecorder |
18 | 1 | May 1977 |
11 |
|
| 90. | Dodge, D. E. | Bach and the German Clavier. |
EnglishHarpsichordMag |
2 | 3 | 1978 |
67-71 |
|
| 91. | Knopp, Werner; Scheel, Walter; Stobbe, Dietrich | Ansprachen zur Eröffnung der Staatsbibliothek. |
JbPreussKulturbesitz |
15 | | 1978 |
21-57 |
|
| 92. | Manicke, Dietrich | Der polyphone Satz II: Drei- und Mehrstimmigkeit. |
|
| | 1979 |
164p |
|
| 93. | Hibgee, Dale | Baroque flute discography. |
EarlyM |
7 | 2 | Apr 1979 |
250-253 |
|
| 94. | Dodge, D. E. | The Identity of Bach's Clavier. |
EnglishHarpsichordMag |
2 | 5 | 1979 |
116-119 |
|
| 95. | La Motte, Diether de | Analyse und Interpretation: Denken und Vergessen. |
Musica |
33 | 2 | Mar-Apr 1979 |
141, 143-147 |
|
| 96. | Huray, Peter Le; Day, James (eds.) | Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries. |
|
| | 1981 |
403p |
|
| 97. | Alain, Marie-Claire; Dufourcq, Norbert | Marie-Claire Alain et ses intégrales de Bach. |
LOrgue |
| 184 | Oct-Dec 1982 |
1-8 |
|
| 98. | La Motte, Diether de | Sechs Annäherungen. |
Musica |
36 | 6 | Nov-Dec 1982 |
500-505 |
|
| 99. | Berke, Dietrich | Zur Problematik des Schultzes wissenschaftlicher Ausgaben im deutschen Urheberreichtsgesetz. |
[fs]Dürr65 |
| | 1983 |
17-30 |
|
| 100. | Lowry, Palmer D. | A Comprehensive Index of J. S. Bach Books in English. |
Organ |
63 | 247 | Jan 1984 |
36-45 |
|
| 101. | Blanchard, Homer D. | The Bach organ book. |
|
| | 1985 |
xiv, 240p |
|
| 102. | Joyce, Donald | Bach Manuscripts in the Morgan Library. |
AmerOrganist(2) |
19 | 3 | Mar 1985 |
137 |
|
| 103. | Nott, Michael David | Ernest Bloch's pedagogical writings: a didactic legacy of twentieth-century America |
diss. |
| | 1985 |
ix, 532 leaves |
|
| 104. | Caulibus, Johannes de; Maurus, Hrabanus; Schäufelein, Han; Henrici, Christian Friedrich | Betrachtungen über die Passion Jesu Christi. |
Fusa |
| 16-20 | 1985 |
2-113 |
|
| 105. | Swale, David | Bach's Fugue after Legrenzi. |
MTimes |
126 | 1713 | Nov 1985 |
687, 689 |
|
| 106. | George, Dietmar | Wilhelm Friedemann Bach in Halle. |
WissBeitrMLutherUnivHalle |
1985 | 6: G 12 | 1985 |
56-60 |
|
| 107. | Higbee, Dale | Bach's 'Fiauti d' echo'. |
GalpinSocJ |
39 | | Sep 1986 |
133 |
|
| 108. | Lee, Douglas A. | Emanuel Bach and the Free Fantasia for Keyboard: Deutsche Staatsbibliothek Mus. Ms. Nichelmann 1 N. |
[p]AMS_Midwest |
| | Oct 1986 |
|
|
| 109. | Berke, Dietrich; Hanemann, Dorothee (eds.) | Alte Musik als ästhetische Gegenwart: Bach, Händel, Schütz. Bericht über den Internationalen Musikwissenschaftlich Kongreß Stuttgart 1985. |
[cr]Stuttgart1985 |
| | 1987 |
543; 471p |
|
| 110. | Lee, Douglas A. | C. P. E. Bach and a Free Fantasia for Keyboard. |
[p]AMS_Midwest |
| | Mar 1987 |
|
|
| 111. | Lee, Douglas A. | C. P. E. Bach and the Free Fantasia for Keyboard: Deutsche Staatsbibliothek Mus. Ms. Nichelmann I N. |
[ce]CPEBachStud |
| | 1988 |
177-184 |
|
| 112. | Sharp, Michael Durward | Relationships among model performances and performances by piano majors: Articulation and dynamics in selected Bach fugal excerpts. |
diss |
| | 1988 |
176p |
|
| 113. | Scholz, Dieter David | Kulturstadt-Gehabe. Die Berliner Bach-Tage 1988. |
NZsfM(2) |
149 | 10 | Oct 1988 |
43-44 |
|
| 114. | Berke, Dietrich; Heckmann, Harald (eds.) | Festschrift Wolfgang Rehm zum 60. Geburtstag am 3. September 1989. |
[fs]Rehm60 |
| | 1989 |
293p |
|
| 115. | Garbe, Daniela; Wiechert, Bernd (eds.) | Der Director musices, Organist und Kantor Johann Friedrich Schweinitz: Ein Beitrag zur Musikgeschichte Göttingens im 18. Jahrhundert. |
GöttingerJb |
37 | | 1989 |
71-90 |
|
| 116. | Devie, Dominique | Le tempérament musical: philosophie, histoire, théorie et pratique. |
|
| | 1990 |
540p |
|
| 117. | Hughes, Walden D. | J. S. Bach: Composer and Pedagogue. |
PianoQ |
38 | 151 | Fall 1990 |
48-56 |
|
| 118. | La Motte, Diether de | The Study of Harmony: An Historical Perspective |
|
| | 1991 |
xviii, 366p |
|
| 119. | Higbee, Dale | Recorders in Bach Cantata 161, Komm, du süsse Todesstunde. |
JAmerMInstrSoc |
17 | | 1991 |
83-84 |
|
| 120. | Laborde, Denis | 'Vous avez tous entendu son blasphème! Qu'en pensez-vous?' Dire la Passion selon saint Matthieu, selon Bach. |
EthnolFranc |
22 | 3 | 1992 |
320-336 |
|
| 121. | La Motte, Diether de | Kontraste bei Bach. |
Musica |
46 | 2 | Mar-Apr 1992 |
76-78 |
|
| 122. | Abadie, Daniel; Georget, Maryvonne | Hartung et la musique. |
|
| | 1993 |
72p |
|
| 123. | Krause, Drew Stafford | Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. |
diss. |
| | 1993 |
163p |
|
| 124. | Fernandez de la Cuesta Gonzalez, Ismael; Vicente Delgado, Alfonso de (eds.) | Culturas musicales del Mediterráneo y sus ramificaciones. |
RevistaMcol |
16 | | 1993 |
722, 577, 517, 750p |
|
| 125. | Neville, Don J.; Stonehouse, Alison; Richards, William (eds.) | Mozart in history, theory, and practice: Selected papers from the international symposium. |
StudM(WesternOntario) |
14 | | 1993 |
212p |
|
| 126. | Nielsen, Per Drud | Metronomtallet 9: Om Karl Richters handtering af 9 taktslag hos J.S. Bach. |
ColLegno |
3 | | Dec 1994 |
433-447 |
|
| 127. | Leite, Zilei de Oliveira | Applications of Reductive Analytical Techniques in the Phrygian Settings of the 'Orgelbuechlein' by Johann Sebastian Bach. |
diss. |
| | 1995 |
116p |
|
| 128. | Poile, David | Rhythmic Conflicts in the Keyboard Music of J.S. Bach: A Problem of Binary Against Ternary Rhythms. |
diss. |
| | 1995 |
236p |
|
| 129. | Laborde, Denis | La dernière fugue de Bach: Le motif en sciences humaines. |
EthnolFranc |
25 | 2 | 1995 |
206-227 |
|
| 130. | Laborde, Denis | Bachs Matthäus-Passion und das Risiko einer Verurteilung wegen Blasphemie (Leipzig, 1729). |
[p]QJSB_Stuttgart |
| | Oct 1995 |
|
|
| 131. | Kimura, Sachiko; Alfred Dürr; Koopman, Ton | [Letters to BCJ] |
BCJ |
| 24 | Apr 1996 |
|
|
| 132. | Queiroz, Flavio Jose Gomes de | Aprendendo contraponto atraves dos preludios corais. |
diss. |
| | 1996 |
|
|
| 133. | Laborde, Denis | De Jean-Sébastien Bach à Glenn Gould: Magie des sons et spectacle de la passion. |
|
| | 1997 |
183p |
|
| 134. | Higbee, Dale | Instrumental doubling in J.S. Bach's orchestral suite no. 2 in B minor, BWV 1067. |
Continuo |
21 | 2 | Apr 1997 |
7-8 |
|
| 135. | Laborde, Denis | Bach à Leipzig, Vendredi Saint, 1729. |
|
| | 1998 |
129-184 |
|
| 136. | Fuchs, Robert; Oltrogge, Doris; Hahn, Oliver | Bericht über die in der Staatsbibliothek zu Berlin - Preußischer Kulturbesitz vom 17.2.-26.2.98 untersuchten Bach-Autographen und deren Tintenfraß-Problematik. |
BeitrSBBPK |
8 | | 1998 |
155-167 |
|
| 137. | McIntyre, Dean B. | Baroque and Classical Style in Selected Organ Works of the BACHSCHULE. |
diss. |
| | 1998 |
xii, 362p |
|
| 138. | Berke, Dietrich | Alfred Dürr zum 80. Geburtstag. |
MKirche |
68 | 2 | Mar-Apr 1998 |
146 |
|
| 139. | Nielsen, Per Drud | Leipziger bossa nova: En høring af præludiet i Cis-dur fra Das wohltemperierte Klavier, bind 2. |
DanskMTidsskr |
74 | 2 | Oct 1999 |
48-51 |
|
| 140. | La Motte, Diether de | Johann Sebastian Bach gehört mit den Ohren von 1998. |
DiskussionMpädag |
| 1 | 1999 |
92-94 |
|
| 141. | Hibgee, Dale | On playing the baroque treble recorder in G today. |
GalpinSocJ |
52 | | Apr 1999 |
387-388 |
|
| 142. | La Motte, Diether de | Mousikí análysi: Me kritikís paratiríseis tou Carl Dahlhaus. |
|
| | 2000 |
171, 89p |
|
| 143. | Peretti, Pier Damiano | 'À 3 claviers et pédale'! Prassi organistica nel basso continuo tedesco al tempo di Bach. |
ArteOrganariaOrganistica |
7 | 33 | 2000 |
58-65 |
|
| 144. | Fuchs, Robert; Hahn, Oliver; Oltrogge, Doris | 'Geist und Seele sind verwirret ...'. Die Tintenfraß-Problematik der Autographen Johann Sebastian Bachs. |
Restauro |
| 2 | 2000 |
116-121 |
|
| 145. | Edge, Dexter | Mozart's Viennese copyists. |
diss. |
| | 2001 |
2416p |
|
| 146. | Chawkin, Stephen D., Jr. | Bach: Goldberg variations, Anthony Newman, harpsichord. |
[fs]Newman60 |
| | 2001 |
35-36 |
|
| 147. | Pistone, Danièle | Jean-Sébastien Bach dans la France du XIXe siècle. |
OstinatoRigore |
| 16 | 2001 |
17-30 |
|
| 148. | Sölle, Dorothee | Weihnachtsoratorium. |
[ce]BegegnungenMitBach |
| | 2002 |
7 |
|
| 149. | Berke, Dietrich | Tantiemen für Bach, Beethoven oder Bruckner? Über die Schutzfahigkeit von Werken alterer Komponisten. |
Orchester(Mainz) |
50 | 2 | 2002 |
27-30 |
|
| 150. | Peretti, Pier Damiano | Note ostinate. Itinerari dell'interpretazione bachiana sull'esempio della Passacaglia do minore. |
ArteOrganariaOrganistica |
9 | 47 | 2003 |
44-55 |
|
| 151. | Luchese, D. | Patterns of Design in the Canonic Variations on Vom Himmel hoch by J. S. Bach. |
Sonus |
23 | 2 | Spring 2003 |
20-32 |
|
| 152. | Schiltz, Katelijne; De Mey, Peter | Sacrale muziek als voertuig van religieuze ervaring: Het thema 'dood en opstanding' in de muziekgeschiedenis. |
|
| | 2004 |
229-255 |
|
| 153. | Schiltz, Katelijne; De Mey, Peter | The composer as interpreter of the Easter Creed: The music and texts of Bach, Brahms, and Britten. |
|
| | 2004 |
865-892 |
|
| 154. | Smoje, Dujka | Colors of Bach's music: Farbsymphonien in Jakob Weder's painting. |
MusicArt |
29 | 1-2 | 2004 |
265-272 |
|
| 155. | Lee, Douglas A. | C.P.E. Bach as Publicist? The Gestation of the Keyboard Concertos of 1771. |
[p]AMS_SouthCentral |
| | Apr 2004 |
|
|
| 156. | Lee, Douglas A. (ed.) | Sei concerti per il cembalo concertato / Carl Philipp Emanuel Bach. |
CPEBachCW |
3 | 8 | 2005 |
xxiv, 312p |
|
| 157. | Peretti, Pier Damiano | Bach und Frescobaldi. |
ArsOrgani |
54 | 4 | Dec 2006 |
236-241 |
|
| 158. | Peretti, Pier Damiano | Elementi di una recezione frescobaldiana nella musica organistica di J. S. Bach. |
ArteOrganariaOrganistica |
13 | 58 | 2006 |
38-45 |
|
| 159. | Di Pasquale, Donato | Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. |
diss. |
| | 2006 |
94p |
|
| 160. | Florence, Dominic | Opposition as a guiding principle for performance in J.S. Bach's Die Kunst der Fuge. |
diss. |
| | 2006 |
ix, 55p |
|
| 161. | Burstein, L. Poundie; Gagne, David (eds.) | Structure and meaning in tonal music: Festschrift in honor of Carl Schachter. |
HarmonolSer |
12 | | 2006 |
290p |
|
| 162. | Lee, Douglas A. (ed.) | Arrangements of Orchestral Works I / Carl Philipp Emanuel Bach. |
CPEBachCW |
1 | 10.1 | 2007 |
xx, 136p |
|
| 163. | Milne, Jennifer Denise | The rhythm of form: Compositional processes in the music of Sofia Gubaidulina. |
diss. |
| | 2007 |
195p |
|
| 164. | Rhyne, David Ernest | A conductor's guide to the E-flat 'Magnificat' of Johann Sebastian Bach. |
diss. |
| | 2007 |
326p |
|
| 165. | Buxtehude, Dietrich | Herr, ich lasse dich nicht. BuxWV 36; Faksimile der autographen Stimmen in der Universitätsbibliothek Uppsala, mit kritischer Neuausgabe in Partitur |
DocumentaMcol |
2 | 37 | 2007 |
x, 18, 15p |
|
| 166. | Curry, Robert; Gable, David; Marshall, Robert L. (eds.) | Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. |
EastmanStudM |
58 | | 2008 |
x, 375p |
|
| 167. | Lee, Douglas A. (ed.) | Keyboard Concertos from Manuscript Sources XV / Carl Philipp Emanuel Bach. |
CPEBachCW |
3 | 9.15 | 2009 |
xv, 90p |
|
| 168. | Gutiérrez de la Cruz, Josué Noé | La ciaccona dalle origini a Bach. |
Fronimo |
37 | 145 | Jan-Mar 2009 |
31-47 |
|
| 169. | Ballman, Christine; Dufour, Valérie (eds.) | 'La la la... Maistre Henri': Mélanges de musicologie offerts à Henri Vanhulst. |
[fs]Vanhulst |
| | 2009 |
496p |
|
| 170. | Pistone, Danièle | Telemann und Frankreich im 19. und 20. Jahrhundert. |
TelemannKonfBer |
12 | | 2009 |
210-221 |
|
| 171. | Berke, Dietrich; Bödeker, Anke; Ferguson, Faye; Leisinger, Ulrich (eds.) | Bearbeitungen und Ergänzungen von Werken verschiedener Komponisten / Wolfgang Amadeus Mozart. |
|
| | 2010 |
xxxv, 173p |
|
| 172. | Cathé, Philippe; Douche, Sylvie; Duchesneau, Michel; Benoit-Otis, Marie-Hélène (eds.) | Charles Koechlin: Compositeur et humaniste |
[ce]CharlesKoechlin |
| | 2010 |
609p |
|
| 173. | Lamaze, David | Une preuve du symbolisme numérique chez Johann Sebastian Bach: le contrepoint XIV de l'Art de la fugue. |
LEducM |
| 565 | Mar-Apr 2010 |
|
|
| 174. | Prindle, Daniel E. | The Form of the Preludes to Bach's Unaccompanied Cello Suites. |
|
| | 2011 |
xii, 107p |
|
| 175. | Greenberg, Michael D. | Le traitement de l'orchestre dans Amadis de Gaule. |
[ce]AmadisDeGaule |
| | 2011 |
119-165 |
|
| 176. | Balme, Christopher; Liptay, Fabienne; Drewes, Miriam (eds.) | Die Passion des Künstlers: Kreativität und Krise im Film. |
[ce]PassionDesKünstlers |
| | 2011 |
312p |
|
| 177. | Greene, David B. | The Spirituality of Mozart's Mass in C Minor, Bach's Mass in B Minor, and Messiaen's Quartet for the End of Time: When Hearing Sacred Music is Relating to God. |
|
| | 2012 |
ii, 124p. |
|
| 178. | Alencastro, Luiz Felipe de; Fléchet, Anaïs; Pimentel, Juliana; Pistone, Danièle (eds.) | Villa-Lobos: Des sources de l'oeuvre aux échos contemporains. |
[ce]Villa-Lobos |
| | 2012 |
274p |
|
| 179. | Higbee, Dale | Alfred Mann: America's First Recorder Virtuoso. |
BachNotesABS |
| 18 | Spring 2013 |
7-9 |
|
| 180. | Eckhardt, Wolfgang; Fromme, Daniel; Neumann, Julia; Schwinger, Tobias | Das DFG-Projekt 'Kompetenzzentrum Forschung und Information Musik' (KoFIM) an der Staatsbibliothek zu Berlin - Preußischer Kulturbesitz. |
ForumMbib |
34 | 1 | Mar 2013 |
12-21 |
|
| 181. | Blackstone, Daniel; Denizeau, Gérard; Denizeau, Cécile | Analyses musicales: XVIIIe siècle—Jean-Sébastien Bach, François Couperin, Georg Friedrich Haendel. I. |
|
| | 2014 |
219p |
|
| 182. | Haase, Diego Sánchez | Die Bachgesellschaft Paraguay bringt Bachmusik ins Herz Südamerikas. |
MtblNBG |
| 78 | Sommer 2016 |
22-24 |
|
| 183. | Goode, David | The complete Bach. |
OrganistsReview |
103 | 1 | Mar 2017 |
20-21 |
|
| 184. | Lee, Dongho | Self-taught: using the imaginary continuo and reduction analysis as pedagogical approach to performance studies through the lens of J. S. Bach's Pièce d'Orgue, BWV 572. |
diss. |
| | 2019 |
viii, 88p |
|