Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Dreyfus, Laurence | The Use of the Harpsichord in the Sacred Works of J. S. Bach. A paper read at the Forth-Fourth Annual Meeting of the American Musicological Society, Meeting Jointly with the Society for Music Theory, October 19-22, 1978 at Hotel Leamington, Minneapolis. |
[p]AMS_Minneapolis |
| | Oct 1978 |
|
|
| 2. | Dreyfus, Laurence | J. S. Bach's Experiment in Differentiated Accompaniment: Tacet Indications in the Organ Parts to the Vocal Works. Studies and Reports. |
JAMSoc |
32 | 2 | Summer 1979 |
321-334 |
|
| 3. | Dreyfus, Laurence Dana | Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. Univ. of Columbia 1980. 341p |
diss. |
| | 1980 |
341p |
|
| 4. | Dreyfus, Laurence | The Length of Bass Notes in J.S. Bach's Secco Recitatives. A paper read at the CMS / AMS / SMT Denver Annual Meetings, November 6-9, 1980. |
[p]AMS_Denver |
| | Nov 1980 |
|
|
| 5. | Dreyfus, Laurence | Zur Frage der Cembalo-Mitwirkung in den geistlichen Werken Bachs. |
[cr]Marburg1978 |
| | 1981 |
178-184 |
|
| 6. | Dreyfus, Laurence | J. S. Bach and the Status of Genre: Problems of 'Style' in BWV 1029. A paper read at the Forty-Ninth Annual Meeting of the American Musicological Society, October 27-30, 1983 at The Galt House, Louisville. |
[p]AMS_Louisville |
| | Oct 1983 |
|
|
| 7. | Dreyfus, Laurence | J. S. Bach's Concerto Ritornellos and the Question of Invention. A paper read at the Greater New York Chapter meeting of the AMS on May 5, 1984 at Columbia University. |
[p]AMS_GreaterNewYork |
| | May 1984 |
|
|
| 8. | Dreyfus, Laurence | The metaphorical soloist: Concerted organ parts in Bach's cantatas. |
EarlyM |
13 | 2 | May 1985 |
237-247 |
|
| 9. | Dreyfus, Laurence | J. S. Bach's Concerto Ritornellos and the Question of Invention. |
MQ |
71 | 3 | 1985 |
327-358 |
|
| 10. | Dreyfus, Laurence | The Metaphorical Soloist: Concerted Organ Parts in Bach's Cantatas. |
[ce]JSBOrganist |
| | 1986 |
172-192 |
|
| 11. | Dreyfus, Laurence | The Articulation of Genre in Bach's Instrumental Music. |
[cr]Philadelphia1985 |
| | 1986 |
10-38 |
|
| 12. | Dreyfus, Laurence | The capellmeister and his audience: Observations on 'enlightened' receptions of Bach. |
[cr]Stuttgart1985 |
| | 1987 |
i: 180-189 |
|
| 13. | Dreyfus, Laurence | J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029. |
JMcol |
5 | 1 | Winter 1987 |
55-78 |
|
| 14. | Dreyfus, Laurence | Bach's Continuo Group: Players and Practices in his Vocal Works. Cambridge, Mass; London: Harvard Univ. Press, 1987, xii, 264p. (= Studies in the History of Music, 3) |
StudHistM(Harvard) |
3 | | 1987 |
xii, 264p |
|
| 15. | Dreyfus, Laurence | Bach and the Pursuit of Contemplative Time. A paper read at the AMS/SEM/SMT Oakland Annual Meetings on 7-11 November 1990. |
[p]AMS_Oakland |
| | Nov 1990 |
|
|
| 16. | Dreyfus, Laurence | Matters of Kind: Genre and Subgenre in Bach's Well-Tempered Clavier, Book I. |
[fs]Scheide |
| | 1993 |
101-119 |
|
| 17. | Dreyfus, Laurence | What is an Invention? [BWV 772] |
[ce]Dreyfus |
| | 1996 |
1-32; 247-249 |
|
| 18. | Dreyfus, Laurence | Composing against the Grain. [BWV 816, 18] |
[ce]Dreyfus |
| | 1996 |
33-58; 249-250 |
|
| 19. | Dreyfus, Laurence | The Ideal Ritornello. [Revised version of 'J. S. Bach's Concerto Ritornellos and the Question of Invention.', MQ, lxxi/3 (1985), pp. 327-358.] [BWV 1042, 35, 1047, 1061, 245/24] |
[ce]Dreyfus |
| | 1996 |
103-133; 250-251 |
|
| 20. | Dreyfus, Laurence | The Status of a Genre. [Revised version of 'J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029.', JMcol, v/1 (1987), pp. 55-78] [BWV 1029, 1001/1, 1005/2, 808/1] |
[ce]Dreyfus |
| | 1996 |
103-133; 251-254 |
|
| 21. | Dreyfus, Laurence | Matters of Kind. [Revised version of 'Matters of Kind: Genre and Subgenre in Bach's Well-Tempered Clavier, Book I', [fs]Scheide (1993), pp. 101-119] [BWV 849/2; 856/2; 860/2; 850/2; 846/1; 849/2; 1080] |
[ce]Dreyfus |
| | 1996 |
135-168; 254-256 |
|
| 22. | Dreyfus, Laurence | Figments of the Organicist Imagination. [BWV 847/2] |
[ce]Dreyfus |
| | 1996 |
169-188; 256-257 |
|
| 23. | Dreyfus, Laurence | On Bach's Style. [BWV 1052, 1051] |
[ce]Dreyfus |
| | 1996 |
189-218; 258-259 |
|
| 24. | Dreyfus, Laurence | Bach as Critic of Enlightenment. [Revised version of 'The Articulation of Genre in Bach's Instrumental Music', [cr]Philadelphia1985 (1986), pp. 10-38] [BWV 831, 198] |
[ce]Dreyfus |
| | 1996 |
219-244; 258-260 |
|
| 25. | Dreyfus, Laurence | Bach and the Patterns of Invention. Cambridge, MA: Harvard Univ. Press, 1996. [v], 270p. ISBN: 0674060059; Paperback edn. 2004. 288p. ISBN: 0-674-01356-5 |
[ce]Dreyfus |
| | 1996 |
270p |
|
| 26. | Dreyfus, Laurence | Bachian invention and its mechanisms. |
[ce]CambridgeCompanion_Bach |
| | 1997 |
171-192 |
|
| 27. | Dreyfus, Laurence | Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Shozen). [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord. (cont., pp.23-32)] Trans. by Nahoko Goto. |
BCJ |
| | Dec 2001 |
46-53 |
|
| 28. | Dreyfus, Laurence | Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-1-Sho: Jo. [Bach's Continuo Group -- Players and Practices in His Vocal Works: Chapter 1: Introduction (pp.1-9)] Trans. by Nahoko Goto. |
BCJ |
| 48 | May 2001 |
26-32 |
|
| 29. | Dreyfus, Laurence | Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro. [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord (pp.10-23)] Trans. by Nahoko Goto. |
BCJ |
| 49 | Jun 2001 |
28-38 |
|
| 30. | Dreyfus, Laurence | Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord. (cont., pp.33-48)] Trans. by Nahoko Goto. |
BCJ |
| 51 | Feb 2002 |
35-44 |
|
| 31. | Dreyfus, Laurence | Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). [Bach's Continuo Group -- Players and Practices in His Vocal Works. Chapter 2: Organ and Harpsichord. (cont., pp.48-58)] Trans. by Nahoko Goto. |
BCJ |
| 53 | Apr 2002 |
34-40 |
|
| 32. | Dreyfus, Laurence | Bach no Continuo Group -- Seigaku Sakuhin ni okeru Sosha to Kanshu ni tsuite. Dai-2-Sho: Orugan to Chenbaro (Tsuzuki). [Bach's Continuo Group -- On the performers and custom in vocal works. Chapter 2: Organ and Harpsichord. (cont.)] Trans. by Nahoko Goto. |
BCJ |
| 54 | Jun 2002 |
36-47 |
|
| 33. | Strohm, Reinhard; Butt, John; Dreyfus, Laurence; Tatlow, Ruth | Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford] |
BachNotesLBS |
| | Mar 2007 |
[5] |
|
| 34. | Dreyfus, Laurence | Bachian Poetics in the St John Passion. A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow. |
[p]SMA_Glasgow |
| | Apr 2009 |
|
|
| 35. | Dreyfus, Laurence | The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. |
BachPerspectives |
8 | | 2011 |
96-121 |
|
| 36. | Dreyfus, Laurence | Early music defended against its devotees: A theory of historical performance in the twentieth century. |
[ce]BaroqueMusic |
| | 2011 |
499-527 |
|