Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Cressy, Thomas | Bahha: Bach and Japan. A paper presented at the dialogue session 'Young Scholars' Forum' at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 2. | Cressy, Thomas | The Case of Bach and Japan: Some Concepts and their Possible Significance. Young Scholars' Forum. http://bachnetwork.co.uk/ub11/ub11-cressy.pdf |
UnderstandingBach |
11 | | 2016 |
140-146 |
|
| 3. | Cressy, Thomas | 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract. |
diss. |
| | 2017 |
123, 70, 2p |
|
| 4. | Cressy, Thomas | Bach and the samurai aesthetic framework: the implications of the writings of Utagawa Yoan and Kume Kunitake. A paper presented at the 'Young Scholars' Forum' at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
|
| 5. | Cressy, Thomas | The Reception and Dissemination of Bach's Music in Meiji-Era Japan: Repertoire, Social Agency, and Westernization. A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Session 'Music Pioneers in Modern Japan' |
[p]IMS_Tokyo |
| | Mar 2017 |
|
|