| Type | List | Author  | Title [further info ] | Series | Vol | No | Year | Pages | Status |
| 1. | Christensen, Thomas | Eighteenth-Century Science and the 'Corps Sonore:' The Scientific Background to Rameau's 'Principle of Harmony'. |
JMTheory |
31 | 1 | Spring 1987 |
23-50 |
|
| 2. | Christensen, Thomas | Nichelmann Contra C. P. E. Bach: Issues of Harmonic Theory in the Empfindsamer Stil. |
[p]AMS_NewOrleans |
| | Oct 1987 |
|
|
| 3. | Christensen, Thomas | Nichelmann contra C. Ph. E. Bach: Harmonic Theory and Musical Politics at the Court of Frederick the Great. |
VeröffJoachimJungiusGWiss |
62 | | 1990 |
189-220 |
|
| 4. | Christensen, Thomas | Sensus, ratio and phthongos: Mattheson's theory of tone perception. |
[fs]Lewin |
| | 1994 |
1-22 |
|
| 5. | Christensen, Thomas | Johann Nikolaus Bach als Musiktheoretiker. |
BachJb |
82 | | 1996 |
93-100 |
|
| 6. | Christensen, Thomas | Bach among the Theorists. |
[p]ABS_California |
| | Apr 1996 |
|
|
| 7. | Christensen, Thomas | Bach among the Theorists. |
BachPerspectives |
3 | | 1998 |
23-46 |
|
| 8. | Christensen, Thomas | C.P.E. Bach's Versuch and its Context in Eighteenth-Century Thorough-Bass Pedagogy. |
CPEBachKonzepteSR |
2 | | 1998 |
352-377 |
|
| 9. | Christensen, Thomas S. | Die Kunst des Möglichen. Bach, Musiktheorie und musikalische Mannigfaltigkeit. |
LeipzigerBeitrBachF |
7 | | 2005 |
99-126 |
|
| 10. | Christensen, Thomas | Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. |
HarvardPubM |
22 | | 2008 |
17-40 |
|