Bach Bibliography
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Author : Butler, Gregory G.
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
1. Butler, Gregory G.The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. diss. 1973
2. Butler, Gregory G.The Fantasia as Musical Image. MQ 60 4 Oct 1974 602-615
3. Butler, Gregory G.Fugue and Rhetoric. JMTheory 21 1 Spring 1977 49-109
4. Butler, Gregory G.Konrad Friedrich Hurlebusch and His Influence on J. S. Bach. [p]AMS_PacificNorthwest Nov 1977
5. Butler, Gregory G.New Research on J. S. Bach's Dritter Teil der Klavierübung (1739). [p]AMS_Minneapolis Oct 1978
6. Butler, Gregory G.Ordering Problems in J. S. Bach's Art of the Fugue Resolved. [p]AMS_Biltmore Nov 1979
7. Butler, Gregory G.J. S. Bach and the Schemelli Gesangbuch Revisited. [p]AMS_PacificNorthwest Nov 1979
8. Butler, Gregory G.Leipziger Stecher in Bachs Origianldrucken. BachJb 66 1980 9-26
9. Butler, Gregory G.Music and Rhetoric in early 17th century English sources. MQ 66 1 Jan 1980 53-64
10. Butler, Gregory G.Mattheson's Der vollkommene Capellmeister and J. S. Bach's Late Fugal Writing. [p]AMS_Boston Nov 1981
11. Butler, Gregory G.Borrowings in J. S. Bach's Klavierübung III. [p]AMS_PacificNorthwest Apr 1981
12. Butler, Gregory G.Borrowings in J. S. Bach's Klavierübung III. CanadianUnivMReview 4 1983 204-217
13. Butler, Gregory G.Der vollkommene Capellmeister as a stimulus to J. S. Bach's late fugal writing. [ce]NewMatthesonStudies 1983 293-305
14. Butler, Gregory G.Ordering Problems in J. S. Bach's Art of Fugue Resolved. MQ 69 1 Winter 1983 44-61
15. Butler, Gregory G.The Proof Copies of J. S. Bach's Klavierübung III. [p]AMS_Louisville Oct 1983
16. Butler, Gregory G.The projection of affect in Baroque dance music. EarlyM 12 2 May 1984 200-207
17. Butler, Gregory G.J. S. Bach's Klavierübung III: Aspects of its Evolution as Revealed in the Original Print. [p]AMS_PacificNorthwest May 1984
18. Butler, Gregory G.J. S. Bach and the Schemelli Gesangbuch Revisited. StudiMusicali 13 2 1984 241-257
19. Butler, Gregory G.The Engraving and Printing of J. S. Bach's Six Partitas. [p]AMS_Vancouver Nov 1985
20. Butler, Gregory G.The engraving of J. S. Bach's six partitas. JMcolResearch 7 1 1986 3-27
21. Butler, Gregory G.Neues zur Datierung der Goldberg-Variationen. BachJb 74 1988 219-223
22. Butler, Gregory G.Johann Gotthilf Ziegler: Der Notenstecher der Partiten III bis VI von Johann Sebastian Bach? [cr]Leipzig1985 1988 277-281
23. Butler, Gregory G.J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. Bach 20 2 Summer 1989 4-37
24. Butler, Gregory G.Bach's Clavier-Übung III: The making of a print. With a companion study of the Canonic Variations on 'Vom Himmel hoch', BWV 769. 1990 139p
25. Butler, Gregory G.J. S. Bach's Gloria in Excelsis Deo (BWV 191): Music for a Leipzig Dankfest. [p]AMS_PacificNorthwest Mar-Apr 1990
26. Butler, Gregory G.J. S. Bach and the Concord-Discord Paradox. JMcol 9 3 Summer 1991 343-357
27. Butler, Gregory G.Johann Sebastian Bachs Gloria in excelsis Deo BWV 191: Musik für ein Leipziger Dankfest. BachJb 78 1992 65-71
28. Butler, Gregory G.The Engravers of Bach's Clavier-Übung II. [fs]Scheide 1993 57-69
29. Butler, Gregory G.J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History. Bach 25 1 Spring-Summer 1994 5-10
30. Butler, Gregory G.J. S. Bach's reception of Tomaso Albinoni's mature concertos. BachStud 2 1995 20-46
31. Butler, Gregory G.Johann Gottlob Immanuel Breitkopf: The Formative Years. BachPerspectives 2 1996 159-168
32. Butler, Gregory G.Toward a More Precise Chronology for Bach's Concerto for Three Violins and Strings BWV 1064a: The Case for Formal Analysis. DortmundBachF 1 1997 235-247
33. Butler, Gregory G.Fasch and the canonic trio sonata. FaschSt 6 1997 249-262
34. Butler, Gregory G.The Galant Style in Bach's Musical Offering: Widening the Dimensions [p]BS_Dortmund Jan 1998
35. Butler, Gregory G.The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. BachPerspectives 4 1999 9-32
36. Butler, Gregory G.Johann Sebastian Bach und Johann Gottlieb Graun. [fs]Schulze65 1999 186-193
37. Butler, Gregory G.Using Chronological Markers to Establish Connexes of Bach's Concerto Movements. [p]AMS_PacificNorthwest Apr 1999
38. Butler, Gregory G.J. S. Bachs Kanonische Veränderungen über 'Vom Himmel hoch' (BWV 769). Ein Schlußstrich unter die Debatte um die Frage der 'Fassung letzter Hand'. BachJb 86 2000 9-34
39. Butler, Gregory G.The Prelude to J. S. Bach's Third English Suite BWV 808/1: An Allegro Concerto Movement in Ritornello Form. [p]BCB_Dublin Jul 2000
40. Butler, Gregory G.Bachs Musicalisches Opfer. Neue Entdeckungen am Originaldruck. [p]WK_Leipzig Jan 2000
41. Butler, Gregory G.The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions. Bach 33 1 2002 57-68
42. Butler, Gregory G.The Printing History of J. S. Bach's Musical Offering: New Interpretations. JMcol 19 2 Spring 2002 306-331
43. Butler, Gregory G.Eine neue Interpretation der Druckgeschichte des Musikalischen Opfers. LeipzigerBeitrBachF 5 2002 309-320
44. Butler, Gregory G.Der äesthetische und pädagogische Kontext des Italienischen Konzerts. [p]BS_Dortmund Jan-Feb 2002
45. Butler, Gregory G.Toward an Aesthetic and Pedagogical Context for J. S. Bach's Italian Concerto BWV 971. DortmundBachF 6 2003 223-230
46. Butler, Gregory G.The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. IrishMStud 8 2004 93-101
47. Butler, Gregory G.Bach Perspectives. Volume Six. J. S. Bach's Concerted Ensemble Music, The Ouverture. BachPerspectives 6 2007 xi, 163p
48. Butler, Gregory G.Bach's Preluding for a Leipzig Academic Ceremony. [fs]Leaver65 2007 51-67
49. Butler, Gregory G.The origins of J.S. Bach's 'Wie jammern mich doch die verkehrten Herzen,' BWV 170/3. [fs]Williams70 2007 227-236
50. Butler, Gregory G.Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053). BachPerspectives 7 2008 1-20
51. Butler, Gregory G. (ed.)Bach Perspectives. Volume Seven. J. S. Bach's Concerted Ensemble Music, The Concerto. BachPerspectives 7 2008 xi, 121p
52. Butler, Gregory G.Scribes, Engravers, and Notational Styles: The Final Disposition of Bach's Art of Fugue. [ce]AboutBach 2008 111-123
53. Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.)About Bach. [ce]AboutBach 2008 xi, 216p

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