Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bertoglio, Chiara | Bach performance in Italian 'instructive editions'. Papers read at Performa '09 - Conference on Performance Studies, University of Aveiro, May 2009. http://performa.web.ua.pt/pdf/actas2009/14_chiara_bertoglio.pdf |
[cr]Aveiro2009 |
| | 2009 |
|
|
| 2. | Bertoglio, Chiara | Instructive Editions and Piano Performance Practice: A Case Study. Bach's Well-Tempered Clavier in Italy between 19th and 20th Century. Köln: Lambert Academic Publishing, 2012. 364p. ISBN: 978-3-8473-2151-4. |
|
| | 2012 |
364p |
|
| 3. | Bertoglio, Chiara | Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. PhD diss., University of Birmingham. 2012. 466p. |
diss. |
| | 2012 |
466p |
|
| 4. | Bertoglio, Chiara | Instructive Editions of Bach's Well-Tempered Clavier in Italy. A paper read in the session 'Young Scholars' Forum' at the Sixth J. S. Bach Dialogue Meeting at University of Warsaw, 3-7 July 2013. |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|
| 5. | Bertoglio, Chiara | A Perfect Chord: Trinity in Music, Music in the Trinity. http://www.mdpi.com/2077-1444/4/4/485/pdf |
Religions |
| 4 | 2013 |
485–501 |
|
| 6. | Bertoglio, Chiara | Instructive Editions of Bach's Well-Tempered Clavier in Italy. Lecture Recital given at the 16th Biennial International Conference on Baroque Music held at University Mozarteum Salzburg, 9-13 July 2014. |
[p]BICB_Salzburg |
| | Jul 2014 |
|
|
| 7. | Bertoglio, Chiara | Italian Instructive Editions of The Well-Tempered Clavier: A Useful Resource for Performance Practice Studies. http://www.bachnetwork.co.uk/ub9/UB9-Bertoglio.pdf |
UnderstandingBach |
9 | | 2014 |
49-74 |
|
| 8. | Bertoglio, Chiara | Enhancing the Spectacular: Busoni on Bach's Goldberg Variations. A lecture recital presented at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 9. | Bertoglio, Chiara | The Mother, the sinners and the cross. Chapter 3. [A comparison between Pergolesi's Stabat Mater and J. S. Bach's version of the same work, Tilge, Höchster, meine Sünden] [BWV 1083] |
[ce]Bertoglio |
| | 2016 |
61-106 |
|
| 10. | Bertoglio, Chiara | 'Mit Harfen und mit Zimbeln schon': Bach's cantata BWV 140 as a case-study for a theological interpretation of music. Chapter 4. |
[ce]Bertoglio |
| | 2016 |
107-178 |
|
| 11. | Bertoglio, Chiara | Through music to truth: Music and theology in dialogue with Italian culture. Cantalupa: Effatà, 2016. 187p. ISBN: 88-6929-151-0; 978-88-6929-151-7. (= L'occhio dell'anima) |
[ce]Bertoglio |
| | 2016 |
187p |
|
| 12. | Bertoglio, Chiara | Busoni on how to transcribe from the organ to the piano: an easy course in ten Preludes. A lecture recital presented at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
|
| 13. | Bertoglio, Chiara | From Bach's violin to Italian pianos: the Sei Solo in the Italian piano transcriptions. Chapter 2. |
[cr]Montecassiano2019 |
| | 2019 |
17-24 |
|
| 14. | Bertoglio, Chiara | Translating Bach: Understanding Bach Piano Performance through Lipiñski's Instructive Edition Abstract: pp.368 (pl), 369 (en). |
[cr]Warsaw2017 |
| | 2019 |
343-367 |
Latin 2 |