Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bartel, Dietrich | The Concept of the Musical-Rhetorical Figures: A Study in Terminology and the Evolution of Musical Thought. A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985. |
[p]AMS_Vancouver |
| | Nov 1985 |
|
|
| 2. | Bartel, Dietrich | Handbuch der musikalischen Figurenlehre. [Zugl.: Freiburg i. Br., Univ., Diss., 1982 u. d. T.: Terminologie der musikalischen Figurenlehre]. Laaber-Verlag, 1985, 307p. ISBN: 3-89007-028-0; 2. Aufl. 1992. 300p; 3. Aufl, 1997. 303p. ISBN: 3-89007-340-9; 4. Aufl. 2004. 303p; 5. Aufl. 303p. |
|
| | 1986 |
307p |
|
| 3. | Bartel, Dietrich | Musica Poetica: Musical-Rhetorical Figures in German Baroque Music. Lincoln: U. of Nebraska, 1997. xv, 471p. ISBN: 0-8032-1276-3. |
|
| | 1997 |
xv, 471p |
|
| 4. | Bartel, Dietrich | Andreas Werckmeister's Final Tuning: A Theological-Speculative Path to Equal Temperament. A paper read at the annual meeting of the Forum on Music and Christian Scholarship on 27 February 2009 at Notre Dame University, IN. |
[p]FMCS_NotreDame |
| | Feb 2009 |
|
|
| 5. | Bartel, Dietrich (trans.) | Andreas Werckmeister's Musicalische Paradoxal-Discourse: A Well-Tempered Universe. Translated with Commentary by Dietrich Bartel. - Lanham: Lexington Books, xv, 157p. ISBN 978-1-4985-6634-6 (Hardback); 978-1-4985-6635-3 (eBook) |
ContextBachStud |
7 | | 2017 |
xv, 157p |
|