Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Arakawa, Tsuneko | J.P. Kirnberger no Ongaku Riron -- 'Die Kunst des reinen Satzes in der Musik' o Chushin ni. [J.P. Kirnberger and his music theory--concerning his Die Kunst des reinen Satzes in der Musik.] |
OngakuGaku |
19 | 1 | 1973 |
1-12 |
|
| 2. | Arakawa, Tsuneko | Seiji, Keizai, Shukyo, Geijutsu -- Dresden to Leipzig no Baai. [Politics, Economics, Religion, Arts -- the case of Dresden and Leipzig] |
BCJ |
| 36 | Nov 1998 |
10-14 |
|
| 3. | Arakawa, Tsuneko | Doitsu ni okeru 17-Seiki Zenhan no Tsuso Teion Soho ni kansuru Shiron: Luther-ha no Shukyoteki Seigaku Sakuhin no Baai. [A theory on the early 17th-century thorough-bass methods in Germany in the sacred vocal works of the Lutheran school] |
OngakuGaku |
44 | 1 | 1998 |
1-15 |
|
| 4. | Arakawa, Tsuneko | Concerto kara Kyokai Kantata e no Michi: Dresden Kyutei ni okeru 2ri no Italia-jin Gakucho ni tsuite. [The road from concertos to church cantatas: Two Italian kapellmeisters at the Dresden court] |
[fs]Sumikura70 |
| | 2002 |
125-135 |
|
| 5. | Arakawa, Tsuneko | Johann Sebastian Bach Sakkyoku Kantata Dai-123-Ban 'Aisuru Imanuel, Shinko atsuki Mono no Shogun yo' ni tsuite. [On Cantata no.123 'Liebster Immanuel, Herzog der Frommen' composed by Johann Sebastian Bach] |
FerrisStud |
1 | | Nov 2003 |
42-45 |
|