Bach Bibliography
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1. Albert Schweitzers nachgelassene Manuskripte über die Verzierungen bei Johann Sebastian Bach. BachSt 8 1984 129p
2. In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71). ContextBachStud 8 2018 3-22
3. Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64). ContextBachStud 8 2018 23-50
4. Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103) ContextBachStud 8 2018 51-73
5. Toward an Understanding of J. S. Bach's Use of Red Ink in the Autograph Score of the Matthew Passion. ContextBachStud 8 2018 75-102
6. The Theological in Bach Research (2007). ContextBachStud 8 2018 103-118
7. Formal and Motivic Design in the Opening Chorus of J. S. Bach's Magnificat. ContextBachStud 8 2018 121-137
8. The Tonally Open Ritornello in J. S. Bach's Church Cantatas. ContextBachStud 8 2018 139-151
9. The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion. ContextBachStud 8 2018 153-164
10. Parody and Text Quality in the Vocal Works of J. S. Bach. ContextBachStud 8 2018 167-176
11. J. S. Bach's Parodies of Vocal Music: Conservation or Intensification? ContextBachStud 8 2018 177-203
12. J. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen. ContextBachStud 8 2018 205-214
13. Bach's Second Thoughts on the Christmas Oratorio: The Compositional Revisions to 'Bereite dich, Zion,' BWV 248/4. ContextBachStud 8 2018 215-224
14. The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II. ContextBachStud 8 2018 225-242
15. The Leipzig Audiences of J. S. Bach's Matthew Passion to 1750. ContextBachStud 8 2018 245-259
16. The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works. ContextBachStud 8 2018 261-279
17. The Need for a New Music: J. S. Bach in Contemporary Context (1946). ContextBachStud 8 2018 281-295
18. Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. ContextBachStud 8 2018 297-303
19. Compositional Choices and Meaning in the Vocal Music of J. S. Bach. ContextBachStud 8 2018 xxi, 328p

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