Bach Bibliography Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Dürr, Alfred (ed.): Das Wohltemperierte Klavier II. BWV 870-893, und Fünf Praeludien und Fughetten, BWV 870a, 899-902 / Johann Sebastian Bach. NBA 5/ 6.2 (1995), xvi, 358p Hrsg. von Alfred Dürr. - Kassel [u.a.]: Bärenreiter, 1995. xvi, 358p. Ed.-Nr.: BA 5086. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie V: Klavier- und Lautenwerke. Band 6.2) [BWV 870-893, 870a, 899-902] Reviews: Mf xlviii/3 (1995) 307 (Martin Geck) OrganYb xxvi (1996) 173-175 (Peter Williams) Notes lv (1998-9) 755-60 (David Schulenberg) EarlyM xxvii/4 (1999) 664-667 (David Ledbetter) TijdschrMtheorie iv/2 (1999) 87-88 (Frank Agsteribbe) Mf liv/2 (2001) 214-215 (Werner Breig)
	2.	Bylsma, Anner: Bach, The Fencing Master or reading aloud from the first three cello suites. (1998), 197p Basel: Bijlsma's Fencing Mail, 1998. 200p. ISBN: 90-9011794-6. - 2nd largely unchanged edition, 2001. 197p. Reviews: TijdschrMtheorie iv/3 (1999) 256-259 (Anthony Fiumara) TijdschrOudeM xiv/4 (Nov 1999) 6-8 (Johannes Boer) Violoncello Society Newsletter, Spring 1999 (Jeffrey Solow)
	3.	Dürr, Alfred: Johann Sebastian Bach. Das Wohltemperierte Klavier. (1998), 459p Kassel [u.a.]: Bärenreiter, 1998. 459p Reviews: Notes lv/3 (1998-9) 755-760 (David Schulenberg) Yo Tomita, 'On-line Book Review' Orchester(Mainz) xlvii/4 (1999) 68-69 (Arnold Werner-Jensen) Concerto xvi/142 (Apr 1999) 14 (Thomas Synofzik) TijdschrMtheorie iv/2 (May 1999) 87-88 (Frank Agsteribbe) OMzs lv/11-12 (Nov-Dec 2000) 80-88 (Hans-Joachim Hinrichsen) OrganYb xxix (2000) 196-198 (Peter F. Williams) Mf liv/1 (Jan-Mar 2001) 77-78 (Werner Breig)
	4.	Lester, Joel: Bach's Works for Solo Violin: Style, Structure, Performance. (1999), x, 186p New York: Oxford University Press, 1999. x, 186p. ISBN: 0-19-517144-6. - repr. edn. 2003. Reviews: MTimes cxli/1871 (Summer 2000) 63-67 (Yo Tomita) TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze) EarlyMReview 57 (Feb 2000) 6 (Clifford Bartlett) Notes lvii/1 (Sep 2000) 127-131 (David Schulenberg) TheoryPractice xxvi (2001) 117-140 (Karl Braunschweig) MLetters lxxxii/1 (Feb 2001) 106-108 (Peter Walls) TijdschrMtheorie ix/1 (Feb 2004) 67-70 (Clemens Kemme; Johannes Leertouwer) MOpinion (Jul 2005) (David Hazel)
	5.	Dejans, Peter (ed.): Theorie in praktijk: Compositie, uitvoering en luisterervaring. GeschrOrpheusInst 2a (1999), 136p [Theory into practice: Composition, performance, and the listening experience] Leuven: Katholieke Universiteit Leuven, 1999. 136p. ISBN: 90-6186-993-5. (= Geschriften van het Orpheus Instituut, 2a) Reviews: TijdschrMtheorie v/1 (Feb 2000) 62-66 (Yves Knockaert)
	6.	Yearsley, David: Bach and the Meanings of Counterpoint. (2002), xvi, 257p Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5. Reviews: Yo Tomita, 'On-line Book Review' TijdschrMtheorie viii/2 (May 2003) 168-169 (Thomas Op de Coul) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) EarlyM xxxi/2 (May 2003) 275-276 (David Humphreys) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) ColMSymposium xliv (2004) (Jane Solose) McolAustralia xxvii (2004) 135-138 (Denis Collins) 18cM i/1 (Mar 2004) 100-104 (James Currie) MEducatorsJ xc/4 (Mar 2004) 77-78 (Michelle Barnes) CanadianUnivMReview xxiv/2 (2004) 87-90 (Janette Tilley) BachNotesABS 3 (Spring 2005) 6-7 (Paul M. Walker) MTheorySpec xxvii/1 (Spring 2005) 113-117 (Daniel K. L. Chua) JAMSoc lviii/3 (Fall-winter 2005) 710-717 (George B. Stauffer) MTheoryOnline xii/1 (Feb 2006) (Peter N Schubert)
	7.	Davidson, Jane W. (ed.): The music practitioner: Research for the music performer, teacher and listener. [ce]MusicPractitioner (2004), xxiv, 360p Aldershot: Ashgate, 2004. xxiv, 360p. ISBN: 0-7546-0465-9; 978-0-7546-0465-5. Reviews: BritishJMEduc xxii/2 (Jul 2005) 181-183 (Alexandra Lamont) MEducatorsJ xcii/1 (Sep 2005) 26 (Mark Walker) TijdschrMtheorie xii/1 (Feb 2007) 158-160 (Yves Knockaert)
	8.	Gjerdingen, Robert O.: Music in the galant style. (2007), ix, 514p Being an essay on various schemata characteristic of eighteenth-century music for courtly chambers, chapels, and theaters, including tasteful passages of music drawn from most excellent chapel masters in the employ of noble and noteworthy personages, said music all collected for the reader's delectation on the World Wide Web. - New York, NY: Oxford University Press, 2007, ix, 514p. ISBN: 0-19-531371-2; 978-0-19-531371-0. Reviews: JMTheory l/2 (Fall 2006) 277-290 (David Temperley) TijdschrMtheorie xiii/2 (May 2008) 175-177 (Hans Aerts) JSMI iv (2008) 101-105 (Martin Adams) MLetters xc/3 (Aug 2009) 468-473 (W. Dean Sutcliffe) EarlyM xxxvii/4 (Nov 2009) 669-671 (Matthew Pritchard) JMcolResearch xxix/1 (Jan-Mar 2010) 73-79 (Donald R. Boomgaarden) TheoryPractice xxxvi (2011) 225-235 (Paul Moravitz Sherrill) JAMSoc lxiv/1 (Spring 2011) 244-253 (Mary Sue Morrow)
	9.	Vial, Stephanie D.: The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'. EastmanStudM 55 (2008), xvi, 358p Rochester: University of Rochester Press, 2008. xvi, 358p. ISBN-13: 978-1-58046-034-7. (= Eastman Studies in Music, 55) Reviews: MTimes cxlix/1905 (Winter 2008) 112-115 (Peter Williams) TijdschrMtheorie xiv/3 (Nov 2009) 202-205 (Hans Maas) JMcolResearch xxix/1(Jan-Mar 2010) 73-79 (Donald R. Boomgaarden) 18cM vii/2 (Sep 2010) 293-295 (Thomas Irvine)

9 matches.