Bach Bibliography Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Siegel, Hedi (ed.): Schenker Studies. [ce]SchenkerStud (1990), xii, 206p New York: Cambridge University Press, 1990. xii, 206p. ISBN: 0-521-36038-2. Reviews: McolAustralia xiv (1991) 89-92 (Michael Kassler) MTheorySpec xiii/2 (1991) 265-273 (Matthew Gordon Brown) MLetters lxxii/1 (1991) 141-144 (Nicholas Marston) Mf xlv/2 (1992) 177-178 (Hellmut Federhofer) MQ lxxvi/2 (1992) 242-263 (Timothy L. Jackson) Notes xlix/3 (1993) 1048-1053 (Allan R. Keiler) TheoryPractice xix (1994) 121-152 (Walter Everett) RevueMcol lxxxii/2 (1996) 374-375 (Serge Gut)
	2.	Schenker, Heinrich: The masterwork in music: A yearbook. II (1926). CambridgeStudMTheoryAnalysis 8 (1996), xvii, 133p Edited by William Drabkin; translated by Ian Bent ... [et al.]. Cambridge: Cambridge University Press, 1996. xvii, 133p. ISBN: 0-521-45542-1. (= Cambridge studies in music theory and analysis, 8) Reviews: McolAustralia xx (1997) 110-111 (Michael Kassler) JMTheory xlv/1 (2001) 162-169 (Roger Kamien)
	3.	Wollny, Peter; Glöckner, Andreas (eds.): Passionskantate Wer ist der, so von Edom kömmt (Pasticcio) / Carl Heinrich Graun, Johann Sebastian Bach, Georg Philipp Telemann, Johann Christoph Altnickol [?], Johann Kuhnau[?]. DMittDBarockM(2) 1 (1997), xxiii, 244p Hrsg. v. Peter Wollny und Andreas Glöckner. Partitur. - Leipzig: Hofmeister, c1997. xxiii, 244p. ISMN: M-2034-8301-4. (= Denkmäler mitteldeutscher Barockmusik, II/1) Reviews: McolAustralia xxvi/1 (2003) 148-152 (Michael O'Loughlin)
	4.	Rowland, David (ed.): The Cambridge companion to the piano. [ce]CambridgeCompanion_Piano (1998), xiv, 244p Cambridge University Press, 1998. xiv, 244p. ISBN: 0-521-47470-1; 0-521-47986-X. Reviews: MTimes cxl/1866 (1999) 60 (Susan Bradshaw) McolAustralia xxii (1999) 72-73 (Deborah Crisp) BritishJMEduc xvi/2 (1999) (Richard Crozier) JAmerMInstrSoc xxvi (2000) 221-224 (Stephen Siek) JMusicolResearch xx/1 (2000) 93-96 (Candace Bailey) MLetters lxxxii/2 (2001) 303-307 (Elizabeth Norman McKay)
	5.	Yearsley, David: Bach and the Meanings of Counterpoint. (2002), xvi, 257p Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5. Reviews: Yo Tomita, 'On-line Book Review' TijdschrMtheorie viii/2 (May 2003) 168-169 (Thomas Op de Coul) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) EarlyM xxxi/2 (May 2003) 275-276 (David Humphreys) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) ColMSymposium xliv (2004) (Jane Solose) McolAustralia xxvii (2004) 135-138 (Denis Collins) 18cM i/1 (Mar 2004) 100-104 (James Currie) MEducatorsJ xc/4 (Mar 2004) 77-78 (Michelle Barnes) CanadianUnivMReview xxiv/2 (2004) 87-90 (Janette Tilley) BachNotesABS 3 (Spring 2005) 6-7 (Paul M. Walker) MTheorySpec xxvii/1 (Spring 2005) 113-117 (Daniel K. L. Chua) JAMSoc lviii/3 (Fall-winter 2005) 710-717 (George B. Stauffer) MTheoryOnline xii/1 (Feb 2006) (Peter N Schubert)
	6.	Kassler, Michael: Charles Edward Horn's Memoirs of his Father and Himself. (2003), ix, 131p Aldershot: Ashgate, 2003. ix, 131p. ISBN: 0-7546-3174-5. Reviews: MTimes cxlv (Fall 2004) 100-102 (Patricia Howard) McolAustralia xxvii (2004-2005) 133-134 (Maria McHale) MLetters lxxxvi/2 (May 2005) 297-298 (Nicholas Temperley)
	7.	Kassler, Michael (ed.): The English Bach Awakening. Knowledge of J. S. Bach and his Music in England 1750-1830. [ce]EnglishBachAwakening (2004), xxi, 455p Aldershot: Ashgate Publishing, 2004. xxi, 455p. ISBN: 1-84014-666-4. (= Music in 19th-Century Britain) Reviews: Matthew Dirst, 'On-line Book Review' Organ no.331 (2005) 50 (David Baker) EarlyMReview 107 (Jun 2005) 30 (Clifford Bartlett) BachNotesLBS (Sep 2005) [4] (Margaret Steinitz) MTimes cxlvi/1892 (Autumn 2005) 98-100 (Peter Williams) BachJb xci (2005) 311-315 (Anselm Hartinger) Mf lviii/4 (Oct-Dec 2005) 445-446 (Jürgen Schaarwächter) Brio xlii/2 (Autumn/Winter 2005) 39 (Katherine Hogg) McolAustralia xxviii (2005-6) 127-130 (Dorottya Fabian) MLetters lxxxvii/2 (May 2006) 321-322 (Nicholas Temperley) OrganYb xxxv (2006) 166-167 (Peter Williams) 18cStud xl/2 (2007) 330-334 (Matthew Dirst)
	8.	Kerman, Joseph: The Art of Fugue. Bach Fugues for Keyboard, 1715-1750. (2005), xxiii, 173p Includes a CD with New Recordings by Davitt Moroney and Karen Rosenak. - Berkeley, Los Angeles, London: University of California Press, 2005. xxiii, 173p. ISBN: 0-520-24358-7. - paperback edn. 2008. ISBN: 0-520-25389-2. Reviews: EarlyMReview 109 (Oct 2005) 32 (Clifford Bartlett) McolAustralia xxviii (2005-6) 143-146 (Denis Collins) EarlyM xxxiv/3 (Aug 2006) 489-492 (David Yearsley) London review of books xxviii/18 (21 Sep 2006) 27-29 (David Matthews) MResearchForum xxi (2006) 71-76 (Kristy Swift) SaggiatoreM xiv/2 (2007) 413-425 (Mario Carrozzo) MLetters lxxxviii/3 (Aug 2007) 505-507 (Paul Walker) J18cStud xxxi/1 (Mar 2008) 186-189 (Bettina Varwig)
	9.	Evans, Winsome (arr.): Six sonatas and partitas (BWV 1001 - 1006) / Johann Sebastian Bach. (2007), xiv, 147p Transcribed, arr. and embellished for clavicembalo by Winsome Evans. - Berlin: ERP Musikverlag Eckart Rahn, 2007. xiv, 147p. [22] Bl [Faks. des Autogr. von 1720]. ISMN: M-700252-25-0. [BWV 1001-1006] Reviews: McolAustralia xxxii/1 (Jul 2010) 131-135 (Roger Covell)
	10.	Zager, Daniel (ed.): Music and Theology: Essays in Honor of Robin A. Leaver. [fs]Leaver65 (2007), vii, 281p Lanham, Maryland: Scarecrow Press, 2007. vii, 281p. ISBN: 0-8108-5414-7; 978-0-8108-5414-7. Reviews: Elise Crean, 'On-line Book Review' BachNotesABS 8 (Fall 2007) 14-15 (Mark A. Peters) MLetters lxxxix/4 (Nov 2008) 614-618 (David Yearsley) McolAustralia xxx (2008) 126-130 (Stephanie Rocke) Music reference services quarterly, xi/3-4 (2008) 255-259 (Brian Doherty)
	11.	O'Loghlin, Michael: Frederick the Great and his musicians: the viola da gamba music of the Berlin School. (2008), xviii, 253p Aldershot: Ashgate, 2008. xviii, 253p. ISBN: 0-7546-5885-6; 978-0-7546-5885-6. Reviews: ViolaDaGambaSocJ iii/2 (2009) 131-136 (Samantha Owens) Context 34 (2009) 124-125 (Ruth Wilkinson and John Stinson) EarlyMReview 129 (Feb 2009) 20-21 (Clifford Bartlett) 18cM vii/1 (Mar 2010) 124-126 (Lucy Robinson) Concerto xxvii/232 (Jun-Jul 2010) 20-21 (Annette Otterstedt) McolAustralia xxxii/1 (Jul 2010) 138-140 (Jason Stoessel) MLetters xci/3 (Aug 2010) 424-426 (Charles Medlam)
	12.	Kassler, Michael: A.F.C. Kollmann's Quarterly Musical Register (1812). An Annotated Edition with an Introduction to his Life and Works. (2008), xviii, 307p Aldershot: Ashgate Publishing, 2008. xviii, 307p. ISBN: 978-0-7546-6064-4. Reviews: Yo Tomita, 'On-line Book Review' MTimes cl/1909 (Winter 2009) 115-116 (Peter Williams) BIOSJ xxxiii (2009) 205-206 (Katharine Pardee) BeethovenJ xxiv/1 (Summer 2009) 41 McolAustralia xxxii/1 (Jul 2010) 141-143 (Jason Stoessel) OrganYb xxxix (2010) 159-161 (Peter Williams)
	13.	Solis, Gabriel; Nettl, Bruno (eds.): Musical improvisation: Art, education, and society. [ce]MImprovisation (2009), xv, 357p Urbana, IL: University of Illinois Press, 2009. xv, 357p. ISBN: 0-252-03462-7; 978-0-252-03462-6; 978-0-252-07654-1; 0-252-07654-0 Reviews: McolAustralia xxxii/1 (Jul 2010) 148-149 (Daniel Rorke) EthnoMcol liv/2 (Spring-Summer 2010) 354-357 (Jonathan Goldman)
	14.	Kassler, Michael (ed.): The music trade in Georgian England. [ce]MTradeGeorgianEngland (2011), xviii, 560p Farnham: Ashgate, 2011. xviii, 560p. ISBN: 0-7546-6065-6; 978-0-7546-6065-1. Reviews: Context 35-36 (2010) 203-206 (Peter Campbell) EarlyMReview 144 (Oct 2011) 11-12(Clifford Bartlett) EarlyMAmer xvii/4 (Winter 2011) 52 (Mark Kroll) Soc18cMNL 18 (Oct 2011) 14-15 FontesArtisM lix/1 (Jan-Mar 2012) 67-69 (Karen E. McAulay) MBox 25(6 (Summer, 2012) 233-234 (Evans, David (Great Britain), Evans, Lesley) EarlyM xl/3 (Aug 2012) 505-506 (Michael Gale) MLetters xciii/4 (Nov 2012) 605-607 (Susan Wollenberg) McolAustralia xxxiv/2 (Dec 2012) 307-315 (Derek Miller)

14 matches.