Bach Bibliography Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Wade, Rachel W. (ed.): The Catalog of Carl Philipp Emanuel Bach's Estate: a Facsimile of the Edition by Schniebes, Hamburg, 1790. (1981), 194p annotated, with a pref. by Rachel W. Wade. - New York: Garland, 1981. xxiii, 194p, ISBN: 0-8240-9477-8. (= Garland Reference Library of the Humanities, 240) Reviews: Notes xxxix/1 (Sep 1982) 100-101 (Darrell M. Berg) JMcolResearch iv/3-4 (1983) 455-457 (Susan C. Cook) BachJb lxix (1983) 125-127 (Hans-Joachim Schulze) Mf xxxvii/3 (1984) 236-237 (Richard Schaal)
	2.	Suchalla, Ernst (ed.): Briefe von Carl Philipp Emanuel Bach an Johann Gottlob Immanuel Breitkopf und Johann Nikolaus Forkel. MainzStMw 19 (1985), 605p Tutzing: Schneider, 1985. 605p, 19 plates. (= Mainzer Studien zur Musikwissenschaft, 19) Reviews: Mf xl/3 (1987) 272 (Günther Wagner) JMcolResearch vii/2-3 (1987) 294-301 (Hans Lenneberg) MLetters lxix/1 (Jan 1988) 78-80 (Susan Wollenberg) Concerto vi/44 (1988) 5-6 (Reinhard Goebel) BachJb lxxv (1989) 240-250 (Stephen L. Clark) BachJb lxxvii (1991) 223 (Stephen L. Clark)
	3.	Ottenberg, Hans-Günter: C. P. E. Bach. (1987), xi, 280p Trans. by Philip J. Whitmore. Oxford, New York: Oxford University Press, 1987. xi, 280p. ISBN: 0-19-315246-0. Reviews: MTimes cxxix/1744 (Jun 1988) 300 (Stanley Sadie) JRMA cxiv/1 (1989) 121-123 (Stephen Roe) MLetters lxx/1 (Feb 1989) 98-99 (Jane R. Stevens) EarlyM xvii/2 (May 1989) 248-251 (John Deathridge) OrganYb xxi (1990) 135-136 (Peter Williams) JMcolResearch xiii/1-2 (1993) 135-142 (Darrell M. Berg)
	4.	Stauffer, George B. (ed.): The Forkel-Hoffmeister & Kühnel Correspondence. A Document of the Early 19th-Century Bach Revival. (1988), xxviii, 151p The Letters of Johann Nicolaus Forkel to the Bureau de Musique of Hoffmeister & Kühnel (The Predecessor of C. F. Peters). Transcribed by Joseph Braunstein (New York City). Translated and Annotated by Arthur Mendel (Princeton University). The Letters of the Bureau de Musique of Hoffmeister & Kühnel to Johann Nicolaus Forkel. Transcribed and Annotated by Karen Lehmann (Nationale Forschungs- und Gedenkstätten Johann Sebastian Bach, Leipzig. Translated by George B. Stauffer. New York: C. F. Peters, 1990. xxviii, 151p. Reviews: JMcolResearch xii/1,2 (1992) 153-154 (Hans Lenneberg) JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed) MKirche lxiii/1 (1993) 32 (Diethard Hellmann) Mf xlvi (1993) 213-214 (Michael Heinemann) Notes xlix/4 (Jun 1993) 1439-1440 (Vivien Lo)
	5.	Stinson, Russell: The Bach Manuscripts of Johann Peter Kellner and His Circle. A Case Study in Reception History. (1989), xvi, 184p Durham, London: Duke Univ. Press, 1989. xvi, 184p. ISBN: 0-8223-1006-6. Reviews: Diapason lxxxii/3:976 (Mar 1991) 7-8 (James B. Hartmann) Notes xlviii/1 (Sep 1991) 65-69 (John Butt) MKirche lxi/2 (1991) 94-95 (Albert Clement) MTimes cxxxii/1778 (Apr 1991) 196 (Stephen Daw) MLetters lxxii/3 (Aug 1991) 440-441 (Richard D. Jones) JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed) JMcolResearch xii/3 [supplement] (1992) 53-59 (Stephen A. Crist) EarlyM xxi/1 (1993) 115-117 (David Ledbetter) BachJb lxxxii (1996) 166-170 (Rolf Dietrich Claus)
	6.	Helm, E. Eugene: Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. [H] (1989), xxvii, 271p New Haven: Yale University Press, 1989. xxvii, 271p. ISBN: 0-300-02654-4. Reviews: MTimes cxxxi/1763 (Jan 1990) 33-34 (Katalin Komlós) NZsfM(2) cli/7-8 (1990) 89 (Anselm Gerhard) MLetters lxxi/4 (Nov 1990) 564-566 (Susan Wollenberg) BachJb lxxvii (1991) 215-221 (Peter Wollny) Notes xlvii/3 (Mar 1991) 743-747 (Leta E Miller) MReview lii/1 (1991) 79-80 (Gregory S. Johnston) EarlyKeyboardJ ix (1991) 163-175 (Darrell M. Berg) FontesArtisM xxxi (1991) 78-79 (Horst Leuchtmann) JMcolResearch xii (1992) 46-49 (Bruce Gustavson) Mf xlv/3 (1992) 317 (Hans-Günter Ottenberg)
	7.	Lester, Joel: Between Modes and Keys: German Theory, 1592-1802. HarmonolSer 3 (1989), xxv, 240p Stuyvesant, N. Y.: Pendragon Press, 1989. xxv, 240p. ISBN: 0-918728-77-0. (= Harmonologia series, 3) Reviews: Analisi ii/4 (1991) 24-27 (Paolo Paita) JMTheory xxxv/1-2 (1991) 267-282 (Benito V. Rivera) Notes xlvii/4 (1991) 1103-1106 (Douglas Leedy) JMcolResearch xii (1992) 164s-169s (Ellen S. Beebe) MTheorySpec xv/1 (1993) 94-111 (Thomas Christensen)
	8.	Unger, Melvin P.: The German choral church compositions of Johann David Heinichen, 1683-1729. (1990), 241p New York: Lang, 1990. 241p. ISBN: 0-8204-1236-8. (= American university studies. XX: Fine arts, 14) Reviews: RevueMcol lxxviii/1 (1992) 168-169 (Marielle Popin) JMcolResearch xii (1992) 190s-192s (Paul Walker) Mf xlv/4 (1992) 396-397 (Michael Heinemann) Notes xlix/3 (1993) 982-984 (Peter Wollny) WürttembergBlKm l/5 (1993) 184 (Helmut Völkl) MKirche lxiv/1 (1994) 41 (Greta Konradt)
	9.	Little, Meredith; Jenne, Natalie: Dance and the Music of J. S. Bach. (1991), x, 249p Bloomington: Indiana Univ. Press, 1991. x, 249p. ISBN: 0253335140. - Paperback edn. 1998. ISBN: 0253212111. - Revised and expanded edn. Indiana Univ. Press, 2001. 288p. ISBN: 0-253-33936-7. Reviews: MTimes cxxxiii/1796 (Oct 1992) 523, 525 (Wilfrid Mellers) MLetters lxxiv/4 (Nov 1993) 585-587 (Peter Williams) AmerMTeacher xlii/5 (1993) 74-76 (Ruth Jane Holmes) JMcolResearch xiii/3-4 (1993) 257-272 (George B. Stauffer); xiv/3-4 (1995) 223f. (J. Rifkin) Notes l/1 (Sep 1993) 129-130 (Dianne M. McMullen) Musick xxi/1 (Jul 1999) 22 (Ruth Enns) Yo Tomita, 'On-line Book Review' J17cM viii/1 (2002) (Bruce Gustafson)
	10.	Butt, John: Bach: 'Mass in B Minor'. CambridgeMHandb (1991), 126p Cambridge Univ. Press, 1991. 126p. (= Cambridge Music Handbooks) Reviews: MLetters lxxiii/2 (May 1992) 280-282 (Peter Williams) MTimes cxxxiii/1792 (Jun 1992) 298, 300 (Stephen Daw) ChoralJournal xxxii/9 (1992) 47-49 (John Devorick) ColMSocNL (1993) 2 (James Parakilas) Organists' Review lxxiv (1993) 260 (Paul Hale) Fanfare xvii/4 (1994) 472-473 (Bernard D. Sherman) JMcolResearch xiii/3-4 (1993) 257-272 (George Boyer Stauffer) JMcolResearch xiv/3-4 (1995) 223-234 (Joshua Rifkin) Notes li/4 (Jun 1995) 1321-1323 (Peter Wollny) BachNotesLBS (Sep 2004) [4] (Margaret Steinitz)
	11.	Samson, Jim (ed.): The Cambridge companion to Chopin. [ce]CambridgeCompanion_Chopin (1992), xi, 341p Cambridge: Cambridge University Press, 1992. xi, 341p. ISBN: 0-521-40490-8. Reviews: Muzyka xxxix/2 (1994) 109-112 (Marcin Majchrowski) Notes li/1 (1994) 135-138 (Victor Kofi Agawu) MLetters lxxv/3 (1994) 466-470 (Michael Russ) JMcolResearch xiv/3-4 (1995) 251-257 (James Parakilas) RevueBelgeMcol xlix (1995) 273-275 (F. Longrée) Mf xlix/2 (1996) 210-211 (Marcin Majchrowski)
	12.	Melamed, Daniel R.: J. S. Bach and the German Motet. (1995), xv, 229p Cambridge Univ Press, 1995. xv, 229p - R/2005 (paperback). xv, 229p. ISBN: 0-521-61976-9. Reviews: MTimes cxxxvii/1840 (1996) 40-41 (Geoffrey Webber) MLetters lxxvii/3 (Aug 1996) 469-470 (Malcolm Boyd) Brio xxxiii/1 (1996) 61 (Katharine Hogg) CanadianUnivMReview xvii/1 (1996) 127-131 (Erich Schwandt) TimesLiterarySuppl 4872 (16 Aug 1996) 20 (Iain Fenlon) JAMSoc l/1 (Spring 1997) 211-217 (John Butt) ChoralJ xxxvii/7 (1997) 44-45 (Edward Lundergan) JMcolResearch xvii/3-4 (1998) 261-269 HNetReviews (Oct 2006) (Janette Tilley)
	13.	Stinson, Russell (ed.): Bach Perspectives I. BachPerspectives 1 (1995), xii, 226p Lincoln NE, Univ. of Nebraska Press, 1995. xii, 226p. Reviews: EarlyM xxiv/3 (Aug 1996) 503-505 (David Ledbetter) MLetters lxxvii/4 (Nov 1996) 611-612 (Malcolm Boyd) AmerOrganist(2) xxx/5 (1996) 73-74 (James L Wallmann) CanadianUnivMReview xvii/1 (1996) 127-131 (Erich Schwandt) BachJb lxxxii (1996) 163-165 (Hans-Joachim Schulze) TimesLiterarySuppl 4872 (16 Aug 1996) 20 (Iain Fenlon) JRMA cxxii/1 (1997) 130-132 (David Humphreys) JMcolResearch xvii/3-4 (1998) 261f Notes lvi/4 (2000) 939-940 (Eunice Schroeder)
	14.	Richards, Annette: The Free Fantasia and the Musical Picturesque. (2001), xiii, 256p Cambridge: Cambridge University Press, 2001. xiii, 256p. ISBN: 0-521-64077-6. Reviews: JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg)
	15.	Yearsley, David: Bach and the Meanings of Counterpoint. (2002), xvi, 257p Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5. Reviews: Yo Tomita, 'On-line Book Review' TijdschrMtheorie viii/2 (May 2003) 168-169 (Thomas Op de Coul) MTimes cxliv/1883 (2003) 64-66 (Peter Williams) EarlyM xxxi/2 (2003) 275-276 (David Humphreys) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) ColMSymposium xliv (2004) (Jane Solose) McolAustralia xxvii (2004) 135-138 (Denis Collins) 18cM i/1 (Mar 2004) 100-104 (James Currie) MEducatorsJ xc/4 (Mar 2004) 77-78 (Michelle Barnes) CanadianUnivMReview xxiv/2 (2004) 87-90 (Janette Tilley) BachNotesABS 3 (Spring 2005) 6-7 (Paul M. Walker) MTheorySpec xxvii/1 (Spring 2005) 113-117 (Daniel K. L. Chua) JAMSoc lviii/3 (Fall-winter 2005) 710-717 (George B. Stauffer) MTheoryOnline xii/1 (Feb 2006) (Peter N Schubert)
	16.	Ledbetter, David: Bach's Well-tempered Clavier: The 48 Preludes and Fugues. (2002), xvi, 414p New Haven and London: Yale University Press, 2002. xvi, 414p. ISBN: 0-300-09707-7. Reviews: Yo Tomita, 'On-line Book Review' EarlyMReview 87 (Feb 2003) 3-4 (Clifford Bartlett) AmerBachSocNL (Spring 2003) 4 (Matthew Dirst) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) MLetters lxxxv/2 (2004) 278-280 (Stephen Rose) EarlyKeyboardJ xx (2004) 104-108 (David Yearsley) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) AmerMTeacher lii/6 (Jun 2003) 98 (Andrew Hisey) ZsfLateinamerWien lxxxv/2 (2004) 278-280 (Stephen Rose)
	17.	Samson, Jim (ed.): The Cambridge history of nineteenth-century music. [ce]CambridgeHist19cM (2002), xv, 772p Cambridge: Cambridge University Press, 2002. xv, 772p. ISBN: 0-521-59017-5. Reviews: JMcolResearch xxi/4 (Oct-Dec 2002) 364-369 (Douglass Seaton) MTimes cxliii (Winter 2002) 70-72 (Chris Walton) AdParnassum ii/1 (Oct 2003) 152-154 (George Biddlecombe) 19cMReview i/1 (2004) 145-153 (Julian M. Johnson) 19cM xxix/2 (Fall 2005) 185-207 (Richard Taruskin)
	18.	Reynolds, Christopher A.: Motives for allusion: Context and content in nineteenth-century music. (2003), xii, 230p Cambridge, MA: Harvard University Press, 2003. xii, 230p. ISBN: 0-674-01037-X; 978-0-674-01037-6. Reviews: MResearchForum xix/1 (2004) 84-89 (Kevin Burke) Notes lx/3 (Mar 2004) 668-670 (Christopher Hatch) JAMSoc lviii/3 (Fall 2005) 736-748 (Raymond Knapp) JMcolResearch xxiv/1 (Jan-Mar 2005) 71-75 (R. Larry Todd) SaggiatoreM xii/2 (2005) 466-467 (Andrea Malvano) MTheorySpec xxviii/1 (Spring 2006) 111-118 (Michael L. Klein) Beethoven forum xiii/2 (Fall 2006) 188-205 (Karen Painter) MTheoryOnline, 14, no. 1 (2008) (David B. Easley)
	19.	Ellis, Katharine: Interpreting the Musical Past: Early Music in Nineteenth-Century France. (2005), xxii, 298p New York and Oxford: Oxford University Press, 2005. xxii, 298p. ISBN: 0-19-517682-0. Reviews: Intersections xxvi/1 (2005) 160-165 (Catrina Flint de Médicis) H-France Review vi/61 (May 2006) (William Weber) MTimes cxlvii/1896 (Autumn 2006) (Richard Langham Smith) Notes lxiii/2 (Dec 2006) 355-358 (John Wagstaff) DrammaturgiaM iii (2007) 108-109 (Giovanni Paolo Di Stefano) CurMcol 86 (2008) 179-184 (Karen Henson) JMcolResearch xxxvii/3 (Jul-Sep 2008) 286-290 (Elinor Olin)
	20.	Gjerdingen, Robert O.: Music in the galant style. (2007), ix, 514p Being an essay on various schemata characteristic of eighteenth-century music for courtly chambers, chapels, and theaters, including tasteful passages of music drawn from most excellent chapel masters in the employ of noble and noteworthy personages, said music all collected for the reader's delectation on the World Wide Web. - New York, NY: Oxford University Press, 2007, ix, 514p. ISBN: 0-19-531371-2; 978-0-19-531371-0. Reviews: JMTheory l/2 (Fall 2006) 277-290 (David Temperley) TijdschrMtheorie xiii/2 (May 2008) 175-177 (Hans Aerts) JSMI iv (2008) 101-105 (Martin Adams) MLetters xc/3 (Aug 2009) 468-473 (W. Dean Sutcliffe) EarlyM xxxvii/4 (Nov 2009) 669-671 (Matthew Pritchard) JMcolResearch xxix/1 (Jan-Mar 2010) 73-79 (Donald R. Boomgaarden)
	21.	Cooper, John Michael: Mendelssohn, Goethe, and the Walpurgis night: The Heathen Muse in European Culture, 1700 - 1850. EastmanStudM 43 (2007), xvi, 284p Rochester, NY [u.a.]: Univ. of Rochester Press, 2007. xvi, 284p. ISBN: 1-58046-252-9; 978-1-58046-252-5 (= Eastman studies in music, 43) Reviews: MTimes cxlviii/1901 (Winter 2007) 110-111 (Peter Williams) TimesLiterarySuppl 5458 (9 Nov 2007) 11 (Hugh Macdonald) Notes liv/3 (Mar 2008) 500-502 (Siegwart Reichwald) JMcolResearch xxvii/2 (Apr-Jun 2008) 200-203 (Jason Geary) 19cMReview v/2 (2008) 109-112 (James Garratt) Mf lxiii/1 (Jan-Mar 2010) 75-76 (Martin Loeser)
	22.	Gramit, David (ed.): Beyond The art of finger dexterity: Reassessing Carl Czerny. EastmanStudM 53 (2008), xiii, 280p [Carl Czerny International Symposium; Alberta, Canada; 2002] Rochester, NY: University of Rochester, 2008. xii, 280p. ISBN: 1-58046-250-2; 978-1-58046-250-1. (= Eastman studies in music, 53) Reviews: BeethovenJ xxiii/2 (Winter 2008) 95 (Patricia Elliott Stroh) AdParnassum vi/12 (Oct 2008) 155-161 (Rohan H. Stewart-MacDonald) MTimes cxlix/1904 (Fall-Winter 2008) 97-104 (Peter Williams) JMcolResearch xxviii/4 (Oct-Dec 2009) 340-346 (Kenneth Hamilton)
	23.	Vial, Stephanie D.: The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'. EastmanStudM 55 (2008), xvi, 358p Rochester: University of Rochester Press, 2008. xvi, 358p. ISBN-13: 978-1-58046-034-7. (= Eastman Studies in Music, 55) Reviews: MTimes cxlix/1905 (Winter 2008) 112-115 (Peter Williams) TijdschrMtheorie xiv/3 (Nov 2009) 202-205 (Hans Maas) JMcolResearch xxix/1(Jan-Mar 2010) 73-79 (Donald R. Boomgaarden) 18cM vii/2 (Sep 2010) 293-295 (Thomas Irvine)

23 matches.