Bach Bibliography
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Here is the list of books reviewed in Journal : FontesArtisM
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Arnold, Corliss Richard: Organ literature: A comprehensive survey. (1973), vii, 656p
Metuchen, New Jersey: Scarecrow, 1973. vii, 656p. ISBN: 0810805596.
Reviews:
RevueMcol lix/2 (1973) 302 (Claude Noisette de Crauzat)
American reference books annual, (1974) 376 (John Ferguson)
MKirche xliv/2 (1974) 79-81 (Volker-Armin Mezger)
Notes xxxi/3 (1975) 572-574 (Walter Bruno Hilse)
Notes xlii/1 (1985) 58-59 (Nathan A. Randall)
FontesArtisM xxxii/4 (1985) 218-220 (Kurt Dorfmüller)
The Sonneck Society newsletter, xii/1 (1986) 17-18 (R. John Specht)
MKirche lvi/5 (1986) 257 (Wolfgang Stockmeier)
2. Neumann, Frederick: Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. (1978), 630p
Princeton, New Jerey: Princeton University Press 1978. 1983. xiv, 630p.
Reviews:
MTimes cxx (1979) 625, 638-639 (George Buelow)
MQ lxv/4 (1979) 597-604 (Lowell Lindgren)
Brio xvi/1 (1979) 18-19 (Clifford Bartlett)
Diapason lxx/9:837 (Aug 1979) 6-9 (Bruce Gustafson)
Notes xxxvi/4 (Jun 1980) 886-887 (Edward R. Reilly)
OrganYb xi (1980) 153-154 (Peter Williams)
JAMSos xxxiii/2 (Summer 1980) 394-402 (David Fuller)
FontesArtisM xxvii/3-4 (1980) 233-236 (Sven Hansell)
AmerOrganist(2) xiv/2 (1980) 18 (Hettrick Jane Schatkin)
MReview xli/1 (1980) 60-62 (Malcolm Boyd)
Studies in music xiv (1980) 128-133 (Graham Pont)
NZsfM(2) cxli/1 (1980) 67 (Klaus Hortschansky)
Tibia v/1 (1980) 49-50 (Hans-Peter Schmitz)
EarlyM ix/1 (Jan 1981) 63-64, 67-68 (Neal Zaslaw)
AmerRecorder xxi/4 (1981) 175-177 (Dale Higbee)
MLetters lxiii/1-2 (Jan-Apr 1982) 96-101 (Peter Williams)
Concerto ix/74 (1992) 5-6 (Thomas Synofzik)
OMzs xxxvii/12 (1982) 717 (Eduard Melkus)
RevueMcol lxix/1 (1983) 109-116 (Dennis Collins)
3. Neumann, Werner (ed.): Bilddokumente zur Lebensgeschichte Johann Sebastian Bachs. BachDok 4 (1979), 447p
Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1979. 447p. [Ed.-Nr.: BVK 250] ISBN: 3-7618-0250-1. (= Bach-Dokumente. Supplement zu Johann Sebastian Bach. Neue Ausgabe sämtlicher Werke, 4)
Reviews:
MGesellschaft xxx/7 (1980) 397-399 (Armin Schneiderheinze)
GottesdKm (1980) 186-187
WürttembergBlKm xlvii (1980) 199-200 (Gottfried Simpfendörfer)
MErziehung xxxiv (Dec.1980) 77 (Eberhard Würzl)
MKirche li/1 (1981) 33-34 (Walter Blankenburg)
FontesArtisM xxviii/4 (1981) 331f (Thomas F. Heck)
Musica xxxv/4 (1981) 380-382 (Lothar Hoffmann-Erbrecht)
AmerOrganist(2) xv/12 (1981) 19 (D. DeWitt Wasson)
NZsfM(2) cxlii/5 (1981) 522 (Peter Rummenhöller)
MLetters lvii/3-4 (1981) 412-414 (Basil Lam)
Notes xxxvii/4 (1981) 857-858 (Robert Cammarota)
MTimes cxxiii/1673 (Jul 1982) 477, 479 (Stephen Daw)
MTimes cxxiii/1676 (Oct 1982) 693 (Stephen Daw)
BachJb lxviii (1982) 161-166 (Ingeborg Allihn)
LitMFineArts xv (1982) 173-174 (Winfried Kirsch);
Mf xxxvii/1 (1984) 57-59 (Martin Geck)
4. Williams, Peter F.: A New History of the Organ from the Greeks to the Present Day. (1980), 233p
London: Faber & Faber; Bloomington, Indiana, 1980. 233p
Reviews:
MReview xli/3 (Aug 1980) 235-237 (John Horton)
FontesArtisM xxvii/3-4 (Jul-Dec 1980) 231-232 (Pierre J. Hardouin)
EarlyM ix/1 (Jan-Mar 1981) 106-107 (Howard Schott)
GalpinSocJ xxxiv (Mar 1981) 166-168 (Edward Ridley; Keane Alexander)
MQ lxvii/1 (Jan 1981) 118-124 (George B. Stauffer)
Notes xxxviii/1 (Sep 1981) 71 (George R. Hill)
MLetters lxii/3-4 (Jul-Oct 1981) 370-371 (James Dalton)
5. Coover, James: Music publishing, copyright, and piracy in Victorian England: a twenty-five year chronicle, 1881-1906, from the pages of the Musical opinion & music trade review and other English music journals of the period. (1985), xiii, 169p
Gathered by James Coover. London; New York: Mansell, 1985. xiii, 169p. ISBN: 0720117496.
Reviews:
Notes and queries, ccxxxii/1 (1987) 103-104 (Nicholas Temperley)
FontesArtisM xxxiii (1986) 219-220 (Miriam Miller)
Notes xlv/1 (1988) 64-65 (David Hunter)
6. Helm, E. Eugene: Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. [H] (1989), xxvii, 271p
New Haven: Yale University Press, 1989. xxvii, 271p. ISBN: 0-300-02654-4.
Reviews:
MTimes cxxxi/1763 (Jan 1990) 33-34 (Katalin Komlós)
NZsfM(2) cli/7-8 (1990) 89 (Anselm Gerhard)
MLetters lxxi/4 (Nov 1990) 564-566 (Susan Wollenberg)
BachJb lxxvii (1991) 215-221 (Peter Wollny)
Notes xlvii/3 (Mar 1991) 743-747 (Leta E Miller)
MReview lii/1 (1991) 79-80 (Gregory S. Johnston)
EarlyKeyboardJ ix (1991) 163-175 (Darrell M. Berg)
FontesArtisM xxxi (1991) 78-79 (Horst Leuchtmann)
JMcolResearch xii (1992) 46-49 (Bruce Gustavson)
Mf xlv/3 (1992) 317 (Hans-Günter Ottenberg)
7. Haberkamp, Gertraut; Reutter, Jochen: Thematischer Katalog der Musikhandschriften, Bischöfliche Zentralbibliothek Regensburg; Teil 3: Sammlung Proske - Mappenbibliothek. (1990), xxiv, 578p
beschrieben von Gertraut Haberkamp und Jochen Reutter. München: Henle, 1990. xxiv, 578p. (= Kataloge bayrischer Musiksammlungen, 14.3)
Reviews:
MBayern 43 (1991) 115-118 (Horst Leuchtmann)
Mf xliv/3 (1991) 279-280 (Winfried Kirsch)
Notes xlviii/3 (1992) 918-921 (Donald W. Krummel)
FontesArtisM xl/4 (1993) 339-342 (Lilian P. Pruett)
Mtheorie viii/1 (1993) 84-85 (Thomas Emmerig)
8. Haberkamp, Gertraut; Seelkopf, Martin: Musikhandschriften Katholischer Pfarreien in Franken, Bistum Würzburg: Thematischer Katalog. (1990), xxxii, 344p
München: Henle, 1990. xxxii, 344p (= Kataloge bayrischer Musiksammlungen, 17)
Reviews:
MBayern 43 (1991) 115-118 (Horst Leuchtmann)
Notes xlviii/3 (1992) 918-921 (Donald W. Krummel)
FontesArtisM xl/4 (1993) 339-342 (Lilian P. Pruett)
Mainfränkisches Jahrbuch für Geschichte und Kunst 45 (1993) 477-478 (Helga Radecker)
Mf xlvii/2 (1994) 174-175 (Gabriela Krombach)
9. Goehr, Lydia: The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music. (1992), x, 314p
Oxford: Clarendon Press, 1992. x, 314p. ISBN 0-19-823541-0. - rev edn. New York: Oxford University Press, 2007, lii, 314p. ISBN: 978-0-19-532478-5
Reviews:
MLetters lxxiv/1 (Feb 1993) 86-87 (Gabriel Josipovici)
BritishJAesth xxxiii/3 (Jul 1993) 292-295 (Robert A. Sharpe)
Notes l/2 (Dec 1993) 604-605 (Ruth A. Solie)
SaggiatoreM i/1 (1994) 219-226 (Maurizio Giani)
FontesArtisM xli/1 (Jan-Mar 1994) 136-138 (David Hunter)
PhilQ xliv/177 (Oct 1994) 503-518 (Roger Scruton)
ActaMcol lxx/2 (Jul-Dec 1998) 109-115 (Willem Erauw)
CurMcol 97 (Spring 2014) 81-112
10. Walker, Diane Parr; Walker, Paul: German Sacred Polyphonic Vocal Music between Schütz and Bach: Sources and Critical Editions. (1992), xxxv, 434p
Warren, Michigan: Harmonie Park Press, 1992. xxxv, 434p. ISBN: 0-89990-054-2. (= Detroit Studies in Music Bibliography, 67)
Reviews:
FontesArtisM xl/4 (1993) 345-347 (Robin A. Leaver)
Notes l/2 (Dec 1993) 563-565 (Eva Linfield)
EarlyMReview 37 (1998) 4 (Clifford Bartlett)
11. Reeder, Ray: The Bach English-Title Index. (1993), vii, 184p
Berkeley, California: Fallen Leaf Press, 1993. viii, 184p. ISBN: 0-914913-23-9. (= Fallen Leaf reference books in music, 20)
Reviews:
SacredMusic cxx/3 (1993) 40 (Richard J. Schuler)
Notes li/1 (Sep 1994) 215-216 (Sherry L Vellucci)
ChoralJ xxxiv/10 (1994) 80 (Kenneth S. Klaus)
Diapason lxxxv/7:1016 (Jul 1994) 6 (James B. Hartmann)
FontesArtisM xli/3 (1994) 303-305 (Judy Weidow)
12. Crabtree, Phillip D.; Foster, Donald H.: Sourcebook for Research in Music. (1993), xiii, 236p
Bloomington: Indiana University Press, c1993. xiii, 236p. ISBN: 0253314763 - 2nd ed. Revised and Expanded by Allen Scott. Bloomington, Ind.: Indiana University Press, 2005. xvii, 382p. ISBN: 0253217806 (Paperback); ISBN: 0253346118 (cased).
Reviews:
FontesArtisM liv/4 (Oct-Dec 2007) 610-611 (Karen M. Burke)
13. Jaenecke, Joachim (ed.): Georg Philipp Telemann. Autographe und Abschriften. Katalog. KatMAbteilungSBB 7 (1993), 453p
bearbeitet von Joachim Jaenecke. - München: Henle, 1993. 453p. ISBN: 3-87328-069-8. (= Staatsbibliothek zu Berlin - Preußischer Kulturbesitz. Kataloge der Musikabteilung, i/7)
Reviews:
ForumMbib 2 (1994) 199-200 (Helmut Hell)
RevueMcol lxxx/2 (1994) 334-335 (Marielle Popin)
BachJb lxxxi (1995) 215-219 (Peter Wollny)
FontesArtisM xlii/2 (1995) 193-194 (Diane Steinhaus Pettit)
MLetters lxxvi/1 (1995) 96-98 (Steven Zohn)
Mf xlix/2 (1996) 193-95 (Klaus Hofmann)\
Musica l/2 (1996) 129-130 (Georg von Dadelsen)
Mtheorie xii/3 (1997) 286-287 (Peter Ackermann)
14. Unger, Melvin P.: Handbook to Bach's Sacred Cantata Texts: An Interlinear Translation with Reference Guide to Biblical Quotations and Allusions. (1996), xvi, 777p
Lanham, Md. and London: Scarecrow Press, 1996. xvi, 777p. ISBN: 0-8108-2979-7.
Reviews:
Bach xxvii/2 (Fall-Winter 1996) 84-85
CanadianUnivMReview xvii/2 (1997) 104-107 (David Hill)
MLetters lxxix/1 (Feb 1998) 114-118 (Daniel R. Melamed)
FontesArtisM xlvi/1-2 (1999) 190-193 (Thomas F. Heck)
Yo Tomita, 'On-line Book Review'
15. Meyer, Ulrich: Biblical quotation and allusion in the cantata libretti of Johann Sebastian Bach. StudLiturgMcol 5 (1997), vii, 223p
Lanham, Md. and London: Scarecrow Press, 1997. vii, 223p. ISBN: 0-8108-3329-8. (= Studies in liturgical musicology, 5)
Reviews:
MLetters lxxix/1 (Feb 1998) 114-118 (Daniel R. Melamed)
FontesArtisM xlvi/1-2 (Jan-Jun 1999) 190-193 (Thomas F. Heck)
AmerBachSocNL (Fall 1999) 4-5 (Stephen A. Crist)
16. Powers, Doris Bosworth: Carl Philipp Emanuel Bach: A Guide to Research. (2002), xiv, 270, [28]p
New York: Routledge, 2002. xiv, 270, [28]p. ISBN: 0-8153-2179-1. - rep. 2011; Paperback edn. 2016. ISBN 978-1-138-96690-1.
Reviews:
Mf lvi/4 (Oct-Dec 2003) 426-427 (Markus Rathey)
FontesArtisM lii/2 (Apr-Jun 2005) 126-127 (Stephen Lewis Clark)
17. Mai, Paul (ed.): Im Dienst der Quellen zur Musik: Festschrift Gertraut Haberkamp zum 65. Geburtstag. [fs]Haberkamp65 (2002), xvi, 633p
hrsg. von der Bischöflichen Zentralbibliothek Regensburg durch Paul Mai. - Tutzing: Hans Schneider, 2002. xvi, 633p. ISBN: 3-7952-1069-0.
Reviews:
ActaMozartiana xlix/1-2 (Jun 2002) 33-35 (Ulrich Konrad)
MLetters lxxxiv/4 (Nov 2003) 661 (Peter Ward Jones)
FontesArtisM li/1 (Jan-Mar 2004) 139-140 (Chris Walton)
18. Schneider, Klaus: Lexikon 'Musik über Musik'. Variationen - Transkriptionen - Hommagen - Stilimitationen - B-A-C-H. (2004), 421p
Kassel; Basel [u.a.]: Bärenreiter, 2004. 421p. ISBN: 3-7618-1675-8.
Reviews:
MKirche lxxiv/6 (2004) 405 (Wolfgang Stockmeier)
Orchester(Mainz) lii/12 (2004) 81 (Georg Günther)
MLiturg(Schweiz) cxxix.6 (2004) 34 (Erwin Mattmann)
ForumMbib xxvi/2 (2005) 230-232 (Jutta Lambrecht)
SchweizerMz viii/2 (2005) 31 (Jakob Knaus)
OMzs lx/4 (2005) 77 (Thomas Leibnitz)
FontesArtisM liii/2 (2006) 103-105 (Beate Redlich)
19. Perreault, Jean M.: The Thematic Catalogue of the Musical Works of Johann Pachelbel. (2004), xiii, 414p
Ed. by Donna K. Fitch, forward by Christoph Wolff. Lanham, Maryland: The Scarecrow Press, 2004. xiii, 414p
Reviews:
Notes lxi/4 (2005) 991-993 (Robert Follet)
AmerOrganist(2) xxxix/4 (2005) 78-79 (R. Harrison Kelton)
OrganYb xxxiv (2005) 186-188 (Peter F. Williams)
FontesArtisM liv/1 (2007) 146-148 (Katrina Mitchell)
20. Fischer, Urs; Hinrichsen, Hans-Joachim (eds.): Nähe aus Distanz. Bach-Rezeption in der Schweiz. [ce]BachRezeptionSchweiz (2005), 338p
[Symposium 'Bach-Rezeption in der Schweiz', Zürich, 2003] Winterthur: Amadeus, 2005. 338p. ISBN: 3-905049-98-8. (= Veröffentlichungen des Forschungsprojekts 'Musikgeschichte Zürichs - Zürich in der Musikgeschichte' an der Universität Zürich; Schriftenreihe der Stiftung Schnyder von Wartensee, 64)
Reviews:
Mtheorie xxii/4 (2007) 377-379 (Reinmar Emans)
MGottesd lxi/4 (Jul 2007) 158-159 (Martin Huggel)
FontesArtisM lv/1 (Jan-Mar 2008) 89-91 (Joachim Jaenecke)
ArsOrgani lvi/2 (Jun 2008) 130 (Birger Petersen)
Mf lxi/4 (Oct-Dec 2008) 410-411 (Karsten Mackensen)
21. Stinson, Russell: The Reception of Bach's Organ Works from Mendelssohn to Brahms. (2006), viii, 232p
New York: Oxford University Press, 2006. viii, 232p. ISBN-10: 0-19-517109-8; ISBN-13: 978-0-19-517109-9; paperback, 2010. ISBN-10: 0199747032; ISBN-13: 978-0199747030.
Reviews:
Ian Mills, 'On-line Book Review'
AmerOrganist(2) xli/1 (Jan 2007) 102 (Arthur Lawrence)
FontesArtisM liv/1 (Jan-Mar 2007) 150-151 (Bryan Proksch)
Diapason xcviii/7 (Jul 2007) 1516 (James B. Hartman)
MLetters lxxxix/3 (Aug 2008) 419-421 (James Garratt)
BachNotesABS 12 (Winter 2010) (Matthew Dirst)
OrganYb xl (2011) 191-193 (Peter Williams)
22. Richards, Annette (ed.): C. P. E. Bach Studies. [ce]CPEBachStud (2006), xii, 268p
Cambridge: Cambridge Univ. Press, 2006. xii, 268p. ISBN-13: 9780521836296; ISBN-10: 0521836298.
Reviews:
EarlyM xxxv/2 (May 2007) 295-297 (Susan Wollenberg)
Consort lxiii (Summer 2007) 113-116 (Thomas Cooper)
Notes lxiv/2 (Dec 2007) 271-273 (Doris B. Powers)
FontesArtisM lv/2 (2008) 395-396 (Bryan Proksch)
AdParnassum vi/11 (Apr 2008) 85-90 (Floyd K. Grave)
GermStudReview xxxii/1 (2009) 225 (Susan Lewis Hammond)
J18cStud xxxii/2 (2009) 278-279 (Peggy Daub)
23. Williams, Peter F.: J.S. Bach: A Life in Music. (2007), xi, 405p
Cambridge: Cambridge University Press, 2007. xi, 405p. ISBN: 0-521-87074-7. - 2nd ed. 2012. xi, 405p. ISBN: 978-0-521-30683-6.
Reviews:
The New York Sun (Mar 23, 2007) (Benjamin Ivry)
BachNotesLBS (Sep 2007) [2] (Margaret Steinitz)
MTimes cxlviii/1901 (Winter 2007) 108-109 (Patricia Howard)
FontesArtisM lv/1 (2008) 88-89 (Kathryn Lowerre)
MLetters lxxxix/4 (2008) 622-625 (John Butt)
JAMSoc lxii/2 (Summer 2009) 475-482 (Matthew Dirst)
OrganistsReview xcix/1 (Mar 2013) 64 (Paul Hale)
24. Berger, Karol: Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. (2007), xi, 420p
Berkeley, CA: University of California Press, 2007. xi, 420p. ISBN: 978-0-520-25091-8 (hardcover); 978-0-520-25797-9 (paperback).
Reviews:
EarlyM xxxvi/2 (May 2008) 304-306 (John Butt)
MTimes cxlix/1903 (Summer 2008) 116-118 (Peter Williams)
ActaMozartiana lv/1-2 (Jun 2008) 76-77 (Laurenz Lütteken)
BachNotesABS 10 (Fall 2008) 6-7 (Gregory Butler)
19cMReview vi/1 (2009) 91-94 (Marianne Tettlebaum)
TimesLiterarySuppl 5524 (13 Feb 2009) 23 (Nicholas Kenyon)
Notes lxv/3 (Mar 2009) 503-505 (Bertil van Boer)
Modernism/Modernity xvi/2 (Apr 2009) 435-437 (Mary Hunter)
IReviewAesthSociolM xl/2 (Dec 2009) 353-359 (Edward Green)
18cM vii/1 (Mar 2010) 107-109 (Matthias Schmidt)
FontesArtisM lvii/1 (2010) 126-128 (Bryan Proksch)
JAMSoc lxiii/3 (Fall 2010) 658-684 (Robert D. Levin)
25. Wißmann, Friederike; Ahrend, Thomas; Loesch, Heinz von (eds.): 'Vom Erkennen des Erkannten': Musikalische Analyse und Editionsphilologie. Festschrift für Christian Martin Schmidt. [fs]Schmidt (2007), 568p
hrsg. von Friederike Wißmann, Thomas Ahrend und Heniz von Loesch, - Wiesbaden: Breitkopf & Härtel, 2007. 568p. ISBN: 978-3-765-10361-2.
Reviews:
Tonkunst ii/3 (2008) 382-383 (Martin Knust)
FontesArtisM lvi/4 (Oct-Dec 2009) 419-421 (Benjamin McKay Ayotte)
OMzs lxv/1 (Jan 2010) 75-77 (Arnold Jacobshagen)
Mf lxiv/1 (Jan-Mar 2011) 91-92 (Martin Knust)
26. Kämpken, Nicole; Ladenburger, Michael (eds.): Beethoven und der Leipziger Musikverlag Breitkopf & Härtel: 'Ich gebe Ihrer Handlung den Vorzug vor allen anderen'. VeröffBeethovenHausBonn Ausstel/18 (2007), 264p
Begleitbuch zu einer Ausstellung des Beethoven-Hauses Bonn. Von Nicole Kämpken und Michael Ladenburger in Zusammenarbeit mit Silke Bettermann, Jens Dufner, Eszter Fontana, Klaus Martin Kopitz, Frank Reinisch, Julia Ronge und Andreas Sopart. Bonn: Beethoven-Haus, 2007. 264p. ISBN: 3-88188-108-5; 978-3-88188-108-1. (= Veröffentlichungen des Beethoven-Hauses Bonn / Begleitpublikationen zu Ausstellungen, 18)
Reviews:
ForumMbib xxviii/4 (2007) 402-403 (Jürgen May)
FontesArtisM lv/2 (Apr-Jun 2008) 421 (Jürgen May)
27. Myers, Robin; Mandelbrote, Giles; Harris, Michael (eds.): Music and the book trade from the sixteenth to the twentieth century. [cr]London2007 (2008), xv, 218p
[29th annual conference on book trade history (2007): London] - London: British Library, 2008. xv, 218p. ISBN: 0-7123-5030-6; 1-58456-245-5; 978-0-7123-5030-3; 978-1-58456245-0. (= Publishing pathways)
Reviews:
FontesArtisM lvi/4 (Oct-Dec 2009) 418-419 (Susi Woodhouse)
Notes lxvi/4 (Jun 2010) 801-803 (Sarah J. Adams)
MLetters xcii/1 (Feb 2011) 118-120 (Peter Ward Jones)
28. Curry, Robert; Gable, David; Marshall, Robert L. (eds.): Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 (2008), x, 375p
Rochester,NY: University of Rochester, 2008. x, 375p. ISBN: 1-58046-285-8; 978-1-58046-285-3. (= Eastman studies in music, 58)
Reviews:
MLetters xci/4 (Nov 2010) 588-591 (W. Dean Sutcliffe)
FontesArtisM lviii/2 (Apr-Jun 2011) 191-192 (Barry J. Zaslow)
29. Cathé, Philippe; Douche, Sylvie; Duchesneau, Michel; Benoit-Otis, Marie-Hélène (eds.): Charles Koechlin: Compositeur et humaniste [ce]CharlesKoechlin (2010), 609p
sous la direction de Philippe Cathé, Sylvie Douche et Michel Duchesneau ; édité par Marie-Hélène Benoit-Otis. - Paris, France: J. Vrin, 2010. 609p. ISBN: 2-7116-2316-5; 978-2-7116-2316-7.
Reviews:
Intersections xxxi/2 (2011) 125-132 (Christopher Moore)
FontesArtisM lix/2 (Apr-Jun 2012) 233-235 (Beat A. Föllmi)
Notes lxix/1 (Sep 2012) 76-78 (Elinor Olin)
MLetters xciii/4 (Nov 2012) 615-617 (Deborah Mawer)
30. Temperley, Nicholas; Banfield, Stephen (eds.): Music and the Wesleys. [cr]Bristol2007 (2010), xviii, 274p
[conference: Music, cultural history and the Wesleys (July 2007): University of Bristol] - Urbana, IL: University of Illinois Press, 2010. xviii, 274p. ISBN: 0-252-03581-X; 978-0-252-03581-4; 0-252-07767-9; 978-0-252-07767-8.
Reviews:
Soc18cMNL 17 (Sep-Apr 2010) 5-7, 11-12 (Mark A. Peters)
Notes lxviii/2 (Dec 2011) 368-370 (Andrew Shryock)
19cMReview viii/2 (Dec 2011) 326-328 (Michael R. Brown)
FontesArtisM lix/2 (Apr-Jun 2012) 213-215 (Bryan Proksch)
Hymn lxiii/3 (Summer 2012) 53-54 (Erika K.R. Hirsch)
Diapason ciii/11:1236 (Nov 2012) 16-18 (John M. Bullard)
Organ xci/362 (Nov 2012-Jan 2013) 60 (Peter Dickinson and John Wesley)
AmerOrganist(2) xlvii/3 (Mar 2013) 68-71 (Jane Schatkin Hettrick)
31. Schulenberg, David: The Music of Wilhelm Friedemann Bach EastmanStudM 79 (2010), 354p
by David Schulenberg. - Woodbridge: Boydell & Brewer; 2010, 354p. ISBN-978-1-58046-359-1. (= Eastman studies in music, No. 79)
Reviews:
EarlyMReview 140 (Feb 2011) 3 (Clifford Bartlett)
Consort lxvii (Summer 2011) 125-126 (Thomas Cooper)
Stringendo xxxiii/2 (Oct 2011)
MTimes clii/1916 (Autumn 2011) 109-113 (Peter Williams)
Soc18cMNL 18 (Oct 2011) 6-8 (Douglas A. Lee)
PerformPractReview xvi/1 (2011) (David Ledbetter)
18cM ix/2 (Sep 2012) 267-270 (John Butt)
The British Clavichord Society newsletter, no.54 (2012) 18-20 (Christopher Hogwood)
FontesArtisM lx/2 (2013) 132-134 (Balázs Mikusi)
Tanja Kovacevic, 'On-line Book Review'
EarlyM xlii/1 (Feb 2014) 126-128 (Nigel Springthorpe)
32. Corneilson, Paul Edward; Wollny, Peter (eds.): Er ist der Vater, wir sind die Bub'n: essays in honor of Christoph Wolff. [fs]Wolff (2010), xiv, 234p
Edited by Paul Corneilson and Peter Wollny. - Ann Arbor: Steglein Publishing, 2010. xiv, 234p. ISBN: 978-0-9819850-1-5.
Reviews:
Notes lxviii/3 (Mar 2012) 608-610 (Daniel F. Boomhower)
FontesArtisM lx/2 (Apr-Jun 2013) 118-120 (Allan Badley)
33. Kassler, Michael (ed.): The music trade in Georgian England. [ce]MTradeGeorgianEngland (2011), xviii, 560p
Farnham: Ashgate, 2011. xviii, 560p. ISBN: 0-7546-6065-6; 978-0-7546-6065-1.
Reviews:
Context 35-36 (2010) 203-206 (Peter Campbell)
EarlyMReview 144 (Oct 2011) 11-12(Clifford Bartlett)
EarlyMAmer xvii/4 (Winter 2011) 52 (Mark Kroll)
Soc18cMNL 18 (Oct 2011) 14-15
FontesArtisM lix/1 (Jan-Mar 2012) 67-69 (Karen E. McAulay)
MBox 25(6 (Summer, 2012) 233-234 (Evans, David (Great Britain), Evans, Lesley)
EarlyM xl/3 (Aug 2012) 505-506 (Michael Gale)
MLetters xciii/4 (Nov 2012) 605-607 (Susan Wollenberg)
McolAustralia xxxiv/2 (Dec 2012) 307-315 (Derek Miller)
34. Plebuch, Tobias (ed.): Versuch über die wahre Art das Clavier zu spielen, 1. CPEBachCW 7/1 (2011), xxxvii, 161p
Edited by Tobias Plebuch. - Los Altos, CA: Packard Humanities Institute, 2011. xxxvii, 161p. ISBN: 978-1-933280-42-4. (for 3 vol set) (= Carl Philipp Emanuel Bach. The Complete Works. Series VII: Theoretical writings, Vol. 1) [Enth.: Versuch über die wahre Art das Clavier zu spielen: Erster Theil; Dritte mit Zusätzen vermehrte Auflage; (Leipzig, 1787)]
Reviews:
FontesArtisM lix/4 (Oct-Dec 2012) 399-400 (Susan Wollenberg)
35. Plebuch, Tobias (ed.): Versuch über die wahre Art das Clavier zu spielen, 2. CPEBachCW 7/2 (2011), xiv, 338p
Edited by Tobias Plebuch. - Los Altos, CA: Packard Humanities Institute, 2011. xiv, 338p. ISBN: 978-1-933280-42-4. (for 3 vol set) (= Carl Philipp Emanuel Bach. The Complete Works. Series VII: Theoretical writings, Vol. 2) [Enth.: Versuch über die wahre Art das Clavier zu spielen: Zweiter Theil; Zweite vom Verfasser verbesserte, und mit Zusätzen vermehrte Auflage; (Leipzig, 1797)]
Reviews:
FontesArtisM lix/4 (Oct-Dec 2012) 399-400 (Susan Wollenberg)
KeyboardPerspectives v (2012) 83-94 (Richard A. Kramer)
36. Wolff, Christoph; Zepf, Markus: The organs of J.S. Bach: A handbook. (2012), xxv, 208p
Trans. Lynn Edwards Butler. - Urbana, IL: University of Illinois Press, 2012. xxv, 208p. ISBN: 0-252-03684-0; 978-0-252-03684-2.
Reviews:
Bach xliii/2 (2012) 93-96 (Dan Zager)
AmerOrganist(2) xlvi/10 (Oct 2012) 88-89 (Rollin Smith)
EarlyMReview 151 (Dec 2012) 12 (Andrew Benson-Wilson)
Diapason civ/6:1243 (Jun 2013) 12-13 (John L. Speller)
JAMSoc lxvii/2 (Summer 2014) 589-598 (Ernest May)
FontesArtisM lxii/1 (Jan-Mar 2015) 41-42 (Bryan Proksch)
37. Zon, Bennett (ed.): Music and performance culture in nineteenth-century Britain: Essays in honour of Nicholas Temperley. [fs]Temperley (2012), 364p
Farnham: Ashgate, 2012. 364p. ISBN: 978-1-4094-3979-0.
Reviews:
North American British Music Studies Association newsletter 8 (Apring 2013) (Ruth A. Solie)
FontesArtisM lx/2 (Apr-Jun 2013) 126-128 (Ian Taylor)
Notes lxx/1 (Sep 2013) 96-98 (Michelle Meinhart)
19cMReview x/2 (Dec 2013) 352-356 (John Snyder)
38. Swain, Joseph P.: Historical dictionary of baroque music. (2013), xxix, 363p
Lanham, MD: Scarecrow Press, 2013. xxix, 363p. ISBN: 978-0-8108-7824-2; 978-0-8108-7825-9.
Reviews:
FontesArtisM lxii/2 (Apr-Jun 2015) 140-141 (Andrew Justice)
39. Talle, Andrew: Beyond Bach: Music and everyday life in the eighteenth century. (2017), xiv, 343p
Urbana, IL: University of Illinois Press, 2017. xiv, 343p. ISBN: 978-0-252-04084-9; 978-0-252-09934-2.
Reviews:
BachNotesABS 27 (Fall 2017) 8-9 (Evan Cortens)
Bach xlviii/2-xlix/1 (2018) 164-169 (Barbara M. Reul)
FontesArtisM lxv/1 (Jan-Mar 2018) 28-30 (Alon Schab, Colin Coleman, Sandi-Jo Malmon)
JAMSoc lxxii/2 (Summer 2019) 585-590 (Tanya Kevorkian)

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