Bach Bibliography
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Here is the list of books reviewed in Journal : EarlyM
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Pirro, André: L'esthétique de Jean-Sébastien Bach. (1907), 538p
Paris: Librairie Fischbacher. 1907, 538p; - Genf: Minkoff, 1973. 548p. R/1984, 508p. ISBN: 2-8266-0040-0.
Reviews:
RevueMHistCritique vii/15 (1 Aug 1907) J. C. (397-400)
BachJb iv (1907) 182-189 (A. Schering)
Ménéstrel lxxiii (1907) 25 (Julien Tiersot)
MTimes xlviii/776 (Oct 1907) 669
MTimes cxxvi/1705 (Mar 1985) 156-157 (Stephen Daw: 'Around Bach')
EarlyM xiv/4 (Nov 1986) 587 (Paul Brainard)
2. Palisca, Claude V.: Baroque music. (1968), 230p
Engewood Cliffs. N.J.: Prentice-Hall, 1/1968. vi, 230p. 2/1981 xiv, 300p. (= Prentice Hall History of Music Series, 3)
Reviews:
MTimes cx (1969) 266 (Stanley Sadie)
MReview xxxii (1971) 83-84
MLetters lxii (1981) 432 (Ian Spink)
EarlyM x/4 (1982) 537-539 (Denis Arnold)
3. Robertson, Alec: The Church Cantatas of J. S. Bach. (1972), xi, 356p
N.Y.: Praeger Pub./London, Cassell 1972. xi, 356p.
Reviews:
MTimes cxiii/1556 (Oct 1972) 975-976 (Stephen Daw)
AmerRecorder xiii/4 (Nov 1972) 133 (Dale Higbee)
Notes xxix/3 (Mar 1973) 459-460 (Karl Geiringer)
MLetters liv/1 (Jan 1973) 93-94 (J. A. Westrup)
EarlyM ii/1 (Jan 1974) 45,47 (Denys Darlow)
4. Mather, Betty Bang: Interpretation of French Music from 1675 to 1775 for woodwind and other performers. (1973), 104p
additional comments on German and Italian music. - New York: McGinnis and Marx, 1973. 104p (= McGinnis & Marx monographs on Musical Subjects, 2) - 2nd pr. 1978.
Reviews:
EarlyM iii/1 (1975) 85-89 (Stephen Preston)
EarlyM iv/3 (1976) 293,295 (author)
5. Donington, Robert: A Performers Guide to Baroque Music. (1973), 320p
London: Faber & Faber: 1973. 320p.
Reviews:
MLetters lv (1974) 215-219 (Basil Lam)
EarlyM ii/2 (1974) 117-121 (Michael Collins); 121-122 (Trevor Pinnock)
MQ lx/4 (1974) 658-664 (Frederick Neumann)
AmerRecorder xv/2 (1974) 57-59 (Dale Higbee)
MTimes cxvi (1975) 626 (Howard Mayer Brown)
MReview xxxvi (1975) 148 (Henry Raynor)
American reference books annual vi (1975) 499 (Claude V. Palisca)
MEducatorsJ lxii/3 (1975) 101-102 (William Pepper)
Notes xxxiii/2 (1976) 296-298 (Gilbert L. Blount)
Muzsika xxii/3 (1979) 43-45 (András Wilheim)
6. Bizony, Celia: The family of Bach: A Brief History. (1975), 47p
Horsham, Sussex: The Artemis Press, 1975. 47p. ISBN: 0851412815.
Reviews:
EarlyM iv/3 (Jul 1976) 323
Mf xxxi/3 (1978) 376 (Walter Blankenburg)
7. Rosen, Charles (ed.): Bach: the Fugue. (1975), 62p
London: Oxford University 1975. 62p
Reviews:
Notes xxxiv/1 (Sep 1977) 207-208 (Susan Rickson-Bloch)
EarlyM v (1977) 415 (Schott)
8. Blume, Friedrich: Protestant Church Music: A History. (1975), xv, 831p
by Friedrich Blume in collaboration with Ludwig Finscher, Georg Feder, Adam Adrio, Walter Blankenburg, Torben Schousboe, Robert Stevenson and Watkins Shaw; foreword by Paul Henry Lang. - N. Y.: Norton; London: Gollancz, 1975. xv, 831p. ISBN: 0575019964.
Reviews:
MTimes cxvii (1976) 572 (Nicholas Temperley)
EarlyM iv (1976) 309-311 (John Caldwell)
MLetters lviii (1977) 76-77 (Gerald Abraham)
9. Lang, Paul Henry: Bach and Handel. AmerChoralReview 17/4 (Oct 1975), 5-40
Special Issue. [New York]: [American Choral Foundation], 1975. 40p.
Reviews:
EarlyM vi/2 (Apr 1978) 287 (Eric van Tassel)
10. Bach, Johann Sebastian: Opere per Liuto. [BWV 995-1000, 1006a] (1977), 3 vols: xi, 71p; xiii, 58p; 51p
Ed. with Preface by E. Cipriani.] Vol.I: Partitura musicale (xi, 71p); II: Intavolatura strumentale (xiii, 58p); III: Documenti storici (51p). Rovereto (Trento): Stamperia Musicale 1977. [BWV 995-1000, 1006a]
Reviews:
JfLuteSocAmer (1978) 97-99 (Peter Danner)
Stimulus (Sep 1978) 50-51 (Louis Grijp)
MLetters lxiii/1-2 (Jan-Apr 1982) 147-148 (Nigel North)
MTimes cxxiv/1680 (Feb 1983) 109 (John Steele)
Ongakugaku xxix/1 (1983) 76-78 (Michio Tominaga)
EarlyM xi/3 (1983) 385, 387, 389 (Nigel North)
11. Schwendowius, Barbara; Dömling, Wolfgang (eds.): Johann Sebastian Bach: Life, Times, Influence. [ce]JSBLifeTimesInfluence (1977), 179p
Trans. by John Coombs, Lionel Salter & Gaynor Nitz. Kassel [u.a.]: Bärenreiter, 1977. 179p. - New Haven: Yale Univ. Press. 1984. 179p. ISBN: 0-300-03268-4.
Reviews:
Notes xxxv/4 (Jun 1979) 888 (Michael A. Keller)
CurMcol xxviii (1979) 136-144 (George Stauffer)
MTimes cxx/1641 (Nov 1979) 916 (Stephen Daw)
Churchman xciii (1979) 190-192 (Robin A Leaver)
EarlyM viii/4 (Oct 1980) 528-531 (Nicholas Anderson)
Clavier xxiv/3 (1985) 38-39 (E.G.)
MTimes cxxvi/1705 (Mar 1985) 156 (Stanley Sadie: 'Views of Bach')
EarlyKeyboardJ iv (1985-86) 61-64 (Alexander Silbiger)
12. Lam, Basil: Authenticity and the St John Passion. EarlyM 5/1 (Jan 1977), 45-49
Reviews:
EarlyM v/4 (Oct 1977) 599 (James V. Whittaker)
13. Fuller, David: Dotting, the 'French style' and Frederick Neumann's Counter-Reformation. EarlyM 5/4 (Oct 1977), 517-542
Reviews:
EarlyM vi (1978) 131 (Frederick Neumann: 'Professor Fuller and the double-dot')
EarlyM vii (1979) 279 (author: 'More dotting?')
14. Neumann, Frederick: Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. (1978), 630p
Princeton, New Jerey: Princeton University Press 1978. 1983. xiv, 630p.
Reviews:
MTimes cxx (1979) 625, 638-639 (George Buelow)
MQ lxv/4 (1979) 597-604 (Lowell Lindgren)
Brio xvi/1 (1979) 18-19 (Clifford Bartlett)
Diapason lxx/9:837 (Aug 1979) 6-9 (Bruce Gustafson)
Notes xxxvi/4 (Jun 1980) 886-887 (Edward R. Reilly)
OrganYb xi (1980) 153-154 (Peter Williams)
JAMSos xxxiii/2 (Summer 1980) 394-402 (David Fuller)
FontesArtisM xxvii/3-4 (1980) 233-236 (Sven Hansell)
AmerOrganist(2) xiv/2 (1980) 18 (Hettrick Jane Schatkin)
MReview xli/1 (1980) 60-62 (Malcolm Boyd)
Studies in music xiv (1980) 128-133 (Graham Pont)
NZsfM(2) cxli/1 (1980) 67 (Klaus Hortschansky)
Tibia v/1 (1980) 49-50 (Hans-Peter Schmitz)
EarlyM ix/1 (Jan 1981) 63-64, 67-68 (Neal Zaslaw)
AmerRecorder xxi/4 (1981) 175-177 (Dale Higbee)
MLetters lxiii/1-2 (Jan-Apr 1982) 96-101 (Peter Williams)
Concerto ix/74 (1992) 5-6 (Thomas Synofzik)
OMzs xxxvii/12 (1982) 717 (Eduard Melkus)
RevueMcol lxix/1 (1983) 109-116 (Dennis Collins)
15. Fuller, David: Mechanical Musical Instruments as a Source for the Study of Notes Inégales. (1979), 20p
Cleveland Heights, Ohio: Divisions, c1979. 20p. ISBN: 0934276005.
Reviews:
OrganYb xi (1980) 152 (Peter Williams)
EarlyM ix (1981) 111-112 (Howard Schott)
GalpinSocJ xxxiv (1981) 165 (Maria Boxall)
16. Basso, Alberto: Frau Musika: la vita e le opere di J. S. Bach. * [Vol. 1] (1685-1723). (1979), xii, 782p
Turin: Edizioni di Torino, 1979. xii, 782p. (= Biblioteca di cultura musicale. Autori e opere). - 3. rist. 1987. xii, 782p. ISBN: 88-7063-011-0.
Reviews:
RivistaIMSacra i/1 (1980) 112-114 (Antonio Schiliro)
NRivistaMItali xv/2 (1981) 271-273
LaCartellina v/18 (1981) 58-60
MLetters lxii/3-4 (1981) 361-364 (Eleanor Selfridge-Field)
Mf xxxiv/3 (1981) 367-368 (Alfred Dürr)
BeitrMw xxvii/1 (1985) 81-83 (Karl Heller)
EarlyM xiii/2 (1985) 277,279 (Stephen Daw)
17. Barnes, John: Bach's keyboard temperament: Internal evidence from the Well-Tempered Clavier. EarlyM 7/2 (Apr 1979), 236-237,239,241-245,247,249
Reviews:
EarlyM viii/4 (Oct 1980) 511, 513 (Philip P. Jones); 513 (author)
18. Gustafson, Bruce: French harpsichord music of the 17th century. A thematic catalog of the sources with commentary. StudMcol 11 (1979), xlv, 394p
Ann Arbor, Mich.: UMI Research Press, 1984. 3 vols. ISBN: 0-8357-1069-6: (1) Commentary. xlv, 394p. ISBN: 083571066-1; (2) Catalog inventories 1-36. 488p. ISBN: 083571067-X; (3) Catalog inventories 37-68. 380p. ISBN: 083571068-8. (= Studies in musicology, 11)
Reviews:
Brio xvii/1 (1980) 31-32 (Clifford Bartlett)
MLetters lxii/1 (1981) 89-90 (Howard Ferguson)
Mf xxxv/2 (1982) 190-191 (Werner Breig)
AmerRecorder xxiv/4 (1983) 162-163 (Sabina Teller Ratner)
OrganYb xiv (1983) 125-127 (Peter F. Williams)
EarlyM xxxi/4 (Nov 2003) 582-604 (David Chung)
19. Cherici, Paolo (ed.): Opere complete per Liuto / Johann Sebastian Bach. (1980), 211p
Milan: Suvini Zerboni 1980. 211p.
Reviews:
NRivistaMItali xv/2 (1981) 295-298 (Luca Palermo)
Notes xxxviii/2 (1981) 411-412 (David Nutter)
EarlyM xi/3 (1983) 387, 389 (Nigel North)
20. Williams, Peter F.: A New History of the Organ from the Greeks to the Present Day. (1980), 233p
London: Faber & Faber; Bloomington, Indiana, 1980. 233p
Reviews:
MReview xli/3 (Aug 1980) 235-237 (John Horton)
FontesArtisM xxvii/3-4 (Jul-Dec 1980) 231-232 (Pierre J. Hardouin)
EarlyM ix/1 (Jan-Mar 1981) 106-107 (Howard Schott)
GalpinSocJ xxxiv (Mar 1981) 166-168 (Edward Ridley; Keane Alexander)
MQ lxvii/1 (Jan 1981) 118-124 (George B. Stauffer)
Notes xxxviii/1 (Sep 1981) 71 (George R. Hill)
MLetters lxii/3-4 (Jul-Oct 1981) 370-371 (James Dalton)
21. Williams, Peter F.: The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) (1980), 357p
Univ. press Cambridge 1980, x, 357p.
Reviews:
EarlyM ix/1 (Jan 1981) 96, 99-100 (Stephen Daw)
Music in Worship xvi (Jun 1981) 17-18 (Robin A. Leaver)
Notes xxxviii/1 (Sep 1981) 65-66 (George Stauffer)
Mf xxxv/2 (1982) 195 (Raimund W. Sterl)
MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton)
BachJb lxviii (1982) 166-169 (Ernest May)
OrganYb xiii (1982) 146-147 (Gustav Leonhardt)
MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson)
AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
22. Wolff, Christoph; et al.: The New Grove: Bach Family. (1980), 372p
London: Papermac Macmillan, 1980, 372p - New York; London: W. W. Norton & Comp., 1983. 372p. (= The Composer Biography Series)
Reviews:
MTimes cxxiv/1690 (Dec 1983) 748 (Lionel Salter: '76 Bachs')
MLetters lxv/4 (Oct 1984) 394-396 (Susan Wollenberg)
EarlyM xii/2 (May 1984) 243 (Basil Smallman)
BachJb lxxii (1986) 135-140 (Gerhard Herz)
Muzyka xxxi/1 (1986) 105-110 (Magdalena Kwiatkowska)
23. Mellers, Wilfrid: Bach and the Dance of God. (1980), viii, 324p
London; Boston: Faber & Faber, 1980. viii, 324p. - London: Travis and Emery, 2007. 336p. ISBN-10: 1904331211; ISBN-13: 978-1904331216
Reviews:
EarlyM ix/3 (Jul 1981) 357-361 (Keith Elcombe)
MLetters lvii/3-4 (Jul-Oct 1981) 357-361 (Ulrich Siegele)
NYReviewBooks xxviii/15 (8 Oct 1981) 6-10 (Joseph Kerman)
Notes xxxviii/3 (Mar 1982) 597-598 (James Parakilas)
AmerRecorder xxiv/2 (1983) 72 (William D. Gudger)
24. Schlick, Arnolt: Spiegel der Orgelmacher und Organisten [Mainz 1511]. BibOrganol 113 (1980), xvi, 122p
Mainz: P. Schöffer, 1511. - Facsimile with transcription and parallel English translation. Translation and notes by Elizabeth Berry Barber. Buren: Frits Knuf, 1980. xvi, 122p. (= Bibliotheca organologica, 113)
Reviews:
EarlyM xii/1 (1984) 99-101 (Lewis Jones)
Notes xxxix/2 (1982) 354-355 (Jane Schatkin Hettrick)
MKirche lxii/6 (1992) 351-352 (Manfred Schwartz)
25. Kellner, Herbert Anton: The Tuning of my Harpsichord. SchrRMInstr 18 (1980), 54p
Frankfurt a.M.: Verlag Das Musikinstrument 1980, 54p. (= Schriftenreihe Das Musikinstrument, 18)
Reviews:
EarlyM xi/1 (1983) 105 (Peter Still); followed by author in EarlyM xi/3 (1983) 421
26. Elste, Martin: Bachs Kunst der Fuge auf Schallplatten mit einer Diskographie aller zyklischen Aufnahmen. (1981), 160p
PhD diss., Musicology: Technische U. Berlin, 1981 - Frankfurt a.M: Buchhändler-Vereingung, 1981. 160p.
Reviews:
MKirche lii/6 (1982) 298 (Peter L. Voss)
EarlyM xi/3 (Jul 1983) 367 (Malcolm Boyd)
27. Panthaleon van Eck, C. L. van: J. S. Bach's Critique of Pure Music. (1981), 170p
Buren: Frits Knuf/author. - Culemborg: 1981. 170p. ISBN: 9060274091 (wrappers).
Reviews:
EarlyM xi/3 (Jul 1983) 367 (Malcolm Boyd)
28. Daw, Stephen: The Music of Johann Sebastian Bach: The Choral Works. (1981), 240p
Rutherford, N. J.: Fairleigh Dickinson Univ. Press 1981, 240p.
Reviews:
MLetters lxiii/3-4 (Jul-Oct 1982) 348-350 (Richard Jones)
MEducatorsJ lxviii/8 (Apr 1982) 69-70 (James Braswell)
MTimes cxxiv/1680 (Feb 1983) 123 (Robert Anderson)
EarlyM xi/3 (Jul 1983) 365-366 (Malcolm Boyd)
MKirche liv/5 (1984) 246-248 (Stephen A. Crist)
29. Jorgensen, Owen: The Equal-beating temperaments: a handbook for tuning harpsichords and forte-pianos, with tuning techniques and tables of fifteen historical temperaments. (1981), 36p
Raleigh: The Sunbury Press, 1981. 36p. ISBN: 0915548127.
Reviews:
EarlyM xi/1 (1983) 105,107 (Peter Still)
30. Croucher, Trevor (comp.): Early Music Discography: From Plainsong to the Sons of Bach. (1981), xviii, 273p; v, 302p
Vol. 1: Record index; Vol. 2:Composer, plainsong, anonymous work and performer indexes - London: Library Association Publishing, 1981. xviii, 273p.; v, 302p.
Reviews:
Brio xviii/2 (1981) 27-29 (Clifford Bartlett)
MTimes cxxiii/1673 (Jul 1982) 477 (Nicholas Kenyon)
EarlyM x/2 (Apr 1982) 245 (Eric van Tassel)
FonoForum vii (Jul 1982) 16 (Martin Elste)
Mf xxxvii/4 (1984) 299-300 (Martin Elste)
31. Donington, Robert: Baroque Music: Style and Performance: A Handbook. (1982), x, 206p
London: Faber, 1982. x, 206p. ISBN: 0571100414.
Reviews:
MTimes cxxiii (1982) 842 (Neal Zaslaw)
NZsfM(2) cxliii/10 (1982) 76-77 (Barbara Zuber)
Notes xxxix/2 (1982) 65-66 (George B. Stauffer)
EarlyM xi/4 (1983) 533,535 (Denis Stevens)
MLetters lxvii (1986) 65-66 (Julie Anne Sadie)
32. Samuel, Harold E.: The Cantata in Nuremberg during the seventeenth Century. StudMcol 56 (1982), xii, 536p
Ann Arbor: UMI Research Press, 1982. xii, 536p. ISBN: 08357013059. (= Studies in musicology, 56)
Reviews:
MLetters lxv/1 (1984) 95-97 (Lini Hübsch-Pfleger)
EarlyM xii/1 (1984) 95-97 (Elizabeth Roche)
Mf xxxix/1 (1986) 64-66 (Lini Hübsch-Pfleger)
33. Boyd, Malcolm: Bach. (1983), 290p
London: J. M. Dent & Sons, 1983. xiv, 290p. - New York: Vintage, 1987. 2nd edition, Oxford Univ. Press, 1990. xiv, 290p - 3rd edition, Oxford Univ. Press, 2000. xvi, 312p. (= Master Musicians Series)
Reviews:
MTimes cxv/1693 (Mar 1984) 152 (Ann Bond)
EarlyM xii/2 (May 1984) 241,243 (Basil Smallman)
MLetters lxv/4 (1984) 391-393 (Peter F. Williams)
Soundings xii (Winter 1984-85) 71-75 (Robin A. Leaver)
AmerOrganist(2) xix (1985) 14 (Vernon Gotwals)
MReview xlvi/1 (1985) 56 (H.T.E. Miles)
Muzyka xxxi/1 (1986) 103-105 (Magdalena Kwiatkowska)
Notes lviii/1 (2001) 59-62 (David Schulenberg)
AmerOrganist(2) xlii/3 (Mar 2008) 92 (Arthur Lawrence)
34. Humphreys, David: The Esoteric Structure of Bach's Clavierübung III. (1983), ix, 99p
Cardiff Univ. Press, 1983, ix, 99p.
Reviews:
MTimes cxxv/1699 (Sep 1984) 530 (Ann Bond)
MLetters lxv/4 (Oct 1984) 393-394 (Peter Williams)
EarlyM xii/2 (May 1984) 243,245,247 (Keith Elcombe)
MAnalysis iv/3 (1985) 303-308 (Alan Street)
35. Basso, Alberto: Frau Musika: la vita e le opere di J. S. Bach. ** [Vol. 2] Lipsia e le opere della maturità (1723-1750). (1983), xiii, 972p
Trino: Edizione di Torino 1983. xiii, 972p. ISBN: 88-7063-028-5. (= Biblioteca di cultura musicale: Autori e opere)
Reviews:
BeitrMw xxvii/1 (1985) 81-83 (Karl Heller)
OMzs xl/2-3 (1985) 131-132 (Gerhard Croll)
MLetters lxvi/2 (Apr 1985) 129-130 (Eleanor Selfridge-Field)
EarlyM xiii/2 (May 1985) 277,279 (Stephen Daw)
36. Rastall, Richard: The Notation of Western Music. (1983), xiv, 306p
New York: St. Martin's Press, 1982. xiv, 306p. ISBN: 0312579632; London: Dent, 1983. xiv, 306p. ISBN: 046004205X; ISBN: 9780460042055. - 2nd rev. edn. Leeds: Leeds University Press, 1998. xiv, 309p. ISBN: 0853161801.
Reviews:
EarlyM xii (1984) 535 (Daniel Leech-Wilkinson)
Composer lxxxi (1984) 26-27 (Hugo Cole)
MLetters lxvi/2 (1985) 133-135 (Susan Rankin)
37. Buelow, George J.; Marx, Hans Joachim (eds.): New Mattheson Studies. [ce]NewMatthesonStudies (1983), xiv, 495p
London, N.Y., New Rochelle: Cambridge Univ. Press. 1983. xiv, 495p.
Reviews:
EarlyM xii/4 (1984) 539, 541 (Hans Lenneberg)
NZsfM(2) cxlv/6 (1984) 44-45 (Peter Cahn)
MQ lxxi/1 (1985) 98-101 (Georgia Cowart)
Notes xli/3 (1985) 506-508 (Roger L. Lustig)
MLetters lxvii/1 (1986) 74-76 (Susan Wollenberg)
38. Williams, Peter F.: J. S. Bach's Well-tempered Clavier: A new approach. EarlyM 11/1, 3 (Jan, Jul 1983), 46-52; 332-339
Reviews:
EarlyM xi/3 (Jul 1983) 419 (Guy Sigsworth) [correspondence] followed by a reply by the author
39. Basso, Alberto: Jean-Sébastien Bach. I: 1685-1723. (1984), 843p
Traduit de l'italien par Hélene Pasquier. Paris: Fayard, 1984. 843p. R/1989. (= Bibliothèque des grands musiciens)
Reviews:
BeitrMw xxvii (1985) 81-83 (Karl Heller)
EarlyM xiii (1985) 277 (Stephen Daw)
NRivistaMItali xv (Apr-Jun 1981) 271-273 (Lino Bianchi)
40. Lindley, Mark: Lutes, viols and temperaments. (1984), vii, 134p
Cambridge: Cambridge Univ., 1984. vii, 134p.
Reviews:
AmerLutherie i/2 (1985) 52-53 (Edward L. Kottick)
Chelys xiv (1985) 52-53 (Elizabeth Liddle)
EarlyM xiii/1 (1985) 91-93 (Ephraim Segerman)
JViolaDaGambaSocAmer xxii (1985) 65-66 (Linda Shortridge; John Shortridge)
41. Williams, Peter F.: The Organ Music of J. S. Bach. III: A Background. 3 (1984), 309p
Univ. press Cambridge 1984, 309p.
Reviews:
Notes xli/4 (Jun 1985) 712-713 (Russell Stinson)
EarlyM xiii/2 (May 1985) 279-280,283 (John Butt)
Mf xxxix/2 (1986) 166 (Raimund W. Sterl)
BachJb lxxii (1986) 140-143 (George B. Stauffer)
RevueMcol lxxii/2 (1986) 292-294 (Georges Guillard)
AmerOrganist(2) xx (1986) 29 (Arthur Lawrence)
PerformPractReview ii/1 (Spring 1989) 103-106 (Kimberly Marshall)
MLetters lxxi/4 (Nov 1990) 559-561 (Keith Elcombe)
42. Addington, Christopher: In search of the Baroque flute: The flute family 1680-1750. EarlyM 12/1 (Feb 1984), 34-47
Reviews:
EarlyM xii (1984) 587,589,591 [correspondence] (Ronald M. Laszewski; Dale Higbee; Eric C. Haas)
43. Schulze, Hans-Joachim; Wolff, Christoph: Bach Compendium. Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs. (BC). Band I. Teil 1. Vokalwerke I. BC 1/1 (1985), 426p
Frankfurt; Leipzig: Edition Peters, 1985, 426p.
Reviews:
MusikratDDRBul xxii/1 (1985) 44-46 (Ingeborg Allihn)
MTimes cxxviii/1735 (Sep 1987) 495 (John Butt)
MGesellschaft xxxvii (1987) 550-551 (Ingeborg Allihn)
OrganYb xviii (1987) 122 (Peter Williams)
Musica xli/6 (1987) 554-556 (Alfred Dürr)
Mf xli/1 (1988) 175-176 (Lothar Hoffmann-Erbrecht)
MLetters lxix/2 (Apr 1988) 254-255 (Stephen Daw)
EarlyM xvii/1 (1989) 79-88 (Joshua Rifkin)
Notes xlvii/2 (Dec 1990) 361-368 (John Butt)
OMzs xlv/12 (1990) 740-741 (Andrea Lindmayr)
BachJb lxxvii (1991) 207-214 (Robert L. Marshall)
Brio xxviii/2 (1991) 92-95 (Clifford Bartlett)
LitMFineArts xxiv/1-2 (1991) 90-91 (Ulrich Konrad)
Musica xlvi/1 (1992) 47-48 (Georg von Dadelsen)
Mf xlvii/4 (1994) 317-318 (Reinmar Emans)
AmerBachSocNL (Fall 1997) 5-7 (Robert Marshall)
44. Williams, Peter F.: Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays (1985), xiv, 363p
Cambridge: Cambridge Univ. Press 1985. xiv, 363p.
Reviews:
EarlyM xiii/4 (Nov 1985) 571,573 (Malcolm Boyd)
MLetters lxvii/3 (Jul 1986) 290-292 (George J. Buelow)
MQ lxxii/2 (1986) 272-282 (George B. Stauffer)
AmerRecorder xxvii/3 (1986) 117 (Eleanor Selfridge-Field)
Mf xl/4 (1987) 364-366 (Hellmut Federhofer)
BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze)
45. Marshall, Robert L.: Bach's 'Orchestre'. EarlyM 13/2 (May 1985), 176-179
Reviews:
EarlyM xiv/4 (1986) 566-567 (Joshua Rifkin)
46. Stinson, Russell: J. P. Kellner's copy of Bach's sonatas and partitas for violin solo. EarlyM 13/2 (May 1985), 199-211
Reviews:
EarlyM xiv/2 (1986) 319 (Richard Luby) 'Bach alterations'
47. Stauffer, George B.; May, Ernest (eds.): J. S. Bach as Organist. His instruments, music and performance practices. [ce]JSBOrganist (1986), 308p
London: B. T. Batsford Ltd., 1986, 308p. - Repr. edn. Indiana University Press, 2000. xi, 308p. ISBN: 0-253-21386-X
Reviews:
EarlyM xiv/4 (Nov 1986) 583,585 (John Butt)
HetOrgel lxxxii/11 (1986) 423 (Ewald Kooiman)
EarlyKeyboardJ iv (1985-86) 68-74 (Robert Parkins)
ArsOrgani xxxv/1 (1987) (Hermann J. Busch)
Mf xl/3 (1987) 272 (Günther Wagner)
CurMcol xliii (1987) 71-76 (Russell Stinson)
BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze)
MLetters lxix/4 (Oct 1988) 515-516 (James Dalton)
Orgelvriend xxxi/3 (1989) (Jan W. van Spronsen)
PerformPractReview iii/1 (Spring 1990) 86-89 (Kimberley Marshall)
AmerOrganist(2) xxxv/3 (1 Mar 2001) 65-66 (Frank Morana)
48. Harrán, Don: Word-Tone Relations in Musical Thought: from Antiquity to the Seventeenth Century. McolStudDoc 40 (1986), xviii, 517p
American Institute of Musicology; Stuttgart: Hänssler, 1986. xviii, 517p. ISBN: 3-7751-1070-4 (= Musicological studies & documents, 40)
Reviews:
Notes xliv/2 (1987) 267-269 (Peter Kivy)
EarlyM xv/3 (1987) 403-404 (David Fallows)
JMTheory xxxii/2 (1988) 357-366 (Maria Rika Maniates)
JAMSoc xlii/1 (1989) 161-172 (Bonnie J. Blackburn)
MLetters lxx/1 (1989) 78-79 (John Stevens)
NRivistaMItali xxiii/4 (1989) 600-602 (Enrico Fubini)
Muzyka xxxvii/1 (1992) 90-98 (Ryszard J. Wieczorek)
49. Houle, George L.: Meter in Music, 1600-1800: Performance, Perception, and Notation. (1987), 174p
Bloomington: Indiana Univ. Press. 1987. 174p. ISBN: 0-25-333792-5. (= Music: Scholarship and performance)
Reviews:
AmerRecorder xxix/2 (1988) 63-65 (Peter F. Williams)
Earlym xvi/3 (1988) 423-427 (Robert Donington)
MLetters lxx/1 (1989) 93-94 (Erich Schwandt)
PerformPractReview ii/1 (Spring 1989) 89-92 (Alexander Silbiger)
Tibia xiv/3 (1989) 356 (Nikolaus Delius)
JMTheory xxxiii/1 (spring 1989) 222-227 (Eva Linfield)
50. Ottenberg, Hans-Günter: C. P. E. Bach. (1987), xi, 280p
Trans. by Philip J. Whitmore. Oxford, New York: Oxford University Press, 1987. xi, 280p. ISBN: 0-19-315246-0.
Reviews:
MTimes cxxix/1744 (Jun 1988) 300 (Stanley Sadie)
JRMA cxiv/1 (1989) 121-123 (Stephen Roe)
MLetters lxx/1 (Feb 1989) 98-99 (Jane R. Stevens)
EarlyM xvii/2 (May 1989) 248-251 (John Deathridge)
OrganYb xxi (1990) 135-136 (Peter Williams)
JMcolResearch xiii/1-2 (1993) 135-142 (Darrell M. Berg)
51. Mather, Betty Bang; Karns, Dean M.: Dance Rhythms of the French Baroque: a Handbook for Performance. (1987), xiv, 334p
Indiana Univ.Press, Bloomington & Indianapolis 1987, xiv, 334p. ISBN: 0-253-31606-5; 0253316065. (= Music: Scholarship and performance)
Reviews:
JLuteSocAmer 20-21 (1987-1988) 155-157 (Frederick Hammond)
EarlyM xvi/3 (1988) 419-421 (David Ledbetter)
Notes xlvii/3 (1991) 789-790 (Shirley Wynne)
EarlyKeyboardJ 6-7 (1988-1989) 218-220 (Yvonne Kendall)
PerformPractReview ii/1 (Spring 1989) 100-102 (Meredith Ellis Little)
52. Snyder, Kerala J.: Dietrich Buxtehude: Organist in Lübeck. (1987), xxiii, 551p
New York: Schirmer; London: Macmillan, 1987, xxiii, 551p. ISBN: 0-02-873080-1.
Reviews:
Concerto vi/44 (1988) 5-6 (Reinhard Goebel)
MKirche lviii/4 (1988) 202-205 (Georg Karstädt)
Notes xliv/4 (1988) 711-713 (Douglas Salokar)
JAMSoc xlii/3 (1989) 657-658 (George B. Stauffer)
EarlyM xvii/1 (1989) 94-99 (Julie Anne Sadie)
MLetters lxx/3 (1989) 398-400 (Keith Elcombe)
OruganKenkyu xxxv (2007) 52-56 (Tsuguo Hirono)
53. Berke, Dietrich; Hanemann, Dorothee (eds.): Alte Musik als ästhetische Gegenwart: Bach, Händel, Schütz. Bericht über den Internationalen Musikwissenschaftlich Kongreß Stuttgart 1985. [cr]Stuttgart1985 (1987), 543; 471p
2 Bde. Kassel [u.a.]: Bärenreiter, 1987. 543, 471p.
Reviews:
NZsfM(2) cxlix/3 (1988) 55/56 (Sigfried Schibli)
EarlyM xxi/2 (1988) 226-7 (Ulrich Konrad)
Mf xlii/3 (1989) 272-273 (Wolfgang Rathert)
54. Wolff, Christoph (ed.): Die Kunst der Fuge / Johann Sebastian Bach. EdPeters 8586a (1987), 61, 73p
Hrsg. von Christoph Wolff. Bd. 1: Frühere Fassung der autographen Partitur; Bd. 2: Spätere Fassung des Originaldrucks. - Frankfurt [u.a.]: Peters, 1987. 61p, 73p. Best.-Nr. Ed. Peters 8586a; 8586b. Pl.-Nr. 31562; 31563. (= Edition Peters, 8586a, b) [BWV 1080]
Reviews:
EarlyM xv/4 (1987) 545,547,549 (John Butt)
MLetters lxix/2 (Apr 1988) 300-302 (Richard Jones)
55. Dreyfus, Laurence: Bach's Continuo Group: Players and Practices in his Vocal Works. StudHistM(Harvard) 3 (1987), xii, 264p
Cambridge, Mass; London: Harvard Univ. Press, 1987, xii, 264p. (= Studies in the History of Music, 3)
Reviews:
JAMSoc xli/2 (Summer 1988) 349-354 (Peter Williams)
Concerto vi/44 (1988) 5-6 (Reinhard Goebel)
EarlyM xvi/4 (Nov 1988) 563,565,567 (Keith Elcombe)
OrganYb xix (1988) 144-145 (Peter F. Williams)
Concerto vi/42 (1989) 35-36 (Thomas Synofzik)
BachJb lxxv (1989) 238-239 (Christoph Wolff)
JAmerMInstrSoc xl (1989) 125-127 (Gordon Sandford)
ARecorder xxxii/2 (1991) 21-22 (Howart Schott)
IDoubleReedSoc xiv/3 (1991) 67-68 (Daryl Durran)
MLetters lxxiii/1 (Feb 1992) 104-105 (David Ledbetter)
PerformPractReview v/1 (Spring 1992) 109-112 (Patrick J Rogers)
56. Haskell, Harry: The Early Music Revival; A History. (1988), 232p
London: Thames and Hudson, 1988. 232p. - Repr. ed. Mineola, NY: Dover, 1996. 232p. ISBN: 0-486-29162-6.
Reviews:
HistPerformance ii/1 (1989) 39-42 (Denis Stevens)
EarlyM xvii/3 (1989) 415-419 (Denis Stevens)
MLetters lxx/3 (1989) 382-384 (Elizabeth Roche)
MReview li/2 (1990) 145-147 (Judith H. Blezzard)
Tibia xv/2 (1990) 145-147 (Hermann Moeck)
BBCMMag v/10 (1997) 20 (Bayan Northcott)
57. Moens-Haenen, Greta: Das Vibrato in der Musik des Barock: Ein Handbuch zur Aufführungspraxis für Vokalisten und Instrumentalisten. (1988), 315p
Graz: Akademische Druck - und Verlagsanstalt, 1988. 315p. ISBN: 3-201-01398-6
Reviews:
Concerto vi/46 (1988) 34 (Annette Otterstedt)
EarlyM xvi/4 (1988) 571-573 (Robert Donington)
Tibia xiv/1 (1989) 371-372 (Nikolaus Delius)
Orchester(Mainz) xxxvii/2 (1989) 211 (Alfred Planyavsky)
NZsfM(2) cl/7-8 (1989) 75-76 (Jürgen Blume)
Musica xliii/3 (1989) 259 (Peter Reidemeister)
MLetters lxxi/2 (1990) 241-242 (Robin Stowell)
Mf xliv/1 (1991) 79 (Dieter Gutknecht)
EarlyMReview 109 (2005) 32 (Clifford Bartlett)
58. Hurford, Peter: Making Music on the Organ. (1988), vii 166p
Oxford: Oxford Univ. Press, 1988. R/1990, viii, 166p. ISBN: 0-19-322264-7.
Reviews:
EarlyM xvii/2 (1989) 251 (Keith Elcombe)
BIOS xiv (1990) 112 (Stuart Campbell)
MKirche lxi/5 (1991) 281 (Joachim Dorfmüller)
59. Clark, Stephen L. (ed.): C. P. E. Bach Studies. [ce]CPEBachStud (1988), xv, 346p
Oxford: Clarendon Press, 1988. xv, 346p
Reviews:
MTimes cxxx/1761 (Nov 1989) 679-680 (Katalin Koblos)
MLetters lxx/4 (Nov 1989) 537-540 (Bernard Harrison)
NZsfM(2) cl/3 (1989) 53-54 (Peter Niklas Wilson)
EarlyM xvii/2 (May 1989) 248-251 (John Deathridge)
BachJb lxxvi (1990) 97-99 (Hans-Günter Ottenberg)
AmerMTeacher xxxix/6 (1990) 55-56 (David Zakeri Kushner)
Notes xlvii/3 (1991) 743-747 (Leta E. Miller)
60. Stinson, Russell: The Bach Manuscripts of Johann Peter Kellner and His Circle. A Case Study in Reception History. (1989), xvi, 184p
Durham, London: Duke Univ. Press, 1989. xvi, 184p. ISBN: 0-8223-1006-6.
Reviews:
Diapason lxxxii/3:976 (Mar 1991) 7-8 (James B. Hartmann)
Notes xlviii/1 (Sep 1991) 65-69 (John Butt)
MKirche lxi/2 (1991) 94-95 (Albert Clement)
MTimes cxxxii/1778 (Apr 1991) 196 (Stephen Daw)
MLetters lxxii/3 (Aug 1991) 440-441 (Richard D. Jones)
JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed)
JMcolResearch xii/3 [supplement] (1992) 53-59 (Stephen A. Crist)
EarlyM xxi/1 (1993) 115-117 (David Ledbetter)
BachJb lxxxii (1996) 166-170 (Rolf Dietrich Claus)
61. Dürr, Alfred: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie V · Band 6.1. Das Wohltemperierte Klavier I. Kritischer Bericht. NBA 5/ 6.1 (1989), 448p
Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1989. 448p. [Ed.-Nr.: BA 5070-41]
Reviews:
MKirche lxi/1 (1991) 35 (Peter L. Voß)
NMz(Regensburg) xl/4 (1991) 56 (Klaus Börner)
EarlyM xix/2 (1991) 291-292 (Barry Cooper)
EarlyKeyboardJ x (1992) 200-202 (David Schrader)
Mf xlv (1992) 214-215 (Klaus Peter Richter)
62. Dürr, Alfred (ed.): Das Wohltemperierte Klavier I. BWV 846-869 / Johann Sebastian Bach. NBA 5/ 6.1 (1989), xiv (7p facs), 247p
Hrsg. von Alfred Dürr. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1989. xiv (7p facs), 247p. Ed.-Nr.: BA 5070. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie V: Klavier- und Lautenwerke. Band 6.1) [BWV 846-869]
Reviews:
MKirche lxi/1 (1991) 35 (Peter L. Voß)
NMz(Regensburg) xl/4 (1991) 56 (Klaus Börner)
EarlyM xix/2 (1991) 291-292 (Barry Cooper)
OrganYb xxii (1991) 163-164 (Peter Williams)
EarlyKeyboardJ x (1992) 200-202 (David Schrader)
Mf xlv (1992) 214-215 (Klaus Peter Richter)
63. Butler, Gregory G.: Bach's Clavier-Übung III: The making of a print. With a companion study of the Canonic Variations on 'Vom Himmel hoch', BWV 769. (1990), 139p
Duke University Press, 1990. 139p. ISBN: 0-8223-1009-0.
Reviews:
Notes xlviii/1 (Sep 1991) 65-69 (John Butt)
MLetters lxxii/3 (Aug 1991) 65-70 (Richard D. Jones)
Diapason lxxxii/5:978 (May 1991) 8 (James B. Hartmann)
Organ lxx/277 (1991) 148
JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed)
MTimes cxxxii/1778 (Apr 1992) 196 (Stephen Daw)
MKirche lxiii (1993) 163-166 (Albert Clement)
EarlyM xxi/1 (Feb 1993) 115-116 (David Ledbetter)
CurMcol lvi (1994) 125-137 (George Stauffer)
OruganKenkyu xxv (1997) 43-45 (Yukiko Hayakawa)
64. Butt, John: Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. (1990), xiii, 278p
Cambridge; N.Y.; Port Chester; Melbourne; Sydney: Cambridge University Press, 1990. xiii, 278p.
Reviews:
EarlyM xix/2 (May 1991) 285-287 (Keith Elcombe)
MLetters lxxii/3 (Aug 1991) 435-437 (Peter F. Williams)
MTimes cxxxiii/1788 (Feb 1992) 78 (Ton Koopman)
Notes xlviii/4 (Jun 1992) 1255-1256 (Jeanne Swack)
PerformPractReview v/2 (Fall 1992) 199-202 (Kimberly Marshall)
JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed)
Notes xlviii/4 (1992) 1255-1256 (Jeanne Swack)
65. Schmieder, Wolfgang (ed.): Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach. Bach-Werke-Verzeichnis (BWV) (1990), xlvi, 1014p
2. überarbeitete und erweiterte Ausgabe. Wiesbaden: Breitkopf & Härtel, 1990. xlvi, 1014p. ISBN: 3-7651-00255-5.
Reviews:
MKirche lxi (1991) 92-94 (Renate Steiger)
MGottesd xlv/1 (1991) 30 (A. M.)
MensMelodie xlvi (1991) 186-189 (Albert Clement)
ArsOrgani xxxix/1 (1991) 51-52 (Hermann J. Busch)
MGottesd xlv/1 (1991) 30 (Andreas Marti)
Brio xxviii/2 (1991) 92-95 (Clifford Bartlett)
OrganYb xxii (1991) 175-178 (Peter F. Williams)
WürttembergBlKm lviii/3 (1991), S. 100-101 (Helmut Völkl)
EarlyM xx/2 (May1992) 336 (Joshua Rifkin)
BachJb lviii (1992) 133-135 (Hans-Joachim Schulze)
Notes xlix/2 (Dec 1992) 543-544 (Christoph Wolff)
Orchester(Mainz) xli/3 (1993) 308 (Joachim Draheim)
Mf xlvii/1 (1994) 94-95 (Emil Platen)
66. Sadie, Julie Anne (ed.): Companion to Baroque Music. (1990), xviii, 549p
Introduction by Christopher Hogwood. London: J. M. Dent & Sons 1990. xviii, 549p. ISBN: 0-460-04602-0; 0-02-872275-2.
Reviews:
Notes xlix/4 (1993) 1431-1433 (Carolyn M. Gianturco)
EarlyM xix/4 (1991) 635-336 (Donald James Burrows)
67. Cyr, Mary: Performing Baroque Music. (1992), 254p
Scolar Press, Aldershot [Amadeus Press, Portland, Oregon], 1992. ISBN: 0-85967-960-8.
Reviews:
HistBrassSocNL 5 (1993) 47-48 (Jeffrey J. Nussbaum)
AmerRecorder xxxiv/3 (1993) 19-20 (Dale Higbee)
HistPerformance vii/2 (1994) 118-119 (George Houle)
MusicaAntiqua xi/1 (1994) 41 (Greta Haenen)
Tibia xix/4 (1994) 310-311 (Thomas Seedorf)
Notes l/3 (1994) 946-948 (Neal Zaslaw)
EarlyM xxii/3 (1994) 254 (Keith Elcombe)
CanadianAssocMLibNL 23, no. 2 (1995) 13-14 MacLean, Avery
CAML newsletter xxiii/2 (1995) 13-14 (Avery MacLean)
Musick xxi/1 (1999) 22 (Ruth Enns)
68. Schulenberg, David: The Keyboard Music of J. S. Bach. (1992), 473p
New York: Schirmer Books, 1992; London: Victor Gollancz, 1993, 473p. ISBN: 0-575 05518-9. - Second Edition. New York: Routledge, 2006. viii, 535p. ISBN: 0-415-97399-6; 0-415-97400-3; 978-0-415-97399-1; 978-0-415-97400-4.
Reviews:
MReview liii/4 (1992) 305-306 (Malcolm Boyd)
ContemporaryReview cclxiii (1993) 273-274 (Bruce Pattison)
MTimes cxxxiv/1804 (Jun 1993) 333 (Howard Schott)
Organists' Review lxxix (1993) 362 (Ivor Keys)
Piano&Keyboard No.166 (1994) 82-83 (John Butt)
EarlyKeyboardJ xii (1994) 132-136 (Richard Troeger)
Fanfare xvii/6 (1994) 355-356 (Bernard D. Sherman)
MLetters lxxv/2 (May 1994) 268-270 (Peter Williams)
EarlyM xxii/1 (Feb 1994) 137-139 (David Ledbetter)
Diapason lxxxv/5:1014 (May 1994) 5-6 (James B. Hartmann)
Alison Dunlop, 'On-line Book Review'
69. Butt, John: Music education and the art of performance in the German Baroque. CambridgeMlTextsMonographs (1994), xix, 237p
Cambridge: Cambridge Univ. Press, 1994. xix, 237p. (= Cambridge Musical Texts and Monographs)
Reviews:
Concerto xxii/104 (1995) 16-17 (Thomas Synofzik)
EarlyM xxiii/2 (May 1995) 315-316 (David Ledbetter)
MTimes cxxxvi (1995) 308-309 (George Pratt)
Tibia xx (1995) 468-469 (Thomas Seedorf)
PerformPractReview viii/2 (Fall 1995) 171-176 (David Schulenberg)
Consort li/2 (1995) 153–154 (Peter Wollny)
70. Williams, Peter F.: Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution. EarlyM 22/1 (Feb 1994), 101-113
[BWV 534/1; 572; 553; 541; 548; 566; 572; 739; 829]
Reviews:
EarlyM xxiii/2 (May 1995) 365-366 (Douglas Hollick, followed by the author)
71. Poulin, Pamela L. (trans.): J. S. Bach's Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts. Leipzig, 1738. EarlyMSer 16 (1994), 140p
Trans. with facsimile, introduction and explanatory notes. Preface by Christoph Wolff. - Oxford: Clarendon Press, 1994. xxvii, 112p. ISBN: 0-19-81625-1. (= Early Music Series, 16)
Reviews:
ChoirOrgan iii/3 (1995) 51-52 (Ann Bond)
EarlyMToday iii (1995) 22
MTimes cxxxvi/1831 (Sep 1995) 486-487 (Richard Langham Smith)
EarlyM xxiv/1 (Feb 1996) 159 (Malcolm Boyd)
Notes lii/4 (Jun 1996) 1165-1166 (F. Ellisworth Peterson)
MLetters lxxvii/2 (May 1996) 271-272 (John Butt)
Brio xxxiii/1 (1996) 63-64 (Katharine Hogg)
Diapason lxxxviii/3:1048 (Mar 1997) 9-10 (Dietrich Bartel)
72. Marissen, Michael: The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. (1995), 160p
Princeton Univ. Press, 1995. 160p. - 2/1999. 150p. ISBN: 0-691-00686-5.
Reviews:
Tibia xx (1995) 627-628 (Thomas Seedorf)
Notes lii/4 (Jun 1996) 1165-1166 (F. Ellisworth Peterson)
MLetters lxxvii/3 (Aug 1996) 466-469 (Michael Talbot)
EarlyM xxiv/3 (Aug 1996) 503-505 (David Ledbetter)
HistBrassSocJ viii (1996) 127-128 (Andrew Parrott)
ChurchHist lxv/4 (Dec 1996) 717-718 (Paul Westermeyer)
JRMA cxxii/1 (1997) 127-130 (David Humphreys)
MTimes cxli/1871 (Summer 2000) 63-67 (Yo Tomita)
73. Stinson, Russell (ed.): Bach Perspectives I. BachPerspectives 1 (1995), xii, 226p
Edited by Russell Stinson. - Lincoln NE, Univ. of Nebraska Press, 1995. xii, 226p.
Reviews:
EarlyM xxiv/3 (Aug 1996) 503-505 (David Ledbetter)
MLetters lxxvii/4 (Nov 1996) 611-612 (Malcolm Boyd)
AmerOrganist(2) xxx/5 (1996) 73-74 (James L Wallmann)
CanadianUnivMReview xvii/1 (1996) 127-131 (Erich Schwandt)
BachJb lxxxii (1996) 163-165 (Hans-Joachim Schulze)
TimesLiterarySuppl 4872 (16 Aug 1996) 20 (Iain Fenlon)
JRMA cxxii/1 (1997) 130-132 (David Humphreys)
JMcolResearch xvii/3-4 (1998) 261f
Notes lvi/4 (2000) 939-940 (Eunice Schroeder)
74. Melamed, Daniel R. (ed.): Bach Studies 2. BachStud 2 (1995), xiv, 238p
Cambridge Univ. Press, 1995, xiv, 238p.
Reviews:
EarlyM xxiv/3 (Aug 1996) 503-505 (David Ledbetter)
OrganYb xxvi (1996) 182 (Peter Williams)
EarlyMReview 18 (Mar 1996) 5-6 (Clifford Bartlett)
TimesLiterarySuppl 4872 (16 Aug 1996) 20 (Iain Fenlon)
BachJb lxxxii (1996) 163-165 (Hans-Joachim Schulze)
MLetters lxxviii/2 (May 1997) 268-269 (Lionel Pike)
RevueBelgeMcol liii (1999) 254-255 (Walter Corten)
75. Swack, Jeanne: Quantz and the Sonata in E flat major for flute and cembalo, BWV 1031. EarlyM 23/1 (Feb 1995), 31-53
Reviews:
EarlyM xxiv/1 (1996) 189 (Ralph Leavis)
76. Dürr, Alfred (ed.): Das Wohltemperierte Klavier II. BWV 870-893, und Fünf Praeludien und Fughetten, BWV 870a, 899-902 / Johann Sebastian Bach. NBA 5/ 6.2 (1995), xvi, 358p
Hrsg. von Alfred Dürr. - Kassel [u.a.]: Bärenreiter, 1995. xvi, 358p. Ed.-Nr.: BA 5086. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie V: Klavier- und Lautenwerke. Band 6.2) [BWV 870-893, 870a, 899-902]
Reviews:
Mf xlviii/3 (1995) 307 (Martin Geck)
OrganYb xxvi (1996) 173-175 (Peter Williams)
Notes lv (1998-9) 755-60 (David Schulenberg)
EarlyM xxvii/4 (1999) 664-667 (David Ledbetter)
TijdschrMtheorie iv/2 (1999) 87-88 (Frank Agsteribbe)
Mf liv/2 (2001) 214-215 (Werner Breig)
77. Hofmann, Klaus (ed.): Die Kunst der Fuge, BWV 1080. Teilband 1: Ausgabe nach dem Originaldruck / Johann Sebastian Bach. NBA 8/2.1 (1995), xiv, 198p
Hrsg. von Klaus Hofmann. - Kassel [u.a.]: Bärenreiter, 1995. xiv, 198p. Ed.-Nr.: BA 5082. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie VIII: Kanons, Musikalisches Opfer, Kunst der Fuge. Band 2.1) [BWV 1080]
Reviews:
OrganYb xxvii (1997) 156-158 (Peter Williams)
Notes lv (1998-9) 755-60 (David Schulenberg)
Organ(Mainz) ii/1 (1999)
EarlyM xxvii/4 (1999) 664-667 (David Ledbetter)
Mf liii/1 (2000) 119-120 (Wolf-Dieter Seiffert)
ForumMbib lxxv/4 (2004) 501-503 (Frank Hilberg)
78. Hofmann, Klaus (ed.): Die Kunst der Fuge, BWV 1080. Teilband 2: Ausgabe nach den autographen Quellen / Johann Sebastian Bach. NBA 8/2.2 (1995), xiv, 175p
Hrsg. von Klaus Hofmann. - Kassel [u.a.]: Bärenreiter, 1995. xiv, 175p. Ed.-Nr.: BA 5082. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie VIII: Kanons, Musikalisches Opfer, Kunst der Fuge. Band 2.2) [BWV 1080]
Reviews:
OrganYb xxvii (1997) 156-158 (Peter Williams)
Notes lv (1998-9) 755-60 (David Schulenberg)
EarlyM xxvii/4 (1999) 664-667 (David Ledbetter)
Mf liii/1 (2000) 119-120 (Wolf-Dieter Seiffert)
ForumMbib lxxv/4 (2004) 501-503 (Frank Hilberg)
79. Stinson, Russell: Bach: The Orgelbüchlein. (1996), xv, 208p
New York: Schirmer Books 1996. 208p. (A volume in the Monuments of Western Music series. 1st edition) - Oxford and New York: Oxford University Press, 1999. xv, 208p
Reviews:
OrganYb xxvii (1997) 164-165 (Peter Williams)
Diapason lxxxix/3:1060 (1998) 8-10
Yo Tomita, 'On-line Book Review'
AmerOrganist(2) xxxiv/10 (2000) 94 (Marie J Kramer)
EarlyMReview 60 (2000) 3 (Clifford Bartlett)
TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze)
MLetters lxxxii/3 (Aug 2001) 452-454 (Stephen Rose)
EarlyM xxix/4 (Nov 2001) 637-640 (David Humphreys)
EarlyKeyboardJ xxi (2003) 103-113 (David Yearsley)
80. Dreyfus, Laurence: Bach and the Patterns of Invention. [ce]Dreyfus (1996), 270p
Cambridge, MA: Harvard Univ. Press, 1996. [v], 270p. ISBN: 0674060059; Paperback edn. 2004. 288p. ISBN: 0-674-01356-5
Reviews:
MTimes cxxxviii/1852 (Jun 1997) 34-36 (Ivan Hewett)
BBCMMag v/12 (Aug 1997) 19 (Malcolm Boyd)
NYReviewBooks xliv/15 (9 Oct 1997) 51-55 (Charles Rosen)
TimesLiterarySuppl 4934 (24 Oct 1997) 22 (Peter F. Williams)
EarlyM xxvii/1 (Feb 1998) 145-147 (John Butt)
Fanfare (Jul-Aug 1998) 343-345 (Bernard D. Sherman), online
JAMSoc lii/3 (Autumn 1999) 627-633 (Stephen A. Crist)
MousikosLogos i/1 (Spring 2000) (Adam Panagiotis)
TheoryPractice xxvi (2001) 117-140 (Karl Braunschweig)
EarlyMReview 104 (Dec 2004) 12 (Clifford Bartlett)
81. Sherman, Bernard D.: Inside Early Music: Conversations with Performers. (1997), xi, 414p
New York and Oxford: Oxford University Press, 1997. xi, 414p. ISBN: 0-19-516945-X.
Reviews:
EarlyMAmer xi/1 (2005) 51 (Tina Chancey)
MTimes cxxxix/1863 (Summer, 1998) 60-62 (Richard Langham Smith)
Notes liv/4 (Jun 1998) 936-938 (Tom Moore)
EarlyM xxvii/2 (May 1999) 319-320 (Daniel Leech-Wilkinson)
82. Stauffer, George B.: Bach: The Mass in B Minor ('The Great Catholic Mass') (1997), xiv, 309p
New York: Schirmer Books, 1997. xiv, 309p. ISBN: 0-02-872475-5; New Haven, Conn.; London: Yale University Press, 2003. xiv, 311p. ISBN: 9780300099669; ISBN-10: 0300099665.
Reviews:
AmerOrganist(2) xxxi/12 (1997) 72-73 (James L. Wallman)
EarlyM xxvi/1 (Feb 1998) 147-149 (John Butt)
ColMSymposium xlvi (2006) 136-142 (Matthew C. Harden)
ChoralJ xlvi/9 (Mar 2006) 100-102 (Peter J. Durow)
83. Gomme, Austin Harvey (ed.): Markus-Passion, BWV 247. Rezitative und turbae von Reinhard Keiser (1674-1739) / Johann Sebastian Bach. [Partitur] (1997), xxxii, 167p
Rekonstruiert und hrsg. von A. H. Gomme. - Kassel [u.a.]: Bärenreiter, 1997. 2/2003. xxxii, 167p. ISMN: M-006-50117-5; BA 5209. [BWV 247]
Reviews:
EarlyM xxvi/4 (1998) 673-675 (John Butt)
Notes lxiii/3 (Mar 2007) 690-697(Daniel F. Boomhower)
84. Heller, Karl (ed.): Bearbeitungen fremder Werke / Johann Sebastian Bach. NBA 5/11 (1997), xiii, 205p
Concerti BWV 972-987, 592a; Sonaten BWV 965, 966, Fuga BWV 954. Hrsg. von Karl Heller. - Kassel [u.a.]: Bärenreiter, 1997. xii, 205p. Ed.-Nr.: BA 5088. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie V: Klavier- und Lautenwerke. Band 11)
Reviews:
EarlyM xxvii/4 (1999) 664-667 (David Ledbetter)
Mf liv/2 (2001) 215-216 (Werner Breig)
JAMSoc lv/2 (2002) 353-365 (David Schulenberg)
85. Williams, Peter F.: The Chromatic Fourth. During Four Centuries of Music. (1998), 272p
New York: Oxford Univ. Press, 1998. 272p. ISBN: 0-19-816563-3.
Reviews:
EarlyMReview 40 (1998) 4-5 (Clifford Bartlett)
MLetters lxxix/4 (1998) 586-588 (Lionel Pike)
TimesLiterarySuppl 4976 (1998) 20 (Colin Matthews)
MagyarZene xxxvii/2 (1999) 197-207 (Katalin Komlós)
EarlyM xxvii/3 (1999) 485-486 (Fabrice Fitch)
Mf liii/3 (2000) 353 (Diether de la Motte)
ZsfGMtheorie iv/1-2 (2007) (Ariane Jeßulat)
86. David, Hans T.; Mendel, Arthur; Wolff, Christoph (eds.): The New Bach Reader. A Life of Johann Sebastian Bach in Letters and Documents. (1998), liv, 511p
Edited by Hans T. David and Arthur Mendel, revised and enlarged by Christoph Wolff. - New York: W. W. Norton, 1998. liv, 511p. ISBN: 0-393-04558-7.
Reviews:
EarlyMReview 43 (Sep 1998) 3-4 (Clifford Bartlett)
MTimes cxxix/139 (Winter 1998) 66-67 (Yo Tomita)
Brio xxxv/2 (Fall-Winter 1998) 114-115 (Ruth Tatlow)
TimesLiterarySuppl 4990 (20 Nov 1998) 3 (Peter Williams)
AmerOrganist(2) xxxii/11 (1998) 85 (Frank Morana)
EarlyM xxvii/1 (Feb 1999) 126-127 (David Ledbetter)
BBCMMag (Feb 1999) 83 (Bryan Northcott)
MLetters lxxx/2 (May 1999) 283-286 (John Butt)
Notes lv/4 (Jun 1999) 893-894 (Edward McIrvine)
Yo Tomita, 'On-line Book Review'
87. Dürr, Alfred: Johann Sebastian Bach's St John Passion: Genesis, Transmission and Meaning. (2000), 182p
Translated by Alfred Clayton. Oxford Univ. Press, 2000, xiii, 182p
Reviews:
Yo Tomita, 'On-line Book Review'
EarlyM xxix/4 (Nov 2001) 637-640 (David Humphreys)
MTimes cxlii/1874 (Spring 2001) 63-64 (Peter Williams)
TimesLiterarySuppl 5126 (29 Jun 2001) 19 (John Butt)
88. Schwemer, Bettina; Woodfull-Harris, Douglas (eds.): 6 Suites a Violoncello Solo senza Basso. BWV 1007-1012. / J. S. Bach. (2000), 6 vols
Herausgegeben von / Edited by Bettina Schwemer and Douglas Woodfull-Harris, with separate volumes for a facsimile of Anna Magdalena Bach, Johann Peter Kellner, an anonymous copy of the 2nd half of the 18th century, an anonymous copy of late 18th century and the first edition issued in Paris, c1824, and a commentary. Kassel [u.a.]: Bärenreiter, 2000. BA 5215 (German Edition); BA 5216 (English Edition); M-006-50571-5 (German Edition); M-006-50572-2 (English Edition). 6 vols.
Reviews:
Yo Tomita, 'On-line Book Review'
EarlyM xxviii/4 (Nov 2000) 660-661 (David Johnson)
Orchester(Mainz) xlix/7-8 (Jul-Aug 2001) 79-80 (Gerhard Anders)
NMz(Regensburg) l (Dec 2001-Jan 2002) 50-51 (Gerhard Darmstadt)
Concerto xviii/167 (2001) 14-15 (Thomas Synofzik)
Strings xv (2001) (Jeffrey Solow)
89. Leisinger, Ulrich (ed.): Suiten für Violoncello solo, BWV 1007-1012 / Johann Sebastian Bach. (2000), 93p
Nach den Quellen hrsg., kommentiert und mit Hinweisen zur Interpretation versehen von Ulrich Leisinger. Vienna: Wiener Urtext Edition, Schott / Universal Edition, 2000. 93p. ISMN: M-50057-175-9. [BWV 1007-1012]
Reviews:
EarlyM xxviii/4 (Nov 2000) 660-661 (David Johnson)
NMz(Regensburg) l (Dec 2001-Jan 2002) 50-51 (Gerhard Darmstadt)
90. Parrott, Andrew: The Essential Bach Choir. (2000), xi, 223p
Woodbridge: the Boydell Press, 2000. xi, 223p. ISBN: 0-85115-786-6
Reviews:
Yo Tomita, 'On-line Book Review'
MTimes cxli/1871 (Summer 2000) 63-67 (Yo Tomita)
EarlyM xxviii/3 (Aug 2000) 480-482 (Keith Elcombe)
EarlyMReview 60 (2000) 4 (Clifford Bartlett)
TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze)
SlovenskaHudba xxvi/4 (2000) 542-549 (Vladimír Godár)
MLetters lxxxii/1 (2001) (Geoffrey Webber)
AmerChoralReview xliii/1 (Winter-Spring 2001)
AmerBachSocNL (Spring 2002) 5 (Frank Morana)
AmerOrganist(2) xxxvii/1 (2003) 51-52 (Frank Morana)
Mf lvi/4 (Oct-Dec 2003) 424-425 (Martin Geck)
91. Chafe, Eric T.: Analyzing Bach Cantatas. (2000), xvii, 286p
New York: Oxford University Press, 2000, xvii, 286p. ISBN: 0-19-512099-X.
Reviews:
Yo Tomita, 'On-line Book Review'
EarlyMReview 65 (Nov 2000) 5 (Clifford Bartlett)
MTimes cxli/1872 (Fall 2000) 13-15 (Peter Williams)
CurMcol lxx (Fall 2000) 141-158 (John Ito)
EarlyM xxix/4 (Nov 2001) 637-640 (David Humphreys)
EarlyMHist xxi/1 (2002) 259-290 (John Butt)
JAMSoc lv/3 (Fall 2002) 538-547 (Mary J. Greer)
MLetters lxxxiv/1 (Feb 2003) 95-97 (Matthew Dirst)
Notes lx/4 (Jun 2004) 961-963 (Calvin Stapert)
92. Wolff, Christoph: Johann Sebastian Bach: The Learned Musician. (2000), xvii, 599p
New York: W. W. Norton; Oxford: Oxford University Press, 2000. xvii, 599p. ISBN: 0-19-816534-X (Oxford); 0-393-04825-X (Norton). - paperback edn. 2002. ISBN: 0-19-924884-2 (Oxford); 0-393-32256-4 (Norton). - upd edn. New York [u.a.]: Norton, 2013. xxxv, 599p. ISBN: 978-0-393-32256-9.
Reviews:
Yo Tomita, 'On-line Book Review'
New York Times Book Review (9 Apr 2000) 26-27 (Edward Rothstein)
NYReviewBooks, xlvii/10 (Jun 15 2000) 47-51 (Robert Marshall)
The New Republic (10 & 17 Jul 2000) 33-38 (John Butt)
MTimes cxli/1872 (2000) 13-15 (Peter Williams)
AmerOrganist(2) xxxiv/12 (2000) 50-51 (Frank Morana)
TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze)
EarlyMReview 61 (Jun 2000) 5 (Clifford Bartlett)
EarlyM xxix/1 (Feb 2001) 128-129 (David Ledbetter)
London Review of Books, xxiii/14 (19 Jul 2001) 11-13
Notes lviii/1 (Sep 2001) 59-62 (David Schulenberg)
MLetters lxxxii/4 (Nov 2001) 622-625 (Michael Talbot)
JAMSoc liv/2 (Summer 2001) 374-382 (David Yearsley)
Tracker xlvi/4 (2002) 19 (John Ogasapian)
AmerChoralReview xliv/2 (2002) 6-7
93. Ahrens, Christian; Klinke, Gregor (eds.): Das deutsche Cembalo. Symposium im Rahmen der 24. Tage Alter Musik in Herne 1999. [cr]Herne1999 (2000), 170p
München/Salzburg: Katzbichler-Verlag, 2000. 170p. ISBN: 3-87397-580-7.
Reviews:
Glareana li/1 (2002) 26 (Martin Knüsli)
EarlyM xxxiii/1 (Feb 2005) 124-128 (John Koster)
94. Mosser, Daniel W.; Saffle, Michael; Sullivan, Ernest W. (eds.): Puzzles in paper: Concepts in historical watermarks. [cr]Roanoke1996 (2000), xii, 270p
[conference Roanoke, 1996] ed. Daniel W. Mosser, Michael Saffle and Ernest W. Sullivan. - New Castle, DE: Oak Knoll; London: The British Library, 2000. xii, 270p. ISBN: 1-58456-029-0 (USA); 0-7123-4703-7 (UK).
Reviews:
EarlyM xxix/4 (Nov 2001) 641-643 (Robert Thompson)
95. Sherman, Bernard D.: Bach's notation of tempo and early music performance: some reconsiderations. EarlyM 28/3 (Aug 2000), 455-466
Performing Matters.
Reviews:
EarlyM xxix/1 (2001) 153-154 (Klaus Miehling); 154-155 (author)
96. Wright, Craig: The Maze and the Warrior: Symbols in Architecture, Theology, and Music. (2001), ix, 351p
Cambridge, MA: Harvard University Press, 2001. ix, 351p. ISBN: 0-674-00503-1.
Reviews:
EarlyM xxxi/1 (Feb 2003) 125-127 (Jeffrey Dean)
JAMSoc lvi/2 (Summer 2003) 467-478 (Barbara Haggh)
NYReviewBooks li/11 (2004) 42-45 (Joseph Kerman)
EarlyMAmer xi/1 (2005) 50 (Alexander Blachly)
97. Rowland, David: Early keyboard instruments: A practical guide. (2001), xi, 154p
New York: Cambridge Univ. Press, 2001. xi, 154p. ISBN: 0-521-64366-X.
Reviews:
MTimes cxlii/1876 (2001) 68-69 (Ann Bond)
AmerOrganist(2) xxxv/9 (2001) 82-88 (John K. Ogasapian)
Notes lix/1 (2002) 94-97 (Tom Beghin)
Consort lviii (2002) 83-84 (Gerald Gifford)
EarlykeyboardJ xx (2002) 209-212 (Max H. Yount)
EarlyM xxx/2 (2002) 285 (John Kitchen)
MLetters lxxxiv/1 (Feb 2003) 89-91 (Dorothy De Val)
98. Stinson, Russell: J. S. Bach's Great Eighteen Organ Chorales. (2001), xii, 171p
Oxford & New York: Oxford Univ. Press, 2001. xii, 171p. ISBN: 0-19-511666-6.
Reviews:
Yo Tomita, 'On-line Book Review'
EarlyM xxix/4 (Nov 2001) 637-640 (David Humphreys)
MLetters lxxxiii/2 (May 2002) 286-287 (Stephen Rose)
OrganYb xxxi (2002) 185-186 (Peter F. Williams)
AmerOrganist(2) xxxvii/1 (2003) 51-52 (Frank Morana)
EarlyKeyboardJ xxi (2003) 103-113 (David Yearsley)
99. Renwick, William: The Langloz Manuscript: Fugal Improvisation through Figured Bass. (2001), xvii, 190p
Oxford; New York: Oxford University Press, 2001. xvii, 190p. ISBN: 0-19-816729-6.
Reviews:
Yo Tomita, 'On-line Book Review'
EarlyM xxix/3 (Aug 2001) 452-453 (David Yearsley)
Tracker xlvi/4 (2002) 3-4 (Frank Morana)
MLetters lxxxiii/2 (May 2002) 287-289 (Glen Wilson)
AmerOrganist(2) xxxvii/1 (2003) 51-52 (Frank Morana)
Diapason xcvii/12 (Dec 2006) 16 (Lynn Cavanagh)
100. Beicken, Suzanne J. (ed.): Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller. CambridgeMlTextsMonographs (2001), 199p
Translated and edited by Suzanne J. Beicken. Cambridge: Cambridge University Press, 2001. 199p. ISBN: 0-521-35354-8 (hardback); 0-511-03718-X (eBook) (= Cambridge musical texts and monographs)
Reviews:
Consort lviii (Summer 2002) 84-85 (Elena Lorimer)
EarlyM xxx/1 (Feb 2002) 120-121 (Emma Kirkby)
MLetters lxxxiv/2 (May 2003) 294-297 (John Potter)
101. Haggh, Barbara (ed.): Essays on music and culture in honor of Herbert Kellman. [fs]Kellman (2001), xxx, 574p
Paris: Minerve, 2001. xxx, 574p. ISBN: 2-86931-097-8; 978-2-86931-097-1. (= Épitomé musical, 8)
Reviews:
EarlyM xxxi/1 (Feb 2003) 129-131 (Tess Knighton)
102. Melamed, Daniel R. (ed.): Motets / Johann Ludwig Bach. RecentResearchMBaroq 108 (2001), xix, 203p
Edited by Daniel Melamed. - Middleton, WI: A-R Editions, 2001. xix, 203p. ISBN: 0-89579-470-5; 978-0-89579-470-3. (= Recent researches in the music of the Baroque era, B 108)
Reviews:
EarlyM xxx/44 (Nov 2002) 634-635 (Jeremy Summerly)
103. Bossuyt, Ignace: Het Weihnachts-Oratorium (BWV 248) van Johann Sebastian Bach. (2002), 179p, mus exx
Leuven: Universitaire Pers Leuven, 2002. 179p with a separate booklet for mus. exx. ISBN: 90-5847-242-5. (= Ancorae, 17) [BWV 248]
Reviews:
Yo Tomita, 'On-line Book Review'
EarlyM xxxi/2 (May 2003) 290-291 (Graham Dixon)
AmerBachSocNL (Fall 2003) 3 (Jan-Piet Knijff)
104. Yearsley, David: Bach and the Meanings of Counterpoint. (2002), xvi, 257p
Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5.
Reviews:
Yo Tomita, 'On-line Book Review'
TijdschrMtheorie viii/2 (May 2003) 168-169 (Thomas Op de Coul)
MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams)
EarlyM xxxi/2 (May 2003) 275-276 (David Humphreys)
JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg)
ColMSymposium xliv (2004) (Jane Solose)
McolAustralia xxvii (2004) 135-138 (Denis Collins)
18cM i/1 (Mar 2004) 100-104 (James Currie)
MEducatorsJ xc/4 (Mar 2004) 77-78 (Michelle Barnes)
CanadianUnivMReview xxiv/2 (2004) 87-90 (Janette Tilley)
BachNotesABS 3 (Spring 2005) 6-7 (Paul M. Walker)
MTheorySpec xxvii/1 (Spring 2005) 113-117 (Daniel K. L. Chua)
JAMSoc lviii/3 (Fall-winter 2005) 710-717 (George B. Stauffer)
MTheoryOnline xii/1 (Feb 2006) (Peter N Schubert)
105. Brauchli, Bernard; Galazzo, Alberto; Moody, Ivan (eds.): De Clavicordio V: Proceedings of the V International Clavichord Symposium, Magnano, 5-8 September 2001. DeClavicordio 5 (2002), 328p
Magnano: International Centre for Clavichord Studies, 2002. 328p. ISBN: 88-900269-2-8.
Reviews:
ArteOrganariaOrganistica ix/5 (2002) 54 (Silvia Rambaldi)
EarlyM xxxi/2 (2003) 281-283 (Howard Schott)
ClavichordInternat vii/1 (2003) 26-28 (John Collins)
OrganYb xxxii (2003) 208-209 (Peter F. Williams)
EarlyKeyboardJ xxi (2003) 85-89 (Bruce W. Glenny)
106. Leisinger, Ulrich (ed.): Bach in Leipzig - Bach und Leipzig. Bericht über die Internationale Wissenschaftliche Konferenz Leipzig, 27. bis 29. Januar 2000. LeipzigerBeitrBachF 5 (2002), 624p
Herausgegeben von Ulrich Leisinger. - Hildesheim: Georg Olms Verlag. 2002. 624p. ISBN: 3-487-11591-3. (= Leipziger Beiträge zur Bachforschung, 5)
Reviews:
OrganYb xxxi (2002) 191-193 (Peter Williams)
NMz(Regensburg) liii/3 (Mar 2004) 52 (Marion Mirwald)
EarlyM xxx/1 (Feb 2005) 121-124 (Tanya Kevorkian)
107. Crist, Stephen A. (ed.): Bach in America. BachPerspectives 5 (2003), xiv, 227p
Edited by Stephen A. Crist. - Urbana and Chicago: University of Illinois Press, 2003. xiv, 227p. (= Bach perspectives, 5)
Reviews:
EarlyM xxxi/4 (Nov 2003) 621 (Howard Schott)
OrganYb xxxii (2003) 206-207 (Peter Williams)
MLetters lxxxv/2 (2004) 280-281 (J. Bunker Clark)
ZsLateinamerWien lxxxv/2 (May 2004) 280-281 (J. Bunker Clark)
108. Altschuler, Eric Lewin: Bach's singers. EarlyM 31/2 (May 2003), 318
Correspondence.
Reviews:
EarlyM xxxi/3 (2003) 478 (Richard F. Taruskin)
109. Kuijken, Barthold (ed.): Bach(?) ; Sonate für Flöte (Violine) und Cembalo g-moll / Sonata for Flute (Violin) and Harpsichord in G minor BWV 1020 / H. 542.5. EdBreitkopf 8740 (2003), 28p, 7p
hrsg und kommentiert von / edited and with a commentary by Barthold Kuijken. Continuo-Aussetzung von / Continuo Realization by Siebe Henstra. - Wiesbaden: Breitkopf, 2003. 28p (score), 7p (part) EB 8740. ISMN: M 004-18166-9. [BWV 1020 (= H. 542.5)]
Reviews:
EarlyM xxxvi/1 (Feb 2008) 131-133 (Nancy Hadden)
110. Breig, Werner (ed.): Ouvertüre (Suite) für Flöte, Streicher und Basso continuo h-Moll BWV 1067 = Overture (suite) for flute, strings and basso continuo in B minor BWV 1067 / Johann Sebastian Bach. PartBib 5397 (2003), 20p
Hrsg. von Werner Breig. [Partitur.] - Wiesbaden [u.a.]: Breitkopf & Härtel, c2003. 20p. Pl.-Nr.: Breitkopf PB 5397. ISMN: M-004-21131-1. (= Partitur-Bibliothek, 5397) [BWV 1067]
Reviews:
EarlyM xxxvi/1 (Feb 2008) 131-133 (Nancy Hadden)
111. Breig, Werner (ed.): Ouvertüre (Suite) für Streicher und Basso continuo a-Moll nach BWV 1067 = Overture (suite) for strings and basso continuo in A minor after BWV 1067 / Johann Sebastian Bach. PartBib 5398 (2003), 19p
Rekonstruiert von Werner Breig. [Partitur.] - Wiesbaden [u.a.]: Breitkopf & Härtel, c2003. 19p. Best.-Nr.: Partitur-Bibliothek 5398; Pl.-Nr.: Breitkopf PB 5398. ISMN: M-004-21132-8. (= Partitur-Bibliothek, 5398) [BWV 1067]
Reviews:
EarlyMReview 97 (Feb 2004) 4-5 (Tassilo Erhardt)
EarlyM xxxvi/1 (Feb 2008) 131-133 (Nancy Hadden)
112. Haselböck, Lucia: Bach Textlexikon: Ein Wörterbuch der religiösen Sprachbilder im Vokalwerk von Johann Sebastian Bach. (2004), 225p
Kassel [u.a.]: Bärenreiter, 2004. 225p. ISBN: 3-7618-1679-0.
Reviews:
Yo Tomita, 'On-line Book Review'
MLiturg(Schweiz) cxxix (Jun 2004) 35 (Erwin Mattmann)
Tonkunst ii (1 Nov 2004) (Joachim Roller)
MKirche lxxv/1 (Jan-Feb 2005) 52 (Christoph Albrecht)
BachMag 6 (2005) 40 (Jörg Clemen)
EarlyMReview 106 (Apr 2005) 23 (Clifford Bartlett)
Mf lviii/4 (Oct-Dec 2005) 437-438 (Andreas Pfisterer)
BachJb xlii (2006) 315-318 (Markus Rathey)
EarlyM xxxv/1 (Feb 2007) 118-120 (Stephen Rose)
113. Maunder, Richard: The scoring of Baroque concertos. (2004), vii, 287p
Woodbridge: Boydell & Brewer, 2004. vii, 287p. ISBN: 1-8438-3071-X.
Reviews:
EarlyMReview 103 (Oct 2004) 22 (Clifford Bartlett)
MTimes cxlv/1889 (winter 2004) 85-89 (Peter Williams)
MLetters lxxxvi/2 (May 2005) 287-290 (Michael Talbot)
EarlyM xxxiii/3 (Aug 2005) 506-508 (Andrew Manze)
114. Tarling, Judy: Weapons of rhetoric: A guide for musicians and audiences. (Mar 2004), xiv, 271p
St. Albans: Corda Music Publications, 2004. xiv, 271p. ISBN: 0-952822-03-2.
Reviews:
EarlyMReview 104 (2004) 11 (Clifford Bartlett)
BachNotesLBS (Mar 2005) [4] (Anthony Robson)
EarlyMAmer xi/2 (2005) 43-44 (Stephen Hammer)
EarlyM xxxiii/2 (2005) 331-332 (David Ledbetter)
RecorderMag xxv/2 (2005) 63 (Marianne Mezger)
115. Speerstra, Joel: Bach and the pedal clavichord: an organist's guide. EastmanStudM 26 (2004), 280p
Foreword by Hans Davidsson. - Rochester, NY: University of Rochester Press, 2004. 280p (= Eastman studies in music, 26)
Reviews:
BachNotesABS 2 (Fall-winter 2004) 6-7 (Lynn Edwards Butler)
AmerOrganist(2) xxxviii/11 (Nov 2004) 78-80 (Quentin Faulkner)
Orgelkrant viii/7-8 (2004)
ClavichordInternat viii/2 (Nov 2004) 60 (Francis Knights)
OrganYb xxxiii (2004) 179 (Peter Williams)
Notes lxi/3 (Mar 2005) 760-763 (Brian Doherty)
EarlyM xxxiii/1 (Feb 2005) 124-128 (John Koster)
18cM ii/2 (Sep 2005) 337-340 (Stewart Pollens)
HetOrgel cii/1 (2006) (Hans Fidom)
EarlyMReview 111 (Feb 2006) 33-34 (Clifford Bartlett)
InformOrganistica xviii/3:15 (Dec 2006) 277-279 (Massimiliano Guido)
116. Glöckner, Andreas: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 5b. Matthäus-Passion. Frühfassung BWV 244b. Kritischer Bericht. NBA 2/5b (2004), 87p
Kassel u.a: Bärenreiter, 2004. 87p. [Ed.-Nr.: BA 5099-41]
Reviews:
EarlyM xxxiv/2 (May 2006) 296-298 (John Butt)
Notes lxiii/3 (Mar 2007) 690-697(Daniel F. Boomhower)
117. Glöckner, Andreas (ed.): Matthäus-Passion. Frühfassung BWV 244b / Johann Sebastian Bach. NBA 2/5b (2004), vii, 281p
Hrsg. von Andreas Glöckner. - Kassel [u.a.]: Bärenreiter, 2004. vii, 281p. Ed.-Nr.: BA 5099. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie II: Messen, Passionen und Oratorische Werke. Band 5b) [BWV 244b]
Reviews:
EarlyM xxxiv/2 (2006) 296-298 (John Butt) 'Bach's protean passions'
Notes lxiii/3 (Mar 2007) 690-697(Daniel F. Boomhower)
Mf lx/1 (Jan-Mar 2007) 85-86 (Werner Breig)
118. Köpp, Kai: Johann Georg Pisendel (1687-1755) und die Anfänge der neuzeitlichen Orchesterleitung. (2005), 531p
Tutzing: Hans Schneider, 2005. 531p. ISBN: 3-7952-1140-9.
Reviews:
Orchester(Mainz) liii/7-8 (2005) 79 (Friedbert Streller)
EarlyM xxxiv/1 (2006) 146-148 (Brian Clark)
Concerto xxiii/208 (2006) 20-21 (Bernd Heyder)
Mf lx/3 (2007) 287-289 (Panja Mücke)
119. Melamed, Daniel R.: Hearing Bach's Passions. (2005), vii, 178p
New York: Oxford University Press, 2005. vii, 178p. ISBN: 0-19-516933-6. - rev. edn, 2016. xxiii, 178p. ISBN: 978-0-19-049012-6
Reviews:
Yo Tomita, 'On-line Book Review'
EarlyMReview 108 (Aug 2005) 34-35 (Clifford Bartlett)
Diapason xcvi/10 (Oct 2005) 16 (James B. Hartman)
EarlyMPerformer 16 (Nov 2005) 20-21 (Bryan White)
ColMSymposium xlvi (2006) 136-142 (Matthew C. Harden)
Notes lxii/3 (Mar 2006) 724-727 (Daniel F. Boomhower)
BachNotesABS 5 (2006) 14-15 (Jason B. Grant)
EarlyM xxxiv/2 (May 2006) 296-298 (John Butt)
Goldberg 42 (Oct 2006) 20-21 (Uri Golomb)
HNetReviews (Oct 2006) (Janette Tilley)
MLetters lxxxviii/1 (Feb 2007) 141-144 (Alan Howard)
18cM iv/1 (Mar 2007) 147-149 (Robin A. Leaver)
ChoralJ xlviii/6 (Dec 2007) 85-86 (Steven Grives)
BritishJ18cStud xxxi/1 (Mar 2008) 168-169 (Rebecca Lloyd)
120. Dürr, Alfred: The Cantatas of J. S. Bach. With their Librettos in German-English Parallel Text. (2005), xvi, 967p
Revised and translated by Richard Jones. Oxford: Oxford University Press, 2005. xvi, 967p. ISBN: 0-19-816707-5.
Reviews:
Yo Tomita, 'On-line Book Review'
EarlyMReview 108 (Aug 2005) 35-36 (Clifford Bartlett)
EarlyMPerformer 18 (May 2006) 44-45 (Peter Holman)
Goldberg 39 (Apr 2006) 14-16 (Brian Robins)
EarlyM xxxv/1 (Feb 2007) 118-120 (Stephen Rose)
MLetters lxxxix/4 (2008) 620-622 (Matthew Dirst)
121. Kerman, Joseph: The Art of Fugue. Bach Fugues for Keyboard, 1715-1750. (2005), xxiii, 173p
Includes a CD with New Recordings by Davitt Moroney and Karen Rosenak. - Berkeley, Los Angeles, London: University of California Press, 2005. xxiii, 173p. ISBN: 0-520-24358-7. - paperback edn. 2008. ISBN: 0-520-25389-2.
Reviews:
EarlyMReview 109 (Oct 2005) 32 (Clifford Bartlett)
McolAustralia xxviii (2005-6) 143-146 (Denis Collins)
EarlyM xxxiv/3 (Aug 2006) 489-492 (David Yearsley)
London review of books xxviii/18 (21 Sep 2006) 27-29 (David Matthews)
MResearchForum xxi (2006) 71-76 (Kristy Swift)
SaggiatoreM xiv/2 (2007) 413-425 (Mario Carrozzo)
MLetters lxxxviii/3 (Aug 2007) 505-507 (Paul Walker)
J18cStud xxxi/1 (Mar 2008) 186-189 (Bettina Varwig)
122. Keefe, Simon P. (ed.): The Cambridge companion to the concerto. [ce]CambridgeCompanion_Concerto (2005), xxv, 309p
Cambridge: Cambridge University Press, 2005. xxv, 309p. ISBN: 0-521-83483-X; 0-521-54257-X.
Reviews:
EarlyM xxxiv/3 (Aug 2006) 487-489 (John A. Irving)
MLetters lxxxviii/3 (Aug 2007) 523-528 (David A. Grayson)
123. Schulenberg, David (ed.): 'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach. CPEBachCW 1/ 3 (2005), xxxiv, 190p
Edited by David Schulenberg. - Los Altos, CA: Packard Humanities Institute, 2005. xxxiv, 190p (Critical report pp.153-190). ISBN: 1-933280-01-8; 978-1-933280-01-1. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 3) [Achtzehn Probe-Stücke in sechs Sonaten, Wq 63/1 - 6. Sechs leichte Clavier Sonaten, Wq 53/1 - 6. Six sonates pour le clavecin à l'usage des dames, Wq 54/1 - 6. Sechs neue Clavier-Stücke, Wq 63/7 - 12] [Wq 63/1-6 (H 70, 71, 72, 73, 74, 75), Wq 53 (H 162, 163, 180, 181, 182, 183), Wq 54 (H 184, 185, 204, 205, 206, 207), Wq 63/7-12 (H 292, 293, 294, 295, 296, 297)]
Reviews:
EarlyM xxxiv/4 (Nov 2006) 694-696 (Susan Wollenberg)
SECM Newsletter 10 (Apr 2007) 6 (R. Todd Rober)
Notes lxiv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
124. Wollny, Peter (ed.): Miscellaneous Keyboard Works II (Character pieces, solfeggios, duets, suites, juvenilia, and other short pieces) / Carl Philipp Emanuel Bach. CPEBachCW 1/ 8.2 (2005), xxxvi, 216p
Edited by Peter Wollny. - Los Altos, CA: Packard Humanities Institute, 2005. xxxvi, 216p (Critical report pp. 149-216). ISBN: 1-933280-04-2; 978-1-933280-04-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 8.2) [Petites pièces pour le clavecin (Wq 116/18-22, 117/17-40, 199/16). Solfeggios (Wq 117/1-4). Minuets and polonaises (Wq 111, 116/1-8). Sechs leichte kleine Clavierstücke and related pieces (Wq 116/23-28; H 255-258). Vier kleine Duetten für zwei Claviere (Wq 115/1-4). Suites (Wq 65/4, 62/12). Juvenilia (BWV Anh. 122-125; Wq 116/1/i; H 340; Wq/H desunt). Incerta (H 370; Wq/H deest)] [BWV Anh. 122, 123, 124, 125 - Wq 62/12, 65/4, 111, 115, 116, 117, 199/16 - H 255, 256, 257, 258, 340, 370]
Reviews:
EarlyM xxxv/3 (Aug 2007) 469-470 (Douglas Hollick)
Notes lxv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
125. Kidger, David (ed.): Orchester-Sinfonien mit zwölf obligaten Stimmen / Carl Philipp Emanuel Bach. CPEBachCW 3/ 3 (2005), xxiv, 124p
Edited by David Kidger. - Los Altos, CA: Packard Humanities Institute, 2005. xxiv, 124p. ISBN: 1-933280-00-X; 978-1-933280-00-4. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 3) [Wq 183/1-4 - H. 663, 664, 665, 666]
Reviews:
EarlyM xxxiv/4 (Nov 2006) 694-696 (Susan Wollenberg)
Notes liv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
126. Lee, Douglas A. (ed.): Sei concerti per il cembalo concertato / Carl Philipp Emanuel Bach. CPEBachCW 3/ 8 (2005), xxiv, 312p
Edited by Douglas A. Lee. - Los Altos, CA: Packard Humanities Institute, 2005. xxiv, 312p. ISBN: 1-933280-02-6; 978-1-933280-02-8. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 8) [Wq 43/1-6 - H 471, 472, 473, 474, 475, 476]
Reviews:
EarlyM xxxiv/4 (2006) 694-696 (Susan Wollenberg)
Notes lxv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
127. Wainwright, Jonathan; Holman, Peter: From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. [cr]York1999 (2005), xx, 321p
Proceedings of the national early music association conference held, in association with the department of music, University of York and the York Early Music Festival, at the University College of Ripon and York St John, York, 2-4 Juli 1999. Aldershot: Ashgate, 2005. xx, 321p. ISBN: 0 7546 0403 9; ISBN-13 978-0-7546-0403-7.
Reviews:
EarlyMReview 109 (2005) 31 (Clifford Bartlett)
EarlyM xxxiv/3 (2006) 483-486 (Peter Walls)
GalpinSocJ lix (2006) 280-281 (Frances Palmer)
EarlyMAmer xii/4 (2006) 52-54 (Tina Chancey)
PerformPractReview xii (2007) (Rudolf Rasch)
JAmerMInstrSoc xxxiii (2007) 264-268 (James B. Kopp)
128. Lehman, Bradley: Bach's extraordinary temperament: our Rosetta Stone -- 2. EarlyM 33/2 (May 2005), 211-232
Errata at http://www-personal.umich.edu/~bpl/larips/errata.html
Reviews:
EarlyM xxiii/3 (2005) 545-547 (David Ponsford; Daniel Jencka; Richard Maunder; Carl Sloan; Mark Lindley; Kenneth Mobbs and Alexander Mackenzie of Ord; Stuart Isacoff)
EarlyM xxxiv/2 (2006) 350 (John R Catch)
129. Abravaya, Ido: On Bach's Rhythm and Tempo. BochumArbMw 4 (2006), 232p
Kassel [u.a.]: Bärenreiter, 2006. 232p. ISBN: 13: 978-3-7618-1602-8; ISBN: 10: 3-7618-1602-2. (= Bochumer Arbeiten zur Musikwissenschaft, 4)
Reviews:
Yo Tomita, 'On-line Book Review'
AdParnassum iv/8 (Oct 2006) 152-155 (Yo Tomita)
EarlyM xxxv/2 (May 2007) 296-297 (David Ledbetter)
EarlyMReview 120 (Aug 2007) 25 (Clifford Bartlett)
Mf lx/3 (Jul-Sep 2007) 289-290 (Klaus Miehling)
130. Richards, Annette (ed.): C. P. E. Bach Studies. [ce]CPEBachStud (2006), xii, 268p
Cambridge: Cambridge Univ. Press, 2006. xii, 268p. ISBN-13: 9780521836296; ISBN-10: 0521836298.
Reviews:
EarlyM xxxv/2 (May 2007) 295-297 (Susan Wollenberg)
Consort lxiii (Summer 2007) 113-116 (Thomas Cooper)
Notes lxiv/2 (Dec 2007) 271-273 (Doris B. Powers)
FontesArtisM lv/2 (2008) 395-396 (Bryan Proksch)
AdParnassum vi/11 (Apr 2008) 85-90 (Floyd K. Grave)
GermStudReview xxxii/1 (2009) 225 (Susan Lewis Hammond)
J18cStud xxxii/2 (2009) 278-279 (Peggy Daub)
131. Stauffer, George B. (ed.): The World of Baroque Music: New Perspectives. [ce]WorldOfBaroqueMusic (2006), x, 293p
Bloomington: Indiana University Press, 2006. x, 293, [16]p colour ill. with 2 CDs. ISBN: 0-253-34798-X; ISBN-13: 978-0-253-34798-5.
Reviews:
EarlyM xxxvi/3 (2008) 455-457 (David R. M. Irving)
EarlyMReview 120 (2007) 2122 (Clifford Bartlett)
132. Wollny, Peter (ed.): Miscellaneous Keyboard Works I / Carl Philipp Emanuel Bach. CPEBachCW 1/ 8.1 (2006), xxvi, 150p
Edited by Peter Wollny. - Los Altos, CA: Packard Humanities Institute, 2006. xxvi, 150p (Critical report S. 115 - 150(?)). ISBN: 1-933280-03-4; 978-1-933280-03-5. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 8.1) [Clavierstücke verschiedener Art, Wq 112. Kurze und leichte Clavierstücke, erste Sammlung, Wq 113. Kurze und leichte Clavierstücke, zweite Sammlung, Wq 114. Rondo in e minor, Wq 66. Fantasia in E-flat Major, H 348. Fantasia D major, Wq 117/14. Fantasia G major, Wq 117/11. Fantasia D major, Wq 117/12. Fantasia G major, Wq 117/13. Fantasia in F-sharp Minor, Wq 67] [Wq 66, 67, 112/1-19, 113/1-11, 114/1-11, 117/11-14; H 348]
Reviews:
EarlyM xxxv/3 (Aug 2007) 469-470 (Douglas Hollick)
Notes lxv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
133. Adams, Sarah (ed.): Six Symphonies for Baron van Swieten / Carl Philipp Emanuel Bach. CPEBachCW 3/ 2 (2006), xxiv, 100p
Edited by Sarah Adams. - Los Altos, CA: Packard Humanities Institute, 2006. xxiv, 100p. ISBN: 1-933280-05-0; 978-1-933280-05-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 2) [Wq 182/1-6 - H 657, 658, 659, 660, 661, 662]
Reviews:
Notes lxv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
EarlyM xli/2 (May 2013) 350-351 (Nigel Springthorpe)
134. Page, Janet K. (ed.): Oboe Concertos / Carl Philipp Emanuel Bach. CPEBachCW 3/ 5 (2006), xxi, 85p
Edited by Janet K. Page. - Los Altos, CA: Packard Humanities Institute, 2006. xxi, 85p. ISBN: 1-933280-17-4; 978-1-933280-17-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 5) [Wq 164, 165 - H. 466, 468]
Reviews:
Notes lxv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
EarlyM xl/3 (Aug 2012) 512-514 (Rachel Chaplin)
135. Baron, Carol K.: Bach's Changing World: Voices in the Community. EastmanStudM 37 (2006), xvi, 264p
Rochester, NY: Univ. of Rochester Press, 2006. xvi, 264p. ISBN: 1-58046-190-5. (= Eastman studies in music, 37)
Reviews:
BachNotesLBS (Sep 2006) [3] (Simon Scott Plummer)
EarlyMReview 104 (Aug 2006) 20-21 (Clifford Bartlett)
MTimes cxlvii/1898 (Winter 2006) (Peter Williams); 'Letter', cxlviii/1899 (Summer 2007) 2 (Carol Baron; response: Peter Williams)
Elise Crean, 'On-line Book Review'
EarlyM xxxv/1 (Feb 2007) 118-120 (Stephen Rose)
Consort lxiii (Summer 2007) 107-110 (Thomas Cooper)
EarlyMHist xxvi (2007) 271-282 (John Butt)
J18cStud xxxi/4 (Dec 2008) 622-624 (Elise Crean)
136. Rifkin, Joshua (ed.): Messe h-moll ; Mass in B minor. BWV 232 / Johann Sebastian Bach (1685-1750). PartBib 5363 (2006), xviii, 273p
herausgegeben von / edited by Joshua Rifkin. [Partitur / Score]. - Wiesbaden [u.a.]: Breitkopf & Härtel, 2006. xviii, 273p. Pl.-Nr.: Breitkopf PB 5363. ISMN: M-004-21170-0. (= Breitkopf & Härtel Partitur-Bibliothek, 5363) [BWV 232]
Reviews:
Yo Tomita, 'On-line Book Review'
BachMag 9 (2007) 44 (Uwe Wolf)
Tonkunst i/2 (2007) 167-168 (Joachim Roller)
EarlyMReview 117 (Feb 2007) 5-6 (Clifford Bartlett)
EarlyM xxxvi/1 (Feb 2008) 135-137 (John Butt)
Notes lxv/2 (Dec 2008) 385-389 (Daniel Boomhower)
137. Nordbakke, Michael W. (ed.): Sonatas a 3 / Georg von Bertouch. RecentResearchMBaroq 144 (2006), xv, 210p
Edited by Michael W. Nordbakke. - Middleton, WI: A-R Editions, 2006. xv, 210p. ISBN: 0-89579-590-6; 978-0-89579-590-8. (= Recent researches in the music of the Baroque era, B 144)
Reviews:
EarlyMReview 119 (Jun 2007) 7 (Clifford Bartlett)
EarlyM xxxvi/1 (Feb 2008) 133-135 (Brian Clark)
138. Kevorkian, Tanya: Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750. (2007), 266p
Aldershot: Ashgate, 2007. 266p. ISBN: 0-7546-5490-7.
Reviews:
Consort 64, Summer 2008) 109-111 (Thomas Cooper)
Renaissance Quarterly lxi/3 (Fall 2008) 991-992 (Mark Peters)
BIOSJ xxxii (2008) 214-215 (David Knight)
H-Net (Apr 2008) (Janette Tilley)
LutherQ xxii/4 (Winter 2008) 465-467 (Paul Westermeyer)
ChurchHist lxxvii/4 (Dec 2008) 1064-1066 (Eric Lund)
JAMSoc lxii/1 (Spring 2009) 222-225 (Joyce L. Irwin)
Elise Crean, 'On-line Book Review'
EarlyM xxxvii/2 (May 2009) 306-307 (John Butt)
Bach xl/1 (2009) 85-87 (Markus Rathey)
18cM vii/1 (Mar 2010) 119-121 (Stephen Rose)
BachJb xcvii (2011) 293-298 (Michael Maul)
139. Haynes, Bruce: The End of Early Music: A Period Performer's History of Music. (2007), 304p
New York: Oxford Univ. Press, 2007. 304p. ISBN13: 9780195189872; ISBN10: 0195189876
Reviews:
Notes lxiv/4 (Jun 2008) 767-769 (David Dolata)
EarlyM xxxvi/2 (May 2008) 301-304 (Robert Quinney)
TijdschrOudeM xxiii/1 (Feb 2008) 52-53 (Jan van den Bossche)
PerformPractReview xiii (2008) (Roland Jackson)
EarlyMAmer xiv/2 (Summer 2008) 52 (Maria Coldwell)
HistBrassSocJ xx (2008) 223-226 (Steven Plank)
AmerRecorder xlix/2 (Mar 2008) 23 (Scott Paterson)
Newsletter of the AmerMInstrSoc xxxvii/2 (Summer 2008) 7-8 (Robert Howe)
Goldberg 51 (Apr 2008) 18-19 (María del Carmen Gómez Muntané)
Bach xl/1 (2009) 82-84 (Ross W. Duffin)
140. Gjerdingen, Robert O.: Music in the galant style. (2007), ix, 514p
Being an essay on various schemata characteristic of eighteenth-century music for courtly chambers, chapels, and theaters, including tasteful passages of music drawn from most excellent chapel masters in the employ of noble and noteworthy personages, said music all collected for the reader's delectation on the World Wide Web. - New York, NY: Oxford University Press, 2007, ix, 514p. ISBN: 0-19-531371-2; 978-0-19-531371-0.
Reviews:
JMTheory l/2 (Fall 2006) 277-290 (David Temperley)
TijdschrMtheorie xiii/2 (May 2008) 175-177 (Hans Aerts)
JSMI iv (2008) 101-105 (Martin Adams)
MLetters xc/3 (Aug 2009) 468-473 (W. Dean Sutcliffe)
EarlyM xxxvii/4 (Nov 2009) 669-671 (Matthew Pritchard)
JMcolResearch xxix/1 (Jan-Mar 2010) 73-79 (Donald R. Boomgaarden)
TheoryPractice xxxvi (2011) 225-235 (Paul Moravitz Sherrill)
JAMSoc lxiv/1 (Spring 2011) 244-253 (Mary Sue Morrow)
141. Berger, Karol: Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. (2007), xi, 420p
Berkeley, CA: University of California Press, 2007. xi, 420p. ISBN: 978-0-520-25091-8 (hardcover); 978-0-520-25797-9 (paperback).
Reviews:
EarlyM xxxvi/2 (May 2008) 304-306 (John Butt)
MTimes cxlix/1903 (Summer 2008) 116-118 (Peter Williams)
ActaMozartiana lv/1-2 (Jun 2008) 76-77 (Laurenz Lütteken)
BachNotesABS 10 (Fall 2008) 6-7 (Gregory Butler)
19cMReview vi/1 (2009) 91-94 (Marianne Tettlebaum)
TimesLiterarySuppl 5524 (13 Feb 2009) 23 (Nicholas Kenyon)
Notes lxv/3 (Mar 2009) 503-505 (Bertil van Boer)
Modernism/Modernity xvi/2 (Apr 2009) 435-437 (Mary Hunter)
IReviewAesthSociolM xl/2 (Dec 2009) 353-359 (Edward Green)
18cM vii/1 (Mar 2010) 107-109 (Matthias Schmidt)
FontesArtisM lvii/1 (2010) 126-128 (Bryan Proksch)
JAMSoc lxiii/3 (Fall 2010) 658-684 (Robert D. Levin)
142. Jones, Richard D. P.: The Creative Development of Johann Sebastian Bach. Volume 1: 1695-1717. Music to Delight the Spirit. (2007), xiv, 335p
Oxford: Oxford University Press, 2007. xiv, 335p. ISBN13: 978-0-19-816440-1; ISBN10: 0-19-816440-8.
Reviews:
Yo Tomita, 'On-line Book Review'
BachNotesLBS (Sep 2007) [3] (Yo Tomita)
MTimes cxlviii/1900 (Fall 2007) 97-99 (Peter Williams)
EarlyM xxxv/4 (Nov 2007) 634-635 (David Ledbetter): 'Early Bach'
MLetters lxxxix/4 (Nov 2008) 618-620 (Stephen Rose)
BachNotesABS 12 (Winter 2010) (Matthew Dirst)
143. Butler, Gregory G.: J. S. Bach's Concerted Ensemble Music, The Ouverture. BachPerspectives 6 (2007), xi, 163p
Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2007. xi, 163p. ISBN: 0-252-03042-7. (= Bach Perspectives, 6)
Reviews:
OrganYb xxxvi (2007) 214-215 (Peter Williams)
EarlyMHist xxvi (2007) 271-282 (John Butt)
MLetters lxxxix/2 (May 2008) 248-252 (Michael Talbot)
EarlyMReview 118 (Apr 2007) 31-32 (Clifford Bartlett)
EarlyM xxxv/4 (Nov 2007) 635-637 (Bettina Varwig)
144. Kulukundis, Elias N. (ed.): Keyboard Concertos from Prints / Carl Philipp Emanuel Bach. CPEBachCW 3/ 7 (2007), xxiv, 187p
Edited by Elias N. Kulukundis. - Los Altos, CA: Packard Humanities Institute, 2007. xxiv, 187p. ISBN: 1-933280-14-1; 978-1-933280-14-1. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 7) [Wq 11, 14, 25 - H. 414, 417, 429]
Reviews:
Notes lxv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
EarlyM xl/2 (May 2012) 323-324 (Francis Knights)
145. Edler, Arnfried (ed.): Keyboard Concertos from Manuscript Sources XIII / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9.13 (2007), xix, 99p
Edited by Arnfried Edler. - Los Altos, CA: Packard Humanities Institute, 2007. xix, 99p. ISBN: 978-1-933280-20-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.13) [Wq 39, 40 - H. 465, 467]
Reviews:
Notes lxv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
EarlyM xl/2 (May 2012) 323-324 (Francis Knights)
146. Maul, Michael; Wollny, Peter (eds.): Weimarer Orgeltabulatur. Die frühesten Notenhandschriften Johann Sebastian Bachs sowie Abschriften seines Schülers Johann Martin Schubart. FaksRBachWSNF 3 (2007), xxxv, 48p, 8p, 2p, 4p, 4p
Mit Werken von Dietrich Buxtehude, Johann Adam Reinken und Johann Pachelbel. Vorwort und Übertragung. Kassel: Bärenreiter, 2007. xxxv [text], 48p [music]; faks: 8p, 2p, 4p, 4p. (= Faksimile-Reihe Bachscher Werke und Schriftstücke. Neue Folge, III; Documenta Musicologica. Zweite Reihe: Handschriften-Faksimiles, 39)
Reviews:
Yo Tomita, 'On-line Book Review'
MKirche lxxviii/1 (Jan-Feb 2008) 52 (Ulrich Konrad)
ArteOrganariaOrganistica xv/68 (Jul-Sep 2008) 58-60 (Francesco Tasini)
EarlyMReview 126 (Aug 2008) 2-3 (Clifford Bartlett)
AmerOrganist(2) xlii/8 (Aug 2008) 79-80 (Rollin Smith)
EarlyMReview 128 (Dec 2008) 6 (Clifford Bartlett)
OruganKenkyu xxxvi (2008) 32-35 (Megumi Tokuoka)
OrganYb xxxvii (2008) 198-199 (Peter Williams)
Notes lxv/3 (2009) 577-581 (Peter Ward Jones)
EarlyM xxxvii/3 (Aug 2009) 489-491 (David Yearsley)
147. Barnett, Gregory; D'Ovidio, Antonella; La Via, Stefano (eds.): Arcangelo Corelli fra mito e realtà storica: nuove prospettive d'indagine musicologica e interdisciplinare nel 350o anniversario della nascita HistMCultores 111 (2007), xxiv, 707p
atti del Congresso internazionale di studi, Fusignano, 11-14 settembre 2003, coord. by Gregory Barnett, Stefano la Via, Antonella de Ovidio, 2 vols. - Firenze, Italy: Leo S. Olschki, 2007, xxiv, 707p. ISBN: 88-222-5697-2; 978-88-222-5697-3.
Reviews:
EarlyMReview 128 (Dec 2008) 18-20 (Clifford Bartlett and Barbara Sachs)
EarlyM xxxviii/4 (Nov 2010) 592-596 (Ann Lingas)
148. Blaut, Stephan; Pacholke, Michael (eds.): Choralfantasie für Orgel über 'Wo Gott der Herr nicht bei uns hält'. BWV 1128. Erstausgabe. / Johann Sebastian Bach. (2008), xiii, 9p
Hrsg. von Stephan Blaut und Michael Pacholke. Mit einem Vorwort von Hans-Joachim Schulze. Ortus Musikverlag, 2008. xiii, 9pp. (om77) ISMN: M-700259-27-2 (= ortus organum, 1) [BWV 1128]
Reviews:
ArteOrganariaOrganistica xv/86 (Jul-Dec 2008) 60-61 (Francesco Tasini)
Diapason, xcix/12:1189 (Dec 2008) 22-23 (Joel H. Kuznik)
AmerOrganist(2) xlii/12 (Dec 2008) 76-77 (Frank Morana)
Tonkunst iii/2 (Apr 2009) 239-240 (Josef Dahlberg)
OrganYb xxxviii (2009) 183 (Peter Williams)
EarlyM xxxvii/3 (Aug 2009) 489-491 (David Yearsley)
Mf lxii/4 (Oct-Dec 2009) 425-427 (Wiegand Gunnar)
149. Butler, Gregory G. (ed.): J. S. Bach's Concerted Ensemble Music, The Concerto. BachPerspectives 7 (2008), xi, 121p
Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2008. xi, 121p. ISBN-10 0-252-03165-2. ISBN13 978-0-252-03165-6. (= Bach Perspectives, 7)
Reviews:
EarlyMReview 118 (2007) 31-32 (Clifford Bartlett)
EarlyMHist vi (2007) 271-282 (John Butt)
OrganYb xxxvii (2008) 216-217 (Peter Williams)
MLetters lxxxix/2 (2008) 248 (Michael Talbot)
EarlyM xxxvi/4 (2008) 632-633 (Bettina Varwig): 'Bach's ouvertures'
MLetters xc/2 (May 2009) 280-283 (David Yearsley)
150. Oleskiewicz, Mary (ed.): Solo Sonatas / Carl Philipp Emanuel Bach. CPEBachCW 2/ 1 (2008), xxx, 146p
Edited by Mary Oleskiewicz - Los Altos, CA: Packard Humanities Institute, 2008. xxx, 146p (Critical Report p.127ff). ISBN: 978-1-933280-23-3. (= Carl Philipp Emanuel Bach: The Complete Works. Series II: Chamber music, Volume 1) [Sonata in A minor for unaccompanied Flute, Wq 132. Sonata in G major for Flute and Basso Continuo, Wq 123. Sonata in E minor for Flute and Basso Continuo, Wq 124. Sonata in B-flat major for Flute and Basso Continuo, Wq 125. Sonata in D major for Flute and Basso Continuo, Wq 126. Sonata in G major for Flute and Basso Continuo, Wq 127. Sonata in A minor for Flute and Basso Continuo, Wq 128. Sonata in D major for Flute and Basso Continuo, Wq 129. Sonata in B-flat major for Flute and Basso Continuo, Wq 130. Sonata in D major for Flute and Basso Continuo, Wq 131. Sonata in G major for Flute and Basso Continuo, Wq 133. Sonata in G major for Flute and Basso Continuo, Wq 134. Sonata in G minor for Flute and Basso Continuo, Wq 130. Sonata in B-flat major for Oboe and Basso Continuo, Wq 135. Sonata in C major for Viola da gamba and Basso Continuo, Wq 136. Sonata in D major for Viola da gamba and Basso Continuo, Wq 137. Sonata in G major for Harp and Basso Continuo, Wq 139. Sonata in G minor for Violoncello and Basso Continuo, Wq 138 (lost)] [Wq 123-137, 139, 138 (lost)]
Reviews:
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
EarlyM xxxviii/2 (May 2010) 300-302 (Nancy Hadden)
151. Krüger, Ekkehard; Schwinger, Tobias (eds.): Berlin Symphonies / Carl Philipp Emanuel Bach. CPEBachCW 3/ 1 (2008), xxviii, 195p
Edited by Ekkehard Krüger and Tobias Schwinger. - Los Altos, CA: Packard Humanities Institute, 2008. xxviii, 195p. ISBN: 978-1-933280-24-0. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 1) [Wq 173-181 - H. 648, 649, 650, 651, 653, 654, 655, 656]
Reviews:
EarlyMReview 127 (Oct 2008) 4 (Clifford Bartlett)
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
EarlyM xli/2 (May 2013) 350-351 (Nigel Springthorpe)
152. Edler, Arnfried (ed.): Keyboard Concertos from Manuscript Sources XIV / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9.14 (2008), xxiv, 143p
Edited by Arnfried Edler. - Los Altos, CA: Packard Humanities Institute, 2008. xxiv, 143p. ISBN: 978-1-933280-32-5. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.14) [Wq 41, 42 - H. 469, 470]
Reviews:
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
EarlyM xl/2 (May 2012) 323-324 (Francis Knights)
153. Kuijken, Barthold (ed.): Sonate für Flöte und Basso continuo C-Dur: BWV 1033 = Sonata for flute and basso continuo in C major / Johann Sebastian(?) Bach(?). EdBreitkopf 8690 (2008), 23p
Hrsg. und kommentiert von Barthold Kuijken. Continuo-Aussetzung von Ewald Demeyere. [Klavierpartitur, Stimmen], Urtext. Wiesbaden [u.a.]: Breitkopf & Härtel, c 2008. 23p. facs, 2 St. Best.-Nr.: Edition Breitkopf 8690. ISMN: M-004-18297-0, 979-0-004-18297-0. (= Breitkopf Urtext) [BWV 1033 (Anh. II)]
Reviews:
EarlyM xxxviii/2 (May 2010) 300-302 (Nancy Hadden)
154. Kelly, Thomas Forrest; Gallagher, Sean (eds.): The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. HarvardPubM 22 (2008), xii, 427p
Cambridge, MA: Harvard University Press, 2008. xii, 427p. ISBN-10: 0964031736; ISBN-13: 978-0964031739. (= Isham Library Papers 7; Harvard Publications in Music, 22)
Reviews:
ActaMozartiana lv/3-4 (Dec 2008) 168 (Laurenz Lütteken)
MozartJb (2009) 218-220 (Ulrich Leisinger)
EarlyM xxxvii/3 (Aug 2009) 475-478 (W. Dean Sutcliffe)
18cM vi/2 (Sep 2009) 257-260 (David Black)
BachJb xcv (2009) 239-242 (Stephen Roe)
Notes lxvi/3 (Mar 2010) 544-546 (Melanie Lowe)
AdParnassum viii/15 (Apr 2010) 142-146 (Floyd K. Grave)
155. Salmen, Walter: Zu Tisch bei Johann Sebastian Bach. Einnahmen und 'Consumtionen' einer Musikfamilie. (2009), vi, 138p
Hildesheim: Georg Olms, 2009. vi, 138p. ISBN: 978-3-487-08488-6. - 2. unveränd. Aufl. 2013
Reviews:
ForumMbib xxx/4 (2009) 352-353 (Claudia Niebel)
Tonkunst iv/3 (2010) 435-436 (Joachim Roller)
EarlyM xxxix/1 (Feb 2011) 104 (Tanya Kevorkian)
ArsOrgani lx/3 (Sep 2012) 184 (Martin Balz)
156. Erickson, Raymond (ed.): The Worlds of Johann Sebastian Bach. [ce]AstonMagnaAcademy (2009), xvii, 344p
An Aston Magna Academy Book. Edited by Raymond Erickson. New York: Amadeus Press; Hal Leonard, 2009. [xvii], 344p. ISBN-10: 1574671669; ISBN-13: 978-1574671667
Reviews:
Diapason ci/10:1211 (Oct 2010) 16 (John M. Bullard)
EarlyM xxxviii/4 (Nov 2010) 598-600 (Burkhard Schwalbach)
BachNotesABS 14 (Spring 2011) 3-5 (Jason B. Grant)
GermHist xxix/3 (Sep 2011) 512-513 (Joachim Whaley)
J18cStud xxxv/3 (Sep 2012) 450-451 (Bettina Varwig)
AmerOrganist(2) xlviii/3 (Mar 2014) 68-69 (Arthur Lawrence)
157. Hogwood, Christopher (ed.): 'Kenner und Liebhaber' Collections I / Carl Philipp Emanuel Bach. CPEBachCW 1/ 4.1 (2009), xxxii, 150p
Edited by Christopher Hogwood. - Los Altos, CA: Packard Humanities Institute, 2009. xxxii, 150p (Critical report pp.133-141 (?)). ISBN: 978-1-933280-46-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 4.1) [Sechs Clavier-Sonaten für Kenner und Liebhaber, Erste Sammlung Wq 55. Clavier-Sonaten nebst einigen Rondos fürs Forte-Piano für Kenner und Liebhaber, Zweite Sammlung, Wq 56. Clavier-Sonaten nebst einigen Rondos fürs Forte-Piano für Kenner und Liebhaber, Dritte Sammlung, Wq 57] [Wq 55-57]
Reviews:
EarlyM xxxix/3 (Aug 2011) 437-440 (Susan Wollenberg)
MagyarZene lii/2 (2014) 224-227 (Katalin Komlós)
158. Hogwood, Christopher (ed.): 'Kenner und Liebhaber' Collections II / Carl Philipp Emanuel Bach. CPEBachCW 1/ 4.2 (2009), xxxii, 126p
Edited by Christopher Hogwood. - Los Altos, CA: Packard Humanities Institute, 2009. xxxii, 126p (Critical report pp.113-121 (?)). ISBN: 978-1-933280-47-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series I: Keyboard music, Volume 4.2) [Clavier-Sonaten und freie Fantasien nebst einigen Rondos fürs Fortepiano für Kenner und Liebhaber, Vierte Sammlung, Wq 58. Clavier-Sonaten und freie Fantasien nebst einigen Rondos fürs Fortepiano für Kenner und Liebhaber, Fünfte Sammlung, Wq 59. Clavier-Sonaten und freie Fantasien nebst einigen Rondos fürs Fortepiano für Kenner und Liebhaber, Sechste Sammlung, Wq 61] [Wq 58-59, 61]
Reviews:
EarlyM xxxix/3 (Aug 2011) 437-440 (Susan Wollenberg)
MagyarZene lii/2 (2014) 224-227 (Katalin Komlós)
159. Schulenberg, David (ed.): Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 2 (2009), xviii, 225p
Edited by David Schulenberg. - Los Altos, CA: Packard Humanities Institute, 2009. xviii, [10], 225p. ISBN: 978-1-933280-26-4. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.2) [Concerto in G Major, Wq 4; Concerto in C Minor, Wq 5; Concerto in C Minor, Wq 5, early version; Concerto in G Minor, Wq 6; Concerto in G Major, Movement 2, Wq 4/ 2, intermediate version; Cadenza, Concerto in C Minor, Wq 5/ 2; 80 Clavier-Cadenzen, Wq 120; 3 Cadenzen, Concerto in C Minor, Wq 5/ 2; (Wq/H deest) [Cadenzen, Ausw]] [Wq 4, 5, 6, 120]
Reviews:
EarlyM xl/2 (May 2012) 323-324 (Francis Knights)
160. Lee, Douglas A. (ed.): Keyboard Concertos from Manuscript Sources XV / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9.15 (2009), xv, 90p
Edited by Douglas Lee. - Los Altos, CA: Packard Humanities Institute, 2009. xv, [3], 90p. ISBN: 978-1-933280-71-4. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.15) [Concerto in G Major, Wq 44; Concerto in D Major, Wq 45; Cadenza, Concerto in D Major, Wq 45/1; 80 Clavier-Cadenzen, Wq 120]
Reviews:
EarlyM xl/2 (May 2012) 323-324 (Francis Knights)
161. Berg, Darrell M. (ed.): Gellert Songs / Carl Philipp Emanuel Bach. CPEBachCW 6/ 1 (2009), xv, 115p
Edited by Darrell M. Berg. - Los Altos, CA: Packard Humanities Institute, 2009. xv, 115p. ISBN: 978-1-933280-36-3. (= Carl Philipp Emanuel Bach: The Complete Works. Series VI: Songs and vocal chamber music, Volume 1) [Geistliche Oden und Lieder mit Melodien, Wq 194 [Herrn Professor Gellerts geistliche Oden und Lieder]. Anhang zu zwölf geistlichen Oden und Liedern, Wq 195] [Wq 194, 195]
Reviews:
EarlyM xxxviii/4 (Nov 2010) 608-610 (James Parsons)
162. Morgenstern, Anja (ed.): Cramer and Sturm Songs / Carl Philipp Emanuel Bach. CPEBachCW 6/ 2 (2009), xxxvi, 172p
Edited by Anja Morgenstern. - Los Altos, CA: Packard Humanities Institute, 2009. xxxvi, 172p. ISBN: 978-1-933280-35-6. (= Carl Philipp Emanuel Bach: The Complete Works. Series VI: Songs and vocal chamber music, Volume 2) [Cramers übersetzte Psalmen mit Melodien, Wq 196. Sturms geistliche Gesänge mit Melodien, Erste Sammlung, Wq 197. Sturms geistliche Gesänge mit Melodien, Zweite Sammlung, Wq 198] [Wq 196-198]
Reviews:
EarlyM xxxviii/4 (Nov 2010) 608-610 (James Parsons)
163. Bösel, Richard (ed.): La cultura del fortepiano = Die Kultur des Hammerklaviers 1770-1830: atti del convegno internazionale di studi = Akten der internationalen Studientagung, Roma 26-29 Maggio 2004 / a cura di Richard Bösel. Istituto Storico Austriaco a Roma, Istituto Storico Germanico a Roma, Sezione di Storia della Musica, Società Italiana di Musicologia. [cr]Rome2004 (2009), xcii, 416p
[Convegno internazionale di studi ; (Roma): 2004.03.26-29] Bologna: UT Orpheus, 2009. xcii, 416p. ISBN: 978-88-8109-463-9 (= Quaderni clementiani, 3)
Reviews:
EarlyM xxxviii/4 (Nov 2009) 673-675 (Susan Wollenberg)
164. Booth, Colin: Did Bach really mean that? Deceptive notation in Baroque keyboard music. (2010), 349p
Wells: Soundboard ; Mark Argent, 2010. 349p. ISBN 978-0-9547488-1-4.
Reviews:
EarlyMReview 141 (Apr 2011) 10 (Peter Mole)
EarlyM xxxix/3 (Aug 2011) 421-422 (David Ledbetter)
HarpsichordFortepiano xvii/1 (Autumn 2012) 36-37 (John O'Donnell)
165. Zohn, Steven (ed.): Keyboard trios II / Carl Philipp Emanuel Bach. CPEBachCW 2/ 3.2 (2010), xx, 8, 110p
Edited by Steven Zohn; Appendix ed. by Laura Buch. - Los Altos, CA: Packard Humanities Institute, 2010. xx, 8, 110p (Critical Report pp.69-77). ISBN: 978-1-933280-45-5. (= Carl Philipp Emanuel Bach: The Complete Works. Series II: Chamber music, Volume 3.2) [Sonata in D major for Keyboard and Flute, Wq 83. Sonata in E major for Keyboard and Flute, Wq 84. Sonata in G major for Keyboard and Flute, Wq 85. Sonata in G major for Keyboard and Flute, Wq 86. Sonata in C major for Keyboard and Flute, Wq 87. Appendix: Sonata in C major for Two Keyboards, arr. Wq 87] [Wq 83-86, 87, 87 (arr.)]
Reviews:
EarlyM xxxix/3 (Aug 2011) 437-440 (Susan Wollenberg)
Mf lxviii/1 (2015) 105-109 (Ingeborg Allihn)
166. Wollny, Peter (ed.): Keyboard Concertos from Manuscript Sources I / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 1 (2010), xxviii, 211p
Edited by Peter Wollny. - Los Altos, CA: Packard Humanities Institute, 2010. xxviii, 211p. ISBN 978-1-933280-60-8. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.1) [Wq 1-3]
Reviews:
EarlyM xl/2 (May 2012) 323-324 (Francis Knights)
18cM ix/2 (Sep 2012) 270-271 (John Kitchen)
167. Glöckner, Andreas: On the performing forces of Johann Sebastian Bach's Leipzig church music. EarlyM 38/2 (May 2010), 215-222
[adapted from a paper given the 2008 Leuven Bach Symposium]
Reviews:
EarlyM xxxviii/3 (Aug 2010) 437-439 (Joshua Rifkin)
168. Schulenberg, David: The Music of Wilhelm Friedemann Bach EastmanStudM 79 (2010), 354p
by David Schulenberg. - Woodbridge: Boydell & Brewer; 2010, 354p. ISBN-978-1-58046-359-1. (= Eastman studies in music, No. 79)
Reviews:
EarlyMReview 140 (Feb 2011) 3 (Clifford Bartlett)
Consort lxvii (Summer 2011) 125-126 (Thomas Cooper)
Stringendo xxxiii/2 (Oct 2011)
MTimes clii/1916 (Autumn 2011) 109-113 (Peter Williams)
Soc18cMNL 18 (Oct 2011) 6-8 (Douglas A. Lee)
PerformPractReview xvi/1 (2011) (David Ledbetter)
18cM ix/2 (Sep 2012) 267-270 (John Butt)
The British Clavichord Society newsletter, no.54 (2012) 18-20 (Christopher Hogwood)
FontesArtisM lx/2 (2013) 132-134 (Balázs Mikusi)
Tanja Kovacevic, 'On-line Book Review'
EarlyM xlii/1 (Feb 2014) 126-128 (Nigel Springthorpe)
169. Rose, Stephen: The Musician in Literature in the Age of Bach. (2011), ix, 237p
Cambridge: Cambridge University Press, 2011. ix, 237p. ISBN: 978-1-107-00428-3. - Paperback edn. 2014. ISBN 978-1107428041.
Reviews:
EarlyMReview 142 (2011) (Clifford Bartlett)
EarlyM xxxix/4 (Nov 2011) 613-614 (Bettina Varwig)
MTimes clii/1917 (Winter 2011) 115-116 (Peter Williams)
EarlyMAmer xvii/4 (Winter 2011) 51-52 (Robert L. Marshall)
Bach xliii/1 (2012) 90-93 (Mark A. Peters)
18cM ix/2 (Sep 2012) 265-267 (Celia Applegate)
170. Ponsford, David: French organ music in the reign of Louis XIV. (2011), xii, 328p
Cambridge: Cambridge University Press, 2011. xii, 328p. ISBN: 0-521-88770-4; 978-0-521-88770-0.
Reviews:
EarlyMReview 144 (Oct 2011) 10 (Andrew Benson-Wilson)
Organ xc/359 (Feb-Apr 2012) 55-56 (Terence Charlston)
EarlyMAmer xviii/1 (Spring 2012) 65 (Mark Kroll)
OrganAustralia viii/3 (Sep 2012) 43-44 (Pastór de Lasala)
EarlyM xl/4 (Nov 2012) 690-691 (Lionel Sawkins)
171. Yearsley, David: Bach's Feet: the Organ Pedals in European Culture. (2011), xiv, 298p
Cambridge University Press, 2011. xiv, 298p. ISBN:9780521199018. (= Musical Performance and Reception) - Paperback edn. 2017.
Reviews:
OrganAustralia ix/1 (Mar 2013) 33-35 (Jan-Piet Kniff)
EarlyMAmer xix/2 (Summer 2013) 47-48 (Peter Sykes)
EarlyM xl/4 (Nov 2012) 691-693 (Robert Quinney)
Notes lxx/1 (Sep 2013) 119-122 (David Crean)
AmerOrganist(2) xlvii/11 (Nov 2013) 46-47 (James L. Wallmann)
JAmerMInstrSoc xxxix (2013) 216-219 (Jane Schatkin Hettrick)
JAMSoc lxvii/2 (Summer 2014) 589-598 (Ernest May)
172. Kassler, Michael (ed.): The music trade in Georgian England. [ce]MTradeGeorgianEngland (2011), xviii, 560p
Farnham: Ashgate, 2011. xviii, 560p. ISBN: 0-7546-6065-6; 978-0-7546-6065-1.
Reviews:
Context 35-36 (2010) 203-206 (Peter Campbell)
EarlyMReview 144 (Oct 2011) 11-12(Clifford Bartlett)
EarlyMAmer xvii/4 (Winter 2011) 52 (Mark Kroll)
Soc18cMNL 18 (Oct 2011) 14-15
FontesArtisM lix/1 (Jan-Mar 2012) 67-69 (Karen E. McAulay)
MBox 25(6 (Summer, 2012) 233-234 (Evans, David (Great Britain), Evans, Lesley)
EarlyM xl/3 (Aug 2012) 505-506 (Michael Gale)
MLetters xciii/4 (Nov 2012) 605-607 (Susan Wollenberg)
McolAustralia xxxiv/2 (Dec 2012) 307-315 (Derek Miller)
173. Wolff, Christoph (ed.): Trio Sonatas I / Carl Philipp Emanuel Bach. CPEBachCW 2/ 2.1 (2011), xxxi, 200p
Edited by Christoph Wolff. - Los Altos, CA: Packard Humanities Institute, 2011. xxxi, 200p (Critical Report pp.159-182 (?)). ISBN: 978-1-933280-56-1. (= Carl Philipp Emanuel Bach: The Complete Works. Series II: Chamber music, Volume 2.1) [Sonata in B minor for Flute, Violin, and Bass, Wq 143. Sonata in G major for Flute, Violin, and Bass, Wq 144. Sonata in D minor for Flute, Violin, and Bass, Wq 145. Sonata in A major for Flute, Violin, and Bass, Wq 146. Sonata in C major for Flute, Violin, and Bass, Wq 147. Sonata in A minor for Flute, Violin, and Bass, Wq 148. Sonata in C major for Flute, Violin, and Bass, Wq 149. Sonata in G major for Flute, Violin, and Bass, Wq 150. Sonata in D major for Flute, Violin, and Bass, Wq 151. Sonata in B-flat major for Flute, Violin, and Bass, Wq 161/2. Sonata in G major for Flute, Violin, and Bass, Wq 152. Sonata in G major for Flute, Violin, and Bass, Wq 153. Sonata for Violin, Viola, and Bass, H 566 (lost). Appendix: Sonata in D minor for keyboard and Violin, BWV 1036 (early version of Wq 145). Bass part with alternate figures, Wq 151] [Wq 143-153, 161/2; H 566 (lost), BWV 1036 (Wq 145, early version)]
Reviews:
EarlyM xl/3 (Aug 2012) 512-514 (Rachel Chaplin)
Mf lxviii/2 (2015) 211-214 (Ingeborg Allihn)
174. Wolff, Christoph (ed.): Trio Sonatas II / Carl Philipp Emanuel Bach. CPEBachCW 2/ 2.2 (2011), xxix, 176p
Edited by Christoph Wolff. - Los Altos, CA: Packard Humanities Institute, 2011. xxix, 176p (Critical Report pp.149-173 (?)). ISBN: 978-1-933280-57-8. (= Carl Philipp Emanuel Bach: The Complete Works. Series II: Chamber music, Volume 2.2) [Sonata in F Major for Two Violins and Bass, Wq 154. Sonata in E Minor for Two Violins and Bass, Wq 155. Sonata in C Minor for Two Violins and Bass, Wq 161/1. Sonata in G Major for Two Violins and Bass, Wq 157. Sinfonia in A Minor for Two Violins and Bass, Wq 156. Sinfonia in D Major for Two Violins and Bass, H 585. Sonata in B-flat Major for Two Violins and Bass, Wq 158. Sonata in B-flat Major for Two Violins and Bass, Wq 159. Sonata in D Minor for Two Violins and Bass, Wq 160. Sonata in E Major for Two Flutes and Bass, Wq 162. Sonata in F Major for Bass Recorder, Viola and Bass, Wq 163. Sonata in F Major for Bass Recorder, Viola and Bass, Wq 163 (alternate version)] [Wq 154-160, 161/1, 162, 163 (two versions); H 585]
Reviews:
EarlyM xl/3 (Aug 2012) 512-514 (Rachel Chaplin)
Mf lxviii/2 (2015) 211-214 (Ingeborg Allihn)
175. Kulukundis, Elias N. (ed.): Keyboard Concertos from Manuscript Sources V / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 5 (2011), xxiv, 239p
Edited by Elias N. Kulukundis. - Los Altos, CA: Packard Humanities Institute, 2011. xxiv, 239p. ISBN: 978-1-933280-63-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.5) [Enth.: Concerto in E Minor, Wq 15; Concerto in G Major, Wq 16; Concerto in D Minor, Wq 17; Concerto in E Minor, Wq 15/1, early version; [Concerto in E Minor] keyboard part, Wq 15/3, early version; [Concerto in G Major] keyboard part, Wq 16, early version; [Concerto in D Minor] keyboard part, Wq 17/2, embellished version; Cadenza, Concerto in E Minor, Wq 15/2. Cadenza, Concerto in D Minor, Wq 17/1; Cadenza, Concerto in D Minor, Wq 17/2; Cadenza, Concerto in G Major, Wq 16/2]
Reviews:
EarlyM xl/2 (May 2012) 323-324 (Francis Knights)
176. Stevens, Jane R. (ed.): Keyboard Concertos from Manuscript Sources IX / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 9 (2011), xxii, 161p
Edited by Jane R. Stevens. - Los Altos, CA: Packard Humanities Institute, 2011. xxii, 161p. ISBN: 978-1-933280-67-7. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.9) [Wq 28-30]
Reviews:
EarlyM xl/2 (May 2012) 323-324 (Francis Knights)
177. Leisinger, Ulrich (ed.): Passion according to St. Matthew (1773): incorporating music by Johann Sebastian Bach and Gottfried August Homilius / Carl Philipp Emanuel Bach. CPEBachCW 4/ 4.2 (2011), xxx, 154p
Edited by Ulrich Leisinger. - Los Altos, CA: Packard Humanities Institute, 2011. xxx, 154p. ISBN: 978-1-933280-40-0. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 4.2) [H 786]
Reviews:
EarlyM xlv/3 (2017) 481-484 (Nigel Springthorpe)
178. Goldberg, Randall E.; Melamed, Daniel R. (eds.): Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. CPEBachCW 4/ 6.2 (2011), xxx, 153p
Edited by Randall E. Goldberg and Daniel R. Melamed. - Los Altos, CA: Packard Humanities Institute, 2011. xxx, 153p. ISBN: 978-1-933280-41-7. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 6.2) [H 788]
Reviews:
EarlyM xlv/3 (2017) 481-484 (Nigel Springthorpe)
179. Dirst, Matthew: Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn. (2012), viii, 186p
Cambridge: Cambridge University Press, 2012. viii, 186p. ISBN: 978-0521651608. (= Musical Performance and Reception)
Reviews:
KeyboardPerspectives v (2012) (Evan Cortens)
EarlyMAmer xix/1 (Spr 2013) 65-66 (Robert L. Marshall)
MTheoryOnline xix/3 (Sept 2013) (Christopher Brody)
EarlyM xli/1 (Feb 2013) 156-158 (David Ledbetter)
MTheoryOnline xix/3 (Sep 2013) 7p (Christopher Brody)
Notes lxx/4 (Jun 2014) 703-704 (Mark A. Peters)
180. Stinson, Russell: J. S. Bach at His Royal Instrument: Essays on His Organ Works. [ce]Stinson (2012), xi, 203p
New York: Oxford University Press, 2012. xi, 203p. ISBN: 978-0-19-991723-5.
Reviews:
Diapason civ/6:1243 (Jun 2013) 12 (John M. Bullard)
EarlyMAmer xx/1 (Spring 2014) 61-62 (Peter Sykes)
EarlyM xlii/2 (May 2014) 299-301 (Robert Quinney)
AmerOrganist(2) xlviii/8 (Aug 2014) 52-54 (Jonathan B. Hall)
JAMSoc lxvii/2 (Summer 2014) 589-598 (Ernest May)
OrganYb lxiii (2014) 186-188 (Peter Williams)
181. Schrammek, Bernhard; Spányi, Miklós (eds.): Keyboard Concertos from Manuscript Sources IV / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 4 (2012), xxiv, 184p
Edited by Bernhard Schrammek and Miklós Spányi. - Los Altos, CA: Packard Humanities Institute, 2012. xxiv, 184p. ISBN: 978-1-933280-62-2. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.4) [Wq 10, 12, 13]
Reviews:
EarlyM xliv/1 (Feb 2016) 161-164 (Barry Cooper)
182. Wiermann, Barbara (ed.): Keyboard Concertos from Manuscript Sources VI / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 6 (2012), xvi, 6, 186p
Edited by Barbara Wiermann. - Los Altos, CA: Packard Humanities Institute, 2012. xvi, 6, 186p. ISBN: 978-1-933280-64-6. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.6)
Reviews:
EarlyM xliv/1 (Feb 2016) 161-164 (Barry Cooper)
183. Marshall, Kimberly (ed.): The organ in recorded sound: history, sources, performance practice. GOArtPub 13 (2012), 144p
Ed. by Kimberly Marshall. - Gothenburg: GOArt Publications, 2012. 144p. ISBN: 978-91-972612-0-3. (= GOArt publications, 13)
Reviews:
InformOrganistica xxiii/2-3:29-30 (Dec 2011) 179-180 (Pier Paolo Donati)
Organ xcii/364 (May-Jul 2013) 63 (Robert Matthew-Walker)
Orglet 82 (Jun 2013) 52-54 (Thomas Viggo Pedersen)
OrganistsReview xcix/2 (Jun 2013) 71 (Paul Hale)
AmerOrganist(2) xlvii/9 (Sep 2013) 89 (Rollin Smith)
OrganYb xlii (2013) 184-185 (David Humphreys)
EarlyM xlii/2 (May 2014) 299-301 (Robert Quinney)
Diapason civ/5:1254 (May 2014) 13-14 (John M. Bullard)
HetOrgel cx/1 (2014) 44-45 (Hans Fidom)
ArsOrgani lxiii/1 (Mar 2015) 55 (Birger Petersen)
184. Gardiner, John Eliot: Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach. (2013), xxxiv, 629p
London: Allen Lane, 2013. xxxiv, 629p + colour plates. ISBN-13: 978-0713996623.
Reviews:
Independent (27 Sep 2013) (Michael Church)
Economist (12 Oct 2013)
Sunday Times (13 Oct 2013) (Adam Lively)
NewYorkTimes 163/56,340 (4 Dec 2013) C7 (James R. Oestreich)
AmerOrganist(2) xlviii/3 (Mar 2014) 34-41 (Frank Morana)
Bach xlv/1 (2014) 90-100 (Robert L. Marshall)
OperaNews lxxix/1 (Jul 2014) 60 (Fred Cohn)
EarlyMReview 160 (Jun 2014) 11-12 (Beresford King-Smith)
Diapason cv/4:1253 (Apr 2014) 12-14 (John M. Bullard)
EarlyMAmer xx/2 (Summer 2014) 49 (Raymond Erickson)
ChoralJ lv/3 (Oct 2014) 90-91 (John C. Hughes)
EarlyM xliii/1 (Feb 2015) 160-163 (David Yearsley)
185. Tomita, Yo; Leaver, Robin A.; Smaczny, Jan (eds.): Exploring Bach's B-minor Mass. [ce]ExploringBMM (2013), xxix, 314p
Edited by Yo Tomita, Robin A. Leaver and Jan Smaczny. - Cambridge University Press, 2013. xxix, 314p. ISBN 978-1-107-00790-1.
Reviews:
John Butt, 'On-line Book Review'
JSMI x (2014-15) 47-56 (Harry White)
EarlyM xl2/3 (Aug 2014) 471-473 (Bettina Varwig)
OrganYb lxiii (2014) 188-189 (Peter F. Williams)
Notes lxxii/1 (Sep 2015) 173-175 (Mark A. Peters)
186. Chafe, Eric: J. S. Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725. (2014), 656p
New York: Oxford University Press, 2014. 656p. ISBN 978-0-19-977334-3.
Reviews:
Bach xlv/2 (2014) 94-105 (Mark A. Peters)
MTimes clvi/1930 (Spring 2015) 101-104 (Peter Williams)
Jennifer Kleeman Dieffenbach, 'On-line Book Review'
EarlyM xliv/1 (Feb 2016) 152-155 (Robert Quinney)
187. Kroll, Mark: Ignaz Moscheles and the changing world of musical Europe. (2014), xvii, 384p
Woodbridge: Boydell, 2014. xvii, 384p. ISBN: 978-1-84383-935-4.
Reviews:
AdParnassum xiii/25 (Apr 2015) 256-258 (Majella Boland)
EarlyM xliii/2 (May 2015) 336-339 (Rohan H. Stewart-MacDonald)
188. Heller, Wendy: Music in the Baroque. (2014), xx, 271, 32p
New York: W.W. Norton and Company, 2014. xx, 271, 32p. ISBN: 978-0-393-92917-1. (= Western music in context: A Norton History)
Reviews:
EarlyM xl2/3 (Aug 2014) 463-464 (David Ledbetter)
Notes lxxii/2 (Dec 2015) 356-358 (Kimberly Beck)
189. Wiermann, Barbara (ed.): Keyboard Concertos from Manuscript Sources III / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 3 (2014), xx, 185p
Edited by Barbara Wiermann. - Los Altos, CA: Packard Humanities Institute, 2014. xx, 185p. ISBN: 978-1-933280-61-5. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.3) [Wq 7, Wq 8, Wq 9]
Reviews:
EarlyM xliv/1 (Feb 2016) 161-164 (Barry Cooper)
190. Wolff, Christoph (ed.): Miscellaneous Songs / Carl Philipp Emanuel Bach. CPEBachCW 6/ 3 (2014), xxxviii, 262p
Edited by Christoph Wolff. - Los Altos, CA: Packard Humanities Institute, 2014. xxxviii, 262p. ISBN: 978-1-933280-78-3. (= Carl Philipp Emanuel Bach: The Complete Works. Series VI: Songs and vocal chamber music, Volume 3) [Oden mit Melodien, Wq 199; Neue Lieder-Melodien, Wq 200; Songs from Printed Anthologies: Wq 201, Wq 202, H 763; Appendix: Wq 231; Supplement: Wq 117/40, Wq 202/B/1, Wq 202B/2, Wq 202B/3]
Reviews:
EarlyM xliii/4 (Nov 2015) 705-707 (James Parsons)
191. Wolff, Christoph (ed.): The Polyhymnia portfolio / Carl Philipp Emanuel Bach. CPEBachCW 8/2 (2014), xix, 199p
Los Altos, CA: Packard Humanities Institute, 2014. xix, 199p. ISBN: 1-938325-23-0; 978-1-938325-23-6. (= Carl Philipp Emanuel Bach: The Complete Works. Series VIII, Volume 2)
Reviews:
EarlyM xliii/4 (Nov 2015) 705-707 (James Parsons)
192. Schulenberg, David: The Music of Carl Philipp Emanuel Bach. EastmanStudM 114 (2014), xv, 416p
Rochester: University of Rochester Press, 2014. xv, 416p. ISBN 978-58046-481-9. (= Eastman studies in music, No. 114)
Reviews:
EarlyM xliii/4 (Nov 2015) 701-702 (Susan Wollenberg)
Bach xlvi/2 (2015) 78-90 (Doris B. Powers)
JMcolResearch xxxiv/3 (2015) 266-269 (Yonatan Bar-Yoshafat)
Notes lxxii/3 (Mar 2016) 561-563 (Randall Goldberg)
Consort lxxii (Summer 2016) 124-125 (Tom Cooper)
18cM xiv/1 (Mar 2017) 129-131 (Darrel M. Berg)
Soc18cMNL 27 (Spring 2016) 7-9 (Bryan Proksch)
193. Ahrens, Christian: Die Weimarer Hofkapelle 1683-1851. (2015), 652p
Sinzig: Studio-Verlag, 2015. 652p. ISBN 978-3-89564-166-4.
Reviews:
EarlyM xliv/3 (Aug 2016) 479-482 (Barbara M. Reul)
194. Tatlow, Ruth: Bach's numbers: compositional proportion and significance. (2015), xviii, 411p
New York: Cambridge University Press, 2015. xviii, 411p. ISBN: 978-1-107-08860-3.
Reviews:
Pieter Bakker, Postmodern Numbers 2015.
Zoltán Szabó, 'On-line Book Review'
Bach xlvii/1 (2016) 70-74 (Zoltán Szabó)
EarlyM xliv/2 (May 2016) 341-343 (David Ledbetter)
MLetters xcvii/3 (Aug 2016) 504-506 (Yo Tomita)
MAnalysis xxxvi/2 (Jul 2017) 268-281 (Robert Wells)
195. Leisinger, Ulrich (ed.): Passion according to St. Matthew (1777) / Carl Philipp Emanuel Bach. CPEBachCW 4/ 4.3 (2016), xxii, 136p
Los Altos, CA: Packard Humanities Institute, 2016. xxii, 3-136p. ISBN: 978-1-938325-08-3. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 4.3) [H 790]
Reviews:
EarlyM xlv/3 (2017) 481-484 (Nigel Springthorpe)
196. Exner, Ellen (ed.): Passion according to St. Luke (1779) / Carl Philipp Emanuel Bach. CPEBachCW 4/ 6.3 (2016), xxx, 114p
Edited by Ellen Exner. - Los Altos, CA: Packard Humanities Institute, 2016. xxx, 114p. ISBN: 978-1-938325-15-1. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 6.3) [H 792]
Reviews:
EarlyM xlv/3 (2017) 481-484 (Nigel Springthorpe)
197. Paczkowski, Szymon: Polish style in the music of Johann Sebastian Bach. ContextBachStud 6 (2017), xvi, 402p
trans. Piotr Szymczak. - Lanham, MD: Rowman & Littlefield, 2017. xvi, 402p. ISBN: 978-0-8108-8893-7; 978-0-8108-8894-4.
Reviews:
JMcolResearch xxxvii/2 (Oct 2017) 185-187 (Bobby Rue)
EarlyM xlvii/4 (Nov 2019) (Paul Newton-Jackson)
198. Yearsley, David: Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks. (2019), 336p
Chicago and London: The University of Chicago Press, 2019. 336p. (= New Material Histories of Music)
Reviews:
BachNotesABS 32 (Spring 2020) 3-4 (David Schulenberg)
18cStud liv/4 (Fall 2020) 220-223 (Matthew Dirst)
EarlyM xlviii/2 (May 2020) 261-262 (Zoltán Szabó)
Bach li/1 (2020) 139-171 (Andrew Talle)

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