Bach Bibliography Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Lester, Joel: Between Modes and Keys: German Theory, 1592-1802. HarmonolSer 3 (1989), xxv, 240p Stuyvesant, N. Y.: Pendragon Press, 1989. xxv, 240p. ISBN: 0-918728-77-0. (= Harmonologia series, 3) Reviews: Analisi ii/4 (1991) 24-27 (Paolo Paita) JMTheory xxxv/1-2 (1991) 267-282 (Benito V. Rivera) Notes xlvii/4 (1991) 1103-1106 (Douglas Leedy) JMcolResearch xii (1992) 164s-169s (Ellen S. Beebe) MTheorySpec xv/1 (1993) 94-111 (Thomas Christensen)
	2.	Keller, Hermann: Il clavicembalo ben temperato di Johann Sebastian Bach: L'opera e la sua interpretazione. (1991), 207p Trad. di Claudio Toscani. Milano: Ricordi, 1991. 207p. Reviews: Analisi iii/7 (1992) 31-34 (Giuseppe Scotese)
	3.	Zanolini, Bruno: La tecnica del contrappunto strumentale nell'epoca di Bach. (1993), xiv, 822p [The technique of instrumental counterpoint in the age of Bach] Milano: Suvini Zerboni, 1993. xiv, 822p Reviews: RivistaItaliMcol xxix/2 (1994) 581-584 (A. Polignano) Analisi vi/16 (1995) 31-34 (Marco de Natale)
	4.	Burns, Lori Anne: Bach's Modal Chorales. HarmonolSer 9 (1995), x, 249p New York, Stuyvesant: Pendragon, 1995. x, 249p. (= Harmonologia Series, 9) Reviews: MLetters lxxviii/2 (May 1997) 265-268 (John Butt) Yo Tomita, 'On-line Book Review' NRivistaMItali xxxii/1-4 (1998) 462-463 (Bruno Zanolini) Analisi viii/23 (1997) 38 (Paola Dato)
	5.	Gárdonyi, Zsolt: La struttura della fuga in Johann Sebastian Bach. (1996), 102p Milan: Ricordi, 1996. 102p. ISBN: 88-7592-470-8. Reviews: Analisi ix/26 (1998) 23-27 (Loris Azzaroni)

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