Bach Bibliography Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Williams, Peter F.: Bach: The Goldberg Variations. CambridgeMHandb (2001), 101p Cambridge: Cambridge Univ. Press, 2001. 101p. ISBN: 0-521-80735-2; 0-521-00193-5. (= Cambridge music handbooks) Reviews: MTimes cxlii/1877 (2001) 65-66 (Yo Tomita) Yo Tomita, 'On-line Book Review' Notes lix/2 (Dec 2002) 346-348 (Matthew Dirst) TimesLiterarySuppl 5163 (15 Mar 2002) 21 (Martin J. Smith) EarlyKeyboardJ xxi (2003) 113-118 (William Cowdery) MLetters lxxxiv/1 (Feb 2003) 95-97 (Stephen Rose) 18cM i/2 (Sep 2004) 318-319 (Denis Collins)
	2.	Hochreither, Karl: Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach. (2002), xiii, 217p Trans. by Melvin Unger. Lenham: Scarecrow Press, 2002. xiii, 217p. ISBN: 0-8108-4258-0. Reviews: Yo Tomita, 'On-line Book Review' AmerOrganist(2) xxxvii/2 (2003) 87-88 (James L. Wallmann) Diapason xciv/4:1121 (Apr 2003) 7-8 (James B. Hartman) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) AmerOrganist(2) xxxvii/2 (2003) 87-88 (James L. Wallmann) 18cM i/1 (Mar 2004) 92-93 (Yo Tomita) MLetters lxxxv/4 (Nov 2004) 629-631 (Andrew Parrott)
	3.	Yearsley, David: Bach and the Meanings of Counterpoint. (2002), xvi, 257p Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5. Reviews: Yo Tomita, 'On-line Book Review' TijdschrMtheorie viii/2 (May 2003) 168-169 (Thomas Op de Coul) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) EarlyM xxxi/2 (May 2003) 275-276 (David Humphreys) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) ColMSymposium xliv (2004) (Jane Solose) McolAustralia xxvii (2004) 135-138 (Denis Collins) 18cM i/1 (Mar 2004) 100-104 (James Currie) MEducatorsJ xc/4 (Mar 2004) 77-78 (Michelle Barnes) CanadianUnivMReview xxiv/2 (2004) 87-90 (Janette Tilley) BachNotesABS 3 (Spring 2005) 6-7 (Paul M. Walker) MTheorySpec xxvii/1 (Spring 2005) 113-117 (Daniel K. L. Chua) JAMSoc lviii/3 (Fall-winter 2005) 710-717 (George B. Stauffer) MTheoryOnline xii/1 (Feb 2006) (Peter N Schubert)
	4.	Rampe, Siegbert (ed.): Bach: Das Wohltemperierte Klavier I: Tradition, Entstehung, Funktion, Analyse. Ulrich Siegele zum 70. Geburtstag. MwSchr 38 (2002), 520p [Symposium 'Bach - Das Wohltemperierte Klavier I'; (Köthen): 2000.10.11-15] - München - Salzburg: Katzbichler, 2002. 520p. ISBN: 3-87397-145-3. (= Musikwissenschaftliche Schriften, 38) Reviews: (a href='http://www.music.qub.ac.uk/tomita/bachbib/review/bb-review_Rampe-WK1.html')Yo Tomita, 'On-line Book Review'(/a) Concerto xx/187 (Oct 2003) 17 (Reinhard Goebel) 18cM iii/1 (Mar 2006) 155-157 (Yo Tomita)
	5.	Youngren, William H.: C.P.E. Bach and the rebirth of the strophic song. (2003), xi, 519p Lanham, Md.: Scarecrow Press, 2003. xi, 519p. ISBN: 0-8108-4840-6. Reviews: 18cM ii/2 (Sep 2005) 346-349 (Annette Richards) ColMSymposium xlv (2005) 124-133 at 129-130 (Joyce Andrews)
	6.	Heartz, Daniel: Music in European capitals: The galant style, 1720-1780. (2003), xxiv, 1078p New York: W.W. Norton. 2003, xxiv, 1078p. ISBN: 0-393-05080-7; 978-0-393-05080-6. Reviews: Strings xvii/8 (May-Jun 2003) 79 (Heather K. Scott) EarlyMReview 97 (Feb 2004) 9 (Clifford Bartlett) MTimes cxlv (Spring 2004) 112-116 (Patricia Howard) AdParnassum ii/3 (Apr 2004) 191-194 (Michael Talbot) Notes lx/4 (Jun 2004) 958-961 (Mary Sue Morrow) Goldberg 32 (Feb 2005) 12 (Brian Robins) MEducatorsJ xcii/1 (Sep 2005) 25-26 (Ralph D. Converse) MozartJb (2005) 307-311 (Henning Bey) JAMSoc lix/1 (Spring 2006) 196-202 (Susan Wollenberg) 18cM iii/1 (Mar 2006) 148-153 (David Charlton) Mf lix/4 (Oct-Dec 2006) 393-394 (Ludwig Finscher) SaggiatoreM xiv/2 (2007) 448-451 (Raffaele Mellace)
	7.	Speerstra, Joel: Bach and the pedal clavichord: an organist's guide. EastmanStudM 26 (2004), 280p Foreword by Hans Davidsson. - Rochester, NY: University of Rochester Press, 2004. 280p (= Eastman studies in music, 26) Reviews: BachNotesABS 2 (Fall-winter 2004) 6-7 (Lynn Edwards Butler) AmerOrganist(2) xxxviii/11 (Nov 2004) 78-80 (Quentin Faulkner) Orgelkrant viii/7-8 (2004) ClavichordInternat viii/2 (Nov 2004) 60 (Francis Knights) OrganYb xxxiii (2004) 179 (Peter Williams) Notes lxi/3 (Mar 2005) 760-763 (Brian Doherty) EarlyM xxxiii/1 (Feb 2005) 124-128 (John Koster) 18cM ii/2 (Sep 2005) 337-340 (Stewart Pollens) HetOrgel cii/1 (2006) (Hans Fidom) EarlyMReview 111 (Feb 2006) 33-34 (Clifford Bartlett) InformOrganistica xviii/3:15 (Dec 2006) 277-279 (Massimiliano Guido)
	8.	Melamed, Daniel R.: Hearing Bach's Passions. (2005), vii, 178p New York: Oxford University Press, 2005. vii, 178p. ISBN: 0-19-516933-6. - rev. edn, 2016. xxiii, 178p. ISBN: 978-0-19-049012-6 Reviews: Yo Tomita, 'On-line Book Review' EarlyMReview 108 (Aug 2005) 34-35 (Clifford Bartlett) Diapason xcvi/10 (Oct 2005) 16 (James B. Hartman) EarlyMPerformer 16 (Nov 2005) 20-21 (Bryan White) ColMSymposium xlvi (2006) 136-142 (Matthew C. Harden) Notes lxii/3 (Mar 2006) 724-727 (Daniel F. Boomhower) BachNotesABS 5 (2006) 14-15 (Jason B. Grant) EarlyM xxxiv/2 (May 2006) 296-298 (John Butt) Goldberg 42 (Oct 2006) 20-21 (Uri Golomb) HNetReviews (Oct 2006) (Janette Tilley) MLetters lxxxviii/1 (Feb 2007) 141-144 (Alan Howard) 18cM iv/1 (Mar 2007) 147-149 (Robin A. Leaver) ChoralJ xlviii/6 (Dec 2007) 85-86 (Steven Grives) BritishJ18cStud xxxi/1 (Mar 2008) 168-169 (Rebecca Lloyd)
	9.	Leisinger, Ulrich (ed.): Works for Special Occasions I / Carl Philipp Emanuel Bach. CPEBachCW 5/ 5.1 (2005), xxx, 143p Edited by Ulrich Leisinger. - Los Altos, CA: Packard Humanities Institute, 2005. xxx, 143p. ISBN: 978-1-933280-06-6; 1-933280-06-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series V: Choral Music, Volume 5.1) [Dank-Hymnme der Freundschaft, H 824e] Reviews: 18cM v/1 (Mar 2008) 123-125 (Wiebke Thormählen) Notes lxv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe) JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
	10.	Nieden, Hans-Jörg: Die frühen Kantaten von Johann Sebastian Bach: Analyse -- Rezeption. MwSchr 40 (2005), 134p München - Salzburg: Musikverlag Katzbichler, 2005. 134p. ISBN: 387397147X. (= Musikwissenschaftliche Schriften, 40) Reviews: MKirche lxxvii/1 (Jan-Feb 2007) 48-49 (Sven Hiemke) Mf lx/2 (Apr-Jun 2007) 179-180 (Ulrich Bartels) 18cM v/1 (Mar 2008) 119-121 (Yo Tomita)
	11.	Wolff, Uwe (ed.): Passion according to St. Mark (1770): an adaption of the St. Mark Passion by Gottfried August Homilius / Carl Philipp Emanuel Bach. CPEBachCW 4/ 5.1 (2006), xxviii, 147p Edited by Uwe Wolf - Los Altos, CA: Packard Humanities Institute, 2006. xxviii, 147p. ISBN: 1-933280-18-2; 978-1-933280-18-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions; Volume 5.1) [H 783] Reviews: 18cM vi/2 (Sep 2009), 274-276 (Stephen Roe) JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
	12.	Kevorkian, Tanya: Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750. (2007), 266p Aldershot: Ashgate, 2007. 266p. ISBN: 0-7546-5490-7. Reviews: Consort 64, Summer 2008) 109-111 (Thomas Cooper) Renaissance Quarterly lxi/3 (Fall 2008) 991-992 (Mark Peters) BIOSJ xxxii (2008) 214-215 (David Knight) H-Net (Apr 2008) (Janette Tilley) LutherQ xxii/4 (Winter 2008) 465-467 (Paul Westermeyer) ChurchHist lxxvii/4 (Dec 2008) 1064-1066 (Eric Lund) JAMSoc lxii/1 (Spring 2009) 222-225 (Joyce L. Irwin) Elise Crean, 'On-line Book Review' EarlyM xxxvii/2 (May 2009) 306-307 (John Butt) Bach xl/1 (2009) 85-87 (Markus Rathey) 18cM vii/1 (Mar 2010) 119-121 (Stephen Rose) BachJb xcvii (2011) 293-298 (Michael Maul)
	13.	Erhardt, Tassilo: Händels Messiah: Text, Musik, Theologie. (2007), 403p Bad Reichenhall: Comes Verlag, 2007. 403p. ISBN: 3-88820-500-X; 978-3-88820-500-2. Reviews: OMzs lxiv/7 (Jul 2009) 74-76 (Hartmut Krones) 18cM vii/1 (Mar 2010) 109-111 (Michael Marissen)
	14.	Berger, Karol: Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. (2007), xi, 420p Berkeley, CA: University of California Press, 2007. xi, 420p. ISBN: 978-0-520-25091-8 (hardcover); 978-0-520-25797-9 (paperback). Reviews: EarlyM xxxvi/2 (May 2008) 304-306 (John Butt) MTimes cxlix/1903 (Summer 2008) 116-118 (Peter Williams) ActaMozartiana lv/1-2 (Jun 2008) 76-77 (Laurenz Lütteken) BachNotesABS 10 (Fall 2008) 6-7 (Gregory Butler) 19cMReview vi/1 (2009) 91-94 (Marianne Tettlebaum) TimesLiterarySuppl 5524 (13 Feb 2009) 23 (Nicholas Kenyon) Notes lxv/3 (Mar 2009) 503-505 (Bertil van Boer) Modernism/Modernity xvi/2 (Apr 2009) 435-437 (Mary Hunter) IReviewAesthSociolM xl/2 (Dec 2009) 353-359 (Edward Green) 18cM vii/1 (Mar 2010) 107-109 (Matthias Schmidt) FontesArtisM lvii/1 (2010) 126-128 (Bryan Proksch) JAMSoc lxiii/3 (Fall 2010) 658-684 (Robert D. Levin)
	15.	Corneilson, Paul (ed.): Passion according to St. John (1772) / Carl Philipp Emanuel Bach. CPEBachCW 4/ 7.1 (2007), xxxi, 135p Edited by Paul Corneilson. - Los Altos, CA: Packard Humanities Institute, 2007. xxxi, 135p. ISBN: 978-1-933280-21-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 7.1) [H 785] Reviews: 18cM vi/2 (Sep 2009) 274-276 (Stephen Roe) JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen)
	16.	Kramer, Richard A.: Unfinished music. (2008), 405p New York: Oxford University Press, 2008. xiii, 405p. ISBN: 978-0-19-532682-6. [Enth. u.a.: Emanuel Bach and the allure of the irrational] Reviews: JAMSoc lxiii/3 (Fall 2010) 685-690 (Dennis Mahoney) 19MReview vii/1 (2010) 123-127 (William Drabkin) 18cM viii/1 (Mar 2011) 129-131 (Lothar Schmidt)
	17.	O'Loghlin, Michael: Frederick the Great and his musicians: the viola da gamba music of the Berlin School. (2008), xviii, 253p Aldershot: Ashgate, 2008. xviii, 253p. ISBN: 0-7546-5885-6; 978-0-7546-5885-6. Reviews: ViolaDaGambaSocJ iii/2 (2009) 131-136 (Samantha Owens) Context 34 (2009) 124-125 (Ruth Wilkinson and John Stinson) EarlyMReview 129 (Feb 2009) 20-21 (Clifford Bartlett) 18cM vii/1 (Mar 2010) 124-126 (Lucy Robinson) Concerto xxvii/232 (Jun-Jul 2010) 20-21 (Annette Otterstedt) McolAustralia xxxii/1 (Jul 2010) 138-140 (Jason Stoessel) MLetters xci/3 (Aug 2010) 424-426 (Charles Medlam)
	18.	Zohn, Steven: Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works. (2008), xxxiv, 686p New York: Oxford University Press, 2008. xxxiv, 686p. ISBN: 978-0-19-516977-5. Reviews: 18cM vii/1 (Mar 2010) 130-133 (Janice B. Stockigt)
	19.	Vial, Stephanie D.: The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'. EastmanStudM 55 (2008), xvi, 358p Rochester: University of Rochester Press, 2008. xvi, 358p. ISBN-13: 978-1-58046-034-7. (= Eastman Studies in Music, 55) Reviews: MTimes cxlix/1905 (Winter 2008) 112-115 (Peter Williams) TijdschrMtheorie xiv/3 (Nov 2009) 202-205 (Hans Maas) JMcolResearch xxix/1(Jan-Mar 2010) 73-79 (Donald R. Boomgaarden) 18cM vii/2 (Sep 2010) 293-295 (Thomas Irvine)
	20.	Kelly, Thomas Forrest; Gallagher, Sean (eds.): The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. HarvardPubM 22 (2008), xii, 427p Cambridge, MA: Harvard University Press, 2008. xii, 427p. ISBN-10: 0964031736; ISBN-13: 978-0964031739. (= Isham Library Papers 7; Harvard Publications in Music, 22) Reviews: ActaMozartiana lv/3-4 (Dec 2008) 168 (Laurenz Lütteken) MozartJb (2009) 218-220 (Ulrich Leisinger) EarlyM xxxvii/3 (Aug 2009) 475-478 (W. Dean Sutcliffe) 18cM vi/2 (Sep 2009) 257-260 (David Black) BachJb xcv (2009) 239-242 (Stephen Roe) Notes lxvi/3 (Mar 2010) 544-546 (Melanie Lowe) AdParnassum viii/15 (Apr 2010) 142-146 (Floyd K. Grave)
	21.	Keefe, Simon P. (ed.): The Cambridge history of eighteenth-century music. [ce]CambridgeHist18cM (2009), xvii, 798p Cambridge: Cambridge University Press, 2009. xvii, 798p. ISBN: 0-521-66319-9; 978-0-521-66319-9. Reviews: 18cM viii/1 (Mar 2011) 117-129 (Richard Taruskin) 18cStud xliv/3 (Spring 2011) 419-421 (W. Dean Sutcliffe) MLetters xciii/1 (Feb 2012) 132-136 (Harry White)
	22.	Wollny, Peter: 'Ein förmlicher Sebastian und Philipp Emanuel Bach-Kultus': Sara Levy und ihr musikalisches Wirken. BeitrGesBachRezeption 2 (2010), 145p Mit einer Dokumentensammlung zur musikalischen Familiengeschichte der Vorfahren von Felix Mendelssohn Bartholdy. - Wiesbaden [u.a.]: Breitkopf & Härtel, 2010. 145p. ISBN: 978-3-7651-0390-2. (= Beiträge zur Geschichte der Bach-Rezeption hrsg. vom Bach-Archiv Leipzig, 2) Reviews: ForumMbib xxxi/4 (2010) 345 (Peter Sühring) 18cM viii/2 (Sep 2011) 326-329 (Yael Sela) Mf lxv/1 (2012) 54-56 (Cornelia Bartsch) Notes lxviii/3 (Mar 2012) 608-609 (Daniel Boomhower)
	23.	Wollny, Peter (ed.): Keyboard Concertos from Manuscript Sources I / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 1 (2010), xxviii, 211p Edited by Peter Wollny. - Los Altos, CA: Packard Humanities Institute, 2010. xxviii, 211p. ISBN 978-1-933280-60-8. (= Carl Philipp Emanuel Bach: The Complete Works. Series III: Orchestral music, Volume 9.1) [Wq 1-3] Reviews: EarlyM xl/2 (May 2012) 323-324 (Francis Knights) 18cM ix/2 (Sep 2012) 270-271 (John Kitchen)
	24.	Daolmi, Davide; Fertonani, Cesare (eds.): Antonio Brioschi e il nuovo stile musicale del Settecento lombardo. [cr]Allessandria2008 (2010), 447p [Conference report - Antonio Brioschi e il Nuovo Stile Musicale del Settecento Lombardo (2008): Alessandria] - Mlano: LED, 2010. 447p. ISBN: 88-7916-469-4; 978-88-7916-469-6. (= Cantar sottile, 2) Reviews: 18cM x/1 (Mar 2013) 119-121 (Simon McVeigh)
	25.	Schulenberg, David: The Music of Wilhelm Friedemann Bach EastmanStudM 79 (2010), 354p by David Schulenberg. - Woodbridge: Boydell & Brewer; 2010, 354p. ISBN-978-1-58046-359-1. (= Eastman studies in music, No. 79) Reviews: EarlyMReview 140 (Feb 2011) 3 (Clifford Bartlett) Consort lxvii (Summer 2011) 125-126 (Thomas Cooper) Stringendo xxxiii/2 (Oct 2011) MTimes clii/1916 (Autumn 2011) 109-113 (Peter Williams) Soc18cMNL 18 (Oct 2011) 6-8 (Douglas A. Lee) PerformPractReview xvi/1 (2011) (David Ledbetter) 18cM ix/2 (Sep 2012) 267-270 (John Butt) The British Clavichord Society newsletter, no.54 (2012) 18-20 (Christopher Hogwood) FontesArtisM lx/2 (2013) 132-134 (Balázs Mikusi) Tanja Kovacevic, 'On-line Book Review' EarlyM xlii/1 (Feb 2014) 126-128 (Nigel Springthorpe)
	26.	Rose, Stephen: The Musician in Literature in the Age of Bach. (2011), ix, 237p Cambridge: Cambridge University Press, 2011. ix, 237p. ISBN: 978-1-107-00428-3. - Paperback edn. 2014. ISBN 978-1107428041. Reviews: EarlyMReview 142 (2011) (Clifford Bartlett) EarlyM xxxix/4 (Nov 2011) 613-614 (Bettina Varwig) MTimes clii/1917 (Winter 2011) 115-116 (Peter Williams) EarlyMAmer xvii/4 (Winter 2011) 51-52 (Robert L. Marshall) Bach xliii/1 (2012) 90-93 (Mark A. Peters) 18cM ix/2 (Sep 2012) 265-267 (Celia Applegate)
	27.	Richards, Annette; Corneilson, Paul E. (ed.): Portrait Collection. I. Catalogue. CPEBachCW 8/4.1 (2012), x, 238p ed. by Annette Richards. Appendices ed. by Paul Corneilson. - Los Altos, CA: Packard Humanities Inst., 2012. x, 238p. ISBN 978-1-933280-69-1. Reviews: Soc18cMNL 20 (Oct 2012) 9-10 (John A. Rice) MusicArt xxxviii/1-2 (2013) 259-266 (Alan Davison) 18cM xi/1 (Mar 2014) 123-125 (Alan Davison) Notes lxx/4 (Jun 2014) 704-705 (Robin A. Leaver)
	28.	Talle, Andrew (ed.): J. S. Bach and His German Contemporaries. BachPerspectives 9 (2013), viii, 151p Edited by Andrew Talle. - Urbana, Chicago and Springfield: University of Illinois Press, 2013. viii, 151p. ISBN: 978-0-252-03813-6. (= Bach Perspectives, 9) Reviews: Soc18cMNL 25 (Spring 2015) 5-6 (Mark Nabholz) 18cM xiv/2 (Sep 2017) 297-300 (Andrew Frampton)
	29.	Schulenberg, David (ed.): Preludes and Fugues I / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 1 (2013), 140p hrsg. von ... David Schulenberg. - Wiesbaden: Breitkopf & Härtel, 2013. 140p. Best.-Nr.: Edition Breitkopf 8801; Pl.-Nr.: Breitkopf EB 8801 (= Sämtliche Orgelwerke [in 10 Bänden] / Johann Sebastian Bach, 1) [BWV 531, 545, 529/2, 545a/1, 547, 566 (in C), 566 (in E), 546, 549, 549a (in d), 532; Anhang: BWV 532/2a; auf CD-ROM: BWV 545a/2, 545b (Anh. II)] Reviews: OrganYb lxiii (2014) 175-177 (Peter Williams) 18cM xii/2 (Sep 2015) 246-247 (Matthew J. Hall)
	30.	Schulenberg, David: The Music of Carl Philipp Emanuel Bach. EastmanStudM 114 (2014), xv, 416p Rochester: University of Rochester Press, 2014. xv, 416p. ISBN 978-58046-481-9. (= Eastman studies in music, No. 114) Reviews: EarlyM xliii/4 (Nov 2015) 701-702 (Susan Wollenberg) Bach xlvi/2 (2015) 78-90 (Doris B. Powers) JMcolResearch xxxiv/3 (2015) 266-269 (Yonatan Bar-Yoshafat) Notes lxxii/3 (Mar 2016) 561-563 (Randall Goldberg) Consort lxxii (Summer 2016) 124-125 (Tom Cooper) 18cM xiv/1 (Mar 2017) 129-131 (Darrel M. Berg) Soc18cMNL 27 (Spring 2016) 7-9 (Bryan Proksch)
	31.	Schulenberg, David (ed.): Preludes and Fugues II / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 2 (2014), 148p hrsg. von ... David Schulenberg. - Wiesbaden: Breitkopf & Härtel, 2014. 148p. Best.-Nr.: Edition Breitkopf 8802; Pl.-Nr.: Breitkopf EB 8802. ISMN: 979-0-004-18373-1. (= Sämtliche Orgelwerke [in 10 Bänden] / Johann Sebastian Bach, 2) [BWV 533, 548, 541, 550, 535, 535a, 536, 543, 543a/1, 544, 533a, 551; auf CD: BWV 534] Reviews: AmerOrganist(2) xlix/2 (Feb) 65-66 (Jonathan B. Hall) 18cM xii/2 (Sep 2015) 246-247 (Matthew J. Hall) OrganYb xliv (2015) 172-175 (Peter Williams)
	32.	Leaver, Robin A. (ed.): The Routledge Research Companion to Johann Sebastian Bach. [ce]RoutledgeResearchCompanion (2017), xxv, 556p London and New York: Routledge, 2017. xxv, 556p. ISBN: 978-1-409-41790-3 (hbk), 978-1-315-45281-4 (ebk) Reviews: Bach xlviii/2-xlix/1 (2018) 151-157 (Bettina Varwig) 18cM xv/2 (2018) (Zoltán Szabó) Consort lxxiv (Summer 2018) (Robert Manning)

32 matches.