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Bach Bibliography Search Result |
| Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
| 1. | Williams, Peter F.: Bach: The Goldberg Variations. CambridgeMHandb (2001), 101p Cambridge: Cambridge Univ. Press, 2001. 101p. ISBN: 0-521-80735-2; 0-521-00193-5. (= Cambridge music handbooks)
Yo Tomita, 'On-line Book Review' Notes lix/2 (Dec 2002) 346-348 (Matthew Dirst) TimesLiterarySuppl 5163 (15 Mar 2002) 21 (Martin J. Smith) EarlyKeyboardJ xxi (2003) 113-118 (William Cowdery) MLetters lxxxiv/1 (Feb 2003) 95-97 (Stephen Rose) 18cM i/2 (Sep 2004) 318-319 (Denis Collins) | | |
| 2. | Hochreither, Karl: Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach. (2002), xiii, 217p Trans. by Melvin Unger. Lenham: Scarecrow Press, 2002. xiii, 217p. ISBN: 0-8108-4258-0.
AmerOrganist(2) xxxvii/2 (2003) 87-88 (James L. Wallmann) Diapason xciv/4:1121 (Apr 2003) 7-8 (James B. Hartman) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) AmerOrganist(2) xxxvii/2 (2003) 87-88 (James L. Wallmann) 18cM i/1 (2004) 92-93 (Yo Tomita) MLetters lxxxv/4 (2004) 629-631 (Andrew Parrott) | | |
| 3. | Yearsley, David: Bach and the Meanings of Counterpoint. (2002), xvi, 257p Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5.
TijdschrMtheorie viii/2 (May 2003) 168-169 (Thomas Op de Coul) MTimes cxliv/1883 (2003) 64-66 (Peter Williams) EarlyM xxxi/2 (2003) 275-276 (David Humphreys) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) ColMSymposium xliv (2004) (Jane Solose) McolAustralia xxvii (2004) 135-138 (Denis Collins) 18cM i/1 (Mar 2004) 100-104 (James Currie) MEducatorsJ xc/4 (Mar 2004) 77-78 (Michelle Barnes) CanadianUnivMReview xxiv/2 (2004) 87-90 (Janette Tilley) BachNotesABS 3 (Spring 2005) 6-7 (Paul M. Walker) MTheorySpec xxvii/1 (Spring 2005) 113-117 (Daniel K. L. Chua) JAMSoc lviii/3 (Fall-winter 2005) 710-717 (George B. Stauffer) MTheoryOnline xii/1 (Feb 2006) (Peter N Schubert) | | |
| 4. | Rampe, Siegbert (ed.): Bach: Das Wohltemperierte Klavier I: Tradition, Entstehung, Funktion, Analyse. Ulrich Siegele zum 70. Geburtstag. MwSchr 38 (2002), 520p [Symposium 'Bach - Das Wohltemperierte Klavier I'; (Köthen): 2000.10.11-15] - München - Salzburg: Katzbichler, 2002. 520p. ISBN: 3-87397-145-3. (= Musikwissenschaftliche Schriften, 38)
Concerto xx/187 (Oct 2003) 17 (Reinhard Goebel) 18cM iii/1 (Mar 2006) 155-157 (Yo Tomita) | | |
| 5. | Youngren, William H.: C.P.E. Bach and the rebirth of the strophic song. (2003), xi, 519p Lanham, Md.: Scarecrow Press, 2003. xi, 519p. ISBN: 0-8108-4840-6.
ColMSymposium xlv (2005) 124-133 at 129-130 (Joyce Andrews) | | |
| 6. | Heartz, Daniel: Music in European capitals: The galant style, 1720-1780. (2003), xxiv, 1078p New York: W.W. Norton. 2003, xxiv, 1078p. ISBN: 0-393-05080-7; 978-0-393-05080-6.
EarlyMReview 97 (Feb 2004) 9 (Clifford Bartlett) MTimes cxlv (Spring 2004) 112-116 (Patricia Howard) AdParnassum ii/3 (Apr 2004) 191-194 (Michael Talbot) Notes lx/4 (Jun 2004) 958-961 (Mary Sue Morrow) Goldberg 32 (Feb 2005) 12 (Brian Robins) MEducatorsJ xcii/1 (Sep 2005) 25-26 (Ralph D. Converse) MozartJb (2005) 307-311 (Henning Bey) JAMSoc lix/1 (Spring 2006) 196-202 (Susan Wollenberg) 18cM iii/1 (Mar 2006) 148-153 (David Charlton) Mf lix/4 (Oct-Dec 2006) 393-394 (Ludwig Finscher) SaggiatoreM xiv/2 (2007) 448-451 (Raffaele Mellace) | | |
| 7. | Speerstra, Joel: Bach and the pedal clavichord: an organist's guide. EastmanStudM 26 (2004), 280p Foreword by Hans Davidsson. - Rochester, NY: University of Rochester Press, 2004. 280p (= Eastman studies in music, 26)
AmerOrganist(2) xxxviii/11 (Nov 2004) 78-80 (Quentin Faulkner) Orgelkrant viii/7-8 (2004) ClavichordInternat viii/2 (Nov 2004) 60 (Francis Knights) OrganYb xxxiii (2004) 179 (Peter Williams) Notes lxi/3 (Mar 2005) 760-763 (Brian Doherty) EarlyM xxxiii/1 (Feb 2005) 124-128 (John Koster) 18cM ii/2 (Sep 2005) 337-340 (Stewart Pollens) HetOrgel cii/1 (2006) (Hans Fidom) EarlyMReview 111 (Feb 2006) 33-34 (Clifford Bartlett) InformOrganistica xviii/3:15 (Dec 2006) 277-279 (Massimiliano Guido) | | |
| 8. | Melamed, Daniel R.: Hearing Bach's Passions. (2005), vii, 178p New York: Oxford University Press, 2005. vii, 178p. ISBN: 0-19-516933-6.
EarlyMReview 108 (Aug 2005) 34-35 (Clifford Bartlett) Diapason xcvi/10 (Oct 2005) 16 (James B. Hartman) EarlyMPerformer 16 (Nov 2005) 20-21 (Bryan White) ColMSymposium xlvi (2006) 136-142 (Matthew C. Harden) Notes lxii/3 (Mar 2006) 724-727 (Daniel F. Boomhower) BachNotesABS 5 (2006) 14-15 (Jason B. Grant) EarlyM xxxiv/2 (May 2006) 296-298 (John Butt) Goldberg 42 (Oct 2006) 20-21 (Uri Golomb) HNetReviews (Oct 2006) (Janette Tilley) MLetters lxxxviii/1 (2007) 141-144 (Alan Howard) 18cM iv/1 (Mar 2007) 147-149 (Robin A. Leaver) BritishJ18cStud xxxi/1 (Mar 2008) 168-169 (Rebecca Lloyd) | | |
| 9. | Leisinger, Ulrich (ed.): Works for Special Occasions I / Carl Philipp Emanuel Bach. CPEBachCW 5/ 5.1 (2005), xxx, 143p Edited by Ulrich Leisinger. - Los Altos, CA: Packard Humanities Institute, 2005. xxx, 143p. ISBN: 978-1-933280-06-6; 1-933280-06-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series V: Choral Music, Volume 5.1) [Dank-Hymnme der Freundschaft, H 824e]
Notes lxv/4 (Jun 2009) 840-850 (W. Dean Sutcliffe) JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen) | | |
| 10. | Nieden, Hans-Jörg: Die frühen Kantaten von Johann Sebastian Bach: Analyse -- Rezeption. MwSchr 40 (2005), 134p München - Salzburg: Musikverlag Katzbichler, 2005. 134p. ISBN: 387397147X. (= Musikwissenschaftliche Schriften, 40)
Mf lx/2 (Apr-Jun 2007) 179-180 (Ulrich Bartels) 18cM v/1 (Mar 2008) 119-121 (Yo Tomita) | | |
| 11. | Wolff, Uwe (ed.): Passion according to St. Mark (1770): an adaption of the St. Mark Passion by Gottfried August Homilius / Carl Philipp Emanuel Bach. CPEBachCW 4/ 5.1 (2006), xxviii, 147p Edited by Uwe Wolf - Los Altos, CA: Packard Humanities Institute, 2006. xxviii, 147p. ISBN: 1-933280-18-2; 978-1-933280-18-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions; Volume 5.1) [H 783]
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen) | | |
| 12. | Kevorkian, Tanya: Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750. (2007), 266p Aldershot: Ashgate, 2007. 266p. ISBN: 0-7546-5490-7.
Renaissance Quarterly lxi/3 (Fall 2008) 991-992 (Mark Peters) BIOSJ xxxii (2008) 214-215 (David Knight) H-Net (Apr 2008) (Janette Tilley) LutherQ xxii/4 (Winter 2008) 465-467 (Paul Westermeyer) JAMSoc lxii/1 (Spring 2009) 222-225 (Joyce L. Irwin) Elise Crean, 'On-line Book Review' EarlyM xxxvii/2 (May 2009) 306-307 (John Butt) Bach xl/1 (2009) 85-87 (Markus Rathey) 18cM vii/1 (Mar 2010) 119-121 (Stephen Rose) BachJb xcvii (2011) 293-298 (Michael Maul) | | |
| 13. | Berger, Karol: Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. (2007), xi, 420p Berkeley,. CA: University of California Press, 2007. xi, 420p. ISBN: 978-0-520-25091-8 (hardcover); 978-0-520-25797-9 (paperback).
MTimes cxlix/1903 (Summer 2008) 116-118 (Peter Williams) ActaMozartiana lv/1-2 (Jun 2008) 76-77 (Laurenz Lütteken) BachNotesABS 10 (Fall 2008) 6-7 (Gregory Butler) 19cMReview vi/1 (2009) 91-94 (Marianne Tettlebaum) TimesLiterarySuppl 5524 (13 Feb 2009) 23 (Nicholas Kenyon) Notes lxv/3 (Mar 2009) 503-505 (Bertil van Boer) IReviewAesthSociolM xl/2 (Dec 2009) 353-359 (Edward Green) 18cM vii/1 (Mar 2010) 107-109 (Matthias Schmidt) FontesArtisM lvii/1 (2010) 126-128 (Bryan Proksch) JAMSoc lxiii/3 (Fall 2010) 658-684 (Robert D. Levin) | | |
| 14. | Corneilson, Paul (ed.): Passion according to St. John (1772) / Carl Philipp Emanuel Bach. CPEBachCW 4/ 7.1 (2007), xxxi, 135p Edited by Paul Corneilson. - Los Altos, CA: Packard Humanities Institute, 2007. xxxi, 135p. ISBN: 978-1-933280-21-9. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 7.1) [H 785]
JAMSoc lxiii/1 (Spring 2010) 149-155 (Cliff Eisen) | | |
| 15. | Zohn, Steven: Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works. (2008), xxxiv, 686p New York: Oxford University Press, 2008. xxxiv, 686p. ISBN: 978-0-19-516977-5.
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| 16. | Vial, Stephanie D.: The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'. EastmanStudM 55 (2008), xvi, 358p Rochester: University of Rochester Press, 2008. xvi, 358p. ISBN-13: 978-1-58046-034-7. (= Eastman Studies in Music, 55)
TijdschrMtheorie xiv/3 (Nov 2009) 202-205 (Hans Maas) JMcolResearch xxix/1(Jan-Mar 2010) 73-79 (Donald R. Boomgaarden) 18cM vii/2 (Sep 2010) 293-295 (Thomas Irvine) | | |
| 17. | Kelly, Thomas Forrest; Gallagher, Sean (eds.): The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. HarvardPubM 22 (2008), xii, 427p Cambridge, MA: Harvard University Press, 2008. xii, 427p. ISBN-10: 0964031736; ISBN-13: 978-0964031739. (= Isham Library Papers 7; Harvard Publications in Music, 22)
EarlyM xxxvii/3 (Aug 2009) 475-478 (W. Dean Sutcliffe) 18cM vi/2 (Sep 2009) 257-260 (David Black) BachJb xcv (2009) 239-242 (Stephen Roe) Notes lxvi/3 (Mar 2010) 544-546 (Melanie Lowe) AdParnassum viii/15 (Apr 2010) 142-146 (Floyd K. Grave) | | |
| 18. | Wollny, Peter: 'Ein förmlicher Sebastian und Philipp Emanuel Bach-Kultus': Sara Levy und ihr musikalisches Wirken. BeitrGesBachRezeption 2 (2010), 145p Mit einer Dokumentensammlung zur musikalischen Familiengeschichte der Vorfahren von Felix Mendelssohn Bartholdy. - Wiesbaden [u.a.]: Breitkopf & Härtel, 2010. 145p. ISBN: 978-3-7651-0390-2. (= Beiträge zur Geschichte der Bach-Rezeption hrsg. vom Bach-Archiv Leipzig, 2)
18cM viii/2 (Sep 2011) 326-329 (Yael Sela) Mf lxv/1 (2012) 54-56 (Cornelia Bartsch) Notes lxviii/3 (Mar 2012) 608-609 (Daniel Boomhower) | |
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