Search Result - Ordered Chronologically
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Bach Bibliography Search Result - Ordered Chronologically |
Series : diss.Your search has generated the following results ...
Year : 2010
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Paech, Katharina Larissa: Pachelbels d-Moll-Ciacona als strukturelles Vorbild für eine Aemulatio: Zur Form der Passacaglia in c-Moll von J.S. Bach. DeMusicaDisserenda 6/2 (2010), 23-34 |  |
 | 2. | Hammes, Andrea: Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. diss. (2010), 112p | |
| | 3. | Plutalov, Denis V.: Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. diss. (2010), 121p |  |
| | 4. | Alípio, Alisson: O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. diss. (2010), 123p |  |
| | 5. | Sullivan, Daniel: J.S. Bach and permutational design. diss. (2010), 126p | |
| | 6. | Miller, Ann Elizabeth: Pure 3rds or 5ths: Great violinists' solutions to a problematic incongruity. diss. (2010), 206p | |
| | 7. | Shkolnik, Guy: The Thematic Potential and Its Realization in Selected Fugues from J.S. Bach's Well-Tempered Clavier. diss. (2010), 208p |  |
| | 8. | Gordeeva, Elena Vladimirovna: Muzykal'naâ leksikografiâ smyslovyh struktur v klavirnyh tekstah I.-S. Baha. diss. (2010), 263p |  |
| | 9. | Boršulâk, Al'ona Miroslavìvna: Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. diss. (2010), 267p | |
| | 10. | Sarlo, Dario: Investigating Performer Uniqueness: The Case of Jascha Heifetz. diss. (2010), 430p | |
| | 11. | Friedrich, Siegfried: Aspekte der Tonhöhenausdeutung in Johann Sebastian Bachs Das Wohltemperierte Klavier, Band I und II sowie in Franz Schuberts Die schöne Müllerin: Zum Auffassungsmodell eines 'intentionalen Tones' als Verbindungsglied zwischen Tonhöhenwahrnehmung und kompositorischer Tonhöhenbedeutung. diss. (2010), 610p | |
| | 12. | Lachat-Sarrete, Priscille: L'entrée du soliste dans les concertos de 1750 à 1810, à travers les œuvres de Johann Christian Bach, Haydn, Mozart, Viotti et Beethoven. diss. (2010), 652p |  |
| | 13. | Engelsdorfer, Amy Lynne: Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. diss. (2010), 680p | |
| | 14. | Waszynski, Barbara: Das Übernahme der Datensätze aus der Bach Bibliography von Yo Tomita in das Bibliothekssystem des Bach-Archivs: Erarbeitung eines Konzeptes für eine gestufte Konvertierung. diss. (2010), 90p | |
| | 15. | Psujek, Jennifer Lauren: The Intersection of Gender, Religion, and Culture in Nineteenthcentury Germanic Salons. diss. (2010), v, 73p | |
 | 16. | Watson, Marva J.: The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach. diss. (May 2010), viii, 107p | |
| | 17. | Exner, Ellen: The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. diss. (2010), xiv, 327p | |
| | 18. | Callahan, Michael Richard: Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. diss. (2010), xvi, 293p | |
| | 19. | Knyt, Erinn Elizabeth: Ferruccio Busoni and the Ontology of the Musical Work: Permutations and Possibilities. diss. (2010), xvii, 624p | |