Type | List | Author: Title![Display full bibliographical information](http://homepages.bw.edu/bachbib/images/expand.gif) , Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Zohn, Steven; Payne, Ian: Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) [p]AMS_Kansas (Nov 1999) | ![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 2. | Stockigt, Janice B.: Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesł al Calvario, Jan Dismas Zelenka, 1735. [p]AMS_Kansas (Nov 1999) | ![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 3. | Wright, Craig: The Authenticity of and Theology behind Bach's Kleines harmonisches Labyrinth. [p]AMS_Kansas (Nov 1999) | ![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |
| 4. | Swack, Jeanne: 'Telemann's Chorus': Vocal Forces in Telemann's Frankfurt Cantatas and the Implications for the 'One on a Part' Controversy. [p]AMS_Kansas (Nov 1999) | ![English](http://homepages.bw.edu/bachbib/images/flags/United-Kingdom.gif) |