Bach Bibliography Search Result - Ordered Chronologically |
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Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
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1. | Türk, Daniel Gottlob: Klavierschule, oder Anweisung zum Klavierspielen für Lehrer und Lernende, mit kritischen Anmerkungen. (1789), viii, 408, 12, 15p
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2. | Riemann, Hugo: Geschichte der Musiktheorie im IX. - XIX. Jahrhundert. (1898), xx, 529p
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3. | Abdy Williams, Charles Francis: Bach. (1900), xi, 223p
MTimes lxxv/1097 (Jul 1934) 619-620 (H.G.) MLetters xv/4 (Oct 1934) 367-368 (Scott Goddard) | ||
4. | Boughton, Rutland: Bach. (1907), 170p
MTimes lxxi/1054 (Dec 1930) 1087-1088 (H. G.) MTimes lxxii (1931) 23-26 (p.s. by the author) MLetters xii/1 (Jan 1931) 96-97 (Sc. G.) | ||
5. | Tiersot, Julien: Jean-Sébastien Bach. Avec quarante-huit planches hors-texte. (1912), 106p
RevueMcol xv/52 (Nov 1934) 237 (A G) ActaMcol vii/3 (Jul-Sep 1935) 126-127 (Hans Engel) | ||
6. | Dolmetsch, Arnold: The Interpretation of the Music of the XVII and XVIII Centuries. Revealed by Contemporary Evidence. (1915), 493p
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7. | Terry, Charles Sanford: Bach's Chorals, Part I: The Hymns and Hymn Melodies of the 'Passions' and Oratorios. (1915), xv, 74p
MLetters xiv (1933) 176 (W. G. Whittaker) | ||
8. | Terry, Charles Sanford: Bach's Chorals, Part II: The Hymns and Hymn Melodies of the Cantatas and Motets. (1917), xiii, 615p
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9. | Wilson, Archibald W.: The chorales: Their origin and influence. (1920), v-vii, 77p
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10. | Forkel, Johann Nicolaus: Johann Sebastian Bach, His Life, Art and Work. (1920), xxxii, 321p
MLetters ii/2 (Apr 1921) 183 (M. D. C.) MLetters xiv (1933) 176 (W. G. Whittaker) | ||
11. | Terry, Charles Sanford: Bach's Chorals, Part III: The Hymns and Hymn Melodies of the Organ Works. (1921), xiv, 361p
MLetters xiv/2 (1933) 176 (W. G. Whittaker) | ||
12. | Sceats, Godfrey: The Liturgical Use of the Organ. (1922), 47p
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13. | Grace, Harvey: The Organ Works of Bach. (1922), xvi, 319p
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14. | Werker, Wilhelm: Studien über die Symmetrie im Bau der Fugen und die motivische Zusammengehörigkeit der Präludien und Fugen des 'Wohltemperierten Klaviers' von Johann Sebastian Bach. BachSt 1 (1922), 356p
ZsfMw v/8 (May 1923) 461-466 (Georg Schünemann) ZsfMw v/8 (May 1923) 466-473 (Rudolf Steglich) MLetters viii/1 (Jan. 1927) 85-86 (Sc. G.) ZsfM xc/7 (1923) 145-148 (Alfred Heuß) | ||
15. | Weidig, Adolf: Harmonic Material and its Uses. (1923), 423p
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16. | Werker, Wilhelm: Die Mattäus-Passion. BachSt 2 (1923), 96p
MLetters viii/1 (Jan 1927) 85-86 (Sc. G.) | ||
17. | Tovey, Donald Francis (ed.): Forty-Eight Preludes and Fugues / J. S. Bach. (1924), 183, 197p
MLetters xii/4 (1931) 378-383 (Ernst Walker) | ||
18. | [Meynell, Esther]: The Little Chronicle of Magdalena Bach. (1925), 183p
MLetters vi/3 (Jul 1925) 277-278 (Ernest Newman); xv/3 (Jul 1934) 270-271 (M. R. Bonavia) | ||
19. | Meynell, Esther: The Little Chronicle of Magdalena Bach. (1925), 183p
MEducatorsJ xxi/4 (Feb 1935) 62 (Charles N. Boyd) | ||
20. | Terry, Charles Sanford: Joh. Seb. Bach: Cantata Texts, Sacred and Secular. With a reconstruction of the Leipzig Liturgy of his Period. (1926), xx, 656p
MLetters vii/3 (Jul 1926) 271-272 (S. G.) DieMusik xix/2 (Nov 1926) 123-124 (Hugo Leichtentritt) BachJb xxiii (1926) 165-167 (Arnold Schering) MLetters xiv/2 (Apr 1933) 176 (W. G. Whittaker) | ||
21. | Hannam, William S.: Notes on the Church Cantatas of John Sebastian Bach. (1928), 128p
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22. | Meyer, Hans: Linie und Form: Bach - Beethoven - Brahms. (1928), 236p
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23. | Terry, Charles Sanford: Bach. A Biography. (1928), xix, 292p
MTimes lxix/1028 (Oct 1928) 904-905 (H. G.) SundayTimes (1928) (Ernest Newman) MLetters xiv (1933) 176 (W. G. Whittaker) | ||
24. | Valentin, Erich: Die Entwicklung der Tokkata im 17. und 18. Jahrhundert (bis J. S. Bach). diss. (1928), 143p
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25. | Terry, Charles Sanford: The Origin of the Family of Bach Musicians / Ursprung der musikalisch-Bachischen Familie. (1929), 22p
MLetters xi/1 (Jan 1930) 98-99 (Sc. G.) DieMusik xxii/4 (Jan 1930) 289 (Leo Wendhausen) | ||
26. | Borkowsky, Ernst: Die Musiker Familie Bach. (1929), 88p
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27. | Terry, Charles Sanford (ed.): The Four-Part Chorals of J. S. Bach. (1929), xii, 539p
MLetters xiv (1933) 176 (W. G. Whittaker) JChurchM vii (1965) 14 MEducatorsJ li/6 (Jul 1965) 87 (Theodore F. Normann) Notes xxii/4 (1966) 1307 (Catharine Keyes Miller) | ||
28. | Terry, Charles Sanford: John Christian Bach. (1929), xvi, 373p
MTimes lxxi/1046 (Apr 1930) 324 (G.) RevueMcol xi/34 (May 1930) 132-133 (Dorothy Swainson) DieMusik xxiii/5 (Feb 1931) 377-378 (Willi Kahl) ZsfMw xiv/4 (Jan 1932) 226-227 (Heinrich Miesner) | ||
29. | James, Philip: Early Keyboard Instruments from their beginning to the year 1820. (1930), 153p
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30. | Mojsisovics, Roderich von: Bach-probleme. Polyphone Klaviermusik. (1930), 69p
MLetters xii/3 (Jul 1931) 307 (A. H. F. S.) DieMusik xxiii/12 (Sep 1931) 933 (Alfred Lorenz) | ||
31. | Richardson, Alfred Madeley: Helps to Fugue Writing: Based on Bach's ''Das Wohltemperirte Klavier''. (1930), 90p
MLetters xii (1931) 89-90 (Sc. G.) | ||
32. | Kittler, Günther: Geschichte des protestantischen Orgelchorals von seinen Anfängen bis zu den Lüneburger Orgeltabulaturbüchern. (1931), 112, 3p
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33. | Schwebsch, Erich: Johann Sebastian Bach und die Kunst der Fuge. (1931), 355p
MLetters xii/4 (Oct 1931) 410-411 (Isobel Munro) Drei xxvi/2 (1956) 90-92 (Frieda Margarete Reuschle) Mf ix/3 (1956) 358-359 (Rudolf Stephan) Drei lix/5 (1989) 382-383 (Gerhard Mattke) Mf xliv (1991) 197-198 (Dieter Gutknecht) | ||
34. | Tovey, Donald Francis: A Companion to 'The Art of Fugue' (Die Kunst der Fuge). J. S. Bach. (1931), 79p
RevueMcol xiii (1932) 118 (M L Pereyra) | ||
35. | Tovey, Donald Francis (ed.): Die Kunst der Fuge (The Art of Fugue) by Johann Sebastian Bach. (1931), x, 127p
MLetters xiii/2 (Apr 1932) 224-229 (Isobel Munro) | ||
36. | Arnold, Frank Thomas: The Art of Accompaniment from a Thorough-Bass, as practised in the XVIIth and XVIIIth centuries. (1931), xxiv, 918p
MTimes lxxiii/1067-68 (Jan, Feb 1932) 32-34; 123-125 | ||
37. | Sirp, Hermann: Die Thematik der Kirchenkantaten J. S. Bachs in ihren Beziehungen zum protestantischen Kirchenlied. [1] BachJb 28 (1931), 1-50
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38. | Schering, Arnold: Der Thomaskantor Joh. Gottlob Harrer (1703-1755). BachJb 28 (1931), 112-146
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39. | Miesner, Heinrich: Mitteilung. Einige neu entdeckte Notizen über die Familie Friedemann Bachs. BachJb 28 (1931), 147-148
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40. | Winkler, Heinrich Alexander: Die Bachstätte in Eisenach. Der Streit um Johann Sebastian Bachs Geburtshaus. ThüringHeimatSchr 2 (1931), 46p
MLetters xiii (1932) 436 (C. S. T.); xv/3 (Jul 1934) 268 (C. S. Terry) | ||
41. | Dreetz, Albert: Johann Christian Kittel, der letzte Bach-Schüler. (1932), 96p
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42. | Mohr, Ernst Werner: Die Allemande. Eine Untersuchung ihrer Entwicklung von den Anfängen bis zu Bach und Händel. (1932), viii, 159p
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43. | Terry, Charles Sanford: Bach's Orchestra. (1932), xv, 250p
MLetters xiv/2 (Apr 1933) 176-177 (W. G. Whittaker) MTimes lxxiv/1085 (Jul 1933) 608-609 MTimes lxxvi/1103 (Jan 1935) 58 (J. E. Duncan); no.1106 (Apr 1935) 350 (Janet Micklethwaite) GalpinSocJ xii (May 1959) 100-102 (Eric Halfpenny) MLetters xl/1 (Jan 1959) 74 (Eric Blom) Musica xiii/3 (1959) 209 (Hermann Keller) MOpinion lxxxii (1959) 243 (H. H.) MTimes c/1395 (May 1959) 265 (Denis Stevens); c/1397 (Jul 1959) 391 (Thurston Dart); c/1399 (Sep 1959) 467 (Walter Emery) TimesLiterarySuppl (27 Feb 1959; 13 Mar 1959) (Walter Emery) RassegnaM xxix (1959) 179-181 (a. m.) Mf xix/2 (Apr-Jun 1966) 220-221 (Georg von Dadelsen) | ||
44. | Pirro, André: Comment jouer Bach sur l'orgue. RevueM(4) 13/131 (Dec 1932), 19-26
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45. | Schneider, Max (ed.): Quodlibet: ein Fragment für vier Singstimmen mit Generalbaß / Joh. Seb. Bach. VeröffNBG 32/2 (1932), 36p + 1 St
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46. | Reinhart, Walther: Die Aufführung der Johannes-Passion von J. S. Bach und deren Probleme. (1933), 90p
SchweizerischeMzSängerBl lxxiv/9 (1 May 1934) 321 (Dv.) | ||
47. | Smend, Friedrich: Bachs Kanonwerk über 'Vom Himmel hoch da komm ich her'. BachJb 30 (1933), 1-29
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48. | Schering, Arnold: Kleine Bachstudien. BachJb 30 (1933), 30-70
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49. | Hey, Gotthold: Zur Biographie Johann Friedrich Bachs und seiner Familie. BachJb 30 (1933), 77-85
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50. | Schünemann, Georg: J. G. Walther und H. Bokemeyer. Eine Musikerfreundschaft um Sebastian Bach. BachJb 30 (1933), 86-118
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51. | Borris, Siegfried: Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. diss. (1933), 110p
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52. | Landshoff, Ludwig (ed.): Die 15 zweistimmigen Inventionen und die 15 dreistimmigen Sinfonien / Joh. Seb. Bach. EdPeters 4201 (1933), 63p + 2 Beil
RevueMcol xv/51 (Aug.1934) 177-178 (Maurice Cauchie) | ||
53. | Freyse, Conrad (ed.): Eisenacher Dokumente um Sebastian Bach. VeröffNBG 33/2 (1933), 47p
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54. | Meynell, Esther: Bach. (1934), 136p
MTimes lxxvi/1103 (Jan 1935) 29-33 (H.G.) | ||
55. | Menke, Werner: History of the Trumpet of Bach and Handel. (1934), 141p
BrassWorld ix/1 (1974) 4-6 (Henry Meredith) BrassBul (1973), No.5/6, 149 | ||
56. | Meyer, Ernst Hermann: Die mehrstimmige Spielmusik des 17. Jahrhunderts in Nord - und Mittel Europa. HeidelbergStMw 2 (1934), 258p
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57. | Danckert, Werner: Beiträge zur Bachkritik. JenaStMw 1 (1934), 72p
MKirche vii (1935) 137-138 (Karl Ziebler) | ||
58. | Dickinson, Alan Edgar Frederic: The Art of J. S. Bach. (1935), 296p
MTimes lxxvii/1118 (Apr 1936) 328 (W. McN) MTimes xcii/1302 (Aug 1951) 355-356 (W. McN.) MLetters xxxii/2 (Apr 1951) 163-165 (W. S. Mann) Tempo no.19 (Spring, 1951) 37, 39 (Dennis Stevens) Notes viii/3 (Jun 1951) 529 (Helen E. Bush) MReview xii (1951) 234-235 | ||
59. | Steglich, Rudolf: Johann Sebastian Bach. (1935), iv, 160p
ZsfHausmusik iv (1935) 155-160 (Erich Doflein) SchweizerischeMzSängerBl lxxv/11 (1 Jun 1935) 424-425 (Dv.) TheolLiteraturBl lvi/11 (1935) 167-169 (Hans Preuß) MLetters xvii/2 (Apr 1936) 164 (C. S. Terry) | ||
60. | Spitta, Philipp: Johann Sebastian Bach. (1935), xi, 388p
SchweizerischeMzSängerBl lxxvi/8 (15 Apr 1936) 251 (Dv.) | ||
61. | Gurlitt, Wilibald: Johann Sebastian Bach. Der Meister und sein Werk. (1936), 78p
DieMusik xxix/4 (Jan 1937) 293 (Friedrich W. Herzog) ZsfM civ/2 (1937) 203 (Friedrich Högner) TheolLiteraturZ lxii/17 (1937) 313-314 (W. Luther) MKirche xvii/3 (1947) 87 (Walter Blankenburg) MLetters xxix/4 (1948) 417 (J. A. W.) Mf iii/1 (1950) 76 (Rudolf Steglich) MReview xi (1950) 59 (G. A.) RassegnaM xx/3 (1950) 268-269 (m. m.) MKirche l/1 (1980) 313 (Gerhard Schuhmacher) NZsfM cxli/6 (1980) 582-583 (Rudolf Stephan) OrganistEredienst xlvi/11 (1980) (Jenne Meyster) MGottesd xxxv (1981) 107-108 (Andreas Marti) | ||
62. | Harris, Roy; Herter Norton, M. D. (eds.): The Art of Fugue / J. S. Bach. (1936), xxiv, 113p + 4 St
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63. | Kinsky, Georg: Die Originalausgaben der Werke Johann Sebastian Bachs. Ein Beitrag zur Musikbibliographie. (1937), 134p
SchweizerischeMz lxxvii/16-17 (1 Sep 1937) 492-493 (Dv.) | ||
64. | Hess, Myra (arr.): ADAGIO from Organ Toccata in C major, No.1 by J. S. BACH. (1937), 3p
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65. | Zingerle, Hans: Zur Entwicklung der Melodik von Bach bis Mozart: die musikalische Interpunktion. (1937), 51p
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66. | Ashby, A. B. (ed.): The Pianist's Book of Bach Chorals. 100 Chorals harmonized by J. S. Bach, chosen from Charles Sanford Terry's Complete Collection (1937), 57p
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67. | Graeser, Wolfgang; Schwebsch, Erich (arr.): Die Kunst der Fuge / Joh. Seb. Bach. (1937), xi, 121p
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68. | Jonas, Oswald: Ein Bach-Präludium: ein Weg zum organischen Hören. Dreiklang 1 (Apr 1937)
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69. | Klotz, Hans: Das Buch von der Orgel: Ueber Wesen und Aufbau des Orgelwerkes, Orgelpflege und Orgelspiel. (1938), 127p
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70. | Payne, May de Forest: Melodic Index to the Works of J. S. Bach. (1938), vii, 101p
MOpinion lxxii/853 (Oct 1948) 14 (R.H.W.) | ||
71. | Gray, Cecil William Turpie: The Forty-eight Preludes and Fugues of J. S. Bach. (1938), viii, 148p
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72. | Lovelock, William: Use of the Pedal in Bach's '48'. MTimes 80/1157 (Jul 1939), 534-535
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73. | Watts, Harold E.: Bach's '48': Use of the Pedal, and Other Problems. MTimes 80/1160 (Oct 1939), 722-724
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74. | Dent, Edward J.: Notes on Fugue for Beginners. (1941), 47p
MLetters xl (1959) 79 (Eric Blom) | ||
75. | Thurston, Frederick J. (ed.): Three Fugues from 'The Well-tempered Clavier'. (1941?)
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76. | Bach, Johann Sebastian: Prelude and Fugue in B minor [BWV 544] (1942), 8, 2pp
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77. | Taylor, Stainton de Boufflers: The Chorale Preludes of J. S. Bach: a Handbook. HinrichsenEd 1006 (1942), x, 126p
MonMRec lxxii/836 (1942) 88 (J.A.W.) MLetters xxiii/3 (Jul 1942) 258 (E. W.) MEducatorsJ xxix/2 (Nov-Dec 1942) 58 (Russell V. Morgan) MTimes cxii/1545 (Nov 1971) 1073, 1075 (Walter Emery) 'Chorale preludes simplified' | ||
78. | Wood, Henry Joseph (ed.): Brandenburg Concerto No.3 in G major / Johann Sebastian Bach. (c 1944), 70p
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79. | Emery, Walter: Bach Registration. MTimes 85/1211 (Jan 1944), 21-23
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80. | David, Hans T.; Mendel, Arthur (eds.): The Bach Reader. (1945), 474p
MTimes lxxxvii/1243 (Sep 1946) 268-269 (W. E.); no.1244 (Oct 1946) 313 (S. Godman) MLetters xxvii/4 (Oct 1946) 265-266 (E.B.) MTimes lxxxviii/1247 (Jan 1947) 30-31 (Hans T. David and Arthur Mendel); no.1248 (Feb 1947) 70 (W. E.) MQ xxxii/1 (Jan 1946) 137-140 (Alfred Einstein) MReview viii (1947) 301-302 (Hubert J. Foss) MLetters xxxii/2 (Apr 1951) 195-197 (Richard Capell) Einstein (1957) 45-48 (Alfred Einstein) MTimes cviii/1491 (May 1967) 424-425 (Walter Emery) MLetters xlviii/2 (Apr 1967) 155 (Jack A. Westrup) Composer No.25 (1967) 31 MClubsMag xlvi (1967) 55 ColMSymposium vii (1967) 149 Pan Pipes of Sigma Alpha Jota lx (1967) 44-45 MReview xxix (1968) 52-53 (Hans F. Redlich) HudebniVeda vi/4 (1969) 467-468 (Tomislav Volek) | ||
81. | Westrup, J. A. (ed.): Choral Preludes from the 'Orgelbüchlein', arranged for Two Pianos. HinrichsenEd 335 (c 1946)
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82. | Sterndale Bennett, R. (ed.): Two Chorale Preludes arranged for Piano. 1. Der Tag, der ist so freudenreich; 2. Nun freut euch, lieben Christen. (1946?)
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83. | Grew, Eva Mary; Grew, Sydney: Bach. (1947), 239p
MLetters xxix/2 (Apr 1948) 175-177 (W.D.) MReview ix (1948) 134 (E. J. W.) MonMRec lxxviii/898 (1948) 160-161 (G.A.) MSurvey i/2 (Winter 1948) 48 (E. H. W. M.) | ||
84. | Apel, Willi: Masters of the Keyboard: a Brief Survey of Pianoforte Music. (1947), 323p
MLetters xxx (1949) 73-74 (I. K.) | ||
85. | Blume, Friedrich: Johann Sebastian Bach im Wandel der Geschichte. MwArb 1 (1947), 39p
MReview ix (1948) 57 MKirche xviii/1-2 (1948) 53-56 (Walter Blankenburg) | ||
86. | Oldroyd, George: The Technique and Spirit of Fugue: An historical study. (1948), 220p
MReview ix (1948) 203-206 (E. J. D.) RassegnaM xx/3 (1950) 278-279 (Angiola Maria Bonisconti) | ||
87. | Kahl, Willi: Selbstbiographien deutscher Musiker des XVIII. Jahrhunderts. (1948), 350p
MLetters xxxi/3 (Jul 1950) 269-270 (R.C.) | ||
88. | Bukofzer, Manfred: Music in the Baroque Era. From Monteverdi to Bach. (1948), 489p
MLetters xxx/1 (Jan 1949) 64-66 (A. C. L.) MReview x (1949) 57-59 (E. J. D.) RassegnaM xx/3 (1950) 274-276 (m. m.) | ||
89. | Taylor, Stainton de Boufflers (ed.): Six Organ Preludes: on the Chorales of the lesser Catechism from the Clavier-Ubung (part III). HinrichsenEd 376 (1948), 15p
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90. | Boult, Adrian Cedric; Emery, Walter: The St Matthew Passion: Its preparation and performance. (1949), vii, 75p
MLetters xxxi/3 (1950) 265-266 (Ivor Keys) | ||
91. | Bach, Carl Philipp Emanuel: Essay on the True Art of Playing Keyboard Instruments. (1949), xiii, 449p
MQ xxxv/2 (Apr 1949) 323-329 (Arthur Mendel) MTimes xc (1949) 438-439 (W. E.) MReview xi (1950) 57-58 (G. A.) MLetters xxxi/1 (Jan 1950) 71-73 (R. D.) MSurvey ii/3 (Winter 1950) 193 (E. H. W. M.) MReview xxxix (1978) 69 (A. F. L. T.) | ||
92. | Engel, Hans: Johann Sebastian Bach. (1950), 252p
MReview xii (1951) 229-229 (Gerald Abraham) Mf iv/2-3 (1951) 230-232 (Hellmuth Christian Wolff) MSurvey iv/1 (Oct 1951) 352-353 (H. K.) | ||
93. | Mann, William S.: Introduction to the Music of Johann Sebastian Bach. 1685-1750 (1950), 80p
MTimes xcii/1298 (Apr 1951) 168 (W.McN) MonMRec lxxxi/927 (1951) 132 (A.H.) MSurvey iv/1 (Oct 1951) 357-358 (J. J. N.) | ||
94. | Blume, Friedrich: Two Centuries of Bach. An account of changing taste. (1950), 85p
MSurvey iii/1 (Summer 1950) 64 (A. E. F. D.) MOpinion lxxiii/874 (Jul 1950) 581, 583 (H.H.) MLetters xxxi/4 (Oct 1950) 348-350 (W. S. Mann) Notes viii/1 (Dec 1950) 159-160 (Karl Geiringer) | ||
95. | Besseler, Heinrich; Kraft, Günter (eds.): Johann Sebastian Bach in Thüringen. Festgabe zum Gedenkjahr 1950. [ce]JSBiThüringen (1950), 255p
Notes ix/1 (Dec 1951) 133-134 (Karl Geiringer) MReview xiii (1952) 65 (G. A.) JAMSoc v/3 (Autumn 1952) 254-255 (Arthur Mendel) | ||
96. | Finlay, Ian F.: Johann Sebastian Bachs weltliche Kantaten: eine musikwissenschaftlich-literarische Betrachtung. diss. (1950), 98p
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97. | Mendel, Arthur: More for the Bach reader. MQ 36/4 (Oct 1950), 485-510
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98. | Salazar, Adolfo: Juan Sebastián Bach. Un ensayo. (1951), 345p
MLetters xxxvi/2 (Apr 1955) 185-187 (A. L. L.) | ||
99. | Davison, Archibald Thompson: Bach and Handel. The consummation of the baroque in music. (1951), 77p
Notes ix/3 (Jun 1952) 417 (Ernst C. Krohn) | ||
100. | Isaacs, Leonard (arr.): The Art of Fugue = (Die Kunst der Fuge) / J. S. Bach. (1952), 124p
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101. | Hindemith, Paul: J. S. Bach. Heritage and obligation. (1952), iv, 44p
MTimes xciv/1327 (Sep 1953) 409 (Peter Evans) Notes x/3 (Jun 1953) 456/457 (Hans T. David) MonMRecord lxxxiv/955 (1954) 76-77 (P.T.B) | ||
102. | Emery, Walter: Bach's Ornaments. (1953), 164p
MonMRec lxxxiii/950 (1953) 217 (G. A.) Notes xi/1 (Dec 1953) 109-110 (Putnam Aldrich) MLetters xxxv/1 (Jan 1954) 48-50 (W. S. M.) MReview xv (1954) 238 (Eric Taylor) Mf vii/1 (1954) 93 (Hans Klotz) MTimes cxi/1533 (Nov 1970) 1107 (Kenneth Holland), followed by the author in cxi/1534 (1970) 1219 and Robert Donington in cxii/1536 (Feb 1971) 130 | ||
103. | Rothschild, Fritz: The lost Tradition in Music. Rhythm and Tempo in J. S. Bach's Time. (1953), 325p
MLetters xxxiv/3 (Jul 1953) 250-264 (Walter Emery) MReview xiv (1953) 237-238 MQ xxxix/4 (Oct 1953) 617-630 (Arthur Mendel) Notes xi/2 (Mar 1954) 303-306 (Otto Kinkeldey) Mf (1954) 352-353 (Hans F. Redlich) | ||
104. | Keller, Hermann: Phrasierung und Artikulation: ein Beitrag zu einer Sprachlehre der Musik. (1953), 92p
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105. | Geiringer, Karl: The Bach Family. Seven generations of creative genius. (1954), 514p
Notes xii/2 (Mar 1955) 216-217 (Nathan Broder) MLetters xxxvi/1 (Jan 1955) 74-76 (H. F. R.) MReview xvi (1955) 155-157 MQ xlii/1 (Jan 1956) 99-103 (Walter E. Buszin) JAMSoc xi/1 (Spring 1958) 56-58 (Herberg Livingston) | ||
106. | Bach, Johann Sebastian: Kurtzer, iedoch höchstnöthiger Entwurff einer wohlbestallten Kirchen Music; nebst einigem unvorgreiflichen Bedenkken von dem Verfall derselben. Leipzig, den 23. August 1730. FaksRBachWS 1 (1954), 7 Bl
MLetters xxxvii/2 (Apr 1956) 191 (E. B.) Mf ix/3 (1956) 379-380 (Helmut Wirth) | ||
107. | Winternitz, Emanuel: Musical Autographs from Monteverdi to Hindemith. (1955), 154p, 196 pl
JAMSoc xi/2-3 (1958) 243-244 (Denis Stevens) | ||
108. | Geiringer, Karl (ed.): The Music of the Bach Family: An Anthology. (1955), 248p
MLetters xxxvii/4 (Oct 1956) 406-407 (P. J. P.) MQ xlii/1 (1956) 99 (Walter Buszin) Mf ix/2 (1956) 234 (Wirth) JAMSoc xi (Spring 1958) 58-59 (Herbert Livingston) | ||
109. | Hudson, Frederick (ed.): Lord God. Great Master of Creation (Herr Gott, Beherrscher aller Dinge): Wedding Cantata. [vocal score] (1955), x, 61p
MLetters xxxix (1958) 94 (Eric Blom) Mf xii/2 (1959) 247-248 (Werner Neumann) | ||
110. | Ernst, Friedrich: Der Flügel Johann Sebastian Bachs. Ein Beitrag zur Geschichte des Instrumentenbaues im 18. Jahrhunderts. EdPeters 4851 (1955), 86p
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111. | Dickinson, Alan Edgar Frederic: Bach's Fugal Works. (1956), 280p
Notes xiv/2 (Mar 1957) 261-262 (Robert Stevenson) MLetters xxxviii/2 (Aug 1957) 194-195 (E. B.) MReview xviii (1957) 63-65 JMTheory i/1 (Mar 1957) 105-106 (Quincy Porter) | ||
112. | Besseler, Heinrich: Fünf echte Bildnisse Johann Sebastian Bachs. (1956), 99p, 12pl
Mf x/2 (1957) 314-320 (Georg von Dadelsen) Notes xiv/2 (Mar 1957) 260-261 (Karl Geiringer) SvenskTidskrMf xxxix (1957) 171-173 (Carl-Allan Moberg) MLetters xxxvii (1956) 396-397 (M. C.) RevueMcol xxxviii/114 (Dec 1956) 178-181 (Fedorov Vladimir) RassegnaM xxviii (1958) 167-168 (Alfredo Bonaccorsi) | ||
113. | Tagliavini, Luigi Ferdinando: Studi sui testi delle cantate sacre di J. S. Bach. (1956), xv, 291p
RevueMcol xl/116 (1957) 226-228 (R. F. Bridgman) SvenskTidskrMf xxxix (1957) 206-207 (Richard Engländer) MLetters xxxviii/2 (Apr 1957) 204-205 (E. B.) Mf xiiI/1 (1959) 104-107 (Alfred Dürr) | ||
114. | Smallman, Basil: The Background of Passion Music: J. S. Bach and his Predecessors. (1957), 124p
MTimes xcviii/1370 (Apr 1957) 198 (Ronald Tidmarsh) MTimes cxii (1971) 1174-1175 (Roger Bullivant) Notes xxix/3 (Mar 1973) 460-461 (Stanley A. Malinowski) | ||
115. | Emery, Walter: Notes on Bach's Organ Works. A companion to the revised Novello Edition. Books IV-V: Six Sonatas for Two Manuals and Pedal. (1957), 215p
MLetters xxxix/1 (Jan 1958) 80 (Bernard Rose) Notes xv/2 (Mar 1958) 214 (Richard Keith) | ||
116. | Dürr, Alfred: Zur Chronologie der Leipziger Vokalwerke J. S. Bachs. BachJb 44 (1957), 5-162
MLetters xl/2 (1959) 192-194 (Walter Emery) MKirche xxix (1959) 94-95 (Walter Blankenburg) Mf xv/3 (1962) 292-293 (Ulrich Siegele) | ||
117. | David, Johann Nepomuk: Die zweistimmigen Inventionen von Johann Sebastian Bach. KleineVandenhoeckR 34 (1957), 37p
MLetters xxxviii/3 (Jul 1957) 289-290 (Eric Blom) Mf x/4 (1957) 587-589 (Rudolf Steglich) Hausmusik xxxiii (1958) 33-34 (Elisabeth Heckmann) MonMRecord lxxxviii (Jan-Feb 1958) 30 MReview xix (1958) 244-245 (Hans F. Redlich) NZsfM(2) cxix (1958) 167-168 (Walther Friedländer) RassegnaM xxviii (1958) 62-63 (Alfredo Bonaccorsi) AfMw xix-xx (1962-63) 147-159 (Hellmut Federhofer) | ||
118. | Busch, Gudrun: C. Ph. E. Bach und seine Lieder. KölnBeitrMf 12 (1957), 407p, 110p
MLetters xxxix/2 (Apr 1958) 192 (E.B.) Musica xii (1958) 181-182 (Lothar Hoffmann-Erbrecht) | ||
119. | Godman, Stanley: Bach's Copies of Ammerbach's 'Orgel oder Instrument Tabulatur' (1571). MLetters 38/1 (Jan 1957), 21-27
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120. | Dadelsen, Georg von: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie V · Band 4. Die Klavierbüchlein für Anna Magdalena Bach. Kritischer Bericht. NBA 5/ 4 (1957), 124p
MLetters xxxix/4 (Oct 1958) 414-415 (H.O.) Mf xv/4 (1962) 407-409 (Friedrich Wilhelm Riedel) | ||
121. | Dadelsen, Georg von (ed.): Die Klavierbüchlein für Anna Magdalena Bach (1722 und 1725) / Johann Sebastian Bach. NBA 5/ 4 (1957), xi (6p facs), 138p
MLetters xxxix/4 (Oct 1958) 414-415 (H.O.) AmerRecorder xi/4 (1970) 141 (Dale Higbee) | ||
122. | Bach, Johann Sebastian: Singet dem Herrn ein neues Lied. Motette für zwei Chöre. [BWV 225] (1958), 10 Bl
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123. | Mann, Alfred: The Study of Fugue. (1958), 341p
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124. | Hudson, Frederick (ed.): Trauungskantaten / Johann Sebastian Bach. NBA 1/33 (1958), ix (4p facs), 243p
MReview xxi (1960) 164-165 | ||
125. | Haußwald, Günter; Gerber, Rudolf (eds.): Werke für Violine / Johann Sebastian Bach. NBA 6/1 (1958), v, 208p
MReview xxi (1960) 164 | ||
126. | Kast, Paul: Die Bach-Handschriften der Berliner Staatsbibliothek. TübingerBachSt 2-3 (1958), x, 150p
MLetters xl/4 (Oct 1959) 382-384 (Walter Emery) Notes xvii/4 (1960) 570-571 (Donald Mintz) MKirche xxxi/2 (1961) 77-78 (Walter Blankenburg) Mf xv/3 (1962) 293-294 (Karl-Heinz Köhler) | ||
127. | Dadelsen, Georg von: Beiträge zur Chronologie der Werke Johann Sebastian Bachs. TübingerBachSt 4-5 (1958), 176p
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128. | Russell, Raymond: The Harpsichord and Clavichord. (1959), 208p, 103pl
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129. | Emery, Walter (ed.): Prelude, Trio and Fugue in B flat for Organ / J. S. Bach (1959), ix, 17p
MLetters xli (1960) 200 (J. A. Westrup) | ||
130. | Bach, Johann Sebastian: Clavier-Büchlein vor Wilhelm Friedemann Bach. (1959), xix, 154p
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131. | Newman, William S.: The Sonata in the Baroque Era. (1959), xvi, 447p
MTimes ci (1960) 301 (Wilfrid Dunwell) MLetters xli (1960) 53-56 (Peter Evans) | ||
132. | Whittaker, William Gillies: The Cantatas of Johann Sebastian Bach. Sacred and Secular. (1959), xvi, 717p; 754p
JuilliardReview vii/2 (1960) 18 MensMelodie xv (May 1960) 139-142 (W.C. de Jong) MLetters xli/2 (Apr 1960) 177-179 (Walter Emery) MReview xxi (1960) 157-159 (E.J.G.B.) MonMRecord xc/999 (1960) 110-111 (G.A.) Musica xiv/6 (1960) 396 (Alfred Dürr) MTimes ci/1403 (Jan 1960) 25 (Paul Steinitz) Mf xiii/3 (1960) 354-355 (Alfred Dürr) Notes xvii/2 (Mar 1960) 228-229 (William H. Scheide) ChoralJ xxiii/1 (Sep 1982) 39-41 (Joan Conlon) | ||
133. | Neupert, Hanns: Harpsichord Manual. A Historial and Technical Discussion. (1960), 105p, xvi pl
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134. | Darenberg, Karl Heinz: Studien zur englischen Musikästhetik des 18. Jahrhunderts. (1960), 130p
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135. | Tureck, Rosalyn: An introduction to the performance of Bach. A progressive anthology of keyboard music edited with introductory essays by Rosalyn Tureck (1960), 24p
GalpinSocJ xiv (Mar 1961) 81-83 (Joan Rimmer) Notes xviii/3 (Jun 1961) 485-486 (Oswald Jonas) DanskMTidsskr xxxvi (1961) 282-283 (Bengt Johnsson) | ||
136. | Bodky, Erwin: The Interpretation of Bach's Keyboard Works. (1960), xi, 421p
SaturdayReview xliii (26 Nov 1960) 48f JResearchMEduc ix (1961) 167-169 JuilliardReview viii/2 (1961) 13 MLetters xlii/2 (Apr 1961) 158-163 (Walter Emery) MEducatorsJ xlvii/3 (Jan 1961) 98 MReview xxii (1961) 316-324 (Roger F. T. Bullivant) MTimes cii/1415 (Jan 1961) 31 (Walter Emery) Notes xix/2 (Mar 1962) 255-256 (Klaus Speer) BritishJAesth ii (1962) 82-84 (Anthony Milner) AmerRecGuide xxix (1963) 477-480 | ||
137. | Kenney, Sylvia W.: Catalog of the Emilie and Karl Riemenschneider Memorial Bach Library. (1960), xv, 295p
MEducatorsJ xlvii/5 (1961) 100 Notes xviii/2 (Mar 1961) 236-237 (Jan LaRue) MTimes ciii/1429 (Mar 1962) 171 (A.P.) AmerRecorder xi/2 (1970) 68 (Dale Higbee) | ||
138. | Owen, Angela Maria: The Authorship of Bach's Cantata No. 15. MLetters 41/1 (Jan 1960), 28-32
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139. | Dart, Thurston: Bach's 'Fiauti d'Echo'. MLetters 41/4 (Oct 1960), 331-341
MLetters xliii/2 (Apr 1962) 192-193 (Dale Higbee) | ||
140. | Gericke, Hannelore: Der Wiener Musikalienhandel von 1700 bis 1778. WienMwBeitr 5 (1960), 150p
MLetters xlii/3 (Jul 1961) 276-277 (C. B. O.) | ||
141. | Dahl, Ingolf; Szigeti, Joseph (eds.): Violin Concerto in D minor / J. S. Bach. Reconstructed after the original sources (1961)
MTimes cii/1425 (Nov 1961) 719 (Thurston Dart) | ||
142. | Day, James: The Literary Background to Bach's Cantatas. (1961), 115p
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143. | Hutchings, Arthur: The Baroque Concerto. (1961), 363p
JAMSoc xv/2 (1962) 228-231 (William S. Newman) MReview xxiii (1962) 61-72 (Gerald Abraham) MReview xxxv (1974) 326-327 (Peter J. Pirie) | ||
144. | Ehmann, Wilhelm: 'Concertisten' und 'Ripienisten' in der h-moll-Messe Joh. Seb. Bachs. (1961), 63p
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145. | Kolneder, Walter: Die Solokonzertform bei Vivaldi. CollEtudesMcol 42 (1961), 86p
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146. | LaRue, Jan (ed.): International Musicological Society. Report of the Eighth Congress, New York 1961. Volume I -- Papers. [cr]NewYork1961 1 (1961), xi, 472p
MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman) Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer) MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.) RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon) JIFolkMCouncil xvi (1964) 133-134 (W. R.) MReview xxvi (1965) 64 | ||
147. | Paccagnella, Ermenegildo: La formazione del linguaggio musicale. 2: J. S. Bach. (1962), 179p
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148. | Petzoldt, Richard: The Leipzig Thomaner Chor. (1962), 93p
MTimes cviii/1494 (Aug 1967) 711 (Robert Anderson) MLetters xlix/1 (Jan 1968) 74 (J. A. W.) | ||
149. | Riemann, Hugo: History of Music Theory. Polyphonic Theory to the Sixteenth Century. (1962), xx, 431p
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150. | Neumann, Friedrich-Heinrich: Die Ästhetik des Rezitativs: Zur Theorie des Rezitativs im 17. und 18. Jahrhundert. CollEtudesMcol 41 (1962), 112p
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151. | LaRue, Jan (ed.): International Musicological Society. Report of the Eighth Congress, New York 1961. Volume II -- Reports. [cr]NewYork1961 2 (1962), xv, 184p
MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman) Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer) MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.) RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon) JIFolkMCouncil xvi (1964) 133-134 (W. R.) MReview xxvi (1965) 64 | ||
152. | Brennecke, Wilfried; Hasse, Hans (eds.): Hans Albrecht in Memoriam. [gs]Albrecht (1962), 290p
MReview xxvi (1965) 69 (Hans F. Redlich) MLetters xlvi/2 (Apr 1965) 163-165 (G. A.) | ||
153. | Carrell, Norman: Bach's Brandenburg Concertos. (1963), 130p
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154. | Müller-Blattau, Joseph M.: Geschichte der Fuge. (1963), 184p
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155. | Donington, Robert: The Interpretation of Early Music. (1963), 605p
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156. | Neumann, Werner; Schulze, Hans-Joachim (eds.): Schriftstücke von der Hand Johann Sebastian Bachs. BachDok 1 (1963), 288p
MLetters xlv/3 (Jul 1964) 270-272 (Walter Emery) Musica xviii/3 (1964) 178 (Ludwig Finscher) MGesellschaft xvi/2 (1966) 122-123 (Fritz Hennenberg) BeitrMw viii (1966) 73-76 (Hans Gunter Hoke) Mf xviii/1 (Jan-Mar 1965) 99-100; 19 (1966) 480 (Reinhold Jauernig) NZsfM(2) cxxxv (1964) 223 (Gustav Adolf Trumpff) WürttembergBlKm (Jul/Sep 1964) 105-106 (P. Horn) MErziehung xx (1967) 141 AmerRecorder xi/4 (1970) 148-149 (Dale Higbee) MGottesd xxiv (1970) 30-31 (Edwin Nievergelt) Kmusiker xxii/3 (1971) 81-94 (Kurt Ihlenfeld) | ||
157. | Blume, Friedrich (ed.): Syntagma Musicologicum I. Gesammelte Reden und Schriften. [ce]SyntagmaMusicologicum 1 (1963), viii, 904p
Mf xix/1 (Jan-Mar 1966) 64 (Anna Amalie Abert) | ||
158. | Reichert, Georg; Just, Martin (eds.): Gesellschaft für Musikforschung. Bericht über den Internationalen Musikwissenschaftlichen Kongress Kassel 1962. [cr]Kassel1962 (1963), xv, 392p
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159. | Lohmann, Heinz (arr.): Die Kunst der Fuge (1749/50) ; BWV 1080 / Johann Sebastian Bach. EdBreitkopf 6410 (1963), 142p
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160. | Besch, Hans: Eine Auktionsquittung J. S. Bachs. EdMerseburger 1432 (1963), 74-79
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161. | Wolff, Christoph: Die Rastrierungen in den Originalhandschriften Joh. Seb. Bachs und ihre Bedeutung für die diplomatische Quellenkritik. EdMerseburger 1432 (1963), 80-92
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162. | Festschrift für Friedrich Smend zum 70. Geburtstag dargebracht von Freunden und Schülern. EdMerseburger 1432 (1963), 100p
Notes xxii/2 (Winter 1965-Winter 1966) 920-921 (John Vinton) | ||
163. | Abert, Anna Amalie; Pfannkuch, Wilhelm (eds.): Festschrift Friedrich Blume zum 70. Geburtstag. [fs]Blume70 (1963), 426p
MLetters xlv (1964) 62-63 (Edward Olleson) MReview xxvii (1966) 68-70 (Franz F. Lanzer) | ||
164. | Gerstenberg, Walter; La Rue, Jan; Rehm, Wolfgang (eds.): Festschrift Otto Erich Deutsch zum 80. Geburtstag am 5. September 1963. [fs]Deutsch80 (1963), 392p
MReview xxvii (1966) 70-71 (Franz F. Lanzer) | ||
165. | Apfel, Ernst: Beiträge zu einer Geschichte der Satztechnik von der frühen Motette bis Bach. (1964), 112p
Notes xxii/3 (Mar 1966) 1031-1032 (Ruth Steiner) MLetters xlviii/1 (Jan 1967) 80-82 (JDB) | ||
166. | Barford, Philip T.: The keyboard music of C.P.E. Bach: Considered in relation to his musical aesthetic and the rise of the sonata principle. (1965), xv, 186p
MTimes cvii/1475 (Jan 1966) 35-37 (Stanley Sadie) Notes xxiii/4 (Jun 1967) 726-727 (David Fuller) Tempo no.77 (Summer, 1966) 26-27 (Robert Donington) Mf xxii/1 (1969) 120-122 (Lothar Hoffman-Erbrecht) | ||
167. | Bach, Johann Sebastian: Messe in h-Moll, BWV 232. DocumentaMcol 2/12 (1965), 15p (text), 188p (facs)
NZsfM(2) cxxviii (1967) 428 (I. H.) Notes xxiii/4 (1967) 828-830 (Robert L. Marshall) Musica xxi/6 (1967) 303 (Günther Haußwald) Mf xxii/3 (1969) 411 (Georg von Dadelsen) OrganYb xvi (1985) 165 (Peter Williams) Notes xliv/4 (1988) 787-798 (Joshua Rifkin) | ||
168. | Kirkendale, Warren: Fuge und Fugato in der Kammermusik des Rokoko und der Klassik. (1966), 379p
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169. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. The culmination of an era. (1966), 382p
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170. | Buelow, George J. (ed.): Thorough-Bass Accompaniment According to Johann David Heinichen. (1966), xiv, 316p
JMTheory xi/2 (1967) 281-85 (Albert Cohen) Notes xxiii/4 (1967) 730-732 (Robert Donington) JAMSoc xxi/3 (1968) 393-396 (Bathia Churgin) Mf xxi/3 (1968) 381-382 (Walter Reckziegel) MLetters l/2 (Apr 1969) 314-315 (B.W.G. Rose) MEducatorsJ lvi/8 (Apr 1970) 85-86 (Donald M. McCorkle) | ||
171. | Kirby, Frank Eugene: A Short History of Keyboard Music. (1966), xviii, 534p
MGesellschaft xvii (1967) 636-638 (Gerd Schönfelder) | ||
172. | Agricola, Johann Friedrich (trans.): Anleitung zur Singkunst (1757, Faksimile-Nachdruck). (1966), xxxviii, xvi, 239, 44p
RevueMcol lii/2 (1966) 247 (Carl de Nys) MLetters xlviii/1 (1967) 86-87 (J. A. Westrup) | ||
173. | Fux, Johann Joseph: Gradus ad Parnassum [1725]. MonumentsMMLitFacs 2/24 (1966), 280p
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174. | Blume, Friedrich: Renaissance and Baroque music. (1967), 180p
MLetters li (1970) 191-192 (Frederick Sternfeld) Consort xxix (1973) 47 (E. J. Godwin) | ||
175. | Reti, Rudolf: Thematic patterns in Sonatas of Beethoven. (1967), 204p
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176. | Keller, Hermann: The organ works of Bach. A contribution to their history, form, interpretation and performance. (1967), 312p
MLetters xlix/3 (Jul 1968) 237-238 (James Dalton) Notes xxiv/4 (Jun 1968) 711-712 (Richard T. Gore) | ||
177. | Carrell, Norman: Bach the Borrower. (1967), 396p
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178. | Terry, Charles Sanford: John Christian Bach. (1967), lv, 373p
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179. | Schrade, Leo; Lichtenhahn, Ernst (eds.): De scientia musicae studia atque orationes. [ce]Schrade (1967), 623p
RivistaItaliMcol v/1 (1970) 320-322 (Clotilde Morricone) MLetters xlix/4 (Oct 1968) 390 (Lorenzo Bianconi) Mf xxii/3 (Jul-Sep 1969) 375-376 (Ludwig Finscher) | ||
180. | Geck, Martin: Die Wiederentdeckung der Matthäuspassion im 19. Jahrhundert. StMges19Jh 9 (1967), 181p
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181. | Kross, Siegfried; Schmidt, Hans (eds.): Colloquium amicorum. Joseph Schmidt-Görg zum 70. Geburtstag. VeröffBeethovenHausBonn (1967), xxviii, 461p
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182. | Palisca, Claude V.: Baroque music. (1968), 230p
MReview xxxii (1971) 83-84 MLetters lxii (1981) 432 (Ian Spink) EarlyM x/4 (1982) 537-539 (Denis Arnold) | ||
183. | Chiapusso, Jan: Bach's World. (1968), x, 338p
MLetters li/3 (Jul 1970) 323-325 (Ronald Woodham) Notes xxvi/3 (Mar 1970) 524 (Karl Geiringer) | ||
184. | Powers, Harold S. (ed.): Studies in music history; essays for Oliver Strunk. [fs]Strunk (1968), x, 527p
MLetters l/4 (Oct 1969) 488-491 (G. A.) Notes xxvi/2 (Dec 1969) 256-258 ( Henry W. Kaufmann) | ||
185. | Großmann-Vendrey, Susanna: Felix Mendelssohn Bartholdy und die Musik der Vergangenheit. StMges19Jh 17 (1969), 254p
NZsfM(2) cxxxi/11 (Nov 1970) 573-574 (Wolfgang Seifert) MKirche xl/3 (May-Jun 1970) 209 (Gerhard Schuhmacher) Mf xxv/3 (Jul-Sep 1972) 394-396 (Friedhelm Krummacher) | ||
186. | Williams, Peter F.: Figured Bass Accompaniment. (1970), 117, 131p
MLetters lii/3 (1971) 321-322 (Jack Allen Westrup) JAMSoc xxv/3 (1972) 476-479 (Tharald Borgir) OrganYb iii (1972) 105 (Gustav Leonhardt) MQ lviii/2 (1972) 308-315 (George J. Buelow) AmerRecorder xiv/3 (1973) 91 (Dale Higbee) | ||
187. | George, Graham: Tonality and Musical Structure. (1970), 231p
MEducatorsJ lviii/2 (1971) 68-69 (Lothar Klein) | ||
188. | Young, Percy Marshall: The Bachs 1500-1850. (1970), 341p
MLetters li/3 (Jul 1970) 323-325 (Ronald Woodham) NZsfM(2) cxxxii/3 (1971) 169-170 (Gustav Adolf Trumpff) | ||
189. | Landon, H. C. Robbins; Chapman, Roger E. (eds.): Studies in eighteenth-century music. A tribute to Karl Geiringer on his seventieth birthday. [fs]Geiringer70 (1970), 425p
MLetters lii/2 (1971) 201-202 (Ronald Woodham) AmerRecorder xiii/2 (1972) 63 (Dale Higbee) | ||
190. | Bullivant, Roger: Fugue. (1971), 198p
MTimes cxiii (1972) 463-464 (Michael Tilmouth) MReview xxxv/2 (1974) 170-172 (A. E. F. Dickinson) | ||
191. | Chailley, Jacques: L'Art de la fugue de J. -S. Bach. Étude critique des sources. Remise en ordre du plan. Analyse de l'œuvre. AuDelaNotes 1 (1971), 89p
MKirche xlii/1 (1972) 22-25 (Ludwig Prautzsch) CourrierM xxxviii (1972) 100 (Claude Chamfray) MLetters liv/4 (Oct 1973) 497-498 (Basil Lam) StudMcolAcadSciHungaricae xviii/1-4 (1976) 396-398 (F. András Wilhelm) OrganYb vii (1976) 171-172 (Stephen Daw) EtudesClassiques xlvi/1 (1978) (Joseph Legrand) | ||
192. | Bach, Johann Sebastian: Schweigt stille, plaudert nicht. Kaffeekantate. BWV 211. FaksRBachWS 10 (1971), 36p
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193. | Leavis, Ralph: Bach's setting of Psalm CXVII (BWV 230). MLetters 52/1 (Jan 1971), 19-26
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194. | Salmen, Walter (ed.): Der Sozialstatus des Berufsmusikers vom 17. bis 19. Jahrhundert. MwArb 24 (1971), 146p
Mf xxv/4 (1972) 575-576 (Tibor Kneif) HudebniVeda x/2 (1973) 165-166 (Jaroslav Buzga) Diapason lxxvi/9 (1985) 8 (Bruce Gustafson) Notes xli/3 (1985) 512-514 (William Weber) Dix-huitième siècle, xviii (1986) 551-552 (Françoise Escal) MLetters lxv/4 (1984) 402 (Alice Marie Hanson) JAMSoc xxxix/1 (1986) 199-205 | ||
195. | Robertson, Alec: The Church Cantatas of J. S. Bach. (1972), xi, 356p
AmerRecorder xiii/4 (Nov 1972) 133 (Dale Higbee) Notes xxix/3 (Mar 1973) 459-460 (Karl Geiringer) MLetters liv/1 (Jan 1973) 93-94 (J. A. Westrup) EarlyM ii/1 (Jan 1974) 45,47 (Denys Darlow) | ||
196. | Bach, Johann Sebastian: Konzert D-Dur für Cembalo und Streichorchester. BWV 1054. FaksRBachWS 11 (1972), 12p Faks; 8p text
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197. | Dorfmüller, Kurt (ed.): Quellenstudien zur Musik. Wolfgang Schmieder zum 70. Geburtstag. [fs]Schmieder70 (1972), 204p
MSacra xcii/5 (1972) 265-267 (Albrecht Schneider-Klement) Notes xxix/4 (1973) 726-729 (John H. Baron) Zeitschrift für Bibliothekswesen und Bibliographie, xx (1973): 116-118 (Hartmut Schaefer) MLetters liv (1973) 228-229 (J. A. Westrup) ZsfDPhilologie 92 (1973): 466-467 (Horst Brunner) Neue Zeitschrift für Musik, cxxxiv/10 (1973) 671 (Dietrich Kämper) MKirche xlv/1 (1975) 27-28 (Peter L. Voß) Mf xxviii/1 (1975) 105-106 (Imogen Fellinger) | ||
198. | Schneider, Herbert: Die französische Kompositionslehre in der ersten Hälfte des 17. Jahrhunderts. MainzStMw 3 (1972), 304p
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199. | Dürr, Alfred (ed.): Matthäus-Passion BWV 244. Markus-Passion BWV 247 / Johann Sebastian Bach. NBA 2/5 (1972), xiv (5p facs), 309p
MLetters lv/1 (Jan 1974) 117-118 (Paul Steinitz) MTimes cxvii (1976) 833-834 (Stephen Daw) | ||
200. | Dürr, Alfred (ed.): Johann Sebastian Bach. Matthäus-Passion. Frühfassung BWV 244b. NBA 2/5a (1972), xxviii, 44 bl
MLetters lv/1 (Jan 1974) 117-118 (Paul Steinitz) MTimes cxvii (1976) 833-834 (Stephen Daw) | ||
201. | Marshall, Robert Lewis: The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 (1972), xv, 271p; 189p
JMTheory xvi/1-2 (Spring-Winter 1972) 220-237 (Felix Salzer) MTimes cxiv/1562 (Apr 1973) 380-381 (Walter Emery) Notes xxix/4 (Jun 1973) 714-716 (Gerhard Herz) JAMSoc xxvi/3 (Autumn 1973) 483-488 (Paul Brainard) MLetters liv/3 (Jul 1973) 362-363 (J. A. Westrup) MQ lx/2 (Apr 1974) 275-279 (Christoph Wolff) SvenskTidskrMf lvi/1 (1974) 77-80 (Hans Eppstein) Mf xxviii/4 (1975) 463-466 (Alfred Dürr) MiscelMcol ix (1977) 218-220 (Andrew D. McCredie) | ||
202. | Donington, Robert: A Performers Guide to Baroque Music. (1973), 320p
EarlyM ii/2 (1974) 117-121 (Michael Collins); 121-122 (Trevor Pinnock) MQ lx/4 (1974) 658-664 (Frederick Neumann) AmerRecorder xv/2 (1974) 57-59 (Dale Higbee) MTimes cxvi (1975) 626 (Howard Mayer Brown) MReview xxxvi (1975) 148 (Henry Raynor) American reference books annual vi (1975) 499 (Claude V. Palisca) MEducatorsJ lxii/3 (1975) 101-102 (William Pepper) Notes xxxiii/2 (1976) 296-298 (Gilbert L. Blount) Muzsika xxii/3 (1979) 43-45 (András Wilheim) | ||
203. | Mendel, Arthur (ed.): Johannes-Passion. BWV 245 / Johann Sebastian Bach. NBA 2/4 (1973), xiii (6 facs), 265p
Notes xxxii/1 (Sep 1975) 121-122 (Gerhard Herz) MGesellschaft xxvi/1 (1976) 49-50 (Ingeborg Allihn) MTimes cxvii (1976) 833-834 (Stephen Daw) MKirche xlvi (1976) 235-237 (Gerhard Schuhmacher) | ||
204. | Ryom, Peter (ed.): Verzeichnis der Werke Antonio Vivaldis (RV). Kleine Ausgabe. (1974), 214p
MLetters lviii/1 (1977) 105-107 (Eleanor Selfridge-Field) SbornikFilFakultBrnUniv xxvii-xxviii/13-14 (1979) 86-87 (Rudolf Pecman) MGesellschaft xxxi/3 (1981) 180 (Karl-Heinz Viertel) | ||
205. | Glahn, Henrik; Sørensen, Søren; Ryom, Peter (eds.): Report of the Eleventh Congress. Copenhagen 1972. [cr]Copenhagen1972 (1974), 799p
MelosNZsfM ii/6 (1976) 508-509 (Carl Dahlhaus) | ||
206. | Marshall, Robert L. (ed.): Studies in Renaissance and Baroque music in Honor of Arthur Mendel. [fs]Mendel (1974), 392p
MKirche xlv/4 (1975) 193 (Ulrich Prinz) Kmusiker xxvii (1976) 111-112 (Heinz Lohmann) MLetters lvii (1976) 203-205 (Gerald Abraham) RevueMcol lxii/1 (1976) 157-159 (Jean-Michel Vaccaro) | ||
207. | Mendel, Arthur: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 4. Johannes-Passion. Kritischer Bericht. NBA 2/4 (1974), 356p
MKirche xliv (1974) 83-85 (Ulrich Prinz) Notes xxxii (1975) 121-122 (Gerhard Herz) Musica xxix (1975) 260 (Lothar Hoffmann-Erbrecht) MLetters lvi (1975) 91-95 (Frederick Hudson) MKirche xlv (1975) 26-27 (Ulrich Prinz) MGesellschaft xxvi/1 (1976) 49-50 (Ingeborg Allihn) MTimes cxvii (1976) 833-834 (Stephen Daw) | ||
208. | Dürr, Alfred: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 5. Matthäus-Passion. Markus-Passion. Kritischer Bericht. NBA 2/5 (1974), 276p
MKirche xlv (1975) 26-27 (Ulrich Prinz) MTimes cxvii (1976) 833-834 (Stephen Daw) | ||
209. | Bach, Johann Sebastian: Brandenburgisches Konzert Nr. 5 D-Dur. (BWV 1050) (1975), 10, 25 Bl
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210. | Campbell, Margaret: Dolmetsch: the man and his work. (1975), xv, 318p
AmerRecorder xviii/2 (1977) 47 (Dale Higbee) MLetters lvii/2 (1976) 197-199 (Michael Tilmouth) | ||
211. | Blume, Friedrich: Protestant Church Music: A History. (1975), xv, 831p
EarlyM iv (1976) 309-311 (John Caldwell) MLetters lviii (1977) 76-77 (Gerald Abraham) | ||
212. | Schwarz, Vera (ed.): Violinspiel und Violinmusik in Geschichte und Gegenwart: Bericht über den Internationalen Kongress am Institut für Aufführungspraxis der Hochschule für Musik und Darstellende Kunst in Graz, vom 25. Juni bis 2. Juli 1972. BeitrAuffPraxis 3 (1975), 333p
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213. | Bach, Johann Christian: Twelve Keyboard Sonatas, Op. V and Op. XVII. (1976), 2 vols
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214. | Wolff, Christoph (ed.): Vierzehn Kanons über die ersten acht Fundamentalnoten der Aria aus den 'Goldberg-Variationen', BWV 1087 / Johann Sebastian Bach. (1976), 20p
Musica xxxi/1 (1977) 62 (Lothar Hoffmann-Erbrecht) MLetters lviii/2 (Apr 1977) 240 (Howard Ferguson) Mf xxx/1 (1977) 130 (Wolfgang Birtel) OrganYb x (1979) 161-162 (Peter Williams) | ||
215. | Benade, Arthur H.: Fundamentals of Musical Acoustics. (1976), xii, 596p
MLetters lviii/1 (1977) 88-89 (G.K. Woodgate) GalpinSocJ xxx (1977) 164-166 (Philip Bate) Notes xxxiii/4 (1977) 837-838 (Larry Rowan) AmerRecorder xviii/1 (1977) 14-15 (Richard Sacksteder) Mf xxxii/2 (1979) 218-220 (Jürgen Meyer) Tibia v/1 (1980) 48-49 (Otto Steinkopf) | ||
216. | Hennenberg, Fritz: Das Kantatenschaffen von Gottfried Heinrich Stölzel. BeitrMwFDDR 8 (1976), 245p
MLetters lix/1 (1978) 63-66 (Basil Smallman) Mf xxxiii/1 (1980) 109-110 (Lothar Hoffmann-Erbrecht) | ||
217. | Schwendowius, Barbara; Dömling, Wolfgang (eds.): Johann Sebastian Bach. Zeit - Leben - Wirken. [ce]JSBZeitLebenWirken (1976), 179p
Musica xxx/5 (1976) 431-433 (G. W. Finke) NMz(Regensburg) 5 (1976) 18 (Karlheinz Schlager) MGottesd xxi (1977) 213-214 (Edwin Nievergelt) MKirche xlvi (1976) 235-237 (Gerhard Schuhmacher) MLetters lviii/4 (Oct 1977) 447-450 (Basil Lam) ArsOrgani xxv/53 (1977) 176-177 (Hermann J. Busch) MSacra xcvii (1977) 145-146 (Johannes Piersig) OMzs xxxiii (1978) 51 (Rudolf Klein) Orchester(Mainz) xxvi (1978) 335-336 (Kurt Westphal) LitMFineArts xii (1979) 117-118 (Winfried Kirsch) RevistaMChilena xxxiii/146-147 (1979) 123-126 (Francisco Curt Lange) MTimes cxx (1979) 916 (Stephen Daw) Heterofonia xii/3 (1979) 30-32 (Francisco Curt Lange) OrganYb x (1979) 173-174 (Peter Williams) AmerRecorder xx/4 (1980) 171 (Dale Higbee) MErziehung xxxvii/1 (1984) 150 (Christine Forster) MTimes cxxvi (1985) 156 (Stanley Sadie) ChoralJ xxvii/9 (1987) 32 (Lemuel Berrz, Jr) | ||
218. | Dürr, Alfred: Zur Chronologie der Leipziger Vokalwerke J. S. Bachs. MwArb 26 (1976), 173p
MGottesd xxxi (1977) 135-136 (Walter F. Hindermann) Musica xxxi/3 (1977) 260-261 (Gerhard Wienke) MKirche xlvii/3 (1977) 133-134 (Peter L. Voss) MSacra xcvii (Johannes Piersig) GalpinSocJ xxxi (1978) 177-178 (Ralph Leavis) MLetters lx/3 (1979) 325-328 (Basil Lam) MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw) OrganYb xi (1980) 145 (Peter Williams) | ||
219. | Siegmund-Schultze, Walther: Johann Sebastian Bach. ReclamUBib 633 (1976), 265p
BeitrMw xx/2 (1978) 137-153 (Hans Gunter Hoke) MSchule xxx (1979) 28-32 (Armin Schneiderheinze) | ||
220. | Veilhan, Jean-Claude: Les Règles de l'interprétation musicale à l'époche baroque. (1977), 101p
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221. | Busoni, Ferruccio: Sulla trascrizione per pianoforte delle opere per organo di Bach. (1977), 113p
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222. | Dürr, Alfred: Studien über die frühen Kantaten Johann Sebastian Bachs. (1977), 264p
OrganYb x (1979) 172 (Peter Williams) MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw) | ||
223. | Bach, Johann Sebastian: Opere per Liuto. [BWV 995-1000, 1006a] (1977), 3 vols: xi, 71p; xiii, 58p; 51p
Stimulus (Sep 1978) 50-51 (Louis Grijp) MLetters lxiii/1-2 (Jan-Apr 1982) 147-148 (Nigel North) MTimes cxxiv/1680 (Feb 1983) 109 (John Steele) Ongakugaku xxix/1 (1983) 76-78 (Michio Tominaga) EarlyM xi/3 (1983) 385, 387, 389 (Nigel North) | ||
224. | Busoni, Ferruccio: Lo sguardo lieto: tutti gli scritti sulla musica e la arti. (1977), 550p
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225. | Bach, Johann Sebastian: Musicalisches Opfer. BWV 1079. (1977), facs: Faszikel I,II,III (10, 16, 12p); Kommentar (14p)
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226. | Smither, Howard E.: A History of the oratorio. Vol.1: The oratorio in the Baroque era. Protestant Germany and England. (1977), xxvii, 480p
MQ lxiv/3 (1978) 397-402 (Ellen T. Harris) Notes xxxiv/4 (1978) 55-57 (Margaret Murata) EtudesClassiques xlvii/1 (1979) 57 (Joseph Legrand) MLetters lx/3 (1979) 341-345 (Winton Dean) NRivistaMItali xiii/3 (1979) 699-703 (Lino Bianchi) JAMSoc xxxii/2 (1979) 343-349 (Sven H. Hansell) OMzs xxxvii/12 (1982) 716 (Theophil Antonicek) | ||
227. | Walker, Daniel Pickering: Studies in Musical Science in the Late Renaissance. (1978), 174p
JMTheory xxiv/1 (Spring 1980) 107-116 (Joseph di Giovanni) Archives internationales d'histoire des sciences, xxx (1980) 218-219 (Jamie Croy Kassler) IReviewAesthSociolM xii/1 (Jun 1981) 75-78 (Stanislav Tuksar) | ||
228. | Davies, John Booth: The Psychology of Music. (1978), 240p
AmerMTeacher xxix/3 (1980) 48-49 (David Z. Kushner) | ||
229. | Neumann, Frederick: Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. (1978), 630p
MQ lxv/4 (1979) 597-604 (Lowell Lindgren) Brio xvi/1 (1979) 18-19 (Clifford Bartlett) Diapason lxx/9:837 (Aug 1979) 6-9 (Bruce Gustafson) Notes xxxvi/4 (Jun 1980) 886-887 (Edward R. Reilly) OrganYb xi (1980) 153-154 (Peter Williams) JAMSos xxxiii/2 (Summer 1980) 394-402 (David Fuller) FontesArtisM xxvii/3-4 (1980) 233-236 (Sven Hansell) AmerOrganist(2) xiv/2 (1980) 18 (Hettrick Jane Schatkin) MReview xli/1 (1980) 60-62 (Malcolm Boyd) Studies in music xiv (1980) 128-133 (Graham Pont) NZsfM(2) cxli/1 (1980) 67 (Klaus Hortschansky) Tibia v/1 (1980) 49-50 (Hans-Peter Schmitz) EarlyM ix/1 (Jan 1981) 63-64, 67-68 (Neal Zaslaw) AmerRecorder xxi/4 (1981) 175-177 (Dale Higbee) MLetters lxiii/1-2 (Jan-Apr 1982) 96-101 (Peter Williams) Concerto ix/74 (1992) 5-6 (Thomas Synofzik) OMzs xxxvii/12 (1982) 717 (Eduard Melkus) RevueMcol lxix/1 (1983) 109-116 (Dennis Collins) | ||
230. | Flesch, Siegfried; Baselt, Bernd (eds.): Händel-Handbuch: I. Lebens- und Schaffensdaten [S. Flesch]; Thematisch-systematisches Verzeichnis: Bühnenwerke. [HWV] HändelHandb 1 (1978), 539p
Notes xxxvi/4 (1980) 883-884 (Hugh Cobbe) NZsfM(2) cxli/4 (1980) 394-395 (Ludwig Finscher) NRivistaMItali xiv/2 (1980) 266-269 (Franco Piperno) Mf xxxiv/1 (1981) 102-103 (Anna Amalie Abert) BeitrMw xxiv/4 (1982) 301-303 (Werner Rackwitz) MLetters lxiv/3-4 (1983) 232-234 (Winton Dean) OrganYb xiv (1983) 129-130 (Peter F. Williams) WürttembergBlKm liv/3 (1987) 104 (Helmut Völkl) | ||
231. | Kurzhals-Reuter, Arntrud: Die Oratorien Felix Mendelssohn Bartholdys: Untersuchungen zur Quellenlage, Entstehung, Gestaltung und Überlieferung. MainzStMw 12 (1978), 251p
MLetters lxi/1 (Jan 1980) 108-111 (William J. Gatens) NRivistaMItali xiv/3 (Jul-Sep 1980) 438 (Franco Piperno) | ||
232. | Massenkeil, Günther; Popp, Susanne (eds.): Festschrift für Ottmar Schreiber zum 70. Geburtstag am 16. Februar 1976. RegerSt 1 (1978), 170p
MKirche xlix/6 (1979) 301-302 (Gerhard Schuhmacher) Mf xxxii/2 (1979) 180 (Reinhold Brinkmann) MLetters lxi/1 (Jan 1980) 106-107 (Derrick Puffett) | ||
233. | Steinitz, Paul: Bach's Passions. (1979), ix, 137p
MLetters lxi/3-4 (Jul-Oct 1980) 365-367 (Basil Smallman) MReview xlii (1981) 56-57 (Malcolm Boyd) | ||
234. | Basso, Alberto: Frau Musika: la vita e le opere di J. S. Bach. * [Vol. 1] (1685-1723). (1979), xii, 782p
NRivistaMItali xv/2 (1981) 271-273 LaCartellina v/18 (1981) 58-60 MLetters lxii/3-4 (1981) 361-364 (Eleanor Selfridge-Field) Mf xxxiv/3 (1981) 367-368 (Alfred Dürr) BeitrMw xxvii/1 (1985) 81-83 (Karl Heller) EarlyM xiii/2 (1985) 277,279 (Stephen Daw) | ||
235. | Epstein, David: Beyond Orpheus: studies in musical structure. (1979), xiv, 244p
Journal of the Arnold Schoenberg Institute, iii/2 (1979) 194-202 (Jonathan Mark Dunsby) JMTheory xxv/2 (1981) 319-325 (Arnold Whittall) MTheorySpec iii (1981) 150-157 (Gary E. Wittlich) TheoryPractice vi/2 (1981) 47-53 (William Rothstein) MAnalysis ii/2 (1983) 225-227 (Jonathan Harvey) MLetters lxix/3 (1988) 407-409 (Victor Kofi Agawu) | ||
236. | Neumann, Werner (ed.): Bilddokumente zur Lebensgeschichte Johann Sebastian Bachs. BachDok 4 (1979), 447p
GottesdKm (1980) 186-187 WürttembergBlKm xlvii (1980) 199-200 (Gottfried Simpfendörfer) MErziehung xxxiv (Dec.1980) 77 (Eberhard Würzl) MKirche li/1 (1981) 33-34 (Walter Blankenburg) FontesArtisM xxviii/4 (1981) 331f (Thomas F. Heck) Musica xxxv/4 (1981) 380-382 (Lothar Hoffmann-Erbrecht) AmerOrganist(2) xv/12 (1981) 19 (D. DeWitt Wasson) NZsfM(2) cxlii/5 (1981) 522 (Peter Rummenhöller) MLetters lvii/3-4 (1981) 412-414 (Basil Lam) Notes xxxvii/4 (1981) 857-858 (Robert Cammarota) MTimes cxxiii/1673 (Jul 1982) 477, 479 (Stephen Daw) MTimes cxxiii/1676 (Oct 1982) 693 (Stephen Daw) BachJb lxviii (1982) 161-166 (Ingeborg Allihn) LitMFineArts xv (1982) 173-174 (Winfried Kirsch); Mf xxxvii/1 (1984) 57-59 (Martin Geck) | ||
237. | Schlichte, Joachim: Thematischer Katalog der Kirchlichen Musikhandschriften des 17. und 18.Jahrhunderts in der Stadt und Universitätsbibliothek Frankfurt am Main. KatFrankfurt 8 (1979), 500p
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238. | Plum, Karl-Otto: Untersuchungen zu Heinrich Schenkers Stimmführungsanalyse. KölnBeitrMf 102 (1979), iv, 175p
Mf xxxiv/4 (1981) 509-511 (Elmar Seidel) MAnalysis ii/1 (Mar 1983) 102-105 (William M. Drabkin) | ||
239. | Gustafson, Bruce: French harpsichord music of the 17th century. A thematic catalog of the sources with commentary. StudMcol 11 (1979), xlv, 394p
MLetters lxii/1 (1981) 89-90 (Howard Ferguson) Mf xxxv/2 (1982) 190-191 (Werner Breig) AmerRecorder xxiv/4 (1983) 162-163 (Sabina Teller Ratner) OrganYb xiv (1983) 125-127 (Peter F. Williams) EarlyM xxxi/4 (Nov 2003) 582-604 (David Chung) | ||
240. | Williams, Peter F.: A New History of the Organ from the Greeks to the Present Day. (1980), 233p
FontesArtisM xxvii/3-4 (Jul-Dec 1980) 231-232 (Pierre J. Hardouin) EarlyM ix/1 (Jan-Mar 1981) 106-107 (Howard Schott) GalpinSocJ xxxiv (Mar 1981) 166-168 (Edward Ridley; Keane Alexander) MQ lxvii/1 (Jan 1981) 118-124 (George B. Stauffer) Notes xxxviii/1 (Sep 1981) 71 (George R. Hill) MLetters lxii/3-4 (Jul-Oct 1981) 370-371 (James Dalton) | ||
241. | Williams, Peter F.: The Organ Music of J. S. Bach. II: Works based on Chorales (BWV 599-771 etc.) (1980), 357p
Music in Worship xvi (Jun 1981) 17-18 (Robin A. Leaver) Notes xxxviii/1 (Sep 1981) 65-66 (George Stauffer) Mf xxxv/2 (1982) 195 (Raimund W. Sterl) MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton) BachJb lxviii (1982) 166-169 (Ernest May) OrganYb xiii (1982) 146-147 (Gustav Leonhardt) MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson) AmerOrganist(2) xx (1986) 29 (Arthur Lawrence) | ||
242. | Wolff, Christoph; et al.: The New Grove: Bach Family. (1980), 372p
MLetters lxv/4 (Oct 1984) 394-396 (Susan Wollenberg) EarlyM xii/2 (May 1984) 243 (Basil Smallman) BachJb lxxii (1986) 135-140 (Gerhard Herz) Muzyka xxxi/1 (1986) 105-110 (Magdalena Kwiatkowska) | ||
243. | Mellers, Wilfrid: Bach and the Dance of God. (1980), viii, 324p
MLetters lvii/3-4 (Jul-Oct 1981) 357-361 (Ulrich Siegele) NYReviewBooks xxviii/15 (8 Oct 1981) 6-10 (Joseph Kerman) Notes xxxviii/3 (Mar 1982) 597-598 (James Parakilas) AmerRecorder xxiv/2 (1983) 72 (William D. Gudger) | ||
244. | Williams, Peter F.: The Organ Music of J. S. Bach. I: Preludes, Toccatas, Fantasias, Fugues, Sonatas, Concertos and Miscellaneous Pieces (BWV 525-598, 802-805 etc). 1 (1980), 365p
Notes xxxviii/1 (1981) 65-66 (George Stauffer) MLetters lxiii/3-4 (Jul-Oct 1982) 347-348 (James Dalton), followed by author in MLetters lxv/1 (Jan 1984) 135 BachJb lxviii (1982) 166-169 (Ernest May) Mf xxxv/2 (1982) 193-196 (Raimund W. Sterl) JBritishInstOrganStud vi (1982) 117-118 (John Rowntree) MQ lxix/1 (Winter 1983) 134-138 (Russell Stinson) AmerOrganist(2) xx (1986) 29 (Arthur Lawrence) | ||
245. | Bach, Johann Sebastian: Das Wohltemperirte Clavier II. BritishLibMFacs 1 (1980), vii, 22 Bl
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246. | Kühn, Hellmut; Nitsche, Peter (eds.): Gesellschaft für Musikforschung: Bericht über den Internationalen Musikwissenschaftlichen Kongress Berlin 1974. [cr]Berlin1974 (1980), 632p
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247. | Bente, Martin (ed.): Musik. Edition. Interpretation. Gedenkschrift Günter Henle. [gs]Henle (1980), 487p
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248. | Crum, Margaret: Catalogue of the Mendelssohn Papers in the Bodleian Library, Oxford Vol. I: Correspondence of Felix Mendelssohn Bartholdy and others. MbibliogrArb 7 (1980), xiv, 374p
19cM vii/1 (Summer 1983) 85-87 (Marcia J. Citron) | ||
249. | Drummond, Pippa: The German concerto: five eighteenth-century studies. OxfordMonographsM (1980), ix, 402p
Notes xxxvii/4 (1981) 858-859 (Ellen T. Harris) Mf xxxv/1 (1982) 93-94 (Jutta Ruile-Dronke) MReview xliii/2 (1982) 142-147 (Frederick Hudson) | ||
250. | Degrada, Francesco (ed.): Vivaldi Veneziano Europeo. StudiMVenetaQuadVivaldi 1 (1980), 370, xii p
MLetters lxiv/3-4 (1983) 255-257 (Colin Timms) | ||
251. | Daw, Stephen: The Music of Johann Sebastian Bach: The Choral Works. (1981), 240p
MEducatorsJ lxviii/8 (Apr 1982) 69-70 (James Braswell) MTimes cxxiv/1680 (Feb 1983) 123 (Robert Anderson) EarlyM xi/3 (Jul 1983) 365-366 (Malcolm Boyd) MKirche liv/5 (1984) 246-248 (Stephen A. Crist) | ||
252. | Rangel-Ribeiro, Victor: Baroque Music: a Practical Guide for the Performer. (1981), xiii, 306p
Notes xxix/1 (1982) 85-88 (Mary Vinquist) AmerRecorder xxiv/3 (1983) | ||
253. | Heartz, Daniel; Wade, Bonnie C. (eds.): Report of the Twelfth Congress, International Musicological Society, Berkeley, 1977. [cr]Berkeley1977 (1981), xx, 912p
Ethnomusicology xxix/3 (Fall 1985) 524-527 (James Porter) | ||
254. | Bent, Ian (ed.): Source materials and interpretation of music: a memorial volume to Thurston Dart. [gs]Dart (1981), 452p
MLetters lxiv/3-4 (1983) 229-231 (Denis Stevens) GalpinSocJ xxxvi (1983) 145 (Edgar Hunt) | ||
255. | Braun, Werner: Die Musik des 17. Jahrhunderts. NHandbMw 4 (1981), 385p
DanskAarbogMf xiii (1982) 132-136 (Søren Sørensen) TijdschrVNedMgeschied xxxiii/1-2 (1983) 122-126 (Gert Oost) TVerNederlandseMg xxxiii/1-2 (1983) 122-126 (Gert Oost) JbVolksliedF xxix (1984) 155-156 (Jörg Fischer) SvenskTidskrMf lxvii (1985) 127-129 (Erik Kjellberg) HudebníVeda xxiii/1 (1986) 80-82 (Jaroslav Buzga) MLetters lxvii/1 (1986) 62-65 (George J. Buelow) | ||
256. | Marx, Hans Joachim: Johann Mattheson (1681-1764). Lebensbeschreibung des Hamburger Musikers, Schriftstellers und Diplomaten. Nach der 'Grundlage einer Ehrenpforte' und den handschritlichen Nachträgen des Verfassers herausgegeben und kommentiert. (1982), 171p
NZsfM(2) cxliv/3 (1983) 38 (Matthias Henke) MLetters lxv/2 (1984) 197 (George J. Buelow) Mf xxxviii/2 (1985) 141-142 (Franz Giegling) | ||
257. | Donington, Robert: Baroque Music: Style and Performance: A Handbook. (1982), x, 206p
NZsfM(2) cxliii/10 (1982) 76-77 (Barbara Zuber) Notes xxxix/2 (1982) 65-66 (George B. Stauffer) EarlyM xi/4 (1983) 533,535 (Denis Stevens) MLetters lxvii (1986) 65-66 (Julie Anne Sadie) | ||
258. | Beach, David; Thym, Jurgen (trans.): The Art of Strict Musical Composition / Johann Philipp Kirnberger. (1982), xix, 423p
MTheorySpec vi (1984) 100-103 (Raymond Haggh) MLetters lxv/1 (1984) 64-65 (Philip J. Whitmore) JMTheory xxviii/1 (1984) 124-128 (William E. Caplin) | ||
259. | Türk, Daniel Gottlob: School of Clavier Playing or Instructions in Playing the Clavier for Teachers & Students. (1982), xxxvi, 563p
JALS xiv (1983) 128-129 (Maurice Hinson) AmerRecorder xxiv/4 (1983) 159-162 (Frederick Neumann) Notes xl/4 (1984) 773-775 (Floyd K. Grave) JMTheory xxviii/1 (1984) 154-157 (Harald Manfred Krebs) EarlyKeyboardJ 3 (1984-1985) 85-90 (Caroline S. Fruchtman) | ||
260. | Ottenberg, Hans-Günter: Carl Philipp Emanuel Bach. ReclamUBib 923 (1982), 409p
MErziehung xxxvii (1984) 151 (Eberhard Wurzl) MLetters lxv/4 (Oct 1984) 375-376 (Susan Wollenberg) MGesellschaft xxxiv (1984) 609-610 (Karl-Heinz Viertel) BachJb lxx (1984) 177-178 (Hans-Joachim Schulze) Mf xxxix/1 (1986) 72-73 (Lothar Hoffmann-Erbrecht) NZsfM(2) cl/3 (1989) 53-54 (Peter Niklas Wilson) | ||
261. | Samuel, Harold E.: The Cantata in Nuremberg during the seventeenth Century. StudMcol 56 (1982), xii, 536p
EarlyM xii/1 (1984) 95-97 (Elizabeth Roche) Mf xxxix/1 (1986) 64-66 (Lini Hübsch-Pfleger) | ||
262. | Neumann, Frederick: Essays in Performance Practice. StudMcol 58 (1982), xii, 321p
AmerRecorder xxv/4 (1984) 147 (Alfred Mann) | ||
263. | Feder, Georg; Rehm, Wolfgang; Ruhnke, Martin (eds.): Quellenforschung in der Musikwissenschaft. WolfenbüttelF 15 (1982), 160p
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264. | Robinson, Ray: A study of the Penderecki St. Luke Passion. (1983), 124p
MLetters lxvi/2 (1985) 175 (Malcolm Barry) | ||
265. | Wolff, Konrad: Masters of the Keyboard: Individual Style Elements in the Piano Music of Bach, Haydn, Mozart, Beethoven and Schubert. (1983), 206p
JAmerLisztSoc xv (1984) 211-212 (Charles Timbrell) EarlyKeyboardJ iii (1984-85) 97-99 (Francis M. Whang) Notes xlii/4 (Jun 1986) 771-773 (Jan La Rue) AmerMTeacher xli/5 (1992) 85-86 (Janice Saffir) BeethovenNewsletter vii/1 (1992) 19-20 (Kevin Bazzana) MOpinion cxiv (1991) 70 (Denby Richards) Notes xlviii (1991) 518-521 (Kenneth Drake) | ||
266. | Todd, R. Larry: Mendelssohn's Musical Education. A Study and Edition of His Exercises in Composition. Oxford, Bodleian Ms Margaret Deneke Mendelssohn C. 43. (1983), 260p
NZsfM(2) cxliv/7-8 (1983) 66 (Hans Christoph Worbs) TheoryPractice viii/2 (1983) 49-52 (Floyd K. Grave) Notes xl/4 (1984) 784-786 (Eric Werner) CurMcol 37-38 (1984) 224-228 (Douglass Seaton) MLetters lxv/3 (1984) 288-290 (Jeffrey Hollander) RevueMcol lxxi/1-2 (1985) 206-208 (Jean-Alexandre Ménétrier) Mf xxxviii/4 (1985) 323-324 (Gerhard Schuhmacher) | ||
267. | Boyd, Malcolm: Bach. (1983), 290p
EarlyM xii/2 (May 1984) 241,243 (Basil Smallman) MLetters lxv/4 (1984) 391-393 (Peter F. Williams) Soundings xii (Winter 1984-85) 71-75 (Robin A. Leaver) AmerOrganist(2) xix (1985) 14 (Vernon Gotwals) MReview xlvi/1 (1985) 56 (H.T.E. Miles) Muzyka xxxi/1 (1986) 103-105 (Magdalena Kwiatkowska) Notes lviii/1 (2001) 59-62 (David Schulenberg) AmerOrganist(2) xlii/3 (Mar 2008) 92 (Arthur Lawrence) | ||
268. | Humphreys, David: The Esoteric Structure of Bach's Clavierübung III. (1983), ix, 99p
MLetters lxv/4 (Oct 1984) 393-394 (Peter Williams) EarlyM xii/2 (May 1984) 243,245,247 (Keith Elcombe) MAnalysis iv/3 (1985) 303-308 (Alan Street) | ||
269. | Basso, Alberto: Frau Musika: la vita e le opere di J. S. Bach. ** [Vol. 2] Lipsia e le opere della maturità (1723-1750). (1983), xiii, 972p
OMzs xl/2-3 (1985) 131-132 (Gerhard Croll) MLetters lxvi/2 (Apr 1985) 129-130 (Eleanor Selfridge-Field) EarlyM xiii/2 (May 1985) 277,279 (Stephen Daw) | ||
270. | Rastall, Richard: The Notation of Western Music. (1983), xiv, 306p
Composer lxxxi (1984) 26-27 (Hugo Cole) MLetters lxvi/2 (1985) 133-135 (Susan Rankin) | ||
271. | Buelow, George J.; Marx, Hans Joachim (eds.): New Mattheson Studies. [ce]NewMatthesonStudies (1983), xiv, 495p
NZsfM(2) cxlv/6 (1984) 44-45 (Peter Cahn) MQ lxxi/1 (1985) 98-101 (Georgia Cowart) Notes xli/3 (1985) 506-508 (Roger L. Lustig) MLetters lxvii/1 (1986) 74-76 (Susan Wollenberg) | ||
272. | Grant, Kerry Scott: Dr. Burney as critic and historian of music. StudMcol 62 (1983), xiv, 381p
MLetters lxv/4 (Oct 1984) 360-361 (Peter Le Huray) MReview xlvi/3 (Aug 1985) 217-220 (Malcolm Boyd) | ||
273. | Kirkpatrick, Ralph: Interpreting Bach's Well-tempered Clavier. A Performer's Discourse of Method. (1984), 132p
MReview xlvi/1 (1985) 56-58 (Gregory S. Johnson) NZsfM(2) cxlvi/6 (1985) 54-55 (Gerhard Schuhmacher) EarlyKeyboardJ v (1986-87) 70-76 (Sally Fortino) | ||
274. | Klotz, Hans: Die Ornamentik der Klavier- und Orgelwerke von Johann Sebastian Bach. (1984), 219p
Musica xxxix/5 (1985) 487-489 (Alfred Dürr) MKirche lv/3 (1985) 140-141 (Wolfgang Stockmeier) OMzs xl/2-3 (1985) 136-138 (Ingomar Rainer) MBildung xvii [lxxvi]/12 (1985) 899 (Rudolf Walter) MLetters lxvi/4 (Oct 1985) 402-403 (Peter Williams) Mf xxxix/3 (1986) 275-276 (Günther Wagner) ZsMpädag xi/34 (1986) 70-71 (Martin Blindow) LitMFineArts xix (1986) 51-52 (Heinz Bernhard Orlinskí) BachJb lxxv (1989) 237 (Christoph Wolff) | ||
275. | Dürr, Alfred (ed.): Die sechs französischen Suiten BWV 812-817 / Johann Sebastian Bach. (1984), x, 126p
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276. | Ruhnke, Martin (ed.): Georg Philipp Telemann. Thematisch-systematisches Verzeichnis seiner Werke: Telemann- Werkverzeichnis (TWV); Instrumentalwerke. Band 1. (1984), xi, 246p
MLetters lxvi/3 (1985) 40 (Fiona Smart) Tibia xi/4 (1986) 287, 289 (Christian Schneider) AmerRecorder xxix/2 (1988) 66 (Dale Higbee) | ||
277. | Williams, Peter F.: The Organ Music of J. S. Bach. III: A Background. 3 (1984), 309p
EarlyM xiii/2 (May 1985) 279-280,283 (John Butt) Mf xxxix/2 (1986) 166 (Raimund W. Sterl) BachJb lxxii (1986) 140-143 (George B. Stauffer) RevueMcol lxxii/2 (1986) 292-294 (Georges Guillard) AmerOrganist(2) xx (1986) 29 (Arthur Lawrence) PerformPractReview ii/1 (Spring 1989) 103-106 (Kimberly Marshall) MLetters lxxi/4 (Nov 1990) 559-561 (Keith Elcombe) | ||
278. | Finson, Jon W.; Todd, R. Larry (eds.): Mendelssohn and Schumann: essays on their music and its context. [ce]MendelssohnSchumann (1984), 189p
MQ lxxii/1 (1986) 138-147 (Leon Botstein) MLetters lxvii/2 (Apr 1986) 179-180 (Clive Brown) | ||
279. | Mahling, Christoph-Hellmut; Wiesmann, Sigrid (eds.): Gesellschaft für Musikforschung. Bericht über den musikwissenschaftlichen Kongress Bayreuth 1981. [cr]Bayreuth1981 (1984), xvi, 642p
LitMFineArts xxi/1 (1988) 99-100 (Hermann Jung) | ||
280. | Mahling, Christoph-Hellmut; Wiesmann, Sigrid (eds.): Bericht über den Internationalen Musikwissenschaftlichen Kongreß, Bayreuth 1981. [cr]Beyreuth1981 (1984), xvi, 642p
LitMFineArts xxi/1 (1988) 99-100 (Hermann Jung) | ||
281. | Collins, Michael; Kirk, Elise K. (eds.): Opera & Vivaldi. [cr]Dallas1980 (1984), 170-178
OperaQ iii/2 (1985) 171-173 (Jan Krzywicki) Notes xlii/1 (1985) 41-44 (James Parsons) | ||
282. | Elvers, Rudolf (ed.): Festschrift Albi Rosenthal. [fs]Rosenthal (1984), 319p
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283. | Eggebrecht, Hans Heinrich: Die Mehrstimmigkeitslehre von ihren Aufängen bis zum 12. Jahrnndert. GesMtheorie(Zaminer) 5 (1984)
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284. | Gallo, F. Alberto: Die Nationslehre im 14. und 15. Jahrhundert. GesMtheorie(Zaminer) 5 (1984)
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285. | Haas, Max: Die Musiklehre von Johannes de Garlandia bis Franco. GesMtheorie(Zaminer) 5 (1984)
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286. | Sachs, Klaus-Jürgen: Die Contrapunktus-Lehre im 14. und 15. Jahrhundert. GesMtheorie(Zaminer) 5 (1984)
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287. | Zaminer, Frieder; Eggebrecht, Hans Heinrich (ed.et.al.): Die Mittelalterliche Lehre von der Mehrstimmigkeit. GesMtheorie(Zaminer) 5 (1984), xi, 388
Jahrbuch für Opernforschung ii (1986) 191-195 (Rudolf Flotzinger) LitMFineArts xix (1986) 60-62 (Erhard Karkoschka) JMtheory xxxii/1 (1988) 133-147 (Lee Allen Rothfarb) MLetters lxix/1 (1988) 57-60 (Mark Everist) MKirche lxiii/1 (1993) 29, 32 (Wolfgang Stockmeier) | ||
288. | Eppstein, Hans (ed.): Drei Sonaten für Viola da Gamba und Cembalo. BWV 1027-1029 / Johann Sebastian Bach. NBA 6/4 (1984), xi (6), 52p
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289. | Riethmüller, Albrecht: Ferruccio Busonis Poetik. NStMw 4 (1984), 212p
LitMFineArts xxiii/1 (1990) 55-56 (Hellmut Federhofer) Mtheorie v/3 (1990) 281-283 (Thomas Kabisch) Musica xlv/4 (1991) 258 (Reinhard Ermen) | ||
290. | Sauveur, Joseph: Collected writings on Musical Acoustics (Paris 1700-1713). TuningTemperLib 2 (1984), 279p
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291. | Newman, Anthony: Bach and the Baroque. A Performing Guide to Baroque Music with Special Emphasis on the Music of J. S. Bach. (1985), vi, 212p
MTimes cxxvii/1723 (Oct 1986) 561-562 (Alexander Silbiger: 'Playing Bach') EarlyKeyboardJ v (1986-87) 80-87 (Barton Hudson) AmerOrganist(2) xxi (1987) 40-43 (Frederick Neumann) repr. in StudMcol cviii (1989) 235-241 | ||
292. | Schulze, Hans-Joachim; Wolff, Christoph: Bach Compendium. Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs. (BC). Band I. Teil 1. Vokalwerke I. BC 1/1 (1985), 426p
MTimes cxxviii/1735 (Sep 1987) 495 (John Butt) MGesellschaft xxxvii (1987) 550-551 (Ingeborg Allihn) OrganYb xviii (1987) 122 (Peter Williams) Musica xli/6 (1987) 554-556 (Alfred Dürr) Mf xli/1 (1988) 175-176 (Lothar Hoffmann-Erbrecht) MLetters lxix/2 (Apr 1988) 254-255 (Stephen Daw) EarlyM xvii/1 (1989) 79-88 (Joshua Rifkin) Notes xlvii/2 (Dec 1990) 361-368 (John Butt) OMzs xlv/12 (1990) 740-741 (Andrea Lindmayr) BachJb lxxvii (1991) 207-214 (Robert L. Marshall) Brio xxviii/2 (1991) 92-95 (Clifford Bartlett) LitMFineArts xxiv/1-2 (1991) 90-91 (Ulrich Konrad) Musica xlvi/1 (1992) 47-48 (Georg von Dadelsen) Mf xlvii/4 (1994) 317-318 (Reinmar Emans) AmerBachSocNL (Fall 1997) 5-7 (Robert Marshall) | ||
293. | Prinz, Ulrich (ed.): 300 Jahre Johann Sebastian Bach. Sein Werk in Handschriften und Dokumenten; Musikinstrumente seiner Zeit; seine Zeitgenossen. [ce]300JJSB (1985), 419p
MLetters lxviii/2 (Apr 1987) 176-177 (George J. Buelow) MKirche lviii/1 (1988) 38-39 (Gerhard Schuhmacher) | ||
294. | Williams, Peter F.: Bach, Handel, Scarlatti Tercentenary Essays. [ce]BHSTercentenaryEssays (1985), xiv, 363p
MLetters lxvii/3 (Jul 1986) 290-292 (George J. Buelow) MQ lxxii/2 (1986) 272-282 (George B. Stauffer) AmerRecorder xxvii/3 (1986) 117 (Eleanor Selfridge-Field) Mf xl/4 (1987) 364-366 (Hellmut Federhofer) BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze) | ||
295. | Klotz, Hans: Studien zu Bachs Registrierkunst. JgIBGSchaffhausen 1983-84 (1985), 115p
ZsfMpädag xii/40 (1987) 68 (Martin Blindow) | ||
296. | Suchalla, Ernst (ed.): Briefe von Carl Philipp Emanuel Bach an Johann Gottlob Immanuel Breitkopf und Johann Nikolaus Forkel. MainzStMw 19 (1985), 605p
JMcolResearch vii/2-3 (1987) 294-301 (Hans Lenneberg) MLetters lxix/1 (Jan 1988) 78-80 (Susan Wollenberg) Concerto vi/44 (1988) 5-6 (Reinhard Goebel) BachJb lxxv (1989) 240-250 (Stephen L. Clark) BachJb lxxvii (1991) 223 (Stephen L. Clark) | ||
297. | Wolff, Christoph (ed.): Orgelchoräle der Neumeister-Sammlung. Organ Chorales from the Neumeister Collection. (Yale University Manuscript LM 4708) / Johann Sebastian Bach. [NBA] [4] [9] (1985), x, 70p
OrganYb xvii (1986) 123-124 (Peter Williams) MGesellschaft xxxvi/5 (1986) 273-274 (Dietmar Hiller) MGottesd xl (1986) 66-67 (Andreas Marti) Orgelvriend xxviii/7 (1986) (Jan W. van Spronsen) MLetters lxviii/2 (Apr 1987) 195-196 (James Dalton) MTimes cxxviii/1730 (Apr 1987)_ 188 (Philip K. Norman) JAMSoc xl/2 (Summer 1987) 352-361 (Russell Stinson) Notes xliii/4 (Jun 1987) 919-921 (Karl Geiringer) Mf xlii/2 (1990) 193 (Klaus-Jürgen Sachs) | ||
298. | Mac Intyre, Bruce Campbell: The Viennese Concerted Mass of the Early Classic Period. (1986), xxiv, 764p
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299. | Birtel, Wolfgang; Mahling, Christoph-Hellmut: Aufklärungen: Studien zur deutsch- französischen Musikgeschichte im 18. Jahrhundert - Einflüsse und Wirkungen. II. AnnalesUnivSaraviensis 20 (1986), 243p
Mf xliv/3 (1991) 288-290 (Peter Rummenhöller) | ||
300. | Zenck, Martin: Die Bach-Rezeption des späten Beethoven zum Verhältnis von Musikhistoriographie und Rezenptionsgeschichtsschreibung der 'klassik'. BeihAfMw 24 (1986), 315p
MLetters lxiv/2 (Apr 1988) 263-264 (Barry Cooper) NZsfM(2) cxlix/10 (1988) 54-55 (Andreas Ballstaedt) BeitrMw xxxi/1 (1989) 70-71 (Dietmar Hiller) BachJb lxxvi (1990) 90-91 (Christoph Wolff) | ||
301. | Stauffer, George B.; May, Ernest (eds.): J. S. Bach as Organist. His instruments, music and performance practices. [ce]JSBOrganist (1986), 308p
HetOrgel lxxxii/11 (1986) 423 (Ewald Kooiman) EarlyKeyboardJ iv (1985-86) 68-74 (Robert Parkins) ArsOrgani xxxv/1 (1987) (Hermann J. Busch) Mf xl/3 (1987) 272 (Günther Wagner) CurMcol xliii (1987) 71-76 (Russell Stinson) BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze) MLetters lxix/4 (Oct 1988) 515-516 (James Dalton) Orgelvriend xxxi/3 (1989) (Jan W. van Spronsen) PerformPractReview iii/1 (Spring 1990) 86-89 (Kimberley Marshall) AmerOrganist(2) xxxv/3 (1 Mar 2001) 65-66 (Frank Morana) |
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