Bach Bibliography
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Author : Zohn, Steven
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Zohn, Steven:   When is a quartet not a quartet? Relationships between scoring and genre in the German quadro, ca. 1715-40. FaschSt 6 (1997), 263-290.
2. Zohn, Steven; Payne, Ian:   Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1). [p]AMS_MidAtlantic (Apr 1998) A paper read at the Mid-Atlantic Chapter of the American Musicological Society on 25 April 1998 at Widener University.
3. Zohn, Steven; Payne, Ian:   Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) JMcol 17/4 (Autumn 1999), 546-584.
4. Zohn, Steven; Payne, Ian:   Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) [p]AMS_Kansas (Nov 1999) A paper read at American Musicological Society National Meeting in Kansas City, Missouri, November 4- 7, 1999: Asession on 'Bach, Telemann, and Performing Forces' chaired by Joshua Rifkin.
5. Zohn, Steven:   Music paper at the Dresden court and the chronology of Telemann's instrumental music. [cr]Roanoke1996 (2000), 125-168.
6. Zohn, Steven:   The Sonate auf Concertenart and Conceptions of Genre in the Late Baroque. [p]BCB_Dublin (Jul 2000) A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000.
7. Zohn, Steven:   New sources for Telemann's instrumental music. MagdeburgTelemannSt 17 (2001), 57-70.
8. Zohn, Steven:   Bach and the Concert en Ouverture. [p]BCB_Logrono (Jul 2002) A paper read at Tenth Biennial Conference on Baroque Music held at Universidad de La Rioja (Logroño) from 17 to 21 July 2002.
9. Zohn, Steven:   New Telemann Sources in the Archive of the Berlin Sing-Akademie. [p]IS_Memphis (Nov 2003) Paper read at an International Symposium held at Rhodes College, 6-7 November 2003: The Composers And Compositions Of The Berlin Sing-Akademie
10. Zohn, Steven:   The Sonate auf Concertenart and Conceptions of Genre in the Late Baroque. 18cM 1/2 (Sep 2004), 205-247.
11. Zohn, Steven:   Images of Telemann: The 'good-natured kapellmeister' and other myths. [p]ABS_NewBrunswick (Apr 2004) A paper read at Biennial Meeting of the American Bach Society, April 16-18, 2004 at Rutgers University, NJ 'Images of Bach'. Abstract in BachNotesABS 1 (2004), p. 7.
12. Zohn, Steven:   Der 'gutmüthige' Kapellmeister und andere Telemann-Mythen TelemannKonfBer 14 (2004), 223-232.
13. Zohn, Steven:   Telemann in the Marketplace: The Composer as Self-Publisher. JAMSoc 58/2 (Summer 2005), 275-356. In memory of Lenore Coral.
14. Zohn, Steven:   Bach's Borrowings from Telemann. MagdeburgTelemannSt 18 (2005), 111-119.
15. Zohn, Steven:   Sonate auf Concertenart und Concerto ripieno: Gattung und Stil in Telemanns Ensemblesonaten TelemannKonfBer 11 (2006), 99-125.
16. Zohn, Steven:   Bach and the Concert en ouverture. BachPerspectives 6 (2007), 137-156.
17. Zohn, Steven:   Aufführungspraktische Bemerkungen zu Telemanns Kammermusik TelemannKonfBer 13 (2007), 315-336.
18. Zohn, Steven:   Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works. New York: Oxford University Press, 2008. xxxiv, 686p. ISBN: 978-0-19-516977-5.
19. Zohn, Steven:   The Chaconne in Schaffe in mir, Gott, ein reines Herz, TVWV 1:1241. StMaterMw 49 (2008), 313-322.
20. Zohn, Steven:   Das 'Supplement de souscrivants' der 'Nouveaux Quatuors' und Telemanns Pränumerationsunternehmen. TelemannKonfBer 12 (2009), 43-56.
21. Zohn, Steven (ed.):   Keyboard trios II / Carl Philipp Emanuel Bach. Edited by Steven Zohn; Appendix ed. by Laura Buch. - Los Altos, CA: Packard Humanities Institute, 2010. xx, 8, 110p (Critical Report pp.69-77). ISBN: 978-1-933280-45-5. (= Carl Philipp Emanuel Bach: The Complete Works. Series II: Chamber music, Volume 3.2) [Sonata in D major for Keyboard and Flute, Wq 83. Sonata in E major for Keyboard and Flute, Wq 84. Sonata in G major for Keyboard and Flute, Wq 85. Sonata in G major for Keyboard and Flute, Wq 86. Sonata in C major for Keyboard and Flute, Wq 87. Appendix: Sonata in C major for Two Keyboards, arr. Wq 87] [Wq 83-86, 87, 87 (arr.)]
22. Zohn, Steven:   Aesthetic and Stylistic Mediation in Telemann's VI Ouvertures à 4 ou 6. [p]ABS_Wisconsin (May 2010) A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND HIS GERMAN CONTEMPORARIES', May 7-9, 2010, University of Wisconsin-Madison
23. Zohn, Steven:   Sources of Telemann's instrumental works in Dresden and elsewhere – a view from outside. [p]Dresden (Jun 2010) A paper read at the colloquium 'Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts – Überlieferung und Notisten' held at Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010.
24. Zohn, Steven:   Telemanns Witz: Burleske, Parodie und Satire in den Ouvertürensuiten. TelemannKonfBer 15 (2010), 70-79. Telemann, der musikalische Maler.
25. Zohn, Steven:   Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts: Überlieferung und Notisten. Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010. 18cM 8/1 (Mar 2011), 168-170. Communications
26. Zohn, Steven:   'Die vornehmste Hof-Tugend': German Musicians' Reflections on Eighteenth-Century Court Life. [ce]MusicGermanCourts (2011), 413-425.
27. Zohn, Steven:   Aesthetic Mediation and Tertiary Rhetoric. BachPerspectives 9 (2013), 24-49.
28. Zohn, Steven:   Bach, Telemann, and the Tafelmusik Tradition. [p]ABS_SouthBend (Apr 2016) A paper read at the biennial meeting of the American Bach Society 'J. S. Bach and the Confessional Landscape of His Time' held at University of Notre Dame (South Bend, IN), April 7-10, 2016.

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