Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | White, Harry M. (ed.): Johann Joseph Fux and the music of the Austro-Italian Baroque. [ce]JJFuxMAIBaroque (1992), 350p | |
| 2. | Devine, Patrick F.; White, Harry (eds.): The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One. IrishMStud 4 (1996), 444p | |
| 3. | Devine, Patrick F.; White, Harry (eds.): The Maynooth International Musicological Conference 1995. Selected Proceedings: Part Two. IrishMStud 5 (1996), 409p | |
| 4. | White, Harry M.: 'If it's Baroque, don't fix it': Reflections on Lydia Goehr's 'work-concept' and the historical integrity of musical composition. ActaMcol 69/1 (Jan-Jun 1997), 94-104 | |
| 5. | White, Harry: The Da Capo Aria in Sacred-Dramatic Music of the High Baroque: some preliminary considerations and problems. [p]RMA_Waterford (May 1999) | |
| 6. | White, Harry: The musical discourse of servitude. [p]RMA_Dublin (May 2002) | |
| 7. | White, Harry M.: The afterlife of a tradition: Fux, Vienna and the notion of a classical style. (2004), 23-32 | |
| 8. | White, Harry: Johann Joseph Fux and the question of Einbau technique. IrishMStud 8 (2004), 29-48 | |
| 9. | Houston, Kerry; White, Harry (eds.): A musical offering: Essays in honour of Gerard Gillen. [fs]Gillen (2017), xvi, 400p | |
| 10. | White, Harry: Evangelists of the Postmodern: Reconfigurations of Bach since 1985. UnderstandingBach 12 (2017), 85-107 | |
| 11. | White, Harry: The musical discourse of servitude: authority, autonomy, and the work-concept in Fux, Bach and Handel. (2020), 326p | |