Search Result - Ordered Chronologically
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Bach Bibliography Search Result - Ordered Chronologically |
Author : Schulenberg, DavidYour search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Schulenberg, David: Composition as Variation: Style and Theory in the Sonatas of C.P.E. Bach. [p]AMS_GreaterNewYork (May 1981) |  |
 | 2. | Schulenberg, David: Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. CurMcol 33 (1982), 57-88 | |
 | 3. | Schulenberg, David Louis: The Instrumental Music of Carl Philipp Emanuel Bach. diss. (1982), viii, 408p | |
 | 4. | Schulenberg, David: The Instrumental Music of Carl Philipp Emanuel Bach. StudMcol 77 (1984), 192p | |
| | 5. | Schulenberg, David: Musical Expression and Musical Rhetoric in the Harpsichord Works of J. S. Bach. [p]AMS_Vancouver (Nov 1985) | |
| | 6. | Schulenberg, David: C. P. E. Bach in the 1740s: The Growth of a Style. [ce]CPEBachStud (1988), 217-231 | |
| | 7. | Schulenberg, David: Performing C. P. E. Bach: Some Open Questions. EarlyM 16/4 (Nov 1988), 542-551 | |
| | 8. | Schulenberg, David: Expression and Authenticity in the Harpsichord Music of J. S. Bach. JMcol 8/4 (Fall 1990), 449-476 | |
| | 9. | Schulenberg, David: Composition and Improvisation in the School of J.S. Bach. [p]AMS_Chicago (Nov 1991) | |
| | 10. | Schulenberg, David: The Keyboard Music of J. S. Bach. (1992), 473p | |
| | 11. | Schulenberg, David: C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. Bach 23/2 (Fall-Winter 1992), 5-30 | |
| | 12. | Schulenberg, David: Musical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach. ContributStudMDance 19 (1992), 95-109 | |
| | 13. | Schulenberg, David: Musical Allegory Reconsidered: Representation and Imagination in Baroque Music. [p]AMS_Montreal (Nov 1993) | |
| | 14. | Schulenberg, David: Carl Philipp Emanuel Bach. [ce]18cKeyboardM (1994), 191-229 | |
| | 15. | Schulenberg, David: Composition and Improvisation in the School of J. S. Bach. BachPerspectives 1 (1995), 1-42 | |
| | 16. | Schulenberg, David: Musical Allegory Reconsidered: Representation and Imagination in the Baroque. JMcol 13/2 (Spring 1995), 203-239 | |
| | 17. | Schulenberg, David: Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance Studies Approach. [p]AMS_Southwest (Feb 1997) | |
| | 18. | Schulenberg, David: 'Partes feminarum': Gender Representation in Baroque Music. [p]FTM_Virginia (Jun 1997) | |
 | 19. | Schulenberg, David: A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491. (1998), 4p | |
| | 20. | Schulenberg, David: Missing Spitta Manuscript Found. [Berlin, Bibliothek der Hochschule der Künste, Spitta Ms.1491] AmerBachSocNL (Fall 1998), 6-7 | |
| | 21. | Schulenberg, David: The 'Sonata auf Concertenart': A Modern Invention? [p]ABS_Yale (Apr 1998) | |
| | 22. | Schulenberg, David: Genre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle. [p]AMS_Boston (Oct 1998) | |
| | 23. | Schulenberg, David: Versions of Bach: Performing Practice in the Keyboard Works. BachPerspectives 4 (1999), 111-135 | |
| | 24. | Schulenberg, David (ed): The Music of J. S. Bach. Analysis and Interpretation. BachPerspectives 4 (1999), x, 208p | |
| | 25. | Schulenberg, David: Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. JMcolResearch 18/2 (1999), 139-160 | |
| | 26. | Schulenberg, David: When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. DeClavicordio 4 (2000), 37-53 | |
| | 27. | Schulenberg, David: Bach no Kenban Ongaku. (2001), 727p |  |
| | 28. | Schulenberg, David: Music of the Baroque. (2001), xiv, 349p | |
| | 29. | Schulenberg, David: Performer's View. AmerBachSocNL (Spring 2002), 3, 8-9 | |
| | 30. | Schulenberg, David: The Last Bach-Family Engraved Print: The Musical Supplement to C.P.E. Bach's Versuch. (2003) | |
| | 31. | Schulenberg, David: 'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. [ce]KeyboardInBaroqueEurope (2003), 157-168 | |
 | 32. | Schulenberg, David: Recent Bach Studies. JMcolResearch 22/4 (Oct-Dec 2003), 387-402 | |
| | 33. | Schulenberg, David: The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]AMS_Houston (Nov 2003) | |
| | 34. | Schulenberg, David: The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]IS_Memphis (Nov 2003) | |
 | 35. | Schulenberg, David (ed.): 'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach. CPEBachCW 1/ 3 (2005), xxxiv, 190p | |
| | 36. | Schulenberg, David: Seventeenth-Century Keyboard Music in Northern Europe: Germany, Austria, and the Netherlands. [ce]WorldOfBaroqueMusic (2006), 185-212 | |
| | 37. | Schulenberg, David: Fugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works. [p]AMS_RhodeIsland (Sep 2006) | |
| | 38. | Schulenberg, David: Why we know so little about Bach's early works: a case study of two keyboard fugues. [fs]Williams70 (2007), 169-203 | |
| | 39. | Schulenberg, David: C.P.E. Bach in Zerbst: The six sonatas of fall 1758 with contributions on the early biography and compositions of Carl Fasch. Schr_MittDMges 14 (2007), 131-152 | |
| | 40. | Schulenberg, David: The Sonate auf Concertenart: A Postmodern Invention? BachPerspectives 7 (2008), 55-96 | |
| | 41. | Schulenberg, David: Fugues, form, and fingering: Sonata style in Bach's preludes and fugues. EastmanStudM 58 (2008), 14-23 | |
| | 42. | Schulenberg, David: Modifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel. [p]ABS_Bethlehem (May 2008) | |
| | 43. | Schulenberg, David: El clave bien temperado, parte I. Quodlibet 42 (Sep-Dec 2008), 115-130 |  |
| | 44. | Schulenberg, David (ed.): Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 2 (2009), xviii, 225p | |
| | 45. | Schulenberg, David: An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. Bach 41/2 (2010), 24-60 | |
| | 46. | Kulukundis, Elias N.; Schulenberg, David (eds.): Keyboard Concertos from Manuscript Sources VIII / Carl Philipp Emanuel Bach. CPEBachCW 3/ 9. 8 (2010), xvi, 8, 271p | |
| | 47. | Schulenberg, David: Crossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography. DetroitMMcol 55 (2010), 271-302 | |
| | 48. | Schulenberg, David: J.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings. EarlyKeyboardJ 25-26 (2010), 29-59 | |
| | 49. | Schulenberg, David: The Music of Wilhelm Friedemann Bach EastmanStudM 79 (2010), 354p | |
| | 50. | Schulenberg, David: Editing Bach's 'preludes and fugues' for organ. OrganYb 39 (2010), 59-72 | |
| | 51. | Schulenberg, David: An Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784). [p]ABS_Wisconsin (May 2010) | |
| | 52. | Schulenberg, David: An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. [p]BICB_Belfast (Jul 2010) | |
| | 53. | Schulenberg, David: Modifying the Da Capo? Through-composed arias in vocal works by Bach and other composers. 18cM 8/1 (Mar 2011), 21-51 | |
| | 54. | Schulenberg, David: An enigmatic legacy: Organ music and the Berlin Bach traditions. KeyboardPerspectives 4 (2011), 153-174 | |
| | 55. | Schulenberg, David: An Eighteenth-Century Organ Is Reconstructed at Cornell. Soc18cMNL 18 (Oct 2011), 8-9 | |
| | 56. | Schulenberg, David: Bach's temperament. EarlyM 40/1 (Feb 2012), 166-167 | |
| | 57. | Schulenberg, David: Preludes and Fugues by Bach? Questions of Text, Genre, and Attribution in the Organ Works. [p]ABS_Rochester (Sep 2012) | |
| | 58. | Schulenberg, David: Performing C. P. E. Bach: some questions answered? EarlyM 41/1 (Feb 2013), 119-122 | |
| | 59. | Schulenberg, David (ed.): Preludes and Fugues I / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 1 (2013), 140p |  |
| | 60. | Schulenberg, David: C. P. E. Bach in America. BachNotesABS 21 (Fall 2014), 4-6 | |
| | 61. | Schulenberg, David: A tale of two brothers: Friedemann and Emanuel Bach. [cr]Brooklyn2010 (2014), 78-102 | |
| | 62. | Schulenberg, David: Carl Philipp Emanuel Bach: a tercentenary assessment. EarlyM 42/3 (Aug 2014), 335-345 | |
| | 63. | Schulenberg, David: The Music of Carl Philipp Emanuel Bach. EastmanStudM 114 (2014), xv, 416p | |
| | 64. | Schulenberg, David: C. P. E. Bach Turns Three Hundred. Soc18cMNL 24 (Fall 2014), 1, 11-12 | |
| | 65. | Schulenberg, David (ed.): Preludes and Fugues II / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 2 (2014), 148p | |
| | 66. | Schulenberg, David: When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music. [ce]Late18cComposers_CPEB (2015), 477-492 | |
| | 67. | Schulenberg, David (ed.): C. P. E. Bach. [ce]Late18cComposers_CPEB (2015), xxv, 505p | |
| | 68. | Schulenberg, David: Expression and Discrétion: Bach and Froberger. BachNotesABS 26 (Spring 2017), 5-8 | |
| | 69. | Schulenberg, David: C. P. E. Bach's Keyboard Music and the Question of Idiom. BachPerspectives 11 (2017), 83-112 | |
| | 70. | Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn: Bach's quaver notation and performance implications. [p]BNUK_Cambridge (Jul 2017) | |
| | 71. | Schulenberg, David: Eighth J.S. Bach dialogue meeting: Madingley Hall, Cambridge, 10–15 July 2017. 18cM 15/1 (Mar 2018), 130–131 | |
| | 72. | Schulenberg, David: Bach. (2020), xi, 413p | |