Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Murata, Kayo: J. S. Bach no Shoki Fuga Sosaku Saiko: Organist ni yoru Sokkyo Jissen no Kanten kara. Ongakugaku 60/2 (2014), 154-168. Reconsidering the Early Fugues of Johann Sebastian Bach: In the Light of Improvised Fugues by Organists. [English abstract p.154] | |
| 2. | Murata, Kayo: J. S. Bach no Weimar Jidai ni okeru Tasha Sakuhin no Juyo: J. G. Walther to no Taiihou Chishiki Kyoyu no Kanosei ni Chakumoku shite. [p]MSJ_Tokyo (Nov 2015) [The reception of the works by J. S. Bach's contemporaries in his Weimar period in view of the possibility to share the knowledge of counterpoint with J. G. Walther] A paper read at the 66th National Conference of the Musicological Society of Japan at Aoyama Gakuin University, 14-15 November 2015. | |
| 3. | Murata, Kayo: Redefining the 'permutation fugues' of J. S. Bach: focusing on the differences with the invertible counterpoint developed in North Germany. [p]BNUK_Cambridge (Jul 2017) A paper presented at the 'Young Scholars' Forum' at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017. | |