Bach Bibliography
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Author : Melamed, Daniel R.
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Melamed, Daniel R.:   The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159). JAMSoc 41/3 (Autumn 1988), 491-526.
2. Melamed, Daniel R.:   Problems of Chronology, Style, and Function in J. S. Bach's Motets. [p]AMS_Baltimore (Nov 1988) A paper read at the 54th Annual Meeting of the AMS and the 11th Annual Meeting of the Society for Music Theory, 3-6 November 1988 in Baltimore, Maryland.
3. Melamed, Daniel R.:   Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. BachJb 75 (1989), 191-196. Kleine Beiträge.
4. Melamed, Daniel Richard:   J. S. Bach and the German motet. diss. (1989), x, 333 Bl. PhD diss. Cambridge, Mass.: Harvard University 1989. x, 333 Bl.
5. Melamed, Daniel R.:   J. S. Bach and the Altbachisches Archiv. [p]AMS_Oakland (Nov 1990) A paper read at the AMS/SEM/SMT Oakland Annual Meetings on 7-11 November 1990.
6. Melamed, Daniel R.:   Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. SommerAkadJSBach Almanach (1990), ii: 14 - 17. [Konzert 25.8.1990]
7. Melamed, Daniel R.:   Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs. BeitrBachF 9-10 (1991), 277-284.
8. Melamed, Daniel R.:   How Did J.S. Bach Teach Vocal Composition? [p]AMS_Pittsburgh (Nov 1992) A paper read at the American Musicological Society Annual Meeting in Pittsburgh on 5-8 November 1992.
9. Melamed, Daniel R.:   Mehr zur Chronologie von Bachs Weimarer Kantaten. BachJb 79 (1993), 213-216. Kleine Beiträge.
10. Melamed, Daniel R.:   J. S. Bach and the German Motet. Cambridge Univ Press, 1995. xv, 229p - R/2005 (paperback). xv, 229p. ISBN: 0-521-61976-9.
11. Melamed, Daniel R.:   A thirty-six voice canon in the hand of C. P. E. Bach. BachStud 2 (1995), 107-118.
12. Melamed, Daniel R. (ed.):   Bach Studies 2. Cambridge Univ. Press, 1995, xiv, 238p. [contents]
13. Melamed, Daniel R.:   Cantatekoren en koralen. [ce]WereldBachCantates 1 (1995), 168-183. [Cantata choirs and chorales] trans. Christo Lelie.
14. Melamed, Daniel R.:   Chor- und Choralsätze. [ce]WeltBachKantaten 1 (1996), 169-184.
15. Melamed, Daniel R.:   J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. JMcol 14/4 (Autumn 1996), 453-474.
16. Melamed, Daniel R.:   Joh. Christoph Bach, org. [p]ABS_California (Apr 1996) Paper read at American Bach Society, Biennial Meeting. University of California, Berkeley, April 12-14, 1996.
17. Melamed, Daniel R.:   Chöre, Duette und Instrumentalstücke. [ce]WeltBachKantaten 2 (1997), 201-212.
18. Melamed, Daniel R.:   Koren, duetten en instrumentale delen. [ce]WereldBachCantates 2 (1997), 202-213. [Choruses, duets, and instrumental sections]
19. Melamed, Daniel R.:   Choruses and Chorales. [ce]WorldOfBachCantatas 1 (1997), 155-170.
20. Melamed, Daniel R.; Marissen, Michael:   An introduction to Bach Studies. New York and Oxford: Oxford University Press, 1998. xi, 189p.
21. Melamed, Daniel R.:   Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. BachZenshu 4 (Oct 1998), 88-96. trans. by Ryuichi Higuchi. [Motett-style movements in Bach's Church Cantatas]
22. Melamed, Daniel R.:   Koren. [ce]WereldBachCantates 3 (1998), 176-191. [Choruses]
23. Melamed, Daniel R.; Sanders, Reginald L.:   Zum Text und Kontext der 'Keiser'-Markuspassion. BachJb 85 (1999), 35-50.
24. Melamed, Daniel R.:   Chorsätze. [ce]WeltBachKantaten 3 (1999), 177-192.
25. Melamed, Daniel R.:   Der Text der Kantate 'Gott ist mein König' (BWV 71). [fs]Schulze65 (1999), 160-172.
26. Melamed, Daniel R.:   Constructing Johann Christoph Bach (1642-1703). MLetters 80/3 (Aug 1999), 345-365.
27. Melamed, Daniel R.:   Bach Revived: If Wishes Were Passions. NYTimes (2 Apr 2000)
28. Melamed, Daniel R.:   The Text of Gott ist mein König BWV 71. [p]ABS_Washington (Apr 2000) Paper read at American Bach Society Biennial Meeting, Washington, D. C., April 7-9, 2000.
29. Melamed, Daniel R.:   Bach's Leipzig performances of the Hamburg St. Mark Passion. [p]WK_Leipzig (Jan 2000) A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000.
30. Melamed, Daniel R.:   A Tool from the Late 17th Century for Chorale Research. AmerBachSocNL (Fall 2001), 6-7.
31. Melamed, Daniel R.:   The Text of 'Gott ist mein König' BWV 71. Bach 32/1 (2001), 1-16.
32. Melamed, Daniel R.:   Gassho to Koraru Gakkyoku. [ce]BachKantataNoSekai 1 (2001), 271-296. [Chor- und Choralsätze.] Trans. by Tadashi Isoyama and Mariko Ikegami.
33. Melamed, Daniel R. (ed.):   Motets / Johann Ludwig Bach. Edited by Daniel Melamed. - Middleton, WI: A-R Editions, 2001. xix, 203p. ISBN: 0-89579-470-5; 978-0-89579-470-3. (= Recent researches in the music of the Baroque era, B 108)
34. Melamed, Daniel R.:   Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen. BachJb 88 (2002), 209-216. Kleine Beiträge.
35. Melamed, Daniel R.:   Gasshokyoku, Nijushokyoku, Kigakukyoku. [ce]BachKantataNoSekai 2 (2002), 331-348. [Chöre, Deutte und Instrumentalstücke] Trans. by Kazuhiro Fujiwara.
36. Melamed, Daniel R.:   Gasshokyoku. [ce]BachKantataNoSekai 3 (2002), 299-320. [Chorsätze] Trans. by Tadashi Isoyama and Erina Hayasaki.
37. Melamed, Daniel R.:   Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren. LeipzigerBeitrBachF 5 (2002), 289-308. Übersetzung von Ulrich Leisinger.
38. Melamed, Daniel R.:   Bach und Palestrina -- Einige praktische Probleme I. BachJb 89 (2003), 221-224. Kleine Beiträge.
39. Melamed, Daniel R.:   The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244. JAMSoc 57/1 (Spring 2004), 3-50.
40. Melamed, Daniel R.:   Hearing Bach's Passions. New York: Oxford University Press, 2005. vii, 178p. ISBN: 0-19-516933-6.
41. Melamed, Daniel R.:   The Passions: Versions and Problems / Las pasiones: versiones y problemas. Goldberg 34 (Jun-Aug 2005), 30-37. http://goldbergweb.com/en/magazine/essays/2005/06/31964.php Traducido por José Luis Gil Aristu: http://goldbergweb.com/es/magazine/essays/2005/06/31963.php
42. Melamed, Daniel R.:   Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century. [p]CWolff_Harvard (Sep 2005) A Paper read at the 'The Century of Bach and Mozart Perspectives on Historiography, Composition, Theory & Performance', a conference dedicated to Christoph Wolff, held on September 23-25, 2005 at John Knowles Paine Concert Hall, Harvard University.
43. Melamed, Daniel R.:   Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt? BachJb 92 (2006), 161-169. (Übersetzung: Stephanie Wollny)
44. Melamed, Daniel R.:   Bach's St. John Passion: Can We Really Still Hear the Work--and Which One? [ce]WorldOfBaroqueMusic (2006), 235-252. Chapter Eleven.
45. Melamed, Daniel R.:   Staffing J. S. Bach's St. Matthew Passion Then and Now. Colloquium 4 (Autumn 2007), 145-150. Bach in the Blood. http://www.yale.edu/ism/colloq_journal/vol4/melamed1.html
46. Melamed, Daniel R.:   Two Unusual Cues in J. S. Bach's Performing Parts. [fs]Leaver65 (2007), 141-146.
47. Melamed, Daniel R.:   Bachs Schwester. BachJb 94 (2008), 337-341. Kleine Beiträge.
48. Melamed, Daniel R.:   Counterpoint in Mozart's 'Die Entführung aus dem Serail'. CambridgeOperaJ 20/1 (2008), 25-51.
49. Melamed, Daniel R.:   Choral Unison in J.S. Bach's Vocal Music. [ce]AboutBach (2008), 53-60.
50. Melamed, Daniel R.:   The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 (2008), 189-205.
51. Melamed, Daniel R.:   Johann Sebastian Bach and Barthold Heinrich Brockes. [p]ABS_Bethlehem (May 2008) A Paper read at the Biennial Meeting of the American Bach Society 'BACH AND THE ORATORIO TRADITION', May 8-11, 2008, Lehigh University, Bethlehem, Pennsylvania
52. Melamed, Daniel R. (ed.):   Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach. Edited by Daniel R. Melamed. - Los Altos, CA: Packard Humanities Institute, 2009. xxiii, 8, 132p. ISBN: 978-1-933280-22-6 (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 6.1) [H 784]
53. Melamed, Daniel R.:   Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. [p]SMA_Glasgow (Apr 2009) A keynote paper read at SMA Spring Study Day 'Bach's Passions' held on 24-25 April 2009 at University of Glasgow.
54. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.:   Bach & Friends: Three Reviews of Muchael Lawrence's New Film. BachNotesABS 13 (Fall 2010), 1-4. http://www.americanbachsociety.org/Newsletters/BachNotes13.pdf
55. Melamed, Daniel R.:   Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives 8 (2011), 13-41.
56. Melamed, Daniel R. (ed.):   J. S. Bach and the Oratorio Tradition. Urbana, Chicago and Springfield: University of Illinois Press, 2011. ix, 153p. ISBN-10 0-252-03584-4. ISBN13 978-0-252-03584-5. [contents]
57. Goldberg, Randall E.; Melamed, Daniel R. (eds.):   Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. Edited by Randall E. Goldberg and Daniel R. Melamed. - Los Altos, CA: Packard Humanities Institute, 2011. xxx, 153p. ISBN: 978-1-933280-41-7. (= Carl Philipp Emanuel Bach: The Complete Works. Series IV: Oratorios and passions, Volume 6.2)
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