Bach Bibliography
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Author : Marshall, Robert L.
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Marshall, Robert L.:   Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75. BachJb 51 (1965), 144-147
2. Marshall, Robert Lewis:   The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works. diss. (1968), 660p
3. Marshall, Robert L.:   Musical sketches in J. S. Bachs cantata autographs. [fs]Strunk (1968), 405-427
4. Marshall, Robert L.:   How J. S. Bach composed four-part Chorales. MQ 56/2 (Apr 1970), 198-221
5. Marshall, Robert L.:   The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3. [p]AMS_GreaterNewYork (Oct 1971)
6. Marshall, Robert Lewis:   The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 (1972), xv, 271p; 189p
7. Marshall, Robert L.:   Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973. (1973), 31p
8. Marshall, Robert L.:   The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3. [fs]Mendel (1974), 165-182
9. Marshall, Robert L. (ed.):   Studies in Renaissance and Baroque music in Honor of Arthur Mendel. [fs]Mendel (1974), 392p
10. Marshall, Robert L.:   Bach the Progressive: Observations on His Later Works. MQ 62/3 (Jul 1976), 313-357
11. Marshall, Robert L.:   Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute. [p]AMS_Midwest (Nov 1977)
12. Marshall, Robert L.:   Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. BachJb 64 (1978), 229-231
13. Marshall, Robert L.:   J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. JAMSoc 32/3 (Autumn 1979), 463-498
14. Emery, Walter; Marshall, Robert L.:   Bach, Johann Sebastian. NEncyclBritannica 2 (1979), 556-561
15. Marshall, Robert L.:   Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs. MKirche 50/5 (1980), 230-239
16. Marshall, Robert L.:   Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen. [cr]Marburg1978 (1981), 48-71
17. Marshall, Robert L.:   Bachs h-moll-Messe. Zur Quellensituation und Überlieferung. SommerAkadJSBach (1981), 2-12
18. Marshall, Robert L.:   Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs. SommerAkadJSBach (1981), 13-21
19. Marshall, Robert L.:   Bach's 'choruses' reconstituted. HiFi 32/10 (1982), 64-66, 94
20. Marshall, Robert L.:   Editore traditore: Ein weiterer 'Fall Rust'? [fs]Dürr65 (1983), 183-191
21. Marshall, Robert L.:   Bach's Chorus: A preliminary reply to Joshua Rifkin. MTimes 124/1679 (Jan 1983), 19-22
22. Marshall, Robert L.:   Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology. [ce]BHSTercentenaryEssays (1985), 259-276
23. Marshall, Robert L.:   Bach's 'Orchestre'. EarlyM 13/2 (May 1985), 176-179
24. Marshall, Robert L.:   Bach the progressive: Observations on his later works. GarlandLibHistWestM 6 (1985)
25. Marshall, Robert L. (ed.):   Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach. NBA 1/19 (1985), xii (6p facs), 276p
26. Marshall, Robert L.:   Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music. [p]AMS_Vancouver (Nov 1985)
27. Marshall, Robert L.:   Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works. [ce]JSBOrganist (1986), 212-239
28. Marshall, Robert L.:   On Bach's Universality. [cr]Philadelphia1985 (1986), 50-81
29. Marshall, Robert L.:   The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition. ColMSymposium 27 (1987), 198-205
30. Marshall, Robert L.:   A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat. [p]AMS_NewEngland (Sep 1987)
31. Marshall, Robert L.:   Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik. [cr]Leipzig1985 (1988), 303-314
32. Marshall, Robert L.:   On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 (1989), 3-17
33. Marshall, Robert L.:   Bach, Johann Sebastian. [ce]Marshall (1989), 3-20
34. Marshall, Robert L.:   Bach the Progressive: Observations on His Later Works. [ce]Marshall (1989), 23-58, 295-303
35. Marshall, Robert L.:   Bach's Orchestre. [ce]Marshall (1989), 59-63, 303
36. Marshall, Robert L.:   On Bach's Universality. [ce]Marshall (1989), 65-79, 303-304
37. Marshall, Robert L.:   'Composing Scores' and 'Fair Copies'. [ce]Marshall (1989), 83-110, 304-305
38. Marshall, Robert L.:   The Sketches. [ce]Marshall (1989), 111-129, 305-308
39. Marshall, Robert L.:   The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [ce]Marshall (1989), 131-142
40. Marshall, Robert L.:   The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [ce]Marshall (1989), 143-159, 308-312
41. Marshall, Robert L.:   On the Origin of the Magnificat: A Lutheran Composer's Challenge. [ce]Marshall (1989), 161-173, 312-313
42. Marshall, Robert L.:   The Mass in B Minor: The Autograph Scores and the Compositional Process. [ce]Marshall (1989), 175-189, 313-314
43. Marshall, Robert L.:   The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [ce]Marshall (1989), 193-200, 314-316
44. Marshall, Robert L.:   The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [ce]Marshall (1989), 201-225, 316-328
45. Marshall, Robert L.:   'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [ce]Marshall (1989), 229-239, 328-331
46. Marshall, Robert L.:   'Editore traditore': Suspicious Performance Indications in the Bach Sources. [ce]Marshall (1989), 241-254, 331-333
47. Marshall, Robert L.:   Tempo and Dynamics: The Original Terminology. [ce]Marshall (1989), 255-269, 333-337
48. Marshall, Robert L.:   Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [ce]Marshall (1989), 271-293, 337-339
49. Marshall, Robert L.:   The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. [ce]Marshall (1989), xxiii, 375p
50. Marshall, Robert L.:   Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht. NBA 1/19 (1989), 255p
51. Marshall, Robert L.:   Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Bach 21/2 (Summer 1990), 3-14
52. Marshall, Robert L.:   The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. [fs]AlvinJohnson (1990), 192-200
53. Marshall, Robert L.:   Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung. SchrRIBachAkadStuttgart 3 (1990), 48-67
54. Marshall, Robert L.:   Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs. SchrRIBachAkadStuttgart 3 (1990), 68-82
55. Marshall, Robert L.:   Bach and Mozart: Styles of Musical Genius. Bach 22/1 (Spring-Summer 1991), 16-32
56. Marshall, Robert L.:   Bach and Mozart: Styles of musical genius. [ce]PsychoanalyticExplorations 2 (1993), 153-169
57. Marshall, Robert L.:   Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. [fs]Scheide (1993), 179-188
58. Marshall, Robert L.:   Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. [p]AMS_NewEngland (Apr 1993)
59. Marshall, Robert L.:   Johann Sebastian Bach. [ce]18cKeyboardM (1994), 68-123
60. Marshall, Robert L. (ed.):   Eighteenth-Century Keyboard Music. [ce]18cKeyboardM (1994), xvi, 443p
61. Marshall, Robert L.:   Luther, Bach, and the early reformation chorale. (1995), iv, 15p
62. Marshall, Robert L.:   Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System. [fs]Brainard (1996), 249-278
63. Marshall, Robert L.:   Bach and Mozart's Artistic Maturity. BachPerspectives 3 (1998), 47-79
64. Marshall, Robert L.:   Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie. [fs]Schulze65 (1999), 270-281
65. Marshall, Robert L.:   The Nathan Bequest: Payment Receipts in the Hand of Johann Sebastian Bach, 1746 to 1748 (With a Fragment for the Year 1749 in the Hand of His Son). [gs]Moldenhauer (2000), 81-85
66. Marshall, Robert L.:   Toward a Twenty-First-Century Bach Biography. MQ 84/3 (Fall 2000), 497-525
67. Marshall, Robert L.:   Bach 2000: Tue Rechung! [p]ABS_Washington (Apr 2000)
68. Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph:   Arthur Mendel and the World of J. S. Bach. [p]Mendel60BR (Nov 2005)
69. Curry, Robert; Gable, David; Marshall, Robert L. (eds.):   Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 (2008), x, 375p
70. Marshall, Robert L.:   Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. PerformPractReview 13/1 (2008), 1-33
71. Marshall, Robert L.:   Bach and Luther. [ce]AstonMagnaAcademy (2009), 229-241
72. Marshall, Robert L.:   Belated Thoughts on Bach's Chorus: A Reexamination of the Minimalist and Traditional Approaches to performing the choral music of Bach. EarlyMAmer 15/4 (Winter 2009), 24-27
73. Marshall, Robert L.; Rifkin, Joshua:   In Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). BachNotesABS 15 (Fall 2011), 1-4
74. Marshall, Robert L.:   Bach the Progressive: Observations on His Later Works. [ce]BaroqueComposers (2011), 399-443
75. Marshall, Robert L.:   Postscript [to 'Bach the Progressive'] [ce]BaroqueComposers (2011), 459-463
76. Marshall, Robert L.:   Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Bach 43/1 (2012), 1-28
77. Marshall, Robert L.:   Redeeming the St. John Passion... And J. S. Bach. BachNotesABS 17 (Fall 2012), 5-11
78. Marshall, Robert L.:   Redeeming the St. John Passion: How modern sensitivity has clouded Bach's masterpiece. Commentary (Jul-Aug 2012), 36-39
79. Marshall, Robert L.; Marshall, Traute M.:   Wenig bekannte Dokumente zu J. S. Bachs Ohrdrufer Zeit. BachJb 101 (2015), 155-165
80. Marshall, Robert L.; Marshall, Traute M.:   Exploring the World of J. S. Bach: A Travelor's Guide (2016), xxx, 245p
81. Marshall, Robert L.:   Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. BachPerspectives 11 (2017), 1-23
82. Marshall, Robert L.:   Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. ContextBachStud 8 (2018), 297-303
83. Marshall, Robert L.:   A Report on the 2019 UMass Amherst Bach Symposium. BachNotesABS 31 (Fall 2019), 16-17
84. Marshall, Robert L.:   Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition. [ce]Marshall (2019), 1-8, 261
85. Marshall, Robert L.:   Young Man Bach: Toward a Twenty-First-Century Bach Biography. [ce]Marshall (2019), 9-29, 261-266
86. Marshall, Robert L.:   The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. [ce]Marshall (2019), 30-37, 266-268
87. Marshall, Robert L.:   Bach and Luther. [ce]Marshall (2019), 38-55, 268-269
88. Marshall, Robert L.:   Redeeming the St. John Passion--and J. S. Bach. [ce]Marshall (2019), 56-64, 269-270
89. Marshall, Robert L.:   Bach's Keyboard Music. [ce]Marshall (2019), 65-113, 270-276
90. Marshall, Robert L.:   The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts [ce]Marshall (2019), 114-120, 276-277
91. Marshall, Robert L.:   Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. [ce]Marshall (2019), 121-129, 277-278
92. Marshall, Robert L.:   Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. [ce]Marshall (2019), 130-147, 278-279
93. Marshall, Robert L.:   Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm. [ce]Marshall (2019), 148-155, 279-280
94. Marshall, Robert L.:   Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. [ce]Marshall (2019), 156-173, 280-284
95. Marshall, Robert L.:   Johann Christian Bach and Eros. [ce]Marshall (2019), 174-185, 284-286
96. Marshall, Robert L.:   Bach and Mozart: Styles of Musical Genius. [ce]Marshall (2019), 186-196, 286-289
97. Marshall, Robert L.:   Mozart and Amadeus. [ce]Marshall (2019), 197-211, 289-292
98. Marshall, Robert L.:   Bach and Mozart's Artistic Maturity. [ce]Marshall (2019), 212-237, 292-294
99. Marshall, Robert L.:   Mozart's Unfinished: Some Lessons of the Fragments [ce]Marshall (2019), 238-251, 294-296
100. Marshall, Robert L.:   Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations. [ce]Marshall (2019), 252-259, 296-298
101. Marshall, Robert L.:   Bach and Mozart: Essays on the Enigma of Genius. [ce]Marshall (2019), xxi, 331p
102. Marshall, Robert L.; Marshall, Traute M.:   Bach Family Sites. Bach 51/1 (2020), 70-121

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