Bach Bibliography
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Author : Marshall, Robert L
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Marshall, Robert L.:   Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75. BachJb 51 (1965), 144-147
2. Marshall, Robert Lewis:   The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works. diss. (1968), 660p
3. Marshall, Robert L.:   Musical sketches in J. S. Bachs cantata autographs. [fs]Strunk (1968), 405-427
4. Marshall, Robert L.:   How J. S. Bach composed four-part Chorales. MQ 56/2 (Apr 1970), 198-221
5. Marshall, Robert L.:   The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3. [p]AMS_GreaterNewYork (Oct 1971)
6. Marshall, Robert Lewis:   The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 (1972), xv, 271p; 189p
7. Marshall, Robert L.:   Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973. (1973), 31p
8. Marshall, Robert L.:   The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3. [fs]Mendel (1974), 165-182
9. Marshall, Robert L. (ed.):   Studies in Renaissance and Baroque music in Honor of Arthur Mendel. [fs]Mendel (1974), 392p
10. Marshall, Robert L.:   Bach the Progressive: Observations on His Later Works. MQ 62/3 (Jul 1976), 313-357
11. Marshall, Robert L.:   Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute. [p]AMS_Midwest (Nov 1977)
12. Marshall, Robert L.:   Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. BachJb 64 (1978), 229-231
13. Marshall, Robert L.:   J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. JAMSoc 32/3 (Autumn 1979), 463-498
14. Emery, Walter; Marshall, Robert L.:   Bach, Johann Sebastian. NEncyclBritannica 2 (1979), 556-561
15. Marshall, Robert L.:   Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs. MKirche 50/5 (1980), 230-239
16. Marshall, Robert L.:   Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen. [cr]Marburg1978 (1981), 48-71
17. Marshall, Robert L.:   Bachs h-moll-Messe. Zur Quellensituation und Überlieferung. SommerAkadJSBach (1981), 2-12
18. Marshall, Robert L.:   Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs. SommerAkadJSBach (1981), 13-21
19. Marshall, Robert L.:   Bach's 'choruses' reconstituted. HiFi 32/10 (1982), 64-66, 94
20. Marshall, Robert L.:   Editore traditore: Ein weiterer 'Fall Rust'? [fs]Dürr65 (1983), 183-191
21. Marshall, Robert L.:   Bach's Chorus: A preliminary reply to Joshua Rifkin. MTimes 124/1679 (Jan 1983), 19-22
22. Marshall, Robert L.:   Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology. [ce]BHSTercentenaryEssays (1985), 259-276
23. Marshall, Robert L.:   Bach's 'Orchestre'. EarlyM 13/2 (May 1985), 176-179
24. Marshall, Robert L.:   Bach the progressive: Observations on his later works. GarlandLibHistWestM 6 (1985)
25. Marshall, Robert L. (ed.):   Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach. NBA 1/19 (1985), xii (6p facs), 276p
26. Marshall, Robert L.:   Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music. [p]AMS_Vancouver (Nov 1985)
27. Marshall, Robert L.:   Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works. [ce]JSBOrganist (1986), 212-239
28. Marshall, Robert L.:   On Bach's Universality. [cr]Philadelphia1985 (1986), 50-81
29. Marshall, Robert L.:   A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat. [p]AMS_NewEngland (Sep 1987)
30. Marshall, Robert L.:   Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik. [cr]Leipzig1985 (1988), 303-314
31. Marshall, Robert L.:   On the origin of Bach's Magnificat: a Lutheran composer's challenge. BachStud 1 (1989), 3-17
32. Marshall, Robert L.:   Bach, Johann Sebastian. [ce]Marshall (1989), 3-20
33. Marshall, Robert L.:   Bach the Progressive: Observations on His Later Works. [ce]Marshall (1989), 23-58, 295-303
34. Marshall, Robert L.:   Bach's Orchestre. [ce]Marshall (1989), 59-63, 303
35. Marshall, Robert L.:   On Bach's Universality. [ce]Marshall (1989), 65-79, 303-304
36. Marshall, Robert L.:   'Composing Scores' and 'Fair Copies'. [ce]Marshall (1989), 83-110, 304-305
37. Marshall, Robert L.:   The Sketches. [ce]Marshall (1989), 111-129, 305-308
38. Marshall, Robert L.:   The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. [ce]Marshall (1989), 131-142
39. Marshall, Robert L.:   The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. [ce]Marshall (1989), 143-159, 308-312
40. Marshall, Robert L.:   The Origin of the Magnificat: A Lutheran Composer's Challenge. [ce]Marshall (1989), 161-173, 312-313
41. Marshall, Robert L.:   The Mass in B Minor: The Autograph Scores and the Compositional Process. [ce]Marshall (1989), 175-189, 313-314
42. Marshall, Robert L.:   The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. [ce]Marshall (1989), 193-200, 314-316
43. Marshall, Robert L.:   The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. [ce]Marshall (1989), 201-225, 316-328
44. Marshall, Robert L.:   'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). [ce]Marshall (1989), 229-239, 328-331
45. Marshall, Robert L.:   'Editore traditore': Suspicious Performance Indications in the Bach Sources. [ce]Marshall (1989), 241-254, 331-333
46. Marshall, Robert L.:   Tempo and Dynamics: The Original Terminology. [ce]Marshall (1989), 255-269, 333-337
47. Marshall, Robert L.:   Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. [ce]Marshall (1989), 271-293, 337-339
48. Marshall, Robert L.:   The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. [ce]Marshall (1989), xxiii, 375p
49. Marshall, Robert L.:   Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht. NBA 1/19 (1989), 255p
50. Marshall, Robert L.:   Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. Bach 21/2 (Summer 1990), 3-14
51. Marshall, Robert L.:   The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. [fs]AlvinJohnson (1990), 192-200
52. Marshall, Robert L.:   Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung. SchrRIBachAkadStuttgart 3 (1990), 48-67
53. Marshall, Robert L.:   Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs. SchrRIBachAkadStuttgart 3 (1990), 68-82
54. Marshall, Robert L.:   Bach and Mozart: Styles of Musical Genius. Bach 22/1 (Spring-Summer 1991), 16-32
55. Marshall, Robert L.:   Bach and Mozart: Styles of musical genius. [ce]PsychoanalyticExplorations 2 (1993), 153-169
56. Marshall, Robert L.:   Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. [fs]Scheide (1993), 179-188
57. Marshall, Robert L.:   Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. [p]AMS_NewEngland (Apr 1993)
58. Marshall, Robert L.:   Johann Sebastian Bach. [ce]18cKeyboardM (1994), 68-123
59. Marshall, Robert L. (ed.):   Eighteenth-Century Keyboard Music. [ce]18cKeyboardM (1994), xvi, 443p
60. Marshall, Robert L.:   Luther, Bach, and the early reformation chorale. (1995), iv, 15p
61. Marshall, Robert L.:   Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System. [fs]Brainard (1996), 249-278
62. Marshall, Robert L.:   Bach and Mozart's Artistic Maturity. BachPerspectives 3 (1998), 47-79
63. Marshall, Robert L.:   Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie. [fs]Schulze65 (1999), 270-281
64. Marshall, Robert L.:   The Nathan bequest: Payment receipts in the hand of Johann Sebastian Bach, 1746 to 1748 (with a fragment for the year 1749 in the hand of his son). [gs]Moldenhauer (2000), 81-85
65. Marshall, Robert L.:   Toward a Twenty-First-Century Bach Biography. MQ 84/3 (Fall 2000), 497-525
66. Marshall, Robert L.:   Bach 2000: Tue Rechung! [p]ABS_Washington (Apr 2000)
67. Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph:   Arthur Mendel and the World of J. S. Bach. [p]Mendel60BR (Nov 2005)
68. Curry, Robert; Gable, David; Marshall, Robert L. (eds.):   Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 (2008), x, 375p
69. Marshall, Robert L.:   Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. PerformPractReview 13/1 (2008), 1-33
70. Marshall, Robert L.:   Bach and Luther. [ce]AstonMagnaAcademy (2009), 229-241
71. Marshall, Robert L.; Rifkin, Joshua:   In Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). BachNotesABS 15 (Fall 2011), 1-4
72. Marshall, Robert L.:   Bach the Progressive: Observations on His Later Works. [ce]BaroqueComposers (2011), 399-443
73. Marshall, Robert L.:   Postscript [to 'Bach the Progressive'] [ce]BaroqueComposers (2011), 459-463
74. Marshall, Robert L.:   Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. Bach 43/1 (2012), 1-28
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