Bach Bibliography Search Result - Ordered Chronologically

Author : Lutterman, John

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Lutterman, John:   Works in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. [p]BICB_Manchester (Jul 2004)
	2.	Lutterman, John Kenneth:   Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. diss. (2006), 598p
	3.	Lutterman, John:   Works in Progress: The Scheibe-Birmbaum Controversy and Bach's Notational Practice. [p]AMS_NorthCalifornia (May 2006)
	4.	Lutterman, John:   'Cet art est la perfection du talent': Improvised Solo Performance, the Accompaniment of Recitative, and Chordal Thoroughbass Realization on the Viol and Cello [p]BICB_Warsaw (Jul 2006)
	5.	Lutterman, John:   Composition, Improvisation and the Text: The Scheibe — Birnbaum Controversy and Bach's Notational Practice. [cr]Krakow2008 (2008), 535-541
	6.	Lutterman, John:   Frozen Improvisations. EarlyMAmer 15/2 (Summer 2009), 61-62
	7.	Lutterman, John:   'Cet art est la perfection du talent': Chordal Thoroughbass Realization, the Accompaniment of Recitative, and Improvised Solo Performance on the Viol and Cello in the Eighteenth Century. [p]AMS_Philadelphia (Nov 2009)
	8.	Lutterman, John:   'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice. [p]BICB_Belfast (Jul 2010)
	9.	Lutterman, John:   Jakob Adlung on Fantasieren: Further Evidence of a Bach Family Tradition in Jena. [p]BICB_Southampton (Jul 2012)