Bach Bibliography
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Author : Jerold, Beverly
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Jerold, Beverly:   Pedal Technique in Early Music. AmerOrganist(2) 34/10 (Oct 2000), 82-85
2. Jerold, Beverly:   Pitch in the Vocal Works of J. S. Bach. Bach 31/1 (2000), 74-95
3. Jerold, Beverly:   Organ tempo at the time of J.S. Bach. AmerOrganist(2) 36/ 7 (Jul 2002), 56-60
4. Jerold, Beverly:   Editorial Decisions for Ornaments in Bach's Works. Bach 33/2 (2002), 1-14
5. Jerold, Beverly:   Fasch and the Beginning of Modern Artistic Choral Singing. Bach 35/1 (2004), 61-86
6. Jerold, Beverly:   A Little More Muscle Please, Playing the Organ Before the 20th Century. AmerOrganist(2) 39/ 9 (Sep 2005), 105-108
7. Jerold, Beverly:   Bach's Lament about Leipzig's Professional Instrumentalists. Bach 36/1 (2005), 67-96
8. Jerold, Beverly:   [On Gertrud Schmeling Mara.] Bach 36/2 (2005), 120-122
9. Jerold, Beverly:   The tromba and corno in Bach's time. AdParnassum 6/12 (Oct 2008), 7-39
10. Jerold, Beverly:   'The 'most indispensable and most pleasing trill'' Consort 64 (2008), 90-101
11. Jerold, Beverly:   The French Time Devices Revisited. TijdschrMtheorie 15/3 (Nov 2010), 169-189
12. Jerold, Beverly:   The Bach-Scheibe Controversy: New Documentation. Bach 42/1 (2011), 1-45
13. Jerold, Beverly:   The varied reprise in 18th-century instrumental music: a reappraisal. MTimes 153/1921 (Winter 2012), 45-61
14. Jerold, Beverly:   Johann Philipp Kirnberger versus Friedrich Wilhelm Marpurg: A Reappraisal. TijdschrMtheorie 17/2 (2012), 91-108
15. Jerold, Beverly:   Johann Philipp Kirnberger and Authorship. Notes 69/4 (Jun 2013), 688-705
16. Jerold, Beverly:   Johann Philipp Kirnberger and the Bach Chorale Settings. Bach 45/1 (2014), 34-43
17. Jerold, Beverly:   Notes inégales: a definitive new parameter. EarlyM 42/2 (May 2014), 273-289
18. Jerold, Beverly:   The notable significance of C and ˘ in Bach's era. MTimes 155/1927 (Summer 2014), 85-96
19. Jerold, Beverly:   The complexities of early instrumentation: Winds and brass. (2015), xiii, 160p
20. Jerold, Beverly:   Fingering and pedalling in the Bach era. Organ 94/371 (Feb-Apr 2015), 8-17
21. Jerold, Beverly:   Quantz and Agricola: A Literary Collaboration. ActaMcol 88/2 (2016), 127-142
22. Jerold, Beverly:   Bach's lament about Leipzig's professional instrumentalists. [ce]Jerold (2016), 25-42
23. Jerold, Beverly:   Why most a cappella music could not have been sung unaccompanied. [ce]Jerold (2016), 53-62
24. Jerold, Beverly:   Fasch and the beginning of modern artistic choral singing. [ce]Jerold (2016), 63-80
25. Jerold, Beverly:   Intonation standards and equal temperament. [ce]Jerold (2016), 105-119
26. Jerold, Beverly:   Eighteenth-century stringed keyboard instruments from a performance perspective. [ce]Jerold (2016), 121-139
27. Jerold, Beverly:   The tromba and corno in Bach's time. [ce]Jerold (2016), 141-164
28. Jerold, Beverly:   The French time devices revisited. [ce]Jerold (2016), 193-214
29. Jerold, Beverly:   The notable significance of C and ˘ in Bach's era. [ce]Jerold (2016), 215-228
30. Jerold, Beverly:   Numbers and tempo, 1630–1800. [ce]Jerold (2016), 229-242
31. Jerold, Beverly:   Notes inégales: A definitive new parameter. [ce]Jerold (2016), 265-286
32. Jerold, Beverly:   Distinguishing between artificial and natural vibrato in premodern music. [ce]Jerold (2016), 287-298
33. Jerold, Beverly:   The varied reprise in eighteenth-century instrumental music: A reappraisal. [ce]Jerold (2016), 333-348
34. Jerold, Beverly:   Music performance issues, 1600–1900. [ce]Jerold (2016), xii, 348p
35. Jerold, Beverly:   Performance conditions, standards and Bach's chorus. MTimes 158/1941 (Winter 2017), 55-70

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