Bach Bibliography Search Result - Ordered Chronologically

Author : Huron, David
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Huron, David:   Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. diss. (1989) PhD, University of Nottingham, 1989.
	2.	Huron, David; Fantini, Deborah A.:   The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice. MPerception 7/1 (Fall 1989), 43-48.
	3.	Huron, David:   The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice. MPerception 9/1 (Fall 1991), 93-103.
	4.	Huron, David:   Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities. MPerception 9/2 (Winter 1991), 135-154.
	5.	Orpen, Keith S.; Huron, David:   The measurement of similarity in music: A quantitative approach for non-parametric representations. ComputersMResearch 4 (Fall 1992), 1-44.
	6.	Huron, David:   Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions. MPerception 10/4 (Summer 1993), 435-443.
	7.	Huron, David:   Chordal-tone doubling and the enhancement of key perception. PsychoMcol 12/1 (1993), 73-83.
	8.	Huron, David:   On the role of embellishment tones in the perceptual segregation of concurrent musical parts. EmpiricalMcolReview 2/4 (Oct 2007) https://kb.osu.edu/dspace/bitstream/1811/29394/1/EMR000027a_huron.pdf
	9.	Huron, David:   Asynchronous preparation of tonally fused intervals in polyphonic music. EmpiricalMcolReview 3/1 (Jan 2008) https://kb.osu.edu/dspace/bitstream/1811/31695/1/EMR000036a_Huron.pdf