Type | List | Author: Title , Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Geiringer, Karl: Brahms als Musikhistoriker. DieMusik 25/ 8 (May 1933), 571-578. |  |
| 2. | Geiringer, Karl (ed.): Die Familie Bach. Piano solo = The Bach family = Les Bach / Stücke von Johann Bach ... Hrsg. von Karl Geiringer. - Wien: Universal-Ed., 1936. 48p. |  |
| 3. | Geiringer, Karl (ed.): Alte Meistersonaten für Geige und Klavier = Sonatas by old masters for violin & piano. Herausgegeben von Karl Geiringer. [Score & Part] - Wien: Universal Edition, 1937. 48p + St. Pl.-Nr.: U.E.10914. [Contains sonatas by Jean Marie Leclair, Giuseppe Tartini, Johann Mattheson, Johann Christian Bach (Sonata G dur für Violin u. Pfte), and Luigi Boccherini] |  |
| 4. | Geiringer, Karl (arr.): I know that my Redeemer lives ... / [Johann Michael Bach] For Five-part Chorus of Mixed Voices a cappella. English version by W. Wager ... Transcribed by K. Geiringer. - New York: G. Schirmer, 1940. (= 'Old Masters of Choral Song. Edited by K. Geiringer', No. 1) |  |
| 5. | Geiringer, Karl: Musical Instruments. Their History from the Stone Age to the Present Day. Translated by Bernard Miall. London: Allen and Unwin, 1943. 339p. - 2nd edn. 1945, 340p; R/1965. |  |
| 6. | Geiringer, Karl: The lost portrait of J. S. Bach. N.Y.: Oxford Univ. Press, 1950, 12p. |  |
| 7. | Geiringer, Karl: Artistic interrelations of the Bachs. MQ 36/3 (Jul 1950), 363-374. |  |
| 8. | Geiringer, Karl: The Bachs. A family portrait. Boston: Univ. Press., 1953, 23p. |  |
| 9. | Geiringer, Karl: The Bach Family. Seven generations of creative genius. In collaboration with Irene Geiringer. London: Allen & Unwin 1954, xiv, 514p. - N.Y.: Da Capo Press 1980, 1981, 514p. |  |
| 10. | Geiringer, Karl (ed.): The Music of the Bach Family: An Anthology. Cambridge, Mass.: Harvard University Press; London: Cumberlege, 1955. - N.Y.: Da Capo Press 1980. 248p. |  |
| 11. | Geiringer, Karl: Bach et sa Famille. Sept Générations des Génies Créateurs. En collabor. avec Irčne Geiringer. Traduit de l'Anglais, Ire et IIe parties par Marguerite Buchet et IIIe partie par Jacques Boitel. - Paris: Corręa, 1955. 557p. |  |
| 12. | Geiringer, Karl: Symbolism in the music of Bach. A Lecture. Washington: Library of Congress 1956, 16p. [Louis Charles Elson Memorial Fund.] |  |
| 13. | Geiringer, Karl: Hun naam was Bach. Zeven generaties muzikale scheppingskracht. Arnheim: Van Loghum Slaterus, 1956. 495p |  |
| 14. | Geiringer, Karl: Unbeachtete Kompositionen des Bückeburger Bach. InnsbruckBeitrKulturWiss 3 (1956), 99-107. |  |
| 15. | Geiringer, Karl: Die Musikerfamilie Bach. Leben und Wirken in drei Jahrhunderten. München: Beck'sche Verlagsbuchhandlung, 1958, xiv, 571p. 2/1977, xiv, 397p. (= Becksche Sonderausgaben) |  |
| 16. | Geiringer, Karl: Unbekannte Werke von Nachkommen J. S. Bachs in amerikanischen Sammlungen. In: Bericht über den siebenten Internationalen Musikwissenschaftlichen Kongress Köln 1958. - Kassel [u.a.]: Bärenreiter, 1959. 366p. - pp. 110-112. |  |
| 17. | Geiringer, Karl; Geiringer, Irene: La familia de los Bach. Siete generaciones de genio creador. Trad. del inglés por Guillermo Sans Huelin y Maria Teresa de Llanos de Sans. - Madrid: Espada-Calpe. 1962. 592p |  |
| 18. | Geiringer, Karl: Bach's work-cycle. [cr]NewYork1961 2 (1962), 129-130. Bach Problems. III. |  |
| 19. | Dadelsen, Georg von; Geiringer, Karl: Bach as 'conservator' vs. Bach as 'pathbreaker'. [cr]NewYork1961 2 (1962), 131. Bach Problems. 2. |  |
| 20. | Geiringer, Karl: Es ist genug. In: The Commonwealth of Music in honor of Curt Sachs. Ed. by Gustave Reese and Rose Brandel. New York: The Free Press, 1965. |  |
| 21. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. The culmination of an era. In collaboration with Irene Geiringer. N. Y.: Oxford Univ. Press, 1966. 382p. - Nowich: Jarrold & Sons, London: Allan and Unwin 1967. xi, 382p. |  |
| 22. | Geiringer, Karl: Bach's Oratorios. AmerChoralReview 9/3 (Spring 1967), 22-25. |  |
| 23. | Geiringer, Karl: Johann Sebastian Bach. I samarbete med Irene Geiringer. Övers. Kajsa Rootzén. - Stockholm: Bokförlaget Pan/Norsteds 1969. 339p. |  |
| 24. | Geiringer, Karl: Der Einfluß der Aufklärung auf J. S. Bachs künstlerisches Denken. StudMcolAcadSciHungaricae 11/1-4 (1969), 201-206. |  |
| 25. | Geiringer, Karl; Geiringer, Irene: J. S. Bach. Trans. French by Rose Celli. Paris: Ed. du Seuil 1970. 398p. (= Musique) |  |
| 26. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. Sono Shogai to Ongaku. [Johann Sebastian Bach. The culmination of an Era] Trans. Japanese by Ichiro Sumikura. Tokyo: Hakusuisha 1970, 2/1973, R/1997. 452p. |  |
| 27. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. München: Beck. 1971. xii, 376p, 2/1978. 3/1985. viii, 377p. Mit Noten. (= Beck'sche Sonderausgaben) |  |
| 28. | Geiringer, Karl: Pictorialism and Symbolism in the Music of Bach. [p]AMS_PacificNorthwest (May 1973) A paper given at the Pacific Northwest Chapter meeting of the AMS on May 11-12, 1973 at the University of Oregon, Eugene. |  |
| 29. | Geiringer, Karl: Johann Sebastian Bach. A szersö munkatársa Irene Geiringer. - Budapest: Zeneműkiadó, 1976. 293p. | Latin 2
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| 30. | Geiringer, Karl: Die Musikerfamilie Bach. Musiktradition in 7 Generationen. Unter Mitarb. von Irene Geiringer. - 2nd edn. München: Beck, 1977. ix, 397p. ISBN: 3-406-06985-1. |  |
| 31. | Geiringer, Karl: Bach no Ongaku ni okeru Shochoho. BachSosho 9 (1978), 7-24. Trans. by Sei Honda. [Symbolism in the Music of J. S. Bach.] |  |
| 32. | Geiringer, Karl: I. Bach. [trans. from 1954 edn.] Milano: Rusconi 1981. 714p. (= La musica, 8) |  |
| 33. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. Culminación de una era. [Johann Sebastian Bach. The culmination of an Era] Karl Geiringer; en colaboración con Irene Geiringer; [traducción del inglés de Salustio Alvarado] Madrid: Altalena editores, 1982. x, 410p. ISBN: 84-7475-142-X. (= Contrapunto) |  |
| 34. | Geiringer, Karl: C.P.E. Bach and the Viennese Classical School. [p]AMS_PacificSouthwest (Nov 1987) A paper read at the Pacific Southwest Chapter meeting of the American Musicological Society on 21 November 1987 at the California State University, Los Angeles. |  |
| 35. | Geiringer, Karl: Carl Philipp Emanuel Bach und die Meister der Wiener klassischen Schule. OMzs 43/ 6 (1988), 300-306. |  |
| 36. | Geiringer, Karl: Emanuel Bach and the music of the Viennese classical triad. DetroitMMcol 35 (2002), 195-202. |  |
| 37. | Geiringer, Karl: Brahms's performance arrangements of Es ist genug. DetroitMMcol 49 (2006), 379-387. [BWV 60] |  |