Bach Bibliography
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Author : Franklin, Don O.
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Franklin, Don O.:   Problems of Text and Tempo in Bach's Well-Tempered Clavier II: A New Look at the Sources. [p]AMS_Philadelphia (Nov 1976)
2. Franklin, Don O.:   Textual Problems in Bach's W.T.C. [p]AMS_RockyMountain (Apr 1977)
3. Franklin, Don O.:   Problems of Tempo in J. S. Bach's Music. [p]AMS_Michigan (Nov 1982)
4. Franklin, Don O.:   Problems of Tempo in the Keyboard Works of J. S. Bach. [p]AMS_MidAtlantic (Mar 1984)
5. Franklin, Don O.:   The Music for Keyboard. [p]AMS_SouthCentral (Apr 1985)
6. Franklin, Don O.:   Articulation in the cembalo works of J. S. Bach: A notational study. [cr]Stuttgart1985 (1987), ii: 452-465
7. Franklin, Don O.:   Reconstructing the Urpartitur for WTC II: a study of the 'London Autograph' (BL Add. MS 35021). BachStud 1 (1989), 240-278
8. Franklin, Don O. (ed.):   Bach Studies. [1] BachStud 1 (1989), 362p
9. Franklin, Don O.:   The Carnegie Manuscript and J. S. Bach. Bach 22/1 (Spring-Summer 1991), 5-15
10. Franklin, Don O.:   Die Artikulation in den Cembalowerken J. S. Bachs - eine Notationsstudie. BachSt 10 (1991), 280-301
11. Franklin, Don O.:   Die Fermate als Notationsmittel für das Tempoverhältnis zwischen Präludium und Fuge. BeitrBachF 9-10 (1991), 138-156
12. Franklin, Don O.:   The Carnegie Manuscript and J. S. Bach. CarnegieMag 60/7 (1991), 20-25
13. Franklin, Don O.:   Bach's Keyboard Music in the 1730s and 1740s: Organs and Harpsichords, Hildebrandt and Neidhardt. EarlyKStudNL 6/1 (1991), 1-6
14. Franklin, Don O.:   The Fermata as Notational Convention in the Music of J. S. Bach. FestschriftSer 10 (1992), 345-381
15. Franklin, Don O.:   The Libretto of Bach's John Passion and the Doctrine of Reconciliation: An Historical Perspective. [cr]Amsterdam1993 (1995), 179-203
16. Franklin, Don O.:   Vom Recht Sterben, Christlich Leben, und Seelig Sterben: Johann Olearius und Johann Sebastian Bach. [p]QJSB_Stuttgart (Oct 1995)
17. Franklin, Don O.:   The 6/4 Time-signature as Sign and Symbol. [p]IATB_Chicago (Sep 1997)
18. Franklin, Don O.:   'Recht Glauben, Christlich Leben, Seelig Sterben': Johann Olearius and Johann Sebastian Bach. [cr]Stuttgart1995 (1998), 229-248
19. Franklin, Don O.:   Konvention und Invention in Kantate 46: Johann Sebastian Bachs Kantate für den 10. Sonntag nach Trinitatis. ArolserBeitrMf 7 (1999), 181-206
20. Franklin, Don O.:   Vom alten zum neuen Adam: Phrygischer Kirchenton und moderne Tonalität in J.S.Bachs Kantate 38. [cr]Eisenach1996 (1999), 129-144
21. Franklin, Don O.:   The Role of 'Tacktarten' in Bach's composition of the chorale cantatas. [p]IATB_Logumkloster (Oct 1999)
22. Franklin, Don O.:   Composing in time: towards a new understanding of temporal strusture in J.S. Bach's multi-movement works. [p]BCB_Dublin (Jul 2000)
23. Franklin, Don O.:   The relationship between the theological and temporal dimension of the Matthew Passion. [p]IBS_Utrecht (Sep 2000)
24. Franklin, Don O.:   Beziehungen zwischen Taktordnung und Kompositionstechnik in Teil I des Wohltemperirten Claviers. [p]IS_Köthen (Oct 2000)
25. Franklin, Don O.:   Proportionen und Dimensionen in der Missa in h. [p]WK_Leipzig (Jan 2000)
26. Franklin, Don O.:   The Role of Time Signatures in Bach's Composition of Jahrgang I. DortmundBachF 3 (2002), 329-356
27. Franklin, Don O.:   Aspekte von Proportion und Dimension in Johann Sebastian Bachs Missa von 1733. LeipzigerBeitrBachF 5 (2002), 235-272
28. Franklin, Don O.:   Das Verhältnis zwischen Taktart und Kompositionstechnik im Wohltemperierten Klavier I. MwSchr 38 (2002), 147-160
29. Franklin, Don O.:   Viewing the Goldberg Variations as a musico-mathematical matrix. [p]BS_Dortmund (Jan-Feb 2002)
30. Franklin, Don O.:   Viewing the Goldberg Variations as a musico-mathematical matrix. DortmundBachF 6 (2003), 231-250
31. Franklin, Don O.:   C.P.E. Bach's St. Matthew Passion 1789 as Parody and Pasticcio. [p]WAfB_Wolfenbüttel (Apr 2003)
32. Franklin, Don O.:   Composing in time: Bach's temporal design for the Goldberg Variations. IrishMStud 8 (2004), 103-128
33. Franklin, Don O.:   Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. [p]BICB_Manchester (Jul 2004)
34. Franklin, Don O.:   Carl Philipp Emanuel Bach's 1789 Matthew Passion as Pasticcio and Parody. WolfenbüttelArbBarockF 43 (2005), ii: 655-672
35. Franklin, Don O.:   Alfred Mann (1917-2006): A Personal Reminiscence. BachNotesABS 6 (Fall 2006), 18-19
36. Franklin, Don O.:   A Guide to the Temporal Structure of the 1733 Missa. [cr]Belfast2007 2 (2007), 446-458
37. Franklin, Don O.:   The Missing Adagio. EarlyMReview 119 (Jun 2007), 12-13
38. Franklin, Don O.:   The Role of the 'Actus Structure' in the Libretto of J. S. Bach's Matthew Passion. [fs]Leaver65 (2007), 121-139
39. Franklin, Don O.:   Bach and the Oratorio Tradition. [p]ABS_Bethlehem (May 2008)
40. Franklin, Don O.:   Bill Scheide: Pioneer and Promoter of Bach's Music. BachNotesABS 11 (Spring 2009), 7-8
41. Franklin, Don O.:   The 2009 Montreal Bach Symposium -- A Conference Report. BachNotesABS 12 (Winter 2010), 2
42. Franklin, Don O.:   George J. Buelow (March 31, 1929 -- March 30, 2009) BachNotesABS 12 (Winter 2010), 11
43. Franklin, Don O.:   Viewing the poetic texts in Bach's Matthew Passion from a new perspective. [fs]Petzoldt65 (2011), 67-77
44. Franklin, Don O.:   In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015). Bach 46/1 (2015), 1
45. Franklin, Don O.:   'Recht Glauben, Christlig Leben, Seelig Sterben': Johann Olearius and the Libretto of Cantata 67. Bach 46/1 (2015), 2-28
46. Franklin, Don O.:   Viewing the Poetic Texts in Bach's Matthew Passion from a New Perspective. Bach 46/1 (2015), 29-48
47. Franklin, Don O.:   Don O. Franklin named Honorary Member. BachNotesABS 22 (Spring 2015), 1-2
48. Franklin, Don O.:   Remembrance of Martin Petzoldt. BachNotesABS 23 (Fall 2015), 4-6
49. Franklin, Don O.:   Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa. Bach 48/1 (2017), 76-92
50. Franklin, Don O.:   Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ. Bach 51/2 (2020), 241-258

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