Bach Bibliography
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Author : Butler, Gregory
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Butler, Gregory G.:   The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. diss. (1973) PhD. University of Toronto, 1973.
2. Butler, Gregory G.:   The Fantasia as Musical Image. MQ 60/4 (Oct 1974), 602-615.
3. Butler, Gregory G.:   Fugue and Rhetoric. JMTheory 21/1 (Spring 1977), 49-109.
4. Butler, Gregory G.:   Konrad Friedrich Hurlebusch and His Influence on J. S. Bach. [p]AMS_PacificNorthwest (Nov 1977) A paper given at the Pacific Northwest Chapter meeting of the AMS on November 4-5, 1977 at the University of Washington.
5. Butler, Gregory G.:   New Research on J. S. Bach's Dritter Teil der Klavierübung (1739). [p]AMS_Minneapolis (Oct 1978) A paper read at the Forth-Fourth Annual Meeting of the American Musicological Society, Meeting Jointly with the Society for Music Theory, October 19-22, 1978 at Hotel Leamington, Minneapolis.
6. Butler, Gregory G.:   Ordering Problems in J. S. Bach's Art of the Fugue Resolved. [p]AMS_Biltmore (Nov 1979) A paper read at the Forth-Fifth Annual Meeting of the American Musicological Society, Meeting Jointly with the Society for Music Theory, November 1-4, 1979 at The Biltmore, New York City.
7. Butler, Gregory G.:   J. S. Bach and the Schemelli Gesangbuch Revisited. [p]AMS_PacificNorthwest (Nov 1979) A paper read at the Pacific Northwest Chapter meeting of the AMS on 16-17 November 1979 at the University of Victoria.
8. Butler, Gregory G.:   Leipziger Stecher in Bachs Origianldrucken. BachJb 66 (1980), 9-26. Summary in English (p.153), French (p.154), Russian (p.155) and Czech (p.157).
9. Butler, Gregory G.:   Music and Rhetoric in early 17th century English sources. MQ 66/1 (Jan 1980), 53-64.
10. Butler, Gregory G.:   Mattheson's Der vollkommene Capellmeister and J. S. Bach's Late Fugal Writing. [p]AMS_Boston (Nov 1981) A paper read at the Forty-Seventh Annual Meeting of the American Musicological Society, 12-15 November 1981 at Park Plaza Hotel, Boston.
11. Butler, Gregory G.:   Borrowings in J. S. Bach's Klavierübung III. [p]AMS_PacificNorthwest (Apr 1981) A paper read at the Pacific Northwest Chapter meeting of the AMS on 3-4 April 1981 at the University of British Columbia.
12. Butler, Gregory G.:   Borrowings in J. S. Bach's Klavierübung III. CanadianUnivMReview 4 (1983), 204-217.
13. Butler, Gregory G.:   Der vollkommene Capellmeister as a stimulus to J. S. Bach's late fugal writing. [ce]NewMatthesonStudies (1983), 293-305.
14. Butler, Gregory G.:   Ordering Problems in J. S. Bach's Art of Fugue Resolved. MQ 69/1 (Winter 1983), 44-61.
15. Butler, Gregory G.:   The Proof Copies of J. S. Bach's Klavierübung III. [p]AMS_Louisville (Oct 1983) A paper read at the Forty-Ninth Annual Meeting of the American Musicological Society, October 27-30, 1983 at The Galt House, Louisville.
16. Butler, Gregory G.:   The projection of affect in Baroque dance music. EarlyM 12/2 (May 1984), 200-207.
17. Butler, Gregory G.:   J. S. Bach's Klavierübung III: Aspects of its Evolution as Revealed in the Original Print. [p]AMS_PacificNorthwest (May 1984) A paper read at the Pacific Northwest Chapter meeting of AMS, 5-6 May 1984 at Stanford University.
18. Butler, Gregory G.:   J. S. Bach and the Schemelli Gesangbuch Revisited. StudiMusicali 13/2 (1984), 241-257.
19. Butler, Gregory G.:   The Engraving and Printing of J. S. Bach's Six Partitas. [p]AMS_Vancouver (Nov 1985) A paper read at the AMS / CMS / SEM / SMT Vancouver Annual Meetings, 7-10 November 1985.
20. Butler, Gregory G.:   The engraving of J. S. Bach's six partitas. JMcolResearch 7/1 (1986), 3-27.
21. Butler, Gregory G.:   Neues zur Datierung der Goldberg-Variationen. BachJb 74 (1988), 219-223. Kleine Beiträge.
22. Butler, Gregory G.:   Johann Gotthilf Ziegler: Der Notenstecher der Partiten III bis VI von Johann Sebastian Bach? [cr]Leipzig1985 (1988), 277-281. [BWV 827-830]
23. Butler, Gregory G.:   J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print. Bach 20/2 (Summer 1989), 4-37.
24. Butler, Gregory G.:   Bach's Clavier-Übung III: The making of a print. With a companion study of the Canonic Variations on 'Vom Himmel hoch', BWV 769. Duke University Press, 1990. 139p. ISBN: 0-8223-1009-0.
25. Butler, Gregory G.:   J. S. Bach's Gloria in Excelsis Deo (BWV 191): Music for a Leipzig Dankfest. [p]AMS_PacificNorthwest (Mar-Apr 1990) A paper read at the Pacific Northwest Chapter meeting of the American Musicological Society on 30-31 March-1 April 1990 at University of Washington.
26. Butler, Gregory G.:   J. S. Bach and the Concord-Discord Paradox. JMcol 9/3 (Summer 1991), 343-357. [BWV 1086, 207]
27. Butler, Gregory G.:   Johann Sebastian Bachs Gloria in excelsis Deo BWV 191: Musik für ein Leipziger Dankfest. BachJb 78 (1992), 65-71. Kleine Beiträge.
28. Butler, Gregory G.:   The Engravers of Bach's Clavier-Übung II. [fs]Scheide (1993), 57-69.
29. Butler, Gregory G.:   J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History. Bach 25/1 (Spring-Summer 1994), 5-10.
30. Butler, Gregory G.:   J. S. Bach's reception of Tomaso Albinoni's mature concertos. BachStud 2 (1995), 20-46.
31. Butler, Gregory G.:   Johann Gottlob Immanuel Breitkopf: The Formative Years. BachPerspectives 2 (1996), 159-168.
32. Butler, Gregory G.:   Toward a More Precise Chronology for Bach's Concerto for Three Violins and Strings BWV 1064a: The Case for Formal Analysis. DortmundBachF 1 (1997), 235-247.
33. Butler, Gregory G.:   Fasch and the canonic trio sonata. FaschSt 6 (1997), 249-262.
34. Butler, Gregory G.:   The Galant Style in Bach's Musical Offering: Widening the Dimensions [p]BS_Dortmund (Jan 1998) Paper read at the 2nd Dortmunder Bach-Symposions, 21-24 January 1998.
35. Butler, Gregory G.:   The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. BachPerspectives 4 (1999), 9-32.
36. Butler, Gregory G.:   Johann Sebastian Bach und Johann Gottlieb Graun. [fs]Schulze65 (1999), 186-193.
37. Butler, Gregory G.:   Using Chronological Markers to Establish Connexes of Bach's Concerto Movements. [p]AMS_PacificNorthwest (Apr 1999) A paper read at the Pacific Northwest Chapter of the American Musicological Society on 9-11 April 1999.
38. Butler, Gregory G.:   J. S. Bachs Kanonische Veränderungen über 'Vom Himmel hoch' (BWV 769). Ein Schlußstrich unter die Debatte um die Frage der 'Fassung letzter Hand'. BachJb 86 (2000), 9-34.
39. Butler, Gregory G.:   The Prelude to J. S. Bach's Third English Suite BWV 808/1: An Allegro Concerto Movement in Ritornello Form. [p]BCB_Dublin (Jul 2000) A Paper read at Ninth Biennial Conference on Baroque Music, Trinity College Dublin, 12-16 July 2000.
40. Butler, Gregory G.:   Bachs Musicalisches Opfer. Neue Entdeckungen am Originaldruck. [p]WK_Leipzig (Jan 2000) A paper read at the Wissenschaftliche Konferenz 'Bach in Leipzig / Bach und Leipzig' from 27 to 29 January 2000.
41. Butler, Gregory G.:   The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions. Bach 33/1 (2002), 57-68.
42. Butler, Gregory G.:   The Printing History of J. S. Bach's Musical Offering: New Interpretations. JMcol 19/2 (Spring 2002), 306-331.
43. Butler, Gregory G.:   Eine neue Interpretation der Druckgeschichte des Musikalischen Opfers. LeipzigerBeitrBachF 5 (2002), 309-320.
44. Butler, Gregory G.:   Der äesthetische und pädagogische Kontext des Italienischen Konzerts. [p]BS_Dortmund (Jan-Feb 2002) A paper read at 4. Internationalen Dortmunder Bach-Symposion. 'Bachs Musik für Tasteninstrumente im Kontext der europäischen Musik' 30. Januar bis 2. Februar 2002.
45. Butler, Gregory G.:   Toward an Aesthetic and Pedagogical Context for J. S. Bach's Italian Concerto BWV 971. DortmundBachF 6 (2003), 223-230.
46. Butler, Gregory G.:   The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. IrishMStud 8 (2004), 93-101. [BWV 592-597; 972-987, 808, 1050]
47. Butler, Lynn Edwards; Butler, Gregory:   'Rare, newly invented stops': Scheibe's organ for St. Paul's Church, Leipzig. [fs]Vogel65 (2006), 285-306.
48. Butler, Gregory G.:   J. S. Bach's Concerted Ensemble Music, The Ouverture. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2007. xi, 163p. ISBN: 0-252-03042-7. (= Bach Perspectives, 6) [contents]
49. Butler, Gregory G.:   Bach's Preluding for a Leipzig Academic Ceremony. [fs]Leaver65 (2007), 51-67. [BWV 65, 191, 198, 531, 545, 547, 564, 590, 667]
50. Butler, Gregory G.:   The origins of J.S. Bach's 'Wie jammern mich doch die verkehrten Herzen,' BWV 170/3. [fs]Williams70 (2007), 227-236.
51. Butler, Gregory G.:   Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053). BachPerspectives 7 (2008), 1-20.
52. Butler, Gregory G. (ed.):   J. S. Bach's Concerted Ensemble Music, The Concerto. Edited by Gregory G. Butler. - Urbana and Chicago: University of Illinois Press, 2008. xi, 121p. ISBN-10 0-252-03165-2. ISBN13 978-0-252-03165-6. (= Bach Perspectives, 7) [contents]
53. Butler, Gregory G.:   Scribes, Engravers, and Notational Styles: The Final Disposition of Bach's Art of Fugue. [ce]AboutBach (2008), 111-123.
54. Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.):   About Bach. [Dedicated with affection to Christoph Wolff, Scholar; Mentor; Friend.] Urbana and Chicago: University of Illinois Press, 2008. xi, 216p. ISBN: 13: 978-0-252-03344-5; 10-0-252-03344-2. [contents]
55. Butler, Gregory:   'Instrumente Mangel': Leipzig Cantata Movements with Obbligato Organ as a Reflection of Bach's Performing Forces. KeyboardPerspectives 3 (2010), 131-146.
56. Butler, Gregory:   The Trost Organ in Altenburg and Bach's Clavierübung III as Manifestations of the Triunophilia of Duke Frederick III of Saxe-Gotha. [p]ABS_Rochester (Sep 2012) A paper read at the biennial meeting of the American Bach Society 'Bach and the Organ' held at the Eastman School of Music in Rochester, NY, 27-30 September 2012.
57. Butler, Gregory G.:   The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s. Bachperspectives 10 (2016), 76-86.
58. Butler, Gregory:   Printed Editions. [ce]RoutledgeResearchCompanion (2017), 89-95. [Chapter 4] Part I: Sources.
59. Butler, Gregory:   J. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen. ContextBachStud 8 (2018), 205-214.
60. Butler, Gregory:   Beobachtungen am Eingangschor von Bachs Kantate 'Halt im Gedächtnis Jesum Christ' BWV 67. BachJb 106 (2020), 249-258. Kleine Beiträge.

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