| Type | List | Author: Title , Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Babitz, Sol: A problem of Rhythm in Baroque music. MQ 38/4 (Oct 1952), 533-565 |  |
| 2. | Babitz, Sol: The Vega Bach Bow. A Reply to Dr. Emil Telmányi. MTimes 96/1347 (May 1955), 251-253 |  |
| 3. | Babitz, Sol: The Need for Authentic Performance of Early Music. A reply to Dr. Telmányi. MTimes 97/1355 (Jan 1956), 39 |  |
| 4. | Babitz, Sol: Differences between eighteenth-century and modern violin bowing. Score 19/1 (1957), 34-55 |  |
| 5. | Babitz, Sol: On using J. S. Bach's keyboard fingerings. MLetters 43/2 (Apr 1962), 123-128 |  |
| 6. | Babitz, Sol: Das Violinspiel im 18. Jahrhundert und heute. [cr]Kassel1962 (1963), 313-315 |  |
| 7. | Babitz, Sol: Notes Inégales: A Communication. JAMSoc 20/3 (Autumn 1967), 473-476 |  |
| 8. | Babitz, Sol: 'Concerning the Length of Time that Every Note Must be Held.' MReview 28/1 (1967), 21-37 |  |
| 9. | Babitz, Sol: On using early keyboard fingering. (1969), 24p |  |
| 10. | Babitz, Sol: On using early keyboard fingering. Diapason 60/ 3:711 (Feb 1969), 15-28 |  |
| 11. | Babitz, Sol: On using early keyboard fingering. Diapason 60/ 4:712 (Mar 1969), 21-26 |  |
| 12. | Babitz, Sol: On using early keyboard fingering. Diapason 60/ 5:713 (Apr 1969), 21-24 |  |
| 13. | Babitz, Sol: 'Anmerkung, welche die Zeit, wie lange jede Note gehalten werden muß, betrifft'. Musica 23/1 (Jan-Feb 1969), 8-14 |  |
| 14. | Babitz, Sol: The Great Baroque Hoax: A Guide to Baroque Performance for Musicians and Connoisseurs. (1970), 51p |  |
 | 15. | Babitz, Sol (ed.): The Six Solos for Violin without Bass Accompaniment by Johann Sebastian Bach. (1972), xxviii, 45p |  |
| 16. | Babitz, Sol: To the editor of Bach. Bach 3/2 (Apr 1972), 40-43 |  |
| 17. | Babitz, Sol: To the Editor of BACH. Bach 3/3 (Jul 1972), 43-44 |  |