Bach Bibliography Search Result - Ordered Chronologically

Series : diss.
Year : 1994
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Greenbaum, Sarah:   Metrical Displacements in the 'Well-Tempered Clavier': a Study of Rhythm in the Fugal Genre. diss. (1994) MA Diss., Ramat-Gan: Bar-Ilan University, 1994.
	2.	Orgass, Stefan:   Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). diss. (1994) Essen Folkwang Hochschule, 1994.
	3.	Sandberger, Wolfgang:   Das Bach-Bild Philipp Spittas. diss. (1994) PhD diss., Musicology, Univ. of Hamburg, 1994.
	4.	Gross, Steven Lee:   The Evolution and Nomenclature of Bach's Horn Parts. diss. (1994), 143p. DMA doc., Univ. of Cincinnati, 1994. 143p
	5.	Polevoi, Randall Mark:   The Controversy over Bach's Trills: Towards a Reconsiliation. diss. (1994), 166p. DMA diss., Univ. of North Carolina at Greensboro, 1994. 166p
	6.	Sandler, Vadim:   Zapadnoevropejskaja sonata dlja skripki solo pervoj poloviny XX veka--Istorija, stil', problemy interpretacii. diss. (1994), 16p. [The Western European solo violin sonata of the first half of the twentieth century--History, style, problems of interpretation] PhD diss., Iskusstvovedenie: Gosudarstvennaja Konservatorija, Moskva, 1994. 16 p.
	7.	Wells, Mark:   The fugues of Joseph Rheinberger's organ sonatas: An historical and analytical study. diss. (1994), 176p. DMA doc., Performance practice. Univ. of Cincinnati, College-Conservatory of Music, 1994. 2 vols. 176 p.
	8.	Häußler, Rita:   Die Lutherischen Messen Johann Sebastian Bachs. Studien zum Parodieverfahren in den Messen BWV 233-236. diss. (1994), 181p. Diss., Institut für Musikwissenschaft, München, 1994. 181 S. (München, Univ. Diss, 1994.).
	9.	Mulvey, Margaret Neal:   The School Fugue. Its Place in the Organ Repertoire of the French Symphonic School, a Lecture Recital, together with Three Recitals of Selected Works of J. S. Bach, D. Buxtehude, C. Franck, P. Eben, F. Mendelssohn, R. Schumann, M. Reger and Others. diss. (1994), 194p. DMA diss., University of North Texas, 1994. 194p.
	10.	Bell, Michael Stephen:   The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales. diss. (1994), 204p. PhD diss., Florida State U., 1994. 204 p.
	11.	Weber, Rudolf:   Musikalische Autonomie und Textbezug in Vokalwerken von strenger Satztechnik. diss. (1994), 280p. PhD diss., Hochschule der Künste, Berlin, 1994. 280 p.
	12.	Hill, David S.:   The Persistence of Memory: Mode, Trope, and Difference in the Passion Chorale. diss. (1994), 302p. PhD. State University of New York at Stony Brook, 1994. 302p
	13.	Yearsley, David Gaynor:   Ideologies of learned counterpoint in the northern German Baroque. diss. (1994), 376p. PhD diss. Stanford University, 1994. 376p. UMI No. DA9516942. [BWV 668, 769]
	14.	Boursy, Richard:   Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. diss. (1994), 412p. PhD diss., Yale U., 1994. 412p. UMI No. DA9522719.
	15.	Dauer, Robin Lee:   Three works for voice and French horn with accompaniment. diss. (1994), 72p. DMA doc., Performance practice: U. of Cincinnati, 1994. 72 p.
	16.	Qureshi, Rifat Javed:   The Influence of Baroque Dance in the Performance of Johann Sebastian Bach's 'Six Suites a Violonello Senza Basso' diss. (1994), 72p. DMA diss., Rice University, 1994. 72p
	17.	Snustad, Nancy:   The allemandes in the six suites for solo cello by J.S. Bach: An analysis and comparison. diss. (1994), 91p. DMA doc., Performance practice: Indiana U., 1994. 91 p.
	18.	Kaplan, Harriet Marlene:   An Examination of Johann Sebastian Bach's Fifth and Sixth Suites for Solo Cello, BWV 1011 and 1012. diss. (1994), 98p. Univ. of Cincinnati, 1994. 98p
	19.	Huang, Fung-yin:   Bartók's contributions to piano pedagogy: His edition of Bach's Well-tempered clavier and impressions of former students. diss. (1994), ix, 120p. DMA doc., Ohio State U., 1994. ix, 120p.
	20.	Stewart, John D.:   The Pedagogy of Transition: Issues of Composition and Craft in the Bach Chorales and Bach Fugues. diss. (1994), vi, 231 Bl. Ed.D. Harvard University, 1994. vi, 231 Bl.
	21.	Yoon, Soomee:   Addition, omission and revision: the stylistic changes made to Zehn Variationen ueber ein Praeludium von Chopin by Ferruccio Busoni, with three recitals of selected works by J. S. Bach, D. Scarlatti, Beethoven, Brahms, Debussy, Schumann and Liszt. diss. (1994), xi, 67p. DMA diss., Univ. of North Texas, Denton, 1994. 79p - Ann Arbor, Mich.: UMI, 1994. xi, 67p. AAT 9517661
	22.	Arshagouni, Michael Hrair:   Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. diss. (1994), xv, 422p. PhD diss., Musicology, University of California at Los Angeles, 1994. xv, 422 p.
	23.	Cooper, John Michael:   Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives. diss. (1994), xv, 455p. PhD diss., Duke University, 1994. xv, 455p. - Ann Arbor: UMI, 1994.