Bach Bibliography Search Result - Ordered Chronologically

Series : diss.
Year : 1993
Show full details : ON

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Barros, Nicolas de Souza:   A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. diss. (1993) [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols.
	2.	Bioules, Agathe:   L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. diss. (1993) [The development of Mozart's contrapuntal language around the year 1782: The joint influence of J. Haydn and J.S. Bach] Maitrise, U. de Paris IV [Paris-Sorbonne], 1993.
	3.	Williamson, Barry Scott:   A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). diss. (1993), 107p. DMA diss., The University of Texas at Austin, 1993, 107p
	4.	Heyder, Bernd:   Die motettischen Sätze in Bachs Kantatenwerk. diss. (1993), 110p. Magisterarbeit der Philosophischen Fakultät der Universität Köln. - Köln: 1993. 110 S. PC-Druck
	5.	Claus, Rolf Dietrich:   Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. diss. (1993), 125p. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg. Hamburg, 1993. 125p.
	6.	Anderson, Scott Eric:   Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. diss. (1993), 126p. DMA doc., Education: U. of Missouri, 1993. 126p. UMI No. DA94-18459. [BWV 454]
	7.	Edwards, Mark Douglas:   A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. diss. (1993), 133p. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p
	8.	Harlow, Julia Tikker:   A musician's introduction to Baroque dance. diss. (1993), 139p. DMA doc., U. of Oregon, 1993. 139p.
	9.	Tannenbaum, Michele Horner:   Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. diss. (1993), 163p. PhD diss.: Kent State University, 1993, 163p
	10.	Krause, Drew Stafford:   Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. diss. (1993), 163p. DMA doc., U. of Illinois, 1993. 163p. UMI No. DA9329088
	11.	Charron, John P.:   Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. diss. (1993), 186p. DMA diss., Performance, Juilliard School, 1993. 186p
	12.	Wyatt, Susan Beth Masters:   Kurt Weill: A song Composer in Wartime With Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. diss. (1993), 187p. DMA doc.: U. of North Texas, 1993, 187p
	13.	Covington, David Lee:   A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. diss. (1993), 189p. PhD diss., Florida State U., 1993. 189 p.
	14.	Mundt, Frank:   Überlegungen zu J. S. Bachs lebensgeschichtlichem Wandel am Ende der 1730er Jahre. Eine psychologisch-biographische Studie in Grenzgebieten. diss. (1993), 199p. PhD diss., Musicology, Humboldt-Universität, Berlin, 1993. 199 Bl
	15.	Reynolds, Robert Lee:   The Bach Sinfonias: A Guide to Analysis and Performance Planning. diss. (1993), 234p. Univ. of Kentucky, 1993. 234p
	16.	Mains, Ronda Miller:   An investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance. diss. (1993), 281p. DMA doc., U. of Oregon, 1993. 281p. UMI No. DA9402035. [BWV 1030, 1032, 1034, 1035, 1079]
	17.	Reich, Wieland:   Mauricio Kagel, Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. diss. (1993), 297p. PhD diss., U.-Gesamthochschule Siegen, 1993 - Saarbrücken: Pfau, 1995. 297p. ISBN: 3-930735-21-0.
	18.	Hicks, Eric Michael:   A historical perspective on unity in the keyboard partitas of Johann Sebastian Bach. diss. (1993), 317p. DMA doc., U. of Texas, Austin, 1993. 317p. UMI No. DA9400833.
	19.	Sysoeva, Alla:   Programmnost' v instrumental'noj muzyke epohi barokko: Problemy tipologii nacional'nyh skol. diss. (1993), 48p. [Programmatic elements in instrumental music of the Baroque period: Problems of typology of national schools] PhD diss., Music theory: Gosudarstvennaja Konservatorija, Moskva, 1993. Moskva: Rossijskaja Akademija Muzyki imeni Gnesinyh, 1993. 48p
	20.	Austin, Jack Vosseller:   Johann Sebastian Bach: an Appreciation. diss. (1993), 53p. MA diss., California State University, Dominguez Hills, 1993. 53p
	21.	Dube, Michelle Claire:   'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. diss. (1993), 57p. DMA doc., University of Arizona, 1993, 57p
	22.	Kitchens, Melinda Leunette:   Free polyphonic texture in selected early piano works of Robert Schumann. diss. (1993), 59p. DMA doc., U. of Alabama, 1993. 59 p.
	23.	Wollny, Peter:   Studies in the Music of Wilhelm Friedemann Bach: Sources and Style. diss. (1993), 637 Bl. PhD. diss. Harvard University, Cambridge Mass. 1993. ix, 546, [75] Bl. [p. 414-546: Werkverz.]
	24.	Hasse, Michaela:   Anna Amalia von Preußen: Porträt einer Komponistin unter besonderer Berücksichtigung des soziologischen und des analytisch begründeten stilistischen Standorts von Michaela Hasse. - Münster, Univ., Schriftl. Hausarb., 1993. 82, [35] Bl. [contents]
	25.	Lyman, Kent Marvin:   George Rochberg's Carnival music, suite for solo piano: An aesthetic compositional and performance perspective. diss. (1993), 90p. DM doc., Indiana U., 1993. 90p. [BWV 795]
	26.	Coetzee, Vernon George:   Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). diss. (1993), x, 359p. MM thesis, U. of Cape Town, 1993. x,359p
	27.	Derry, Lisa Anne:   The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. diss. (1993), xii, 243p. PhD diss., Theory, Indiana University, 1993. xii, 243p.
	28.	Botelho, Mauro:   Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. diss. (1993), xvii, 589p. PhD diss., University of Michigan, 1993. xvii, 589p. [BWV 1052, 1042, 1048]