Bach Bibliography Search Result - Ordered Chronologically

Series : diss.
Year : 1987
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Tatlow, Ruth Mary:   LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet. diss. (1987) PhD diss., London U., King's Col. 1987.
	2.	Kaiser, Rainer:   Tintenanalytische Untersuchungen an Bachschen Originalhandschriften mit Hilfe reflexionsspektroskopischer Methoden. diss. (1987) Ein Beitrag zur archäometrischen Bach-Forschung. PhD diss., Berlin: Technische Universität. 1987
	3.	Ito, Eiko:   J. S. Bach 'Mubanso Cello Kumikyoku' ni kansuru Kenkyu: Enso, Gakufu nado no Rekishiteki Jokyo ni tsuite. diss. (1987) [A study on J. S. Bach 'unaccompanied Cello Suites': historical situation on issues relating to performance and editions] PhD thesis, Tokyo National University of Fine Arts and Music, 1987. 2 vols.
	4.	Levy, Mark H.:   The Well-Tampered Clavier: Authenticity and performing style in editions of Bach's Wohltemperiertes Clavier. diss. (1987) MMus diss., King's College, University of London, 1987.
	5.	Corsini, Antonella:   Componenti bachiane nell'opera di Robert Schumann. diss. (1987) [Bach influences in the works of Robert Schumann] lau, Stor. del' mus.: Universita degli Studi di Torino, 1986-87.
	6.	Slabber, Louise:   The influence of French keyboard and Italian instrumental music of the seventeenth and early-eighteenth centuries in the organ works of J. S. Bach. diss. (1987), 106p. MMus diss., University of Cape Town, 1987. 106 p.
	7.	Grossman, Robert:   The lute suite in G minor BWV 995 by Johann Sebastian Bach: A comparison of the autograph manuscript and the lute intabulation in Leipzig, Sammlung Becker, MS.III.11.3. diss. (1987), 131p. DM doc. diss., Performance practice: Indiana Univ., 1987. 131p.
	8.	Ellefson, Randi von:   A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. diss. (1987), 140p. DMA doc., Performance practice: Arizona State Univ., 1987. 140p. [DA 8805471.]
	9.	Krylova, Larisa:   O nekotoryh priemah vyrazenija avtorskoj pozicii v muzykal'nom proizvedenii. diss. (1987), 17p. [Expressing the text's meaning in a musical work.] PhD diss., Music theory: Gosudarstvennaja Kosnervatorija im. P.I. Cajkovskogo, Moskva, 1987. 17p.
	10.	Grine, James Laurence:   The flute and obbligato keyboard sonatas by Carl Philipp Emanuel Bach: A study for performance. diss. (1987), 234p. DMA doc., Music: University of Wisconsin, Madison, 1987. 234p. [DA 8713151.]
	11.	Alikova, Zoja:   Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. diss. (1987), 23p. [Characteristics of the fugues in J.S. Bach's sonatas: The interaction of polyphonic and homophonic formal elements] - PhD diss., Music theory: Institut Teatra, Muzyki i Kinematografii, Leningrad, 1987. 23p.	Latin 2
	12.	Buchmann, Lutz:   Friedrich Wilhelm Rust (1739-1796): Untersuchungen zu seinem Liedschaffen und seinem Beitrag zur Überlieferung der Werke Johann Sebastian Bachs. diss. (1987), 256p. PhD diss., Martin-Luther-Universität Halle/Wittenberg, 1987 (Nicht f.d. Austausch). - 256+8 Bl.; 323 Bl.(Dokumente); 116 Bl.(Noten)
	13.	Friedrich, Felix:   Der Orgelbauer Heinrich Gottfried Trost: Personlichkeit, Schaffensanalyse und Aspekte eines Künstlerbildes. diss. (1987), 284p. PhD diss., Musikwissenschaft: Martin-Luther-Univ., Halle-Wittenberg, 1987. 284p
	14.	Butt, John Anthony:   The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. diss. (1987), 336, 79, 31p. PhD diss., Cambridge Univ., 1987. 336, 79, 31p.
	15.	Renwick, William J.:   Voice-leading patterns in the fugal expositions of J. S. Bach's 'Well-tempered Clavier'. diss. (1987), 355p. PhD diss., Music Theory: City U. of New York, 1987. 355p.
	16.	Seelig, Timothy G.:   Six odes by C. F. Gellert set by C. P. E. Bach and Ludwig van Beethoven: a comparative analysis, a lecture recital together with three recitals of selected works by Monteverdi, Caldara, Mozart, Brahms, Mendelssohn, Ives. diss. (1987), 65p. DMA Diss., Univ. Texas, 1987. 65p. AAT 8723784.
	17.	McMullen, Diane Marie:   The Geistreiches Gesangbuch of Johann Anastasius Freylinghausen (1690-1739): A German pietist hymnal. diss. (1987), 661p. PhD diss., Musicology, University of Michigan, 1987. 2v, 661p (vol.1: xxiii, 335 Bl. - vol.2: Bl. 336-631) [DA 8720317.] - Dissertation Abstracts International, 48-11A, p. 2759, AAF8720317. [Volume Two of the dissertation contains a critical edition of the 194 hymns with printed music]
	18.	Silber, Judith Karen [Ballan, Judith Silber]:   Mendelssohn and the Reformation Symphony: A Critical and Historical Study. diss. (1987), vii, 246p. PhD diss., Yale University, 1987. vii, 246 leaves. - also an abstract published 'Mendelssohn and the Reformation Symphony', in: JAMSoc, vol. 40 (1987), pp. 310-336.
	19.	Dehmel, Jörg:   Toccata und Präludien in der Orgelmusik von Merulo bis Bach. diss. (1987), viii, 194p. PhD diss., Univ. Hamburg, 1987, viii, 194 p.
	20.	Johnston, Gregory Scott:   Protestant funeral music and rhetoric in seventeenth-century Germany: a musical-rhetorical examination of the printed sources. diss. (1987), x, 247p. PhD diss., University of British Columbia, 1987. x, 247p.
	21.	Walker, Paul Mark:   Fugue in German Theory from Dressler to Mattheson. diss. (1987), x, 664p. PhD. State Univ. of New York at Buffalo. 1987. x, 664p.
	22.	Janson, Peter:   The eighteenth-century chorale prelude for organ and solo wind instrument: Its repertoire and historical background. diss. (1987), xi, 132p. MA diss. University of Victoria, British Columbia. 1987. xi, 132p.
	23.	Hill, Robert Stephen:   The Möller Manuscript and the Andreas Bach Book: Two Keyboard Anthologies from the Circle of the Young Johann Sebastian Bach. diss. (1987), xvii, 754 Bl. PhD diss., Harvard University, 1987. 2 vols. xvii, 754 Bl. [BWV 563; 570; 582; 724; 739; 820; 832; 833; 896; 917; 921; 949; 967]