Bach Bibliography
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Series : diss.
Year : 1980
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Philips, Eric W.:   Johann Christian Bach, the six keyboard concertos op.1: a dissertation and critical edition. diss. (1980) MA diss., University of Cardiff, 1980.
2. Owens, William Steven:   A solo woodwind transcription of J. S. Bach's 'Concerto No 4' BWV 1055. diss. (1980) Louisville, Ky., The Southern Baptist Theological Seminary 1980.
3. Hansell, D. J. K.:   Changing structures in German organ music from 1600 to the death of J. S. Bach. diss. (1980) MA diss., University of Durham, 1980.
4. Molkhou, Manuel:   Les audaces harmoniques dans l'oeuvre de clavier de Jean-Sébastian Bach. diss. (1980), 104p. Paris, Sorbonne, 1980. 104p.
5. Schreiner, Frederick:   An analytical Study for the Performance of Cantata No.55 and Cantata No.160 by Johann Sebastian Bach. diss. (1980), 118p. DM Dissertation - Indiana University, 1980. 118p.
6. Smith, Charles Justice, III:   Patterns and strategies: four perspectives of musical characterization. diss. (1980), 130p. PhD diss.: University of Michigan, 1980. 130p. - Dissertation Abstracts International, 41-09A, p. 3776, AAF8106229.
7. Umstaedt, Monica Johanna:   The Early Organ Preludes, Fugues, Toccatas and Fantasias of Johann Sebastian Bach as a Culmination of Italian and German Organ Literature of the 15th to 17th Centuries. diss. (1980), 177p. DMA diss., Performance, Columbus, Ohio, Ohio State University 1980. 177p.
8. Rjazanova, Nina P.:   Organnye choral'nye obrabotki I. S. Bach. Ih kompozicionno-strukturnye osobennosti. diss. (1980), 178p. [The organ chorales of J.S. Bach: their compositional and structural features.] PhD diss., Leningradskaja Konservatorija, Leningrad 1979/80. 178p.
9. Širokova, Valentina:   O pretvorenii zakonomernostej vokal'nogo i reèevogo intonirovanija v instrumental'nom tematisme (na materiale muzyki Bacha). diss. (1980), 180p. [Über die Verwirklichung der Gesetzmäßigkeit des vokalen und rhetorischen Intonierens in den instrumentalen Themen (dargestellt an der Musik Bachs)] - PhD diss., Leningradskaja konserfvatorija, 1980. 180p. Latin 2
10. Hawthorne, Walter Williams:   J. S. Bach's Inventions and Sinfonias: an Analysis. diss. (1980), 197p. PhD diss., Univ. of Cincinnati, 1980. 197p.
11. Leckie, Thomas Conley:   A Comparison of Thematic and Episodic Analyses of the Bach two-part Inventions. diss. (1980), 212p. PhD diss., University of Oklahoma, 1980. 212p.
12. Seymen, Claude:   Esthétique de la musique. Musique baroque. Cantates de Jean-Sébastien Bach. diss. (1980), 231p. Paris, viii, 1980. 231p.
13. Ide, Yumiko:   A structural and stylistic analysis of selected inventions and sinfonias of Johann Sebastian Bach. diss. (1980), 257p. EDD diss., New York, Columbia Univ. Teachers College, 1980. 257p
14. Schiffner, Markus:   Zu Johann Sebastian Bachs Klavierübung (Teil I-III): Ordnungsprinzipien und zyklische Gestaltungskonzeption. diss. (1980), 261, 14p. PhD. Halle (Saale): Martin-Luther-Universität 1980, 261, 14p.
15. Richter, Klaus Peter:   Orgelchoral und instrumentaler Ensemblesatz: Studien zu Choralbearbeitungen von Johann Sebastian Bach. diss. (1980), 262p. PhD diss., Musicology, München, 1980. 262p
16. Sip, Sergej:   Princip simmetrii v muzyke i ego projavlenie v narodnom napeve. diss. (1980), 26p. [The principle of symmetry in music and its manifestation in folk melodies.] MA diss., Theory: Ryl'skij Inst. iskusstva, folk'lora, i etnografija, 1980. 26p.
17. Schweizer, Christophe:   Le rapport du texte et de la musique dans la 'Passion selon Saint-Matthieu' de J.-S. Bach. diss. (1980), 303p. Paris, Sorbonne 1980. 303p.
18. Jaskulsky, Hans:   Die lateinischen Messen Franz Schuberts. diss. (1980), 340p. PhD diss., Musikwissenschaft: Universität Frankfurt am Main, 1980. - Mainz: Schott, 1986. 340p.
19. Dreyfus, Laurence Dana:   Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. diss. (1980), 341p. Univ. of Columbia 1980. 341p
20. Lauderdale-Hinds, Lynne Allison:   Four organ chorale preludes of Johann Sebastian Bach (1685-1750) as realized for the piano by Ferruccio Busoni (1866-1924): a comparative analysis of the piano transcriptions and the original works for organ. diss. (1980), 44p. DMA diss.: North Texas State Univ., 1980. 44p. [BWV 639, 667, 659, 615]
21. Ellis, Mark:   Linear aspects of the fugues of J. S. Bach's 'The Well-tempered Clavier'. A Quantitative Survey. diss. (1980), 594p. PhD diss., Univ. of Nottingham, 1980. 594p.
22. Nikolai, Monica Dagmar:   J.C.F. Bach's clavier concertos. diss. (1980), 622p. MMus diss., University of Alberta, 1980. 622p.
23. Hopkins, Edwina Patricia:   The Use of Pedal in J. S. Bach's French Suites, English Suites, and Partitas: a General Guide to Pedalling in the Keyboard Music. diss. (1980), 86p. DMA diss., Ohio State University Press, 1980. 86p.
24. Sircy, Virginia Rice:   A comparison of selected Liszt and Schumann piano transcriptions of the Paganini violin caprices: a lecture recital, together with three recitals of selected works of Brahms, Mozart, J. S. Bach, von Weber, Dukas, Schoenberg, Rachmaninov and others. diss. (1980), x, 62p. DMA diss., North Texas State Univ. 1980. x, 62p.; Ann Arbor, Mich. [usw.]: Univ. Microfilms Internat., 1982.
25. Simon, Carl Geoffrey:   Musical Iconography in the Sacred Cantatas of Johann Sebastian Bach. diss. (1980), xxiii, 255p. DMA diss., Music, Peabody Inst. of the John Hopkins University. Peabody Consv. of Music 1980. xxiii, 255p

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