Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Engler, Klaus: Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. diss. (1970) Tübingen 1970. (Druck 1984) | |
| 2. | Schaeffer, John Gerhardt: The Influence of the Late Baroque Instrumental Concerto on Bach's Free Forms for Organ and Clavier. diss. (1970) DMA diss., Performance, University of Illinois. 1970. | |
| 3. | Gillingham, B. R.: J. C. Bach's third set of keyboard concertos: a socio-musical study. diss. (1970) MMus diss., King's College London, 1970 | |
| 4. | Gerstung, Denman Wayne: Performance Practice of Multiple Stops in the Sonatas and Partitas for Unaccompanied Violin of J.S. Bach. diss. (1970) DMusEd diss., The University of Oklahoma, 1970. | |
| 5. | Jones, Anita Joyce Gilstrap: A survey of organ works based on the motive B-A-C-H. diss. (1970), 106p. University of Texas. Austin 1970. 106p. | |
| 6. | Alleln, Horst: Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. diss. (1970), 128p. University of Urlangen, 1970. | |
| 7. | Pribyl, Lieselotte: Das Phänomen der atonikalen Werkeröffnung in der Klaviermusik von Ph. E. Bach bis R. Schumann. diss. (1970), 155; 178; 273p. PhD diss., Musicology, Universität Wien, 1970. 3v. 155; 178; 273p | |
| 8. | Waterman, Muriel Moore: The double keyboard concertos of Carl Philipp Emanuel Bach. diss. (1970), 173p. MM diss., Music history: University of Arizona, 1970. 173 p. | |
| 9. | Lenz, Christfried: Studien zur Satztechnik Bachs. Untersuchung einiger vom Erscheinungsbild der Vokalpolyphonie geprägter Kompositionen. diss. (1970), 181p. PhD diss., Univ of Heidelberg, 181p. [BWV 589, 232/3, 572, 849/2, 669, 552/2, 38/1, 686] | |
| 10. | Day, Thomas Charles: Palestrina in history: a preliminary study of Palestrina's reputation and influence since his death. diss. (1970), 201p. PhD Dissertation. Columbia University, 1970. 201p | |
| 11. | Lutz, Lorna Kay: Friedrich Wilhelm Franke--seine Bedeutung in der Kirchenmusik. diss. (1970), 202p. PhD diss., Musicology. Universität Köln, 1970. - Köln: Volk, 1970. 202p. | |
| 12. | Heimann, Walter: Der Generalbaß-Satz und seine Rolle in Bachs Choralsatz. diss. (1970), 278p. PhD diss., Univ. Freiburg im Breisgau, 1970. 278p. | |
| 13. | Sragow, Ruth LaPorte: The harmonic circle-of-fifths technique in late-Baroque and Classic orchestral music: a comparison. diss. (1970), 284p. MA diss., University of Maryland, 1970. 284p | |
| 14. | Chase, Harriet Ruth: German, Italian and Dutch Fugal Precursor of the Fugues in the Well-tempered Clavier I. 1600-1722. diss. (1970), 293p. PhD diss., Theory, Indiana University. 1970, 293p. | |
| 15. | Milka, Anatolij Pavloviè: Funkcional'nost' muzykal'noj struktury i dinamika strukturnogo razvitija v sjuitach I. S. Bacha. diss. (1970), 333p. Leningrad, 1970. 333p. | Latin 2
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| 16. | Brown, Charles S.: The art of chorale-preluding and chorale accompaniment as presented in Kittel's Der angehende praktische Organist. diss. (1970), 350, 230p. PhD, Performance and pedagogy from University of Rochester, Eastman School of Music, 1970. 350; 230p. | |
| 17. | Kellar, Allan Dean: The Hamburg Bach: Carl Philipp Emanuel Bach as Choral Composer. diss. (1970), 353p. Vol. I: Life and work in Hamburg. Vol. II: The israelites in the wilderness: a new edition. - PhD diss., Musicology, University of Iowa, 1970. 353p. | |
| 18. | Schleuning, Peter: Die Freie Fantasie. Ein Beitrag zur Erforschung der Klaviermusik des 18. Jahrhunderts. diss. (1970), 400p. PhD Dissertation. Universität Freiburg i. Br. 1970. 400p. | |
| 19. | Weeks, William B.: The use of the chorale in the organ works of Ernst Pepping. diss. (1970), 80p. DMA diss., Music: University of Arizona, 1970. 80 p | |
| 20. | Sollenberger, Elizabeth Travis: A Graded Analysis of the Organ Preludes and Fugues of Johann Sebastian Bach for Teachers and Students Providing a Compendium of Increasingly Difficult Performance Problems. diss. (1970), 88p. MA diss., The American University, 1970. 88p | |
| 21. | Rose, Juanelva M.: The Harmonic Idiom of the Keyboard Works of C. P. E. Bach. diss. (1970), xii, 289p. PhD diss., Musicology, University of California at Santa Barbara, 1970. xii, 289 p. | |
| 22. | Hammitt, Jackson Lewis, III: Sacred music in Berlin, 1740 to 1786. diss. (1970), xvii, 280p. PhD diss., Musicology: University of Michigan, 1970. xvii, 280p. - Dissertation Abstracts International, 32-03A, p. 1549, AAF7123769 | |