Bach Bibliography Search Result - Ordered Chronologically

Series : [p]IMS_Leuven
Year : 2002
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Kiralina, Juzhak:   Von der frühesten Version des Wohltemperierten Klaviers Bachs zum Bewusstwerden der Fuge als Allzweckform. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	2.	Spitzer, Michael:   Mediating conceptual metaphor and poetics: how to hear imagery in Bach. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	3.	Synofzik, Thomas:   Inventio and aemulatio: The Two-Part Inventions of Bach's Pupil Heinrich Nicolaus Gerber. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	4.	Tomita, Yo; Fujinami, Tsutomu:   Managing a text-critical database of J.S. Bach's 'Well-Tempered Clavier II' with XML and a relational database. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	5.	Kerman, Joseph:   Deconstructing a Bach fugue. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	6.	Ferris, David:   'Welcher Fantast ich war': C.P.E. Bach's composed improvisations. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	7.	Szabó-Knotik, Cornelia:   Globalizing Bach: classical music, commerce, the media, and blind ownership. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	8.	Hennion, Antoine:   Ecouter, c'est refaire ce qu'on écoute: comment musiciens, critiques, amateurs et public ont créé leur Bach, en France au XIXe siècle? [p]IMS_Leuven (Aug 2002) [Listening as performance: how musicians, critics, amateurs and the public produced their Bach in 19th-century France] A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	9.	Yu, Zhi-Gang:   Bach Studies in China. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	10.	Berg, Darrell M.:   C.P.E. Bach's Solo keyboard works in the Berlin Sing-Akademie. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	11.	Wollny, Peter:   C.P.E. Bach's instrumental ensemble music. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	12.	Wolff, Christoph:   C.P.E. Bach's Polyhymnia -- An unpublished song collection of the 1770s. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	13.	Corneilson, Paul:   C.P.E. Bach's 'Heilig' in various contexts. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	14.	Leisinger, Ulrich:   Compositional procedures in C.P.E. Bach's Hamburg passions. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	15.	Johnson, Peter; Hong, Ju-Lee:   Expressive intonation in cello performance: Bach's C major Sarabande BWV 1009. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	16.	Allen-Russell, Ann van:   A conspiracy of composers: J.C. Bach and C.F. Abel vs. Longman & Lukey. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.
	17.	Wuidar, Laurence:   Genres musical et littéraire en miroir: canons-devises et emblèmes. [p]IMS_Leuven (Aug 2002) A paper read at International Musicological Society, 17th Congress, Lueven, 1-7 August 2002.