Bach Bibliography
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Series : [p]BICB_Manchester
Year : 2004
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Abravaya, Ido:   Bach's tempo practices: tempo changes. [p]BICB_Manchester (Jul 2004)
2. Crist, Stephen A.:   When is an aria not an aria? Terminological and generic distinctions among the solos in Bach's vocal works. [p]BICB_Manchester (Jul 2004)
3. Dirksen, Pieter:   J.S. Bach and the tradition of the moto contrario. [p]BICB_Manchester (Jul 2004)
4. Elferen, Isabella van:   'Seuffzen und Thränen': of sighs and tears in Bach's vocal works. [p]BICB_Manchester (Jul 2004)
5. Fehleisen, Fred:   BWV 245/12b: a practical issue with compositional implications. [p]BICB_Manchester (Jul 2004)
6. Franklin, Don O.:   Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. [p]BICB_Manchester (Jul 2004)
7. Hartinger, Anselm:   Mendelssohn and early nineteenth-century Bach reception. [p]BICB_Manchester (Jul 2004)
8. Leaver, Robin A.:   Theological Bach Studies: towards a working bibliography. [p]BICB_Manchester (Jul 2004)
9. Lutterman, John:   Works in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. [p]BICB_Manchester (Jul 2004)
10. Maul, Michael:   New Bach documents from central German archives. [p]BICB_Manchester (Jul 2004)
11. Paczkowski, Szymon:   Singet dem Herrn ein neues Lied (BWV 225) by Johann Sebastian Bach - functions and meaning. [p]BICB_Manchester (Jul 2004)
12. Tomita, Yo:   Re-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II. [p]BICB_Manchester (Jul 2004)
13. Wollny, Peter:   Archival research and the identification of copyists [p]BICB_Manchester (Jul 2004)
14. Kokole, Metoda:   Diffusion and circulation of the 18th-century Italian opera between Gorizia, Trieste and Graz. [p]BICB_Manchester (Jul 2004)
15. Beißwenger, Kirsten; Kobayashi, Yoshitake:   Work in progress: the copyists' catalogue of the Neue Bach-Ausgabe. [p]BICB_Manchester (Jul 2004)
16. Cameron, Jasmin M.:   Vivaldi's Crucifixus in its descriptive and rhetorical context. [p]BICB_Manchester (Jul 2004)
17. Kevorkian, Tanya:   J. S. Bach, the Baroque and pietism in Leipzig in the 1720s and 1730s. [p]BICB_Manchester (Jul 2004)
18. Leahy, Anne; O'Toole, Redmond:   Bach's Prelude, Fugue and Allegro for lute (BWV 998): a Trinitarian statement of faith? [p]BICB_Manchester (Jul 2004)
19. Wolff, Christoph:   The Bach-Archiv and source-critical research: an introduction. [p]BICB_Manchester (Jul 2004)

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