Bach Bibliography Search Result - Ordered Chronologically

Series : [cr]Warsaw2017
Year : 2019
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Paczkowski, Szymon:   'The Ideal of Great Music I Created for Myself'. Chopin, Bach and the Baroque Musical Tradition. [cr]Warsaw2017 (2019), 13-46. Trans. Steven Canty. Abstract, pp.48 (pl), 49 (en).
	2.	Tatlow, Ruth:   Symmetry and a Template: Bach's Well-Tempered Clavier, and Chopin's Preludes, Op. 28. [cr]Warsaw2017 (2019), 51-81. Abstract: pp.82-83 (pl), 84-85 (en).
	3.	Blanken, Christine:   A Genuine Romantic Composer and his Pre-Classical Inspirations: Johann Sebastian Bach as Seen through the Eyes of Franz Schubert. New Light on Viennese Bach Sources [cr]Warsaw2017 (2019), 87-126. Abstract: pp.128 (pl), 129 (en).
	4.	Synofzik, Thomas:   Romantic Counterpoint? – Compositional Techniques in the Piano Fugues of Robert and Clara Schumann. [cr]Warsaw2017 (2019), 131-167. Abstract: pp.168 (pl), 169 (en).
	5.	Tomita, Yo:   Aspects of the Reception of Bach's Well-Tempered Clavier in Chopin's Time: An Overview of Print and Manuscript Sources [cr]Warsaw2017 (2019), 171-196. Abstract: pp.198 (pl), 199 (en).
	6.	Delpech, Louis:   Bach in Paris. Editions, Networks, Performances (1800-1840). [cr]Warsaw2017 (2019), 201-227. Abstract: pp.228 (pl), 229 (en).
	7.	Brookshire, Bradley:   Chopin and the Legacy of Carl Philipp Emanuel Bach. [cr]Warsaw2017 (2019), 231-262. Abstract: pp.264 (pl), 265 (en).
	8.	Speerstra, Joel:   Bach, Chopin, and the Affordances of Keyboard Instruments during the Long Eighteenth Century. [cr]Warsaw2017 (2019), 267-280. Abstract: pp.282 (pl), 283 (en).
	9.	Guido, Massimiliano:   Improvisation Matrices: A Possible Reading for Bach's and Chopin's Preludes? [cr]Warsaw2017 (2019), 285-299. Abstract: pp.300 (pl), 301 (en).
	10.	Papadopoulou, Vasiliki:   Karol Lipiñski as Editor and Interpreter of J. S. Bach's Music [cr]Warsaw2017 (2019), 303-339. Abstract: pp.340 (pl), 341 (en).	Latin 2
	11.	Bertoglio, Chiara:   Translating Bach: Understanding Bach Piano Performance through Lipiñski's Instructive Edition [cr]Warsaw2017 (2019), 343-367. Abstract: pp.368 (pl), 369 (en).	Latin 2
	12.	Erickson, Raymond:   Popularisation and Transformation: Bach's Violin Ciaccona, BWV 1004/5 in the Nineteenth Century. [cr]Warsaw2017 (2019), 371-393. Abstract: pp.394 (pl), 395 (en).
	13.	Maul, Michael:   Public Concerts at the 'True Musical Conservatory': Baroque Repertoire at St Thomas's School at the Turn of the Nineteenth Century. [cr]Warsaw2017 (2019), 397-409. Abstract: pp.410 (pl), 411 (en).
	14.	Zepf, Markus:   Bach - Mozart - Chopin. Some Aspects of Pianos and Piano Making from Bach's to Chopin's Time. [cr]Warsaw2017 (2019), 413-455. Abstract: pp.456 (pl), 457 (en).
	15.	Poniatowska, Irena:   Some Remarks on Tempo Rubato from the Baroque to Chopin. [cr]Warsaw2017 (2019), 459-470. Trans. John Comber. Abstract: pp.472 (pl), 473 (en).
	16.	Paczkowski, Szymon (ed.):   Bach and Chopin: Baroque Traditions in the Music of the Romantics. Warsaw: The Fryderyk Chopin Institute, 2019. 492p. ISBN: 978-83-64823-92-3. [contents]