Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Maul, Michael: New Evidence on Thomaskantor Kuhnau's Operatic Activities, or: Could Bach have been allowed to compose an Opera? UnderstandingBach 4 (2009), 9-20. http://www.bachnetwork.co.uk/ub4/maul.pdf | |
| 2. | Scheitler, Irmgard: Passion and Drama in German Literature. UnderstandingBach 4 (2009), 21-31. http://www.bachnetwork.co.uk/ub4/scheitler.pdf | |
| 3. | HaCohen, Ruth: The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Process in Neoplatonic Frames. UnderstandingBach 4 (2009), 33-54. http://www.bachnetwork.co.uk/ub4/hacohen.pdf | |
| 4. | Kubik, Reinhold, Legler, Margit: Rhetoric, Gesture and Scenic Imagination in Bach's Music. UnderstandingBach 4 (2009), 55-76. http://www.bachnetwork.co.uk/ub4/kubik_legler.pdf | |
| 5. | Shabalina, Tatiana [Shabalina, Tat'jana]: Recent Discoveries in St Petersburg and their Meaning for the Understanding of Bach's Cantatas. UnderstandingBach 4 (2009), 77-99. http://www.bachnetwork.co.uk/ub4/shabalina.pdf | |
| 6. | Smaill, Peter: Bach among the Heretics: Inferences from the Cantata Texts. UnderstandingBach 4 (2009), 101-118. http://www.bachnetwork.co.uk/ub4/smaill.pdf | |
| 7. | Mincham, Julian: Relationships between Text and Music in the 'hybrid' Recitatives of Bach’s second Leipzig Cantata Cycle. UnderstandingBach 4 (2009), 119-133. http://www.bachnetwork.co.uk/ub4/mincham.pdf | |