Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Wentz, Jed: Gustav Leonhardt, the Naarden circle and early music's reformation. EarlyM 42/1 (Feb 2014), 3-12. | |
| 2. | Elste, Martin: From Landowska to Leonhardt, from Pleyel to Skowroneck: historicizing the harpsichord, from stringed organ to mechanical lute. EarlyM 42/1 (Feb 2014), 13-22. | |
| 3. | Naulleau, Gaetan: Gustav Leonhardt's Bach cantata recordings: project, reception and style. EarlyM 42/1 (Feb 2014), 37-54. | |
| 4. | Wilson, Glen: Bach's 'Art of Fugue': suggestions for the last gap. EarlyM 42/2 (May 2014), 249-257. Performing Matters | |
| 5. | Booth, Colin: Bach's use of the single-note ornament in the 'Goldberg Variations'. EarlyM 42/2 (May 2014), 259-272. Performing Matters. | |
| 6. | Jerold, Beverly: Notes inégales: a definitive new parameter. EarlyM 42/2 (May 2014), 273-289. Performing Matters. | |
| 7. | Schulenberg, David: Carl Philipp Emanuel Bach: a tercentenary assessment. EarlyM 42/3 (Aug 2014), 335-345. | |
| 8. | Richards, Annette: Listening for likeness, or C. P. E. Bach and the art of speculation. EarlyM 42/3 (Aug 2014), 347-362. | |
| 9. | Dellal, Pamela: The songs of C. P. E. Bach: a performer's perspective. EarlyM 42/3 (Aug 2014), 363-377. | |
| 10. | Corneilson, Paul: Organizing the complete works of C. P. E. Bach. EarlyM 42/3 (Aug 2014), 379-387. | |
| 11. | Rathey, Markus: Rehearsal for the opera--remarks on a lost composition by Johann Kuhnau from 1683. EarlyM 42/3 (Aug 2014), 409-420. | |