Bach Bibliography
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Series : [p]BICB_Belfast
Year : 2010
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Dirksen, Pieter:   Some Observations on Bach's Organ Sonatas. [p]BICB_Belfast (Jul 2010)
2. Ledbetter, David:   Improvisation Practices in Bach's Instrumental Music. [p]BICB_Belfast (Jul 2010)
3. Paczkowski, Szymon:   Field Marshall Jakob Heinrich Flemming (1667-1728) and his musical patronage. [p]BICB_Belfast (Jul 2010)
4. Wollny, Peter:   'Meticulous, fine work' or 'reflection of a great school'? -- Wilhelm Friedemann Bach and the protestant church cantata after 1750. [p]BICB_Belfast (Jul 2010)
5. Joyce, Elizabeth:   The Baroque and Lutheran Views of the World Embodied in Bach's Cantata 'Was frag ich nach der Welt' (BWV 94). [p]BICB_Belfast (Jul 2010)
6. Crean, Elise:   The Fourteen Canons: Foundation or Culmination? A re-evaluation of their position amongst Bach's late works. [p]BICB_Belfast (Jul 2010)
7. Diskin, Kirill:   The copies of the Well-tempered Clavier by J.S.Albrechtsberger: to his Bachiana. [p]BICB_Belfast (Jul 2010)
8. Dodds, Michael:   Ars combinatoria in a Bach Passion Chorus. [p]BICB_Belfast (Jul 2010)
9. Leaver, Robin A.:   Music in Published Books of Emblems. [p]BICB_Belfast (Jul 2010)
10. Corduban, Michaela:   Bach as a master of the Musica Poetica. A rhetorical approach to the Well-Tempered Clavier (Book I): proposition of a formal model. [p]BICB_Belfast (Jul 2010)
11. Bärwald, Manuel:   Secular music performances in the Leipzig 1740s. [p]BICB_Belfast (Jul 2010)
12. Fazekas, Gergely:   Inner Time, Outer Time and 'Da Capo' Form. Structure and meaning in J.S. Bach's E major violin concerto (BWV 1042). [p]BICB_Belfast (Jul 2010)
13. Maul, Michael:   New Light on the Controversy between Bach and Scheibe and music life in Leipzig during the late 1730s. [p]BICB_Belfast (Jul 2010)
14. Oleskiewicz , Mary:   The Bachs in Berlin: The Courts of Brandenburg-Prussia as a Background to Instrumental Works of J. S., W. F., and C. P. E. Bach. [p]BICB_Belfast (Jul 2010)
15. Rose, Stephen:   Virtuosos or charlatans? Musical talent and social mobility in the German Baroque. [p]BICB_Belfast (Jul 2010)
16. Schwalbach, Burkhard:   Coffee, Courtship and Counterpoint in Bach's Leipzig: The 'Goldberg Variations' and Women's Clavier Books. [p]BICB_Belfast (Jul 2010)
17. Sela, Yael:   Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's Musical Training. [p]BICB_Belfast (Jul 2010)
18. Shabalina, Tatiana [Shabalina, Tat'jana]:   Texte zur Music by J. S. Bach and his Contemporaries: J. A. Za³uski and his Role in their Preservation. [p]BICB_Belfast (Jul 2010) Latin 2
19. Tatlow, Ruth:   The Goblet of Anise: A Case Study. [p]BICB_Belfast (Jul 2010)
20. Tenkanen, Atte:   Quantitative Properties of Invertible Counterpoints in Compositions by Johann Sebastian Bach. [p]BICB_Belfast (Jul 2010)
21. Wollny, Peter:   Bach's Cantata Performances in the 1730s -- New Findings, New Perspectives. [p]BICB_Belfast (Jul 2010)
22. Golomb, Uri; Cohen, Dalia:   The Crucifixus from Bach's B-minor Mass: The Reflection of the Work in Performance. [p]BICB_Belfast (Jul 2010)
23. Kuhn, Eva:   Bach was not the First--a Violoncello for Francesco II d'Este, Duke of Modena. [p]BICB_Belfast (Jul 2010)
24. Rathey, Markus:   A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio. [p]BICB_Belfast (Jul 2010)
25. Aspden, Suzanne:   'Dresden ditties' and the feminised galant. [p]BICB_Belfast (Jul 2010)
26. Estrada, Erasmo:   'eine cantable Art im Spielen zu erlangen': some considerations on spiritual praxis in J.S. Bach's pedagogical collections. [p]BICB_Belfast (Jul 2010)
27. Kovacevic, Tanja; [Kovaèeviæ]:   Off the Beaten Track: An Exploration of Bach Reception in Catholic Central Europe. [p]BICB_Belfast (Jul 2010) Latin 2
28. Ebata, Nobuaki:   Four part Chorales of Johann Sebastian Bach's lost sacred cantatas from Picander Jahrgang. [p]BICB_Belfast (Jul 2010)
29. Sackmann, Dominik:   On the Aesthetics of Perfidia. [p]BICB_Belfast (Jul 2010)
30. Herr, Corinna:   'Buß und Reu': a symbol of female sinfulness in Bach's St Matthew Passion? [p]BICB_Belfast (Jul 2010)
31. Schulenberg, David:   An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. [p]BICB_Belfast (Jul 2010)
32. Black, David:   Some 'New' Bach Documents in Eighteenth-Century Printed Sources. [p]BICB_Belfast (Jul 2010)
33. Rifkin, Joshua:   Blinding Us with Science? Man, Machine, and the Mass in B Minor. [p]BICB_Belfast (Jul 2010)
34. Speerstra, Joel:   Emblems in Published Books of Music. [p]BICB_Belfast (Jul 2010)
35. Röder, Matthias:   The Permutation Fugue and Johann Sebastian Bach's Compositional Development. [p]BICB_Belfast (Jul 2010)
36. Tomita, Yo:   The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. [p]BICB_Belfast (Jul 2010)
37. Segev, Idith; Cohen, Dalia:   Significant Occurrence in Even Musical Texture in Bach's Preludes. A Study Using Mathematical Tools. [p]BICB_Belfast (Jul 2010)
38. Lutterman, John:   'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice. [p]BICB_Belfast (Jul 2010)
39. Meyer, Sarah:   Chorton and Kammerton in the Actus Tragicus: A Performance Practice Perspective. [p]BICB_Belfast (Jul 2010)

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Last revised on 2 May 2011 by Yo Tomita