Bach Bibliography Search Result |
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Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|---|
1. | Abramowitz, Jonathan | A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. N. Y.: The Juilliard School 1973. [BWV 1027-1029] | diss. | ||||||
2. | Abravaya, Ido | Studies of Rhythm and Tempo in the Music of J. S. Bach. PhD diss., Musicology, Tel Aviv University, 2000. xv, 318 p | diss. | xv, 318p | |||||
3. | Adams, David William | 'Modern' Organ Style in Karl Straube's Reger Editions. PhD diss., Amsterdam: Vrije Universiteit, 2007. xiv, 222p. | diss. | xiv, 222p | |||||
4. | Adamson, J. Philip I. | Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. DM dissertation, Piano Performance and Literature. Indiana University, 1973. 150p | diss. | 150p | |||||
5. | Adams, Robert Michael | Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. MM diss., North Texas State Univ., 1981. 2v. | diss. | ||||||
6. | Adler, Gerhard | Symbols of Transformation vol.5 of the Collected works of C. G. Jung. N.Y. Pantheon, 1956. | diss. | ||||||
7. | Ahnsehl, Peter | Die Rezeption der Vivaldischen Ritornellform in Umkreis und in der Generation J. S. Bachs. Habilitationsschrift - Martin-Luther-Universität Halle - Wittenberg, 1984. viii, 259p. | diss. | viii, 259p | |||||
8. | Ahn, So-Yi | Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. DMA diss., Arizona State University, 2004. 51p. | diss. | 51p | |||||
9. | Albrecht, Timothy Edward | Musical Rhetoric in Selected Organ Works of Johann Sebastian Bach DMA diss., Eastman School of the Univ. of Rochester 1978. v, 211p | diss. | v, 211p | |||||
10. | Aldrich, Putnam | The Principal agréments of the 17th and 18th Centuries. A Study in Musical Ornamentation. PhD diss., Harvard University, 1942. 687 Bl. | diss. | 687 Bl | |||||
11. | Alevizos, Konstantinos | Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. PhD diss., Université Paris 4 Sorbonne, 2016. | diss. | ||||||
12. | Alexander, Daniel | The solo flute sonatas of Carl Philipp Emanuel Bach 1735-1786: A re-evaluation of the appoggiatura, and its links to performance practice and compositional style. DMA diss., University of Houston, 2009. 89p. - Ann Arbor, MI: University Microfilms International, 2009. AAT 3399329. ISBN: 978-1-109-64749-5 | diss. | 89p | |||||
13. | Alikova, Zoja | Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. [Characteristics of the fugues in J.S. Bach's sonatas: The interaction of polyphonic and homophonic formal elements] - PhD diss., Music theory: Institut Teatra, Muzyki i Kinematografii, Leningrad, 1987. 23p. | diss. | 23p | Latin 2 | ||||
14. | Alleln, Horst | Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. University of Urlangen, 1970. | diss. | 128p | |||||
15. | Allen-Russell, Ann van | Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. PhD diss., Musicology, Goldsmiths College, University of London, 2004. 608p | diss. | 608p | |||||
16. | Allerup, Albert | Die 'Musica practica' des Johann Andreas Herbst und ihre entwicklungsgeschichtliche Bedeutung. Ein Beitrag zur Geschichte der deutschen Schulmusik. Münster (Westf.), Phil. Diss. v. 26. Nov. 1931. - Emsdetten (Westf.): Lechte, 1931. xi, 76p, 17p(Musikbeil.) - Kassel: Bärenreiter, 1931. xi, 76p. (= Münsterische Beiträge zur Musikwissenschaft, 1) | diss. | 76p | |||||
17. | Allison, Brian Jerome | Carlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... DMA diss., University of North Texas, 1982. 24p | diss. | 24p | |||||
18. | Allred, Brady Russell | Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. DMA diss., University of Rochester, 1990. 128 leaves. | diss. | 128 leaves | |||||
19. | Allt, W. Greenhouse | The organ and its music from medieval times to Johann Sebastian Bach. MusD diss., University of Edinburgh, 1930. | diss. | ||||||
20. | Altenburg, Detlef | Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). Dissertation. Universität Köln. 1973. | diss. | ||||||
21. | Alípio, Alisson | O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. MA diss. Universidade Federal do Rio Grande do Sul. Instituto de Artes. Programa de Pós-Graduação em Música, 2010. | diss. | 123p | |||||
22. | Anderson, Scott Eric | Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. DMA doc., Education: U. of Missouri, 1993. 126p. UMI No. DA94-18459. [BWV 454] | diss. | 126p | |||||
23. | Anthony, John Philip | The Organ Works of Johann Christian Kittel. 2 vols. PhD diss., Yale University, 1978. 636p. | diss. | 636p | |||||
24. | Antonian, Robert Edward | Johann Sebastian Bach's Magnificat in D, BWV 243: a conductor's analysis and preparation for performance. PhD diss., Conducting: Indiana University, 1976. 275p. | diss. | 275p | |||||
25. | Arfken, Ernst | Das Weimarer Orgelbüchlein von Johann Sebastian Bach. Inaugural-Dissertation zur Erlangung der Doktorwürde vorgelegt bei derTheologischen Fakultät der Georg-August-Universität Göttingen / von Ernst Arfken. - Göttingen, 1965. 108p. [103 gez. Bl] [maschinenschr.] | diss. | 108p | |||||
26. | Aringer, Klaus | Die Tradition des Pausa-Schlusses in den Klavier- und Orgelwerken Johann Sebastian Bachs. PhD diss., Musicology, München, 1997. 197 p | diss. | 197p | |||||
27. | Arkad'ev, Mihail Aleksandroviè | Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. [Temporal articulation in European post-Renaissance music and fundamental problems of rhythm] PhD diss., Iskusstvovedenie from Gosudarstvennyj Institut Iskusstvoznaniâ, Moskva, 2003. 360p. | diss. | 360p | Latin 2 | ||||
28. | Armington, Clara Grace | The development of the pianoforte fugue since Bach. BMus diss., University of Illionois, 1918. 18p | diss. | 18p | |||||
29. | Arsenault, Valerie Prebys | A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416. | diss. | 92p | |||||
30. | Arshagouni, Michael Hrair | Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. PhD diss., Musicology, University of California at Los Angeles, 1994. xv, 422 p. | diss. | xv, 422p | |||||
31. | Aschauer, Mario | Deutschsprachige Clavier-Lehrwerke in der zweiten Hälfte des 18. Jahrhunderts. PhD diss., Universität Wien, 2008. 265p. | diss. | 265p | |||||
32. | Asmus, Jürgen | Die langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-1019): Ein Beitrag zur Sonatenkonzeption J. S. Bachs. Leipzig: Karl-Marx-Universität 1979/80, 172p, 12p. | diss. | 172p, 12p | |||||
33. | Aspaas, Christopher Paul | A history of the Oregon Bach Festival. PhD, Florida State University, 2004. - Ann Arbor, MI: University Microfilms International, 2004. 318p. ISBN: 0-496-94092-9. UMI No. 3160542. | diss. | 318p | |||||
34. | Auclair, Francis | L'interprétation des œuvres de J.S. Bach. [The interpretation of J.S. Bach's musical works] Doctorat, Musicologie: U. de Strasbourg II [Sciences Humaines], 1997. 2 vols. 900 p. | diss. | 900p | |||||
35. | Augenblick, John Walter | J. S. Bach's Cantata No.5: a Conductor's Analysis. Miami, Fla., Univ. of Miami, 1978. 79p | diss. | 79p | |||||
36. | Austin, Jack Vosseller | Johann Sebastian Bach: an Appreciation. MA diss., California State University, Dominguez Hills, 1993. 53p | diss. | 53p | |||||
37. | Axmacher, Elke | 'Aus Liebe will mein Heyland sterben'. Untersuchungen zum Wandel des Passionsverständnisses im frühen 18. Jahrhundert. diss., Berlin (West): Kirchliche Hochschule, 1981. 245p. - Published from Neuhausen-Stuttgart: Hänssler, 1984. 257p. (= Beiträge zur theologischen Bachforschung, 2) | diss. | 245p | |||||
38. | Bae, Jeong-Suk | Italian Keyboard Continuo Improvisation and its Application to the Slow Sections of Buxtehude's Trio Sonatas, Op. 1 and Op. 2. DMA diss., University of Houston, 2013. vi, 44p. | diss. | vi, 44p | |||||
39. | Bae, Jin Young | Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. DMA diss., University of Washington, 2004. v, 101p. | diss. | v, 101p | |||||
40. | Bailey, Louis Lee | The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. DMA diss., Musicology, Southern Baptist Theological Seminary, 1976. 110p | diss. | 110p | |||||
41. | Baird, Julianne Charlotte | Johann Friedrich Agricola's Anleitung zur Singkunst (1757): A translation and commentary. PhD, Stanford University, 1991. 528p. | diss. | 528p | |||||
42. | Baird, Julianne Charlotte | The vocal serenata of the seventeenth and eighteenth centuries. MA diss., Musicology: Eastman School of Music, 1976. 204p. [BWV 173a] | diss. | 204p | |||||
43. | Bamberg, Joachim | Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. Doctoral thesis. Eberhard Karls Universität Tübingen, 2004. | diss. | ||||||
44. | Barbour, J. Murray | Equal Temperament: its History from Ramis (1482) to Rameau (1737). PhD diss., Cornell University, Ithaca, NY, 1932. 353 Bl. - Abstract [4]p | diss. | 353 Bl | |||||
45. | Barnett, Joan | Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. MA diss, Music: Brigham Young University, 1990. 136p. | diss. | 136p | |||||
46. | Barros, Nicolas de Souza | A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. | diss. | ||||||
47. | Barte, Paul Thomas | The keyboard manuscripts of Johann Christoph Bach, cantor in Gehren. DMA doc., U. of Rochester, Eastman School of Music, 1995. 821p. UMI No. DA9531378. | diss. | 821p | |||||
48. | Barton, Pamela Sage | Gender roles in the violin music of Bach. MMus diss., California State University, Long Beach, May 2016. iii, 26p. | diss. | iii, 26p | |||||
49. | Bauer, Karen Tillotson | A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). DM diss., Northwestern University, 1998. xiv, 269p. - Ann Arbor, MI: University Microfilms International, 1998; Country of Publication. ISBN: 0-493-93158-9. Dissertation No: 3073495. | diss. | xiv, 269p | |||||
50. | Bauret, Gabriel | De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. Paris: Université de Paris-Nanterre 1976. 159 Bl. | diss. | 159p | |||||
51. | Bayer, Reinhard | Die musikalische Darstellung der Person Christi in verschiedenen Stilepochen. MA diss., Composition: Hochschule für Musik und darstellende Kunst, Wien, 1982. 88p | diss. | 88p | |||||
52. | Beck, Kimberly Jean | The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198. MA diss., University of Iowa, 2009. iv, 111p. | diss. | iv, 111p | |||||
53. | Beißwenger, Kirsten | Johann Sebastian Bachs Notenbibliothek. PhD diss. Göttingen 1990. 391p. Typescript. | diss. | 391p | |||||
54. | Beller-McKenna, Catherine Pearson | The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. DMA diss, University of South Carolina, 1998. v, 97p (See Diss. Abstract 59/05-A, Nov. 1998, p.1384) | diss. | v, 97p | |||||
55. | Bell, Michael Stephen | The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales. PhD diss., Florida State U., 1994. 204 p. | diss. | 204p | |||||
56. | Benitez, Vincent P. | Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. diss. 1985 | diss. | ||||||
57. | Bennett, Evan | The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. PhD diss., Princeton University, 2004. 256p. - Ann Arbor, MI: University Microfilms International, 2004. ISBN: 0-496-70725-6. Dissertation No: 3123414. | diss. | 256p | |||||
58. | Berdennikova, Ekaterina Mihajlovna | Gomiletièeskie tradicii duhovnyh kantat I.S. Baha. [Homiletic traditions of J.S. Bach's sacred cantatas] Kand (Iskusstvovedenie), Nacional'na Muzycna Akademiâ Ukrajiny imeni P.I. Cajkovs'kogo, Kyjiv, 2000. 212p. - Ukraine: Muzyèna Ukrajina Kyjiv, 2008. 204p. ISBN: 978-966-8259-31-9. | diss. | 212p | Latin 2 | ||||
59. | Berg, Darrell M. | The Keyboard Sonatas of C. P. E. Bach: An Expression of the Mannerist Principle. PhD diss., Musicology, State University of New York at Buffalo, 1975. [vi], 396 p. | diss. | vi, 396p | |||||
60. | Berger, Alfred | Homogenitätsuntersuchungen an den Fugenthemen des 'Wohltemperierten Klaviers' 1. Teil; von Joh. Seb. Bach. Hamburg, Phil. Diss. v. 26. Juli 1939. (Nicht f. d. Austausch) - 37p, 12 Bl. - Auch im Buchh. u.d.T.: 'Homogenitätsuntersuchungen an Joh. Seb. Bachs Fugenthemen' (Hamburg: Hansischer Gildenverlag, 1939) | diss. | 37, 12p | |||||
61. | Bergner, Christoph | Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. PhD diss., Musicology, Tübingen, 1984. 165p | diss. | 165p | |||||
62. | Berkhan, Jonathan | Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach. PhD diss., Victoria University of Wellington, New Zealand, 2006. 461p. | diss. | 461p | |||||
63. | Bertling, Rebekka | Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. Dissertation Universität Kiel 1990. | diss. | ||||||
64. | Bertoglio, Chiara | Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. PhD diss., University of Birmingham. 2012. 466p. | diss. | 466p | |||||
65. | Besch, Hans | Die Frömmigkeit Johann Sebastian Bachs in der Bachbewegung und -forschung. Halle, Theol. Diss., 1934. - Gütersloh, [1937?]. vi, 166p. (Teildr.) - Im Buchh. erw. um 2 Kap. u.d.T.: 'Johann Sebastian Bach, Frömmigkeit und Glaube'. Bd 1 (als: Beiträge zur Förderg. christl. Theol. R. 2, Bd 37,1) | diss. | vi, 166p | |||||
66. | Beswick, Delbert Meacham | The organ works of Dietrich Buxtehude. MMus diss., University of Rochester, 1932. iii, 105p. | diss. | iii, 105p | |||||
67. | Betancourt, Rodolfo J. | The Process Of Transcription for Guitar of J. S. Bach Chaconne from Partita II for Violin Without Accompaniment, BWV 1004. MMus diss., The Lamont School of Music, University of Denver, 1999. iv, 65p. | diss. | iv, 65p | |||||
68. | Beurmann, Andreas E. | Die Klaviersonaten Carl Philipp Emanuel Bachs. Göttingen, Phil. F., Diss. v. 8. Aug. 1953 (Nicht f. d. Aust.) - [1953]. 164 gez. Bl. mit eingekl. Notenbeisp. [Maschinenschr.] | diss. | 164p | |||||
69. | Bighley, Mark Steven | The Lutheran Chorales in the Organ Works of J. S. Bach. DMA diss., Arizona State Univ. 1985. 271p | diss. | 271p | |||||
70. | Bingham, Davis Blair | The Solo Cantatas for Bass Voice by J. S. Bach: Analyses for Performance. PhD diss., Music Education. Faculty of George Peabody College for Teachers, Vanderbilt University, 1983. x, 104p | diss. | x, 104p | |||||
71. | Bioules, Agathe | L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. [The development of Mozart's contrapuntal language around the year 1782: The joint influence of J. Haydn and J.S. Bach] Maitrise, U. de Paris IV [Paris-Sorbonne], 1993. | diss. | ||||||
72. | Bishop, Kirsten Elise | Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols. MPhil thesis, The University of Queensland, 2012. 42p. | diss. | 42p | |||||
73. | Bittmann, Antonius | Negotiating Past and Present: Max Reger and Fin-de-siècle Modernisms. PhD diss., Musicology, Eastman School of Music, University of Rochester, 2000. 620p | diss. | 620p | |||||
74. | Black, David Ian | Mozart and the Practice of Sacred Music, 1781-91. DPhil diss, Harvard University, 2007. xi, 455p. | diss. | xi, 455p | |||||
75. | Blake, Cevedra Marc | The Baroque Oboe d'amore. diss. - Los Angeles: University of California, 1981. 677p. | diss. | 677p | |||||
76. | Bland, Leland Dye | The instrumental ritornello in selected vocal works of Italian composers ca.1670 to ca. 1710. PhD diss, Music Theory: The University of Iowa, 1973. 403p | diss. | 403p | |||||
77. | Blankenburg, Walter | Die innere Einheit von Bachs Werk. Phil. F., Diss. v. 20.1.1943, Göttingen - Göttingen: 1942. (Nicht f. d. Austausch). 208 gez. Bl. [Maschinenschr.] - [Darmstadt]: [Blankenburg], [1986]. 208 Bl. (Nachdr.) | diss. | 208p | |||||
78. | Blechschmidt, Eva Renate | Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. diss., Berlin, 1693. | diss. | ||||||
79. | Bloss, Laura | Natural Trumpet Music and the Modern Performer. MMus diss., The University of Akron, 2012. vii, 74p | diss. | vii, 74p | |||||
80. | Bockova, Tat'jana | Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva. [The 19th century German organ music and traditions of J.S. Bach's romanticism] Kand., Iskusstvov: Rossijskaja Akademija Muzyki im. Gnesinyh, Moskva, 2000. 21 p. | diss. | 21p | |||||
81. | Boelcke, Andreas M. | Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. DMA diss., University of Cincinnati, 2008. xii, 81p. | diss. | xii, 81p | |||||
82. | Bogle, James George | The development of a musically logical procedure for solving the problems of transcription for guitar performance of J. S. Bach's suite in e minor (BWV 996). PhD Diss. Norman, Okla., The Univ. of Oklahoma 1982. 507p | diss. | 507p | |||||
83. | Boldt, Kenwyn Guy | The solo clavier Sonatas attributed to J. S. Bach. DM, piano. Indiana University 1967. 32p. | diss. | 32p | |||||
84. | Bolen, Jane | The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. PhD diss., Musicology, Florida State University, 1974. | diss. | ||||||
85. | Boomhower, Daniel F. | The Manuscript Transmission of J. S. Bach's Mass in B Minor (BWV 232) and the Development of the Concept of Textual Authority, 1750-1850. by Daniel Fellers Boomhower. - PhD diss., Case Western Reserve University, May 2017. xi, 257p. | diss. | xi, 257p | |||||
86. | Bordignon, Paolo Michele | Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. DMA diss., Performance, Juilliard School, 2004. xii, 174p. | diss. | xii, 174p | |||||
87. | Boresch, Hans-Werner | Studien zur Instrumentation Johann Sebastian Bachs. PhD diss., Musicology, Wuppertal, 1990. | diss. | ||||||
88. | Bormann, Oskar | Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. Inaugural-Dissertation zur Erlangung der Doktorwürde der Hohen Philosophischen Fakultät der Universität Frankfurt vorgelegt von Oskar Bormann aus Höchst a. M. 1928. 145p. | diss. | 145p | |||||
89. | Borodavkin, Sergej | Principy orkestrovogo myslenija I.S. Baha. [Principles of orchestral thinking of J.S. Bach] MA thesis, Nacional'na Muzycna Akademija Ukrajiny im Cajkovs'kogo, Kyjiv, 1998. 20 p. | diss. | 20p | |||||
90. | Borris, Siegfried | Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. Berlin, Phil. Diss. v. 14. Okt. 1933. - Ohlau i. Schl.: Eschenhagen, 1933. 110p. - [Erw. um einen Notenanh.:] Kassel: Bärenreiter, 1933. 110p, 10 Taf. | diss. | 110p | |||||
91. | Borthwick, Mary Christine | 'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944. PhD diss., Durham University, 2007. x, 527p + ill. | diss. | x, 527p | |||||
92. | Borysenko, Elena | The Cantatas of Wilhelm Friedemann Bach. PhD diss., Musicology, Eastman School of Music, University of Rochester, 1981. 2v 889p | diss. | 889p | |||||
93. | Boršulâk, Al'ona Miroslavìvna | Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. [Stylistic evolution of 'Passion' symbolism: Baroque and Romanticism] Kand, Iskusstvovedenie. Deržavna Akademìâ ìmenì A.V. Neždanovoï, Odesa, 2010. 267p. | diss. | 267p | |||||
94. | Botelho, Mauro | Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. PhD diss., University of Michigan, 1993. xvii, 589p. [BWV 1052, 1042, 1048] | diss. | xvii, 589p | |||||
95. | Boursy, Richard | Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. PhD diss., Yale U., 1994. 412p. UMI No. DA9522719. | diss. | 412p | |||||
96. | Bower, C. M. | Boethius 'The Principlies of Music', an Introduction, Translation and Commentary. | diss. | 93-95 | |||||
97. | Boyd, Megan | The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. MA diss., School of Music, Queen's University Belfast, 2007. ii, 147p | diss. | ii, 147p | |||||
98. | Bradley, Alan Louis | A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. MusD diss., Musicology: Indiana Univ., 1969. 105p. [BWV 1023] | diss. | 105p | |||||
99. | Brandes, Jeffrey Harold | The Organ as an Ensemble Instrument: Concerto Techniques in the Sinfonia of Cantata BWV 169 by Johann Sebastian Bach, Concerto for Organ and Chamber Orchestra, op.46, No.2, by Paul Hindemith, and Organ Concerto in G minor by Francis Poulenc. Dissertation - Ohio State University 1977. 94p. | diss. | 94p | |||||
100. | Brandt, T. | Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben. Schriftliche Diplomarbeit zur B-Prüfung für Kirchenmusik, Evangelische Hochschule für Kirchenmusik, Halle 2000. | diss. | ||||||
101. | Brass, Christophe | La basse fondamentale dans Le clavier bien tempéré de Johann Sebastian Bach. [The fundamental bass in The well-tempered clavier of J.S. Bach] PhD diss., U. de Strasbourg II [Marc Bloch], 2001. 3 vols., xii, 867 p | diss. | xii, 867 p | |||||
102. | Brausch, Paul | Die Kantate: Ein Beitrag zur Geschichte der deutschen Dichtungsgattung. Teil. 1: Geschichte der Kantate bis Gottsched. Heidelberg, Univ., Phil. Diss., 1921. v, 254, 15p. [Maschinenschr.] - Ausz. in: Jahrbuch d. Philos. Fakultaet Heidelberg 1921/22, T. 1. S. 16-18 | diss. | v, 254, 15p | |||||
103. | Breckoff, Werner | Zur Entstehungsgeschichte des zweiten Wohltemperierten Klaviers von Johann Sebastian Bach. Diss. Univ. Tübingen, 1965. 101p. | diss. | 101p | |||||
104. | Brink, Arend | Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. [The use of bass string instruments in selected works of J.S. Bach] MM, University of the Orange Free State, 1992. | diss. | ||||||
105. | Brinkman, Alexander Russel | Johann Sebastian Bach's 'Orgelbüchlein': A Computer-Assisted Study of the Melodic Influence of the Cantus Firmus on the Contrapuntal Voices. PhD diss., Theory - Eastman School of the Univ. Rochster. 2 vols., xxiv, 831p | diss. | xxiv, 831p | |||||
106. | Brischwein, O. | Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001. | diss. | 104p | |||||
107. | Britt, Carol Delane Currie | The chorale prelude: The development of the chorale prelude and the use of the chorales of Martin Luther's Catechism by various European composers from the Reformation to Johann Sebastian Bach. DMA diss., Univ. of Alabama, 1999. 87p. - Ann Arbor, MI: University Microfilms International, 1999; ISBN: 0-599-51576-7. Dissertation No: 9949358. | diss. | 87p | |||||
108. | Brockhoff, Maria-Elisabeth | Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. Münster, Phil. u. naturwiss. F., Diss., 1944 (Nicht f. d. Austausch). - (Münster, 1944). 147 gez. Bl. [Maschinenschr.] | diss. | 147p | |||||
109. | Brockhoff, Victoia | Das Fugenthema im Wohltemperierten Klavier. Münster, Phil. u. naturwiss. F., Diss. v. 18. Aug. 1947 (Nicht f. d. Austausch). - ([Münster], [1947]). 78 gez. Bl. mit eingekl. graph. Darst. u. Notenbeisp. [Maschinenschr.] | diss. | 78p | |||||
110. | Brofsky, Howard | The instrumental music of Padre Martini. PhD diss., New York, 1963. iii, 356p. | diss. | iii, 356p | |||||
111. | Brokaw, James A., II. | Techniques of Expansion in the Preludes and Fugues of J. S. Bach. PhD diss., Historical musicology: University of Chicago, 1986. xii, 329p. | diss. | xii, 329p | |||||
112. | Brown, Charles S. | The art of chorale-preluding and chorale accompaniment as presented in Kittel's Der angehende praktische Organist. PhD, Performance and pedagogy from University of Rochester, Eastman School of Music, 1970. 350; 230p. | diss. | 350, 230p | |||||
113. | Brown, Louise Fallon | The special attributes of Mozart's scoring in the string quintets. DMA doc., Music: U. of Cincinnati, Col.-Conservatory of Music, 1997. 51 p. | diss. | 51p | |||||
114. | Broyles, Michael Everett | Textural Interpretations in the chorale Harmonizations of J. S. Bach. PhD diss., Musicology. University of Texas 1967. 471p. [type written] - Univ. Microfilms No.68-42600. / DissAbstracts xxviii/10, 4198A. | diss. | 471p | |||||
115. | Bruckner-Bigenwald, Martha | Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. Freiburg i.B., phil. Diss. v. 14. Juli 1938. - Sibiu-Hermannstadt: (Schmidt), 1938. 102p. - Nachdr.: Hilversum: Frits Knuf, 1965. 102p. | diss. | 102p | |||||
116. | Bruderer, Conrad | A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. DM Diss. Piano Performance. Bloomington, Indiana University, 1969. 173p | diss. | 173p | |||||
117. | Bubar, Cheryl Ann | Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. DMA thesis, The University of Oklahoma, 2003, viii, 133p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-30745-7. Dissertation No: 3082934. | diss. | 133p | |||||
118. | Buchmann, Lutz | Friedrich Wilhelm Rust (1739-1796): Untersuchungen zu seinem Liedschaffen und seinem Beitrag zur Überlieferung der Werke Johann Sebastian Bachs. PhD diss., Martin-Luther-Universität Halle/Wittenberg, 1987 (Nicht f.d. Austausch). - 256+8 Bl.; 323 Bl.(Dokumente); 116 Bl.(Noten) | diss. | 256p | |||||
119. | Buelow, George J. | Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. PhD. New York University, 1961. | diss. | ||||||
120. | Bullivant, Roger | The fugal technique of J. S. Bach. DPhil diss., Oxford University, 1960. 3 v. (749 leaves; [213] p) | diss. | 1498p | |||||
121. | Bunn, J. Gregg | A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. DMA diss., Southwestern Baptist Theological Seminary, 2004. 151p. ISBN: 0-496-13061-7. | diss. | 151p | |||||
122. | Burdick, Adam David | The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. DMA diss., University of Washington, 2007. iv, 159p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-16075-5. Dissertation No: 3275851. | diss. | 159p | |||||
123. | Burford, Mark Jon | 'The real idealism of history': Historical consciousness, commemoration, and Johannes Brahms' 'years of study'. PhD diss., Columbia University, 2005. 340p. Ann Arbor, MI: University Microfilms International, 2005. ISBN: 0-542-13068-8. Dissertation No: 3174753 | diss. | 340p | |||||
124. | Burkert, Georg | Gottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter. Breslau, Phil. Diss. v. 20. Dez. 1933. - Frankenstein i.Schl.: Frankenst. Ztgs- u. Dr.-Ges., 1933. vi, 63p. | diss. | ||||||
125. | Burk, James Mack | Band transcriptions of the organ music of Johann Sebastian Bach. A development of a methodology for transcribing, an appraisal of available transcriptions, and three model transcriptions. - Univ. of Oklahoma, Diss. 1967. 78p. in 2 vols. (Ann Arbor Univ. Microfilms 1967) | diss. | 78p | |||||
126. | Burns, Lori Anne | J. S. Bach's Chorale Harmonizations of Modal Cantus Firmi. PhD diss., Musicology. Harvard University, 1991. 2 vols, ix, 350 Bl. DAbs 9211661 | diss. | ix, 350 Bl | |||||
127. | Butir, L. M. | Instrumental'nyi koncert v tvorèestve I. S. Bacha. [Das Instrumentalkonzert im Schaffen J. S. Bachs] - Dissertation. Leningrad 1977. 212p. With music examples. | diss. | 27p | Latin 2 | ||||
128. | Butler, Gregory G. | The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. PhD. University of Toronto, 1973. | diss. | ||||||
129. | Butt, John Anthony | The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. PhD diss., Cambridge Univ., 1987. 336, 79, 31p. | diss. | 336, 79, 31p | |||||
130. | Buttmann, Rudolf | Die Lautenkompositionen von Silvius Leopold Weiss und Johann Sebastian Bach. Ein Vergleich. MA diss., Music education: Musikhochschule Mozarteum, Salzburg (1983) 70p. | diss. | 70p | |||||
131. | Bynum, Leroy Evans, Jr. | The first Berlin lieder school: The early development of German art song. DMA doc., Music: U. of Georgia, 1992. UMI DA9316313 | diss. | ||||||
132. | Byrt, John Clare | Form and style in the works of Sebastian and Emanuel Bach. DPhil diss., Oxford University, 1969. 2 v. (xiii, 380, lxxxiv; 201 leaves). | diss. | 380, 201 Bl | |||||
133. | Böhnert, Andreas | Studien zum Klavierwerk Wilhelm Friedemann Bachs. PhD diss., Musicology, Univ. of Hamburg, 1992. | diss. | 'year' conjecture | |||||
134. | Bötel, Friedhold | Felix Mendelssohn Bartholdys Präludien und Fugen für Orgel op. 37: Studien zur Orgelmusik Mendelssohns unter Berücksichtigung ihrer gattungsgeschichtlichen Stellung. diss., Universität Heidelberg, 1982. 232p. | diss. | 232p | |||||
135. | Callahan, Michael Richard | Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. PhD diss., Eastman School of Music, University of Rochester, 2010. xvi, 293p. | diss. | xvi, 293p | |||||
136. | Cammarota, Robert Michael | The Repertoire of Magnificats in Leipzig at the time of J. S. Bach: A Study of Manuscript Sources. PhD diss., Music: New York Univ., 1986. 2 vols. xvi, 356, 210p. [DA 8614493.] | diss. | xvi, 356, 210p | |||||
137. | Campbell, Robert | Mendelssohn's Te Deum in D: Influences and the development of style. DMA diss., Music: Stanford Univ., 1985. 150p. [DA 8522259] | diss. | 150p | |||||
138. | Canave, Paz Corazon G. | A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. PhD diss., Musicology, Washington: Catholic University of America, 1956. xv, 185p | diss. | xv, 185p | |||||
139. | Cano, Gines-Didier | Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. DMA document, Manhattan School of Music, 1990. OCLC#: 22959342 | diss. | ||||||
140. | Carruthers, Glen Blaine | Bach and the Piano: Editions, Arrangements and Transcriptions from Czerny to Rachmaninov. PhD Dissertation. University of Victoria. 1986. vi, 251p. | diss. | vi, 251p | |||||
141. | Carter, Adele Hall | Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. DMA diss., University of Maryland, College Park. 2006. ii, 4p. [3 chapters as recital performance on CD] | diss. | ii, 4p | |||||
142. | Ceballos, Sara Gross | Keyboard portraits: Performing character in the eighteenth century. PhD diss., University of California, Los Angeles, 2008. 330p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-89981-5. Dissertation No: 3335918. | diss. | 330p | |||||
143. | Cenciarelli, Carlo | Bach and Film in the Later Twentieth Century: Listening to the Goldberg Variations. PhD diss., King's College London, 2011. | diss. | 552p | |||||
144. | Chabora, Robert Joseph | Canonic techniques of the 'Goldberg Variations', the 'Canonic Variations' and the 'Fourteen Canons' of Johann Sebastian Bach. DMA doc. diss., Performance practice: Univ. of Kentucky, 1988. iv, [iii], 202p. [DA 8822102.] | diss. | iv, [iii], 202p | |||||
145. | Chambers, Mark | The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. DMus diss. The Florida State University, 1996. 115p | diss. | 115p | |||||
146. | Chamblee, James Monroe | The Cantatas and Oratorios of Carl Philipp Emanuel Bach. PhD diss., Musicology, University of North Carolina, 1973. 2 vols., xiv, 560 p. | diss. | xiv, 560p | |||||
147. | Chang, Eun-Un | Die Choralvorspiele zur Regerzeit: ein Beitrag zur gottesdienstlichen Orgelmusik der Spätromantik. Münster (Westfalen), Univ., Diss., 2005. 236p. | diss. | 236p | |||||
148. | Chapin, Keith Moore | From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. PhD, Stanford University, 2002. Ann Arbor, MI: University Microfilms International, 2002. 322p. ISBN: 0-493-87464-X. UMI No. 3067845. | diss. | 322p | |||||
149. | Chapman, David | Thoroughbass pedagogy in nineteenth-century Viennese composition and performance practices. PhD diss., Ruters University, 2008. xv, 448p. | diss. | xv, 448p | |||||
150. | Charron, John P. | Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. DMA diss., Performance, Juilliard School, 1993. 186p | diss. | 186p | |||||
151. | Chase, Harriet Ruth | German, Italian and Dutch Fugal Precursor of the Fugues in the Well-tempered Clavier I. 1600-1722. PhD diss., Theory, Indiana University. 1970, 293p. | diss. | 293p | |||||
152. | Chay, Il-Soo | A stylistic and interpretive analysis of selected keyboard works of C.P.E. Bach. EdD, Columbia University, Teachers College, 1989. 248p. | diss. | 248p | |||||
153. | Cheng, Ephraim Ho-Yin | A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. DMA. University of Houston, 1998. 198p. Advisor: Matthew Dirst. | diss. | 198p | |||||
154. | Cheng, Wei | A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. DMA diss, University of Cincinnati, College-Conservatory of Music: Conducting, Choral Emphasis, 2006. 113p. | diss. | 113p | |||||
155. | Chiang, Shih-yi | Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. DMA, City University of New York, Graduate Center, 2007. 139p. | diss. | 139p | |||||
156. | Chiba, Junnosuke | Juhachi-Seiki Deutsch no Ensoron Kenkyu - J.J. Quantz, E. Bach, Leopold Mozart no Chosho no Hikaku Kento. [A study of 18th-century German performance practice: comparisons of the writings of J.J. Quantz, C.P.E. Bach, and Leopold Mozart.] MA diss., Musicology: Musashino Academy of Music, 1976. 220p. | diss. | 220p | |||||
157. | Chien, Martin Ying-Tsai | A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. DMA diss., Southwestern Baptist Theological Seminary, 1998. 142p. Advisor: William Mac Davis. | diss. | 142p | |||||
158. | Chin, Sheila Shin-Yin Lau | Variation techniques in selected organ literature. DMA diss., Organ: Indiana University, 1978. 105p | diss. | 105p | |||||
159. | Choi, Jeeyoon | A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. DMA diss., Boston University, 2007. 315p. - Ann Arbor, MI: University Microfilms International, 2007. Dissertation No: 3259813. | diss. | 315p | |||||
160. | Cho, Yoonju | A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. DMA diss. University of Washington, 1998. 153p (See DissAbstracts 59/06-A, 1958.) | diss. | 153p | |||||
161. | Chung, Erin Hae-Rang | The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. DMA diss. University of Washington, 1996, 117p. DA9637917 | diss. | 117p | |||||
162. | Cimberle, Michela | La vexata quaestio della Passio Domini Nostri Jesu Christi secundum Lucam. [The controversial question surrounding the Lukaspassion.] PhD diss., Literature: Univ. Venezia, 1980-81. 304p | diss. | 304p | |||||
163. | Clarke, J. Williams | Interpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. University of Washington 1971. 85 gez. Bl. | diss. | 85p | |||||
164. | Clark, Stephen Lewis | The Occasional Choral Works of C. P. E. Bach. PhD diss., Musicology, Princeton University, 1984. ix, 359p. | diss. | ix, 359p | |||||
165. | Claus, Rolf Dietrich | Johann Peter Kellner. Studien zu Leben und Werk nebst einem thematisch-systematischen Verzeichnis seiner musikalischen Werke. Rostock, Univ., Diss., 1999. 390p. | diss. | 390p | |||||
166. | Claus, Rolf Dietrich | Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg. Hamburg, 1993. 125p. | diss. | 125p | |||||
167. | Claypool, Richard David | J. S. Bach's Sonatas for Melody Instrument and Cembalo Concertato: An Evaluation of All Related Manuscript Sources. In 2 vols. - PhD diss., Music History and Literature, Northwestern University 1975. 545p. | diss. | 545p | |||||
168. | Clement, Albert | 'O Jesu, du edle Gabe'. Studien zum Verhältnis von Text und Musik in den Choralpartiten und den Kanonischen Veränderungen von Johann Sebastian Bach. Diss./Hab. Utrecht 1989, 282p. | diss. | 282p | |||||
169. | Cline, Gilbert D. | The cornetto: A guide toward performance, within historical context, indicating the use of the recorder as a companion instrument. DMA diss., University of Oregon, 1990. 295p. | diss. | 295p | |||||
170. | Coetzee, Vernon George | Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). MM thesis, U. of Cape Town, 1993. x,359p | diss. | x, 359p | |||||
171. | Colahan, Ellwood P. | Metric Conflict in The Brandenburg Concertos of J. S. Bach. MA diss., University of Denver, 2008. iii, 228p. [BWV 1046-1051] | diss. | iii, 228p | |||||
172. | Cole, Warwick | The Performance of Small-note Vorschläge in the Keyboard and Chamber Music of J. S. Bach. PhD diss., Birmingham Conservatoire (UCE), 2001. 2 vols, 357pp. | diss. | 357p | |||||
173. | Collister, Phillip Andrew | The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. DMA diss., University of Maryland, College Park, 1996. 80p. UMI No. DA9637748 | diss. | 80p | |||||
174. | Comploi, Franz | Musik und Rhetorik insbesondere bei Johann Sebastian Bach MA diss., Hochschule für Musik 'Mozarteum', Salzburg. 1982, 39p. | diss. | 39p | |||||
175. | Connolly, Aisling | The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). MA diss., Musicology from St. Patricks College, Dublin, 2005. | diss. | ||||||
176. | Connor, Mary John Bosco | Gregorian chant and medieval hymn tunes in the works of J. S. Bach. PhD diss., Musicology, The Catholic Univ. of America. Washington: Catholic University of America Press, [1957.] xii, 187p. - 2nd revised edition. West Hartford-Conn.: St.Joseph College 1957. | diss. | xii, 187p | |||||
177. | Constantini, Franz-Peter | Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. Wien: 1967. | diss. | ||||||
178. | Cook, Larry D. | The German troped polyphonic Magnificat. PhD diss., Musicology: University of Iowa, 1976. 2v. 685 p. | diss. | 685p | |||||
179. | Cooper, David Thomas | Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. DMA diss., Univ. of Wisconsin, Madison, 2001. Advisor: John E. Aley. | diss. | ||||||
180. | Cooper, Jeffrey Thomas | The seven planets in Bach, Buxtehude, and a Dresden ballet of 1678. DMA diss., University of Houston, 2017. x, 235p. [BWV 4, 71, BuxWV 251] | diss. | x, 235p | |||||
181. | Cooper, John Michael | Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives. PhD diss., Duke University, 1994. xv, 455p. - Ann Arbor: UMI, 1994. | diss. | xv, 455p | |||||
182. | Cooper, Kenneth | The Clavichord, the Bachs and German Emotionalism in the Eighteenth Century. PhD diss., Musicology. Columbia University 1971. [Type script] 286p. | diss. | 286p | |||||
183. | Corduban, Mihaela-Lidia | Le Clavier bien tempéré de Jean-Sébastien Bach: Le rôle de la rhétorique dans les stratégies compositionnelles de Bach. [Das wohltemperirte Clavier by Johann Sebastian Bach: The role of rhetoric in Bach's compositional strategies] PhD diss., Université de Montréal, 2008. 312p. - Ann Arbor, MI: University Microfilms International. UMI Number: AAT NR57747; ISBN: 978-0-494-57747-9. | diss. | 312p | |||||
184. | Corneilson, Paul Edward | Opera at Mannheim, 1770-1778. PhD diss., Music: U. of North Carolina, Chapel Hill, 1992. UMI DA9309859 | diss. | ||||||
185. | Corra, Arthur B. | A guide to the performance of Bach's B Minor Mass. DMus diss., Instrumental Conducting. Indiana University, 1968. 256p. | diss. | 256p | |||||
186. | Corsini, Antonella | Componenti bachiane nell'opera di Robert Schumann. [Bach influences in the works of Robert Schumann] lau, Stor. del' mus.: Universita degli Studi di Torino, 1986-87. | diss. | ||||||
187. | Cortens, Evan Philip | The Installation Cantatas of C. P. E. Bach. MMus diss., Boston University, 2008, 124p | diss. | 124p | |||||
188. | Costa, Gustavo Silveira | Seis sonatas e partias para violino solo de J. S. Bach ao violão: fundamentos para adaptação do ciclo. Doctoral Thesis, Escola de Comunicações e Artes, University of São Paulo, São Paulo, 2012. 192p + score. | diss. | 192p | |||||
189. | Covington, David Lee | A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. PhD diss., Florida State U., 1993. 189 p. | diss. | 189p | |||||
190. | Cowdery, William Warren | The early vocal works of Johann Sebastian Bach. Studies in style, scoring, and chronology. PhD diss. Ithaca, N. Y.: Cornell University 1989. ii, 319p DA 8924536. [BWV 208, 63, 1046a, 21] | diss. | ii, 319p | |||||
191. | Crean, Elise | The Canonic Compositions of Johann Sebastian Bach: An Examination of Their Personal and Historical Context. MA dissertation, Queen's University Belfast, September 2005. 73p | diss. | 73p | |||||
192. | Cressy, Thomas | 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract. | diss. | 123, 70, 2p | |||||
193. | Crickmore, Leon | C.P.E. Bach: Six harpsichord concertos. [Wq. 43] MA thesis, Musicology: U. Birmingham, 1956. [Revised version of article published as 'C.P.E. Bach's harpsichord concertos', MLetters, XXXIX/3 (July 1958) 227-241] | diss. | ||||||
194. | Crist, Stephen A. | Aria Forms in the Vocal Works of J. S. Bach, 1714-24. PhD diss., Musicology. Waltham, Mass: Brandeis Univ., 1988. xv, 337p | diss. | xv, 337p | |||||
195. | Cron, Matthew | The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice. PhD diss., Brandeis University, 2004. xix, 830p. - Ann Arbor, MI: University Microfilms International. ISBN: 0-496-83086-4. Dissertation No: 3135883. | diss. | xix, 830p | |||||
196. | Cruz, Jennifer | The aesthetic relevance of the Golden Section in The well-tempered clavier by J.S. Bach: The relationship between form, temporal flow, and proportional balance. DMA diss., University of Cincinnati, 2007. xi, 63p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-21880-7. Dissertation No: 3280091. | diss. | xi, 63p | |||||
197. | Cseszko, Ferenc Patrick | A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. DMA diss. The University of Wisconsin - Madison, 2000. ii, 81p. | diss. | ii, 81p | |||||
198. | Curtis, Robert Lee | Ludwig Bischoff: a mid-nineteenth-century music critic. PhD diss., Musicology: University of Texas, 1977. 442 p. | diss. | 442p | |||||
199. | Curtiss, Lola Winchell | A critical study of a manuscript collection of keyboard music dated 1688: from the Lowell Mason Library, Yale University. MA diss., Yale University, 1937. 66, xii leaves, [12] plates. (typescript) | diss. | 66, xii Bl | |||||
200. | Czach, Rudolf | Friedrich Wilhelm Rust. Berlin, Univ., Diss., 1927. - Essen: Kauermann, 1927. 156p. | diss. | 156p | |||||
201. | Dadelsen, Georg von | Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. Freie Universität Berlin, Phil. F., Diss. v. 13. Okt. 1951 (Nicht f. d. Aust.). - 138 gez. Bl. [Maschinenschr.] (unpublished) | diss. | 138p | |||||
202. | Daele, Erna Bertha Eugeen van | Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. MM diss., The University of Western Ontario, 1995. 156p. | diss. | 156p | |||||
203. | Dalen, Tormod | 'Zum Spielen und zum Tantzen', a Kinaesthetic Exploration of the Bach Cello Suites through Studies in Baroque Choreography. Critical reflection and documentation, Norwegian Research Fellowship for the Arts Programme. Norwegian Academy of Music, 2013. 85p. | diss. | 85p | |||||
204. | Dallaire, Charles Joseph Mario | The clarinet in solo, chamber, and concerto repertoire. PhD, Concordia University, 1990. 115p. | diss. | 115p | |||||
205. | Darenberg, Karlheinz | Mimesis: Die Aristotelische Nachahmungslehre im Wandel der Auffassungen und Interpretationen englischer Musikaesthetiker des 18. Jahrhunderts. Mainz, Phil. F., Diss. v. 18. Sept. 1953 (Nicht f. d. Aust.) - Mülheim a.d. Ruhr, 1952. vi, 197 gez. Bl. [Maschinenschr.] | diss. | vi, 197p | |||||
206. | Dauer, Robin Lee | Three works for voice and French horn with accompaniment. DMA doc., Performance practice: U. of Cincinnati, 1994. 72 p. | diss. | 72p | |||||
207. | Davidson, Ian Bruce | The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. DMA diss., The University of Texas at Austin, 1998, 365p. DissAbstracts 59/02-A. UMI AAI9824844 | diss. | 365p | |||||
208. | Davis, Nathan J. | The Baroque violoncello and the unaccompanied cello suites of J. S. Bach, B.W.V. 1007 - 1012. PhD diss., Music: New York Univ., 1986. 232p. | diss. | 232p | |||||
209. | Davis, Richard C. | Self Parody among the Cantatas of Johann Sebastian Bach. PhD diss., Musicology. Boston: Univ. Graduate School 1962, xxii, 547p in 2 vols. (Ann Arbor Univ. Microfilms, 62-4542) | diss. | 547p | |||||
210. | Davis, Stacey | Implied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. PhD diss. Northwestern University, 2001, 266p. Advisor: Richard Ashley. | diss. | 266p | |||||
211. | Davis, William Jerryl | A study of the solo and chamber literature for the oboe d'amore from 1720-c.1760 with modern performance editions of select unpublished works. DMA diss., Performance and music literature: Eastman School of Music, 1977. 290 p. | diss. | 290p | |||||
212. | Day, Thomas Charles | Palestrina in history: a preliminary study of Palestrina's reputation and influence since his death. PhD Dissertation. Columbia University, 1970. 201p | diss. | 201p | |||||
213. | Dehmel, Jörg | Toccata und Präludien in der Orgelmusik von Merulo bis Bach. PhD diss., Univ. Hamburg, 1987, viii, 194 p. | diss. | viii, 194p | |||||
214. | D'Elia, Peter | Clementi's Bach: The Well-Tempered Clavier, Gradus ad Parnassum, and the Prelude. MA thesis, Tufts University, May 2009. iv, 73p | diss. | iv, 73p | |||||
215. | Delpech, Louis | 'Plus d'étonnement que de plaisir': La première réception française de l'oeuvre de Johann Sebastian Bach, 1801-1840. MA diss., Université Paris IV Sorbonne UFR de Musicologie, 2011. 93, 153p. | diss. | 93, 153p | |||||
216. | Demers, Isabelle | Bach as Theologian; Motives, Key Structures and Accidentals in the St. John Passion. DMA diss. in Choral Conducting, Juilliard School, 2011. 240p. Advisor: Carl Schachter. | diss. | 240p | |||||
217. | Denton, John William | The Use of Oboes in the Church Cantatas of Johann Sebastian Bach. Indiana State University, Terre Haute: Eastman School of Music, 1977. 214p. | diss. | 214p | |||||
218. | Dequevauviller, Vincent | Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p | diss. | 120p | |||||
219. | Dequevauviller, Vincent | Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p | diss. | 110p | |||||
220. | Dequevauviller, Vincent | Étude de certains procédés architectoniques - en particulier numériques - dans la composition des œuvres de Jean-Sébastien Bach. thèse de doctorat, Université Paris 4 Sorbonne, 2003, 659 p. | diss. | 659p | |||||
221. | Derr, Ellwood Shambaugh | Cefalo e Procri (London, 1776): Dramatic Cantata for Three Voices and Orchestra by Johann Christian Bach; Critical Edition with Performance Suggestions and Commentary. DMA diss., Composition, University of Illinois, 1968. 2 vols., i, 162p | diss. | i, 162p | |||||
222. | Derry, Lisa Anne | The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. PhD diss., Theory, Indiana University, 1993. xii, 243p. | diss. | xii, 243p | |||||
223. | De Troyer, Nicolas | 'Er ist doch ein alter Prachtkerl gewesen': De Bach-receptie in Mendelssohns orgelwerken. MA diss., Musicologie from Katholieke Universiteit Leuven, 2012. | diss. | ||||||
224. | Deyton, Timothy Jack | A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. DMA diss., Southwestern Baptist Theological Seminary, 2001. xv, 199p. ISBN: 0-493-45819-0. | diss. | xv, 199p | |||||
225. | Dickreiter, Michael | Der Musikbegriff bei Johannes Kepler. PhD diss. Ruprecht-Karl-U. Heidelberg, 1971. | diss. | ||||||
226. | Didenko, Nadezda | Formirovanie instrumental'noj faktury v organnoj muzyke Germanii XV-XVIII vekov. [The development of instrumental texture in German organ music of the 15th to 18th centuries] MA thesis, Teorija muzyki: Rostovskaja Konservatorija im. S. Rahmaninova, 1995. 24 p. | diss. | 24p | |||||
227. | Diederichs, Barbara | Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. PhD diss., Justus-Liebig-Universität Gießen, 1998. 414p | diss. | 414p | |||||
228. | Diehl, Eleonore | Das Rezitativ bei Bach. Wien, 1936. | diss. | ||||||
229. | Di Pasquale, Donato | Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. Dottore in Discipline delle Arti della Musica e dello Spettacolo. Università degli Studi di Bologna, 2006. 94p. | diss. | 94p | |||||
230. | Dirst, Matthew Charles | Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. PhD diss., Stanford University, 1996, vii, 176p | diss. | vii, 176p | |||||
231. | Dixon, Michelle Garner | A performer's study of selected organ compositions by Johann Sebastian Bach. Diss. Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982. | diss. | ||||||
232. | Domizlaff, Ilse | Sammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach. Diplomarbeit. Leipzig: Karl-Marx-Universität 1977, 127p. [type-script] | diss. | 127p | |||||
233. | Dommange, Thomas | Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach. Paris, Univ., Diss., 2004. 623p. | diss. | 623p | |||||
234. | Donat, Friedrich-Wilhelm | Christian Heinrich Rinck und die Orgelmusik seiner Zeit. [Ein Beitrag zur Geschichte der deutschen protestantischen Kirchenmusik um 1800] Heidelberg, Phil. Diss. v. 3.Dez.1931 [17.Jan.1933]. - Bad Oeynhausen: Theine & Peitsch, 1933, xxvi, 104p. - Untertitel erst 1933? | diss. | xxvi, 104p | |||||
235. | Dougherty, Michael P. | Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. DMA diss., University of North Carolina, Greensboro, 2008. 106p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-925729. Dissertation No: 3337466. | diss. | 106p | |||||
236. | Douglas, David James | Inquiry into J.S. Bach's method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology. MA thesis, Music: U. of British Columbia, 1997. vi, 52 p. | diss. | vi, 52p | |||||
237. | Dowdle, Caroline | Bach's Goldberg variations: A study of technical and stylistic transferences to the piano. MMus diss., University of Cape Town, 1990. vii, 96p. | diss. | vii, 96p | |||||
238. | Downes, Edward O. D. | The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. PhD diss, Music, Harvard University, 1958. 2 vols: xxx, 488 Bl; vi, 514 Bl; 139 Bl (separate bibliography) | diss. | 1145 Bl | |||||
239. | Dreger, Carl Otto | Die Vokalthematik Joh. Seb. Bachs. Dargestellt an den Arien der Kirchenkantaten. Berlin, Univ., Diss., 1935 (Nur in beschr. Anz. f. d. Austausch). - Leipzig: Breitkopf & Härtel, (1935). 62p. [Aus: Bach-Jb. 1934] | diss. | 62p | |||||
240. | Dressler, Carolyn Elizabeth | Armida abbandonata by George Frideric Handel. An edition reflecting the performance practice of the Baroque era. DMA diss.: University of Maryland, 1978. 61p. | diss. | 61p | |||||
241. | Dressler, Oscar Hugo | A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. DMA diss., Southwestern Baptist Theological Seminary. 1995. 165p. [see DissAbstracts p. 2896] | diss. | 165p | |||||
242. | Dreyfus, Laurence Dana | Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. Univ. of Columbia 1980. 341p | diss. | 341p | |||||
243. | Druzinin, Sergej Vâceslavovic | Sistema sredstv muzykal'noj ritoriki v orkestrovyh sûitah I.S. Baha, G.F. Gendelâ, G.F. Telemana. [The means of musical rhetoric in orchestral suites of J.S. Bach, Handel, and Telemann] Kand (Iskusstvovedenie) diss., Rossijskaâ Akademiâ Muzyki imeni Gnesinyh, Moskva, 2002. 210p. | diss. | 210p | |||||
244. | Dube, Michelle Claire | 'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. DMA doc., University of Arizona, 1993, 57p | diss. | 57p | |||||
245. | Duff, Robert Paul David | The baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations. DMA doc., U. of Southern California, 2000. 176p. - Ann Arbor, MI: University Microfilms International, 2000. ISBN: 0-493-54906-4. Dissertation No: 3041447. | diss. | 176p | |||||
246. | Duke, Patricia Beryl | Foundations of early music in Melbourne: Leonard Fullard and other pioneers. PhD thesis. University of Melbourne, Faculty of Music, 2006. xii, 454p | diss. | xii, 454p | |||||
247. | du Plooy, Jacobus Stephanus | The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. MM thesis, Rhodes U., 1995. | diss. | ||||||
248. | Dupont, Wilhelm | Geschichte der musikalischen Temperatur. Diss. Erlangen, Univ., 1935. - Unveränd. Nachdr. der 1935 ersch. Inaugural-Diss. Lauffen/Neckar: Rensch, 1986. viii, 143p. ISBN: 3-921848-14-8 | diss. | viii, 143p | |||||
249. | Duvall, André Charles | The Development and Application of Keyboard Fingering Principles in the Music of J. S. Bach and C. P. E. Bach: An Analysis in Comparison with Modern Approaches to Fingering, and the Utilization of the J. C. Bach-Ricci Method for Nurturing a Versatile Technique in the Early Stages of Study. DMA diss., The University of North Carolina at Greensboro, 2014. xiv, 192p. [BWV 870a, 925, 934] | diss. | xiv, 192p | |||||
250. | Dykema, Dan Harold | Carl Philipp Emanuel Bach's concerto in C, W.43, no. 6: A discussion and performance edition. DMA diss., University of Oklahoma, 1991. 265p | diss. | 265p | |||||
251. | Dykstra, Brian James | The Interpretation of Bach's Well-Tempered Clavier, Book One: A Study in Diversity. DMA diss., University of Rochester, 1969. xiii, 487p. | diss. | xiii, 487p | |||||
252. | Dykstra, Ruth Elaine | Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective. DMA diss., The University of Texas at Austin, 2004. xii, 167p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-76120-X. | diss. | xii, 167p | |||||
253. | Dürre, Ronald | Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts. PhD diss. Otto-von-Gueriche-Universität Magdeburg, 2004. | diss. | 417p | |||||
254. | Ebicioglu, Kemal | An expert system of harmonization of chorales in the style of J. S. Bach. PhD diss., Computer science: State Univ. of New York, Buffalo, 1986. 297p. DA 9609106. | diss. | 297p | |||||
255. | Edelstein, Heinz | Die Musikanschauung Augustins nach seiner Schrift 'De musica'. Freiburg i.B., Phil. Diss. v. 3. Febr. 1929. - Ohlau in Schles.: Eschenhagen, 1929. 128p. - Mikrofiche-Ausg.: Freiburg: Univ.-Bibl., 1990. | diss. | 128p | |||||
256. | Eder, Terry Edward | A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach. DMA diss., Univ. of Oklahoma, 1979. 247p | diss. | 247p | |||||
257. | Edge, Dexter | Mozart's Viennese copyists. PhD diss, University of Southern California, 2001. 2416p. | diss. | 2416p | |||||
258. | Edwards, Mark Douglas | A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p | diss. | 133p | |||||
259. | Eichberg, Hartwig | Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. Tübingen Uni. 1973. | diss. | ||||||
260. | Eichberg, Hartwig | Unechtes unter J. S. Bachs Klavierwerken. Univ. Tübingen, 1976. 43p. | diss. | 43p | |||||
261. | Eickhoff, Henry John | The Ritornello principle in the organ works of Bach. PhD diss., Music History and Literature, Evanston and Chicago, Ill., Northwestern Univ. in 2 vols. 524p. (Ann Arbor Microfilms. LC Card No. Mic 60-4749.) | diss. | 524p | |||||
262. | Einarsdóttir, Sigrún Lilja | J.S. Bach in everyday life: The 'choral identity' of an amateur 'art music' Bach choir and the concept of 'choral capital'. PhD diss. in Sociology, University of Exeter, 2012. 352p | diss. | 352p | |||||
263. | Eisert, Christian | Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: quellenkritische Untersuchungen zu einem Problem des Frühwerks. PhD diss., Musicology, Freiburg im Breisgau. 1992. 298p, 194p (Anh. 1. Kritischer Bericht, Lesartenverzeichnisse) + Edition (Anh.2 - Manuskript für Wiener Urtext-Edition / Schott-Verl., Mainz) | diss. | 3 vols | |||||
264. | Elbon, Virginia Elizabeth | Symmetry and proportion: Generative and formative procedures of J. S. Bach's 'Brandenburg Concerto No. 3'. Master of Music Theory diss., West Virginia University, 2001. vii, 33p | diss. | vii, 33p | |||||
265. | Elferen, Isabella van | Von Laura zum himmlischen Bräutigam: Der petrarkistische Diskurs in Dichtung und Musik des deutschen Barock. PhD diss., Rijksuniversiteit Utrecht, 2003. 286p. | diss. | 286p | |||||
266. | Eli, Markus | Die Markus-Passion von Reinhard Keiser und ihre Aufführungen unter Bach in Leipzig. [Mag.-arb. Ludwig-Max.-Universität München]. - München. 1995. 53p, 60p. | diss. | 60p | |||||
267. | Ellefson, Randi von | A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. DMA doc., Performance practice: Arizona State Univ., 1987. 140p. [DA 8805471.] | diss. | 140p | |||||
268. | Eller, Rudolf | Die Konzertform Johann Sebastian Bachs. Leipzig, Phil. F., Diss. v. 26. März 1947 (Nicht f. d. Austausch). - (Leipzig, 1947). 82 gez. Bl. mit eingekl. graph. Darst. [Maschinenschr.] - Microfiche in SBB (2000). | diss. | 82p | |||||
269. | Ellis, John Robert | Treatment of the Trumpet in the Bible and its Relationship to the Sacred Solo Arias with obbligato Trumpet by Johann Sebastian Bach. DMA diss., Arizona State University, 1984. 79p | diss. | 79p | |||||
270. | Ellis, Mark | Linear aspects of the fugues of J. S. Bach's 'The Well-tempered Clavier'. A Quantitative Survey. PhD diss., Univ. of Nottingham, 1980. 594p. | diss. | 594p | |||||
271. | Ellis, Phillip | A critical study and transcription of J. C. Bach's symphonies op.6, nos.2 and 5. MMus diss., Goldsmith College, University of London, 1978. | diss. | ||||||
272. | Ellsworth, Therese Marie | The piano concerto in London concert life between 1801 and 1850. PhD, University of Cincinnati, 1991. 383p. | diss. | 383p | |||||
273. | Elste, Martin | Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. PhD diss., Musicology, Technische Universität, Berlin. 1981. 160p | diss. | 160p | |||||
274. | Endo, Rena | Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. [Johannes Brahms' Reception of J. S. Bach: a study on performance, catalogue of his library and arrangements] Keio University, MA dissertation, 1998. | diss. | ||||||
275. | Engelhardt, Ruth | Untersuchungen über Einflüsse Johann Sebastian Bachs auf das theoretische und praktische Wirken seines Schülers Johann Philipp Kirnberger. PhD diss., Universität Erlangen-Nürnberg, 1974. vi, 414p. [contains 'Verzeichnis der Klavier- und Orgelwerke Kirnbergers'] | diss. | vi, 414p | |||||
276. | Engelsdorfer, Amy Lynne | Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. PhD diss., Dept. of Music Theory, Indiana University, August 2010. 680p. | diss. | 680p | |||||
277. | Engler, Klaus | Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. Tübingen 1970. (Druck 1984) | diss. | ||||||
278. | Esch, Christian | Lucio Silla: Vier Opera-seria-Vertonungen aus der Zeit zwischen 1770 und 1780. PhD diss., Rheinische Friedrich-Wilhelms-U. Bonn, 1991. 2 vols. 362, 155p. | diss. | 362, 155p | |||||
279. | Espinosa, Damian | C.P.E. Bach's fantasias: the rhetorical argument. MMus diss., University of New Mexico, 2000. vii, 148p | diss. | vii, 148p | |||||
280. | Esser, Josef | Felix Mendelssohn-Bartholdy und die Rheinlande. Bonn, Phil. F., Diss. v. 28. Febr. 1923. 106 gez. Bl. [Maschinenschr.] - also 1929, 106p. [cf. Auszug in: Jahrbuch d. Phil. Fak. Bonn. Jg. 3. 1924/25. pp. 240-243] | diss. | 106p | |||||
281. | Ettmüller, Michael Ernst | Disputatio Effectus Musicæ In Hominem Gratiosissimæ Facultatis Medicæ Consensu / Præside Michael Ernst Ettmullero,... Et Respondente Christian Gottlieb Jöchero, ... Die Calend. III. Januarii Anni M DCC XIV. Sistens resp. [Leipzig, Univ., Diss., 1714] Lipsiae: Bauchius, 1714. 39p. | diss. | 39p | |||||
282. | Evans, Margaret Ruth | An Annotated List of Sacred Cantatas: 1960 - 1976. DMA diss., Rochester, N. Y.: Eastman School of Music, 1978. 688p. | diss. | 688p | |||||
283. | Exner, Ellen | The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. PhD diss., Harvard University, 2010. xiv, 327p. 654p. | diss. | xiv, 327p | |||||
284. | Fabian, Dorottya | J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. PhD diss., The University of New South Wales, 1998. | diss. | ||||||
285. | Fabrikant, Marina | Bach-Busoni Chaconne. A piano transcription analysis. DMA diss., The University of Nebraska, Lincoln, 2006. vi, 152p. - Ann Arbor, MI: University Microfilms International, 2006; ISBN: 978-0-542-61862-8. Dissertation No: 3212927. [BWV 1004/5] | diss. | vi, 152p | |||||
286. | Falck, Martin | Wilhelm Friedemann Bach. Seine Leben und seine Werke mit thematischem Verzeichnis seiner kompositionen und zwei Bildern. Dissertation zur Erlangungt der Doktorwürde der Hohen philosophischen Fakultät der Universität Leipzig. - [Leipzig, Phil. Diss. v. 13. Nov. 1913, Ref. Riemann, Köster] - Leipzig: Radelli & Hille, 1913. iv, 170, 31p. - Erscheint gleichzeitig im Buchhandel im Verlag von C. F. Kahnt Nachfolger, Leipzig. (= Studien zur Musikgeschichte, 1) | diss. | iv, 170, 31p | |||||
287. | Falck, Myron | 17th-Century Contrapuntal Theory in Germany. Eastman school of the Univ. of Rochester, 1964. 1965. | diss. | ||||||
288. | Fall, Henry Cutler | A Critical-Bibliographical Study of the Rinck Collection. MA. diss., Yale Univ., 1958. (type script) | diss. | ||||||
289. | Fall, Henry Cutler | The Passion-tide cantatas of Christoph Graupner. PhD diss., Music: University of California, Santa Barbara, 1971. ix, 252 p. | diss. | ix, 252p | |||||
290. | Fanselau, Rainer | Die Orgel im Werk Edward Elgars. PhD diss., Musicology: Universität Göttingen, 1973. - Göttingen: Bärenreiter, 1973. 348p. (= Göttinger musikwissenschaftliche Arbeiten, 5) | diss. | 348p | |||||
291. | Faulstich, Bettina | Die Musikaliensammlung der Familie von Voß: Ein Beitrag zur Berliner Musikgeschichte um 1800. PhD diss., Georg-August-U. Gottingen, 1995. 586 p. | diss. | 586p | |||||
292. | Fazekas, Gergely | J. S. Bach és a zenei forma két kultúrája. [J. S. Bach and two cultures of music] PhD diss., Liszt Academy of Music, Budapest, 2012. 211p. | diss. | 221p | |||||
293. | Feder, Georg | Bachs Werke in ihren Bearbeitungen 1750-1950: 1. Die Vokalwerke. Doctoral thesis. Christian-Albrechts Universität zu Kiel. - Kiel, Phil. F., Diss. v. 16. Dez. 1955 (Nicht f. d. Aust.) - 1955. 387 gez. Bl., mehr. Taf. [Maschinenschr.] | diss. | 387p | |||||
294. | Feil, Arnold | Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. Hochschulschrift: Heidelberg, Univ., Diss., 1954. 134p. - druck Heidelberg, 1955. | diss. | 134p | |||||
295. | Fellmann, Peter | Orchestersuiten der Bach-Zeit. PhD diss., Musicology, Bochum. 1990 | diss. | 'year' unconfirmed | |||||
296. | Fenley, John Franklin | The Ornamentation in Seven Flute Sonatas Composed by, or Attributed to, J. S. Bach. Ed.D., Music Education, University of Illinois, 1976. 477 p. | diss. | 477p | |||||
297. | Field, Elizabeth Imbert | Performing Solo Bach: An Examination of the Evolution of Performance Traditions of Bach's Unaccompanied Violin Sonatas from 1802 to the Present. DMA diss., Cornell University, 1999. 194p [UMI AAI9914682] | diss. | 194p | |||||
298. | Finlay, Ian F. | Johann Sebastian Bachs weltliche Kantaten: eine musikwissenschaftlich-literarische Betrachtung. Melbourne, Univ., Diss., 1950. - Göttingen: Göttinger Druckerei u. Verlag Ges. [1950]. 98p. - London: Hinrichsen [by the author], 1950. 98p. | diss. | 98p | |||||
299. | Fischer, Wilfried | Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. Hamburg, Univ., Diss., 1966. - Neue Bach-Ausgabe. Serie VII, Band 7(Suppl.), Kritischer Bericht. 1971. 150p. | diss. | 150p | |||||
300. | Fishbaugh, Ronald Lloyd | Elements of Romantic Tendency in Selected Keyboard Works of J. S. Bach: A Study with References to the Visual Arts. PhD dissertation - New York University 1978. 287p. | diss. | 287p | |||||
301. | Fišerová, Hana | Raný vývoj klavíru a klavírní pedagogiky a komparace interpretaèních pøístupù ve vybraných skladbách J. S. Bacha a F. Chopina. Diploma thesis, Faculty of Education, Masaryk University, Brno. 2006. 63p. [BWV 1055] | diss. | 63p | Latin 2 |
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