Bach Bibliography
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1. A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. N. Y.: The Juilliard School 1973. [BWV 1027-1029] diss. 1973
2. Studies of Rhythm and Tempo in the Music of J. S. Bach. PhD diss., Musicology, Tel Aviv University, 2000. xv, 318 p diss. 2000 xv, 318p
3. 'Modern' Organ Style in Karl Straube's Reger Editions. PhD diss., Amsterdam: Vrije Universiteit, 2007. xiv, 222p. diss. 2007 xiv, 222p
4. Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. DM dissertation, Piano Performance and Literature. Indiana University, 1973. 150p diss. 1973 150p
5. Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. MM diss., North Texas State Univ., 1981. 2v. diss. 1981
6. Symbols of Transformation vol.5 of the Collected works of C. G. Jung. N.Y. Pantheon, 1956. diss. 1956
7. Die Rezeption der Vivaldischen Ritornellform in Umkreis und in der Generation J. S. Bachs. Habilitationsschrift - Martin-Luther-Universität Halle - Wittenberg, 1984. viii, 259p. diss. 1984 viii, 259p
8. Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. DMA diss., Arizona State University, 2004. 51p. diss. 2004 51p
9. Musical Rhetoric in Selected Organ Works of Johann Sebastian Bach DMA diss., Eastman School of the Univ. of Rochester 1978. v, 211p diss. 1978 v, 211p
10. The Principal agréments of the 17th and 18th Centuries. A Study in Musical Ornamentation. PhD diss., Harvard University, 1942. 687 Bl. diss. 1942 687 Bl
11. Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. PhD diss., Université Paris 4 Sorbonne, 2016. diss. 2016
12. The solo flute sonatas of Carl Philipp Emanuel Bach 1735-1786: A re-evaluation of the appoggiatura, and its links to performance practice and compositional style. DMA diss., University of Houston, 2009. 89p. - Ann Arbor, MI: University Microfilms International, 2009. AAT 3399329. ISBN: 978-1-109-64749-5 diss. 2009 89p
13. Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. [Characteristics of the fugues in J.S. Bach's sonatas: The interaction of polyphonic and homophonic formal elements] - PhD diss., Music theory: Institut Teatra, Muzyki i Kinematografii, Leningrad, 1987. 23p. diss. 1987 23p Latin 2
14. Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. University of Urlangen, 1970. diss. 1970 128p
15. Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. PhD diss., Musicology, Goldsmiths College, University of London, 2004. 608p diss. 2004 608p
16. Die 'Musica practica' des Johann Andreas Herbst und ihre entwicklungsgeschichtliche Bedeutung. Ein Beitrag zur Geschichte der deutschen Schulmusik. Münster (Westf.), Phil. Diss. v. 26. Nov. 1931. - Emsdetten (Westf.): Lechte, 1931. xi, 76p, 17p(Musikbeil.) - Kassel: Bärenreiter, 1931. xi, 76p. (= Münsterische Beiträge zur Musikwissenschaft, 1) diss. 1931 76p
17. Carlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... DMA diss., University of North Texas, 1982. 24p diss. 1982 24p
18. Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. DMA diss., University of Rochester, 1990. 128 leaves. diss. 1990 128 leaves
19. The organ and its music from medieval times to Johann Sebastian Bach. MusD diss., University of Edinburgh, 1930. diss. 1930
20. Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). Dissertation. Universität Köln. 1973. diss. 1973
21. O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. MA diss. Universidade Federal do Rio Grande do Sul. Instituto de Artes. Programa de Pós-Graduação em Música, 2010. diss. 2010 123p
22. Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. DMA doc., Education: U. of Missouri, 1993. 126p. UMI No. DA94-18459. [BWV 454] diss. 1993 126p
23. The Organ Works of Johann Christian Kittel. 2 vols. PhD diss., Yale University, 1978. 636p. diss. 1978 636p
24. Johann Sebastian Bach's Magnificat in D, BWV 243: a conductor's analysis and preparation for performance. PhD diss., Conducting: Indiana University, 1976. 275p. diss. 1976 275p
25. Das Weimarer Orgelbüchlein von Johann Sebastian Bach. Inaugural-Dissertation zur Erlangung der Doktorwürde vorgelegt bei derTheologischen Fakultät der Georg-August-Universität Göttingen / von Ernst Arfken. - Göttingen, 1965. 108p. [103 gez. Bl] [maschinenschr.] diss. 1965 108p
26. Die Tradition des Pausa-Schlusses in den Klavier- und Orgelwerken Johann Sebastian Bachs. PhD diss., Musicology, München, 1997. 197 p diss. 1997 197p
27. Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. [Temporal articulation in European post-Renaissance music and fundamental problems of rhythm] PhD diss., Iskusstvovedenie from Gosudarstvennyj Institut Iskusstvoznaniâ, Moskva, 2003. 360p. diss. 2003 360p Latin 2
28. The development of the pianoforte fugue since Bach. BMus diss., University of Illionois, 1918. 18p diss. 1918 18p
29. A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416. diss. 2001 92p
30. Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. PhD diss., Musicology, University of California at Los Angeles, 1994. xv, 422 p. diss. 1994 xv, 422p
31. Deutschsprachige Clavier-Lehrwerke in der zweiten Hälfte des 18. Jahrhunderts. PhD diss., Universität Wien, 2008. 265p. diss. 2008 265p
32. Die langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-1019): Ein Beitrag zur Sonatenkonzeption J. S. Bachs. Leipzig: Karl-Marx-Universität 1979/80, 172p, 12p. diss. 1979 172p, 12p
33. A history of the Oregon Bach Festival. PhD, Florida State University, 2004. - Ann Arbor, MI: University Microfilms International, 2004. 318p. ISBN: 0-496-94092-9. UMI No. 3160542. diss. 2004 318p
34. L'interprétation des œuvres de J.S. Bach. [The interpretation of J.S. Bach's musical works] Doctorat, Musicologie: U. de Strasbourg II [Sciences Humaines], 1997. 2 vols. 900 p. diss. 1997 900p
35. J. S. Bach's Cantata No.5: a Conductor's Analysis. Miami, Fla., Univ. of Miami, 1978. 79p diss. 1978 79p
36. Johann Sebastian Bach: an Appreciation. MA diss., California State University, Dominguez Hills, 1993. 53p diss. 1993 53p
37. 'Aus Liebe will mein Heyland sterben'. Untersuchungen zum Wandel des Passionsverständnisses im frühen 18. Jahrhundert. diss., Berlin (West): Kirchliche Hochschule, 1981. 245p. - Published from Neuhausen-Stuttgart: Hänssler, 1984. 257p. (= Beiträge zur theologischen Bachforschung, 2) diss. 1981 245p
38. Italian Keyboard Continuo Improvisation and its Application to the Slow Sections of Buxtehude's Trio Sonatas, Op. 1 and Op. 2. DMA diss., University of Houston, 2013. vi, 44p. diss. 2013 vi, 44p
39. Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. DMA diss., University of Washington, 2004. v, 101p. diss. 2004 v, 101p
40. The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. DMA diss., Musicology, Southern Baptist Theological Seminary, 1976. 110p diss. 1976 110p
41. Johann Friedrich Agricola's Anleitung zur Singkunst (1757): A translation and commentary. PhD, Stanford University, 1991. 528p. diss. 1991 528p
42. The vocal serenata of the seventeenth and eighteenth centuries. MA diss., Musicology: Eastman School of Music, 1976. 204p. [BWV 173a] diss. 1976 204p
43. Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. Doctoral thesis. Eberhard Karls Universität Tübingen, 2004. diss. 2004
44. Equal Temperament: its History from Ramis (1482) to Rameau (1737). PhD diss., Cornell University, Ithaca, NY, 1932. 353 Bl. - Abstract [4]p diss. 1932 353 Bl
45. Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. MA diss, Music: Brigham Young University, 1990. 136p. diss. 1990 136p
46. A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols. diss. 1993
47. The keyboard manuscripts of Johann Christoph Bach, cantor in Gehren. DMA doc., U. of Rochester, Eastman School of Music, 1995. 821p. UMI No. DA9531378. diss. 1995 821p
48. Gender roles in the violin music of Bach. MMus diss., California State University, Long Beach, May 2016. iii, 26p. diss. 2016 iii, 26p
49. A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). DM diss., Northwestern University, 1998. xiv, 269p. - Ann Arbor, MI: University Microfilms International, 1998; Country of Publication. ISBN: 0-493-93158-9. Dissertation No: 3073495. diss. 1998 xiv, 269p
50. De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. Paris: Université de Paris-Nanterre 1976. 159 Bl. diss. 1976 159p
51. Die musikalische Darstellung der Person Christi in verschiedenen Stilepochen. MA diss., Composition: Hochschule für Musik und darstellende Kunst, Wien, 1982. 88p diss. 1982 88p
52. The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198. MA diss., University of Iowa, 2009. iv, 111p. diss. 2009 iv, 111p
53. Johann Sebastian Bachs Notenbibliothek. PhD diss. Göttingen 1990. 391p. Typescript. diss. 1990 391p
54. The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. DMA diss, University of South Carolina, 1998. v, 97p (See Diss. Abstract 59/05-A, Nov. 1998, p.1384) diss. 1998 v, 97p
55. The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales. PhD diss., Florida State U., 1994. 204 p. diss. 1994 204p
56. Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. diss. 1985 diss. 1985
57. The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. PhD diss., Princeton University, 2004. 256p. - Ann Arbor, MI: University Microfilms International, 2004. ISBN: 0-496-70725-6. Dissertation No: 3123414. diss. 2004 256p
58. Gomiletièeskie tradicii duhovnyh kantat I.S. Baha. [Homiletic traditions of J.S. Bach's sacred cantatas] Kand (Iskusstvovedenie), Nacional'na Muzycna Akademiâ Ukrajiny imeni P.I. Cajkovs'kogo, Kyjiv, 2000. 212p. - Ukraine: Muzyèna Ukrajina Kyjiv, 2008. 204p. ISBN: 978-966-8259-31-9. diss. 2000 212p Latin 2
59. The Keyboard Sonatas of C. P. E. Bach: An Expression of the Mannerist Principle. PhD diss., Musicology, State University of New York at Buffalo, 1975. [vi], 396 p. diss. 1975 vi, 396p
60. Homogenitätsuntersuchungen an den Fugenthemen des 'Wohltemperierten Klaviers' 1. Teil; von Joh. Seb. Bach. Hamburg, Phil. Diss. v. 26. Juli 1939. (Nicht f. d. Austausch) - 37p, 12 Bl. - Auch im Buchh. u.d.T.: 'Homogenitätsuntersuchungen an Joh. Seb. Bachs Fugenthemen' (Hamburg: Hansischer Gildenverlag, 1939) diss. 1939 37, 12p
61. Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. PhD diss., Musicology, Tübingen, 1984. 165p diss. 1984 165p
62. Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach. PhD diss., Victoria University of Wellington, New Zealand, 2006. 461p. diss. 2006 461p
63. Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. Dissertation Universität Kiel 1990. diss. 1990
64. Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. PhD diss., University of Birmingham. 2012. 466p. diss. 2012 466p
65. Die Frömmigkeit Johann Sebastian Bachs in der Bachbewegung und -forschung. Halle, Theol. Diss., 1934. - Gütersloh, [1937?]. vi, 166p. (Teildr.) - Im Buchh. erw. um 2 Kap. u.d.T.: 'Johann Sebastian Bach, Frömmigkeit und Glaube'. Bd 1 (als: Beiträge zur Förderg. christl. Theol. R. 2, Bd 37,1) diss. 1934 vi, 166p
66. The organ works of Dietrich Buxtehude. MMus diss., University of Rochester, 1932. iii, 105p. diss. 1932 iii, 105p
67. The Process Of Transcription for Guitar of J. S. Bach Chaconne from Partita II for Violin Without Accompaniment, BWV 1004. MMus diss., The Lamont School of Music, University of Denver, 1999. iv, 65p. diss. 1999 iv, 65p
68. Die Klaviersonaten Carl Philipp Emanuel Bachs. Göttingen, Phil. F., Diss. v. 8. Aug. 1953 (Nicht f. d. Aust.) - [1953]. 164 gez. Bl. mit eingekl. Notenbeisp. [Maschinenschr.] diss. 1952 164p
69. The Lutheran Chorales in the Organ Works of J. S. Bach. DMA diss., Arizona State Univ. 1985. 271p diss. 1985 271p
70. The Solo Cantatas for Bass Voice by J. S. Bach: Analyses for Performance. PhD diss., Music Education. Faculty of George Peabody College for Teachers, Vanderbilt University, 1983. x, 104p diss. 1983 x, 104p
71. L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. [The development of Mozart's contrapuntal language around the year 1782: The joint influence of J. Haydn and J.S. Bach] Maitrise, U. de Paris IV [Paris-Sorbonne], 1993. diss. 1993
72. Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols. MPhil thesis, The University of Queensland, 2012. 42p. diss. 2012 42p
73. Negotiating Past and Present: Max Reger and Fin-de-siècle Modernisms. PhD diss., Musicology, Eastman School of Music, University of Rochester, 2000. 620p diss. 2000 620p
74. Mozart and the Practice of Sacred Music, 1781-91. DPhil diss, Harvard University, 2007. xi, 455p. diss. 2007 xi, 455p
75. The Baroque Oboe d'amore. diss. - Los Angeles: University of California, 1981. 677p. diss. 1981 677p
76. The instrumental ritornello in selected vocal works of Italian composers ca.1670 to ca. 1710. PhD diss, Music Theory: The University of Iowa, 1973. 403p diss. 1973 403p
77. Die innere Einheit von Bachs Werk. Phil. F., Diss. v. 20.1.1943, Göttingen - Göttingen: 1942. (Nicht f. d. Austausch). 208 gez. Bl. [Maschinenschr.] - [Darmstadt]: [Blankenburg], [1986]. 208 Bl. (Nachdr.) diss. 1942 208p
78. Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. diss., Berlin, 1693. diss. 1963
79. Natural Trumpet Music and the Modern Performer. MMus diss., The University of Akron, 2012. vii, 74p diss. 2012 vii, 74p
80. Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva. [The 19th century German organ music and traditions of J.S. Bach's romanticism] Kand., Iskusstvov: Rossijskaja Akademija Muzyki im. Gnesinyh, Moskva, 2000. 21 p. diss. 2000 21p
81. Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. DMA diss., University of Cincinnati, 2008. xii, 81p. diss. 2008 xii, 81p
82. The development of a musically logical procedure for solving the problems of transcription for guitar performance of J. S. Bach's suite in e minor (BWV 996). PhD Diss. Norman, Okla., The Univ. of Oklahoma 1982. 507p diss. 1982 507p
83. The solo clavier Sonatas attributed to J. S. Bach. DM, piano. Indiana University 1967. 32p. diss. 1967 32p
84. The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. PhD diss., Musicology, Florida State University, 1974. diss. 1974
85. The Manuscript Transmission of J. S. Bach's Mass in B Minor (BWV 232) and the Development of the Concept of Textual Authority, 1750-1850. by Daniel Fellers Boomhower. - PhD diss., Case Western Reserve University, May 2017. xi, 257p. diss. 2017 xi, 257p
86. Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. DMA diss., Performance, Juilliard School, 2004. xii, 174p. diss. 2004 xii, 174p
87. Studien zur Instrumentation Johann Sebastian Bachs. PhD diss., Musicology, Wuppertal, 1990. diss. 1990
88. Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. Inaugural-Dissertation zur Erlangung der Doktorwürde der Hohen Philosophischen Fakultät der Universität Frankfurt vorgelegt von Oskar Bormann aus Höchst a. M. 1928. 145p. diss. 1926 145p
89. Principy orkestrovogo myslenija I.S. Baha. [Principles of orchestral thinking of J.S. Bach] MA thesis, Nacional'na Muzycna Akademija Ukrajiny im Cajkovs'kogo, Kyjiv, 1998. 20 p. diss. 1998 20p
90. Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. Berlin, Phil. Diss. v. 14. Okt. 1933. - Ohlau i. Schl.: Eschenhagen, 1933. 110p. - [Erw. um einen Notenanh.:] Kassel: Bärenreiter, 1933. 110p, 10 Taf. diss. 1933 110p
91. 'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944. PhD diss., Durham University, 2007. x, 527p + ill. diss. 2007 x, 527p
92. The Cantatas of Wilhelm Friedemann Bach. PhD diss., Musicology, Eastman School of Music, University of Rochester, 1981. 2v 889p diss. 1981 889p
93. Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. [Stylistic evolution of 'Passion' symbolism: Baroque and Romanticism] Kand, Iskusstvovedenie. Deržavna Akademìâ ìmenì A.V. Neždanovoï, Odesa, 2010. 267p. diss. 2010 267p
94. Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. PhD diss., University of Michigan, 1993. xvii, 589p. [BWV 1052, 1042, 1048] diss. 1993 xvii, 589p
95. Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. PhD diss., Yale U., 1994. 412p. UMI No. DA9522719. diss. 1994 412p
96. Boethius 'The Principlies of Music', an Introduction, Translation and Commentary. diss. 1967 93-95
97. The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. MA diss., School of Music, Queen's University Belfast, 2007. ii, 147p diss. 2007 ii, 147p
98. A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. MusD diss., Musicology: Indiana Univ., 1969. 105p. [BWV 1023] diss. 1969 105p
99. The Organ as an Ensemble Instrument: Concerto Techniques in the Sinfonia of Cantata BWV 169 by Johann Sebastian Bach, Concerto for Organ and Chamber Orchestra, op.46, No.2, by Paul Hindemith, and Organ Concerto in G minor by Francis Poulenc. Dissertation - Ohio State University 1977. 94p. diss. 1977 94p
100. Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben. Schriftliche Diplomarbeit zur B-Prüfung für Kirchenmusik, Evangelische Hochschule für Kirchenmusik, Halle 2000. diss. 2000
101. La basse fondamentale dans Le clavier bien tempéré de Johann Sebastian Bach. [The fundamental bass in The well-tempered clavier of J.S. Bach] PhD diss., U. de Strasbourg II [Marc Bloch], 2001. 3 vols., xii, 867 p diss. 2001 xii, 867 p
102. Die Kantate: Ein Beitrag zur Geschichte der deutschen Dichtungsgattung. Teil. 1: Geschichte der Kantate bis Gottsched. Heidelberg, Univ., Phil. Diss., 1921. v, 254, 15p. [Maschinenschr.] - Ausz. in: Jahrbuch d. Philos. Fakultaet Heidelberg 1921/22, T. 1. S. 16-18 diss. 1921 v, 254, 15p
103. Zur Entstehungsgeschichte des zweiten Wohltemperierten Klaviers von Johann Sebastian Bach. Diss. Univ. Tübingen, 1965. 101p. diss. 1965 101p
104. Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. [The use of bass string instruments in selected works of J.S. Bach] MM, University of the Orange Free State, 1992. diss. 1992
105. Johann Sebastian Bach's 'Orgelbüchlein': A Computer-Assisted Study of the Melodic Influence of the Cantus Firmus on the Contrapuntal Voices. PhD diss., Theory - Eastman School of the Univ. Rochster. 2 vols., xxiv, 831p diss. 1978 xxiv, 831p
106. Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001. diss. 1996 104p
107. The chorale prelude: The development of the chorale prelude and the use of the chorales of Martin Luther's Catechism by various European composers from the Reformation to Johann Sebastian Bach. DMA diss., Univ. of Alabama, 1999. 87p. - Ann Arbor, MI: University Microfilms International, 1999; ISBN: 0-599-51576-7. Dissertation No: 9949358. diss. 1999 87p
108. Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. Münster, Phil. u. naturwiss. F., Diss., 1944 (Nicht f. d. Austausch). - (Münster, 1944). 147 gez. Bl. [Maschinenschr.] diss. 1947 147p
109. Das Fugenthema im Wohltemperierten Klavier. Münster, Phil. u. naturwiss. F., Diss. v. 18. Aug. 1947 (Nicht f. d. Austausch). - ([Münster], [1947]). 78 gez. Bl. mit eingekl. graph. Darst. u. Notenbeisp. [Maschinenschr.] diss. 1947 78p
110. The instrumental music of Padre Martini. PhD diss., New York, 1963. iii, 356p. diss. 1963 iii, 356p
111. Techniques of Expansion in the Preludes and Fugues of J. S. Bach. PhD diss., Historical musicology: University of Chicago, 1986. xii, 329p. diss. 1986 xii, 329p
112. The art of chorale-preluding and chorale accompaniment as presented in Kittel's Der angehende praktische Organist. PhD, Performance and pedagogy from University of Rochester, Eastman School of Music, 1970. 350; 230p. diss. 1970 350, 230p
113. The special attributes of Mozart's scoring in the string quintets. DMA doc., Music: U. of Cincinnati, Col.-Conservatory of Music, 1997. 51 p. diss. 1997 51p
114. Textural Interpretations in the chorale Harmonizations of J. S. Bach. PhD diss., Musicology. University of Texas 1967. 471p. [type written] - Univ. Microfilms No.68-42600. / DissAbstracts xxviii/10, 4198A. diss. 1967 471p
115. Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. Freiburg i.B., phil. Diss. v. 14. Juli 1938. - Sibiu-Hermannstadt: (Schmidt), 1938. 102p. - Nachdr.: Hilversum: Frits Knuf, 1965. 102p. diss. 1938 102p
116. A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. DM Diss. Piano Performance. Bloomington, Indiana University, 1969. 173p diss. 1969 173p
117. Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. DMA thesis, The University of Oklahoma, 2003, viii, 133p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-30745-7. Dissertation No: 3082934. diss. 2003 133p
118. Friedrich Wilhelm Rust (1739-1796): Untersuchungen zu seinem Liedschaffen und seinem Beitrag zur Überlieferung der Werke Johann Sebastian Bachs. PhD diss., Martin-Luther-Universität Halle/Wittenberg, 1987 (Nicht f.d. Austausch). - 256+8 Bl.; 323 Bl.(Dokumente); 116 Bl.(Noten) diss. 1987 256p
119. Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. PhD. New York University, 1961. diss. 1961
120. The fugal technique of J. S. Bach. DPhil diss., Oxford University, 1960. 3 v. (749 leaves; [213] p) diss. 1960 1498p
121. A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. DMA diss., Southwestern Baptist Theological Seminary, 2004. 151p. ISBN: 0-496-13061-7. diss. 2004 151p
122. The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. DMA diss., University of Washington, 2007. iv, 159p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-16075-5. Dissertation No: 3275851. diss. 2007 159p
123. 'The real idealism of history': Historical consciousness, commemoration, and Johannes Brahms' 'years of study'. PhD diss., Columbia University, 2005. 340p. Ann Arbor, MI: University Microfilms International, 2005. ISBN: 0-542-13068-8. Dissertation No: 3174753 diss. 2005 340p
124. Gottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter. Breslau, Phil. Diss. v. 20. Dez. 1933. - Frankenstein i.Schl.: Frankenst. Ztgs- u. Dr.-Ges., 1933. vi, 63p. diss. 1933
125. Band transcriptions of the organ music of Johann Sebastian Bach. A development of a methodology for transcribing, an appraisal of available transcriptions, and three model transcriptions. - Univ. of Oklahoma, Diss. 1967. 78p. in 2 vols. (Ann Arbor Univ. Microfilms 1967) diss. 1967 78p
126. J. S. Bach's Chorale Harmonizations of Modal Cantus Firmi. PhD diss., Musicology. Harvard University, 1991. 2 vols, ix, 350 Bl. DAbs 9211661 diss. 1991 ix, 350 Bl
127. Instrumental'nyi koncert v tvorèestve I. S. Bacha. [Das Instrumentalkonzert im Schaffen J. S. Bachs] - Dissertation. Leningrad 1977. 212p. With music examples. diss. 1977 27p Latin 2
128. The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. PhD. University of Toronto, 1973. diss. 1973
129. The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. PhD diss., Cambridge Univ., 1987. 336, 79, 31p. diss. 1987 336, 79, 31p
130. Die Lautenkompositionen von Silvius Leopold Weiss und Johann Sebastian Bach. Ein Vergleich. MA diss., Music education: Musikhochschule Mozarteum, Salzburg (1983) 70p. diss. 1983 70p
131. The first Berlin lieder school: The early development of German art song. DMA doc., Music: U. of Georgia, 1992. UMI DA9316313 diss. 1992
132. Form and style in the works of Sebastian and Emanuel Bach. DPhil diss., Oxford University, 1969. 2 v. (xiii, 380, lxxxiv; 201 leaves). diss. 1969 380, 201 Bl
133. Studien zum Klavierwerk Wilhelm Friedemann Bachs. PhD diss., Musicology, Univ. of Hamburg, 1992. diss. 1992 'year' conjecture
134. Felix Mendelssohn Bartholdys Präludien und Fugen für Orgel op. 37: Studien zur Orgelmusik Mendelssohns unter Berücksichtigung ihrer gattungsgeschichtlichen Stellung. diss., Universität Heidelberg, 1982. 232p. diss. 1982 232p
135. Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. PhD diss., Eastman School of Music, University of Rochester, 2010. xvi, 293p. diss. 2010 xvi, 293p
136. The Repertoire of Magnificats in Leipzig at the time of J. S. Bach: A Study of Manuscript Sources. PhD diss., Music: New York Univ., 1986. 2 vols. xvi, 356, 210p. [DA 8614493.] diss. 1986 xvi, 356, 210p
137. Mendelssohn's Te Deum in D: Influences and the development of style. DMA diss., Music: Stanford Univ., 1985. 150p. [DA 8522259] diss. 1985 150p
138. A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. PhD diss., Musicology, Washington: Catholic University of America, 1956. xv, 185p diss. 1956 xv, 185p
139. Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. DMA document, Manhattan School of Music, 1990. OCLC#: 22959342 diss. 1990
140. Bach and the Piano: Editions, Arrangements and Transcriptions from Czerny to Rachmaninov. PhD Dissertation. University of Victoria. 1986. vi, 251p. diss. 1986 vi, 251p
141. Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. DMA diss., University of Maryland, College Park. 2006. ii, 4p. [3 chapters as recital performance on CD] diss. 2006 ii, 4p
142. Keyboard portraits: Performing character in the eighteenth century. PhD diss., University of California, Los Angeles, 2008. 330p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-89981-5. Dissertation No: 3335918. diss. 2008 330p
143. Bach and Film in the Later Twentieth Century: Listening to the Goldberg Variations. PhD diss., King's College London, 2011. diss. 2011 552p
144. Canonic techniques of the 'Goldberg Variations', the 'Canonic Variations' and the 'Fourteen Canons' of Johann Sebastian Bach. DMA doc. diss., Performance practice: Univ. of Kentucky, 1988. iv, [iii], 202p. [DA 8822102.] diss. 1988 iv, [iii], 202p
145. The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. DMus diss. The Florida State University, 1996. 115p diss. 1996 115p
146. The Cantatas and Oratorios of Carl Philipp Emanuel Bach. PhD diss., Musicology, University of North Carolina, 1973. 2 vols., xiv, 560 p. diss. 1973 xiv, 560p
147. Die Choralvorspiele zur Regerzeit: ein Beitrag zur gottesdienstlichen Orgelmusik der Spätromantik. Münster (Westfalen), Univ., Diss., 2005. 236p. diss. 2005 236p
148. From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. PhD, Stanford University, 2002. Ann Arbor, MI: University Microfilms International, 2002. 322p. ISBN: 0-493-87464-X. UMI No. 3067845. diss. 2002 322p
149. Thoroughbass pedagogy in nineteenth-century Viennese composition and performance practices. PhD diss., Ruters University, 2008. xv, 448p. diss. 2008 xv, 448p
150. Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. DMA diss., Performance, Juilliard School, 1993. 186p diss. 1993 186p
151. German, Italian and Dutch Fugal Precursor of the Fugues in the Well-tempered Clavier I. 1600-1722. PhD diss., Theory, Indiana University. 1970, 293p. diss. 1970 293p
152. A stylistic and interpretive analysis of selected keyboard works of C.P.E. Bach. EdD, Columbia University, Teachers College, 1989. 248p. diss. 1989 248p
153. A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. DMA. University of Houston, 1998. 198p. Advisor: Matthew Dirst. diss. 1998 198p
154. A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. DMA diss, University of Cincinnati, College-Conservatory of Music: Conducting, Choral Emphasis, 2006. 113p. diss. 2006 113p
155. Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. DMA, City University of New York, Graduate Center, 2007. 139p. diss. 2007 139p
156. Juhachi-Seiki Deutsch no Ensoron Kenkyu - J.J. Quantz, E. Bach, Leopold Mozart no Chosho no Hikaku Kento. [A study of 18th-century German performance practice: comparisons of the writings of J.J. Quantz, C.P.E. Bach, and Leopold Mozart.] MA diss., Musicology: Musashino Academy of Music, 1976. 220p. diss. 1976 220p
157. A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. DMA diss., Southwestern Baptist Theological Seminary, 1998. 142p. Advisor: William Mac Davis. diss. 1998 142p
158. Variation techniques in selected organ literature. DMA diss., Organ: Indiana University, 1978. 105p diss. 1978 105p
159. A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. DMA diss., Boston University, 2007. 315p. - Ann Arbor, MI: University Microfilms International, 2007. Dissertation No: 3259813. diss. 2007 315p
160. A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. DMA diss. University of Washington, 1998. 153p (See DissAbstracts 59/06-A, 1958.) diss. 1998 153p
161. The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. DMA diss. University of Washington, 1996, 117p. DA9637917 diss. 1996 117p
162. La vexata quaestio della Passio Domini Nostri Jesu Christi secundum Lucam. [The controversial question surrounding the Lukaspassion.] PhD diss., Literature: Univ. Venezia, 1980-81. 304p diss. 1981 304p
163. Interpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. University of Washington 1971. 85 gez. Bl. diss. 1971 85p
164. The Occasional Choral Works of C. P. E. Bach. PhD diss., Musicology, Princeton University, 1984. ix, 359p. diss. 1984 ix, 359p
165. Johann Peter Kellner. Studien zu Leben und Werk nebst einem thematisch-systematischen Verzeichnis seiner musikalischen Werke. Rostock, Univ., Diss., 1999. 390p. diss. 1999 390p
166. Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg. Hamburg, 1993. 125p. diss. 1993 125p
167. J. S. Bach's Sonatas for Melody Instrument and Cembalo Concertato: An Evaluation of All Related Manuscript Sources. In 2 vols. - PhD diss., Music History and Literature, Northwestern University 1975. 545p. diss. 1975 545p
168. 'O Jesu, du edle Gabe'. Studien zum Verhältnis von Text und Musik in den Choralpartiten und den Kanonischen Veränderungen von Johann Sebastian Bach. Diss./Hab. Utrecht 1989, 282p. diss. 1989 282p
169. The cornetto: A guide toward performance, within historical context, indicating the use of the recorder as a companion instrument. DMA diss., University of Oregon, 1990. 295p. diss. 1990 295p
170. Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). MM thesis, U. of Cape Town, 1993. x,359p diss. 1993 x, 359p
171. Metric Conflict in The Brandenburg Concertos of J. S. Bach. MA diss., University of Denver, 2008. iii, 228p. [BWV 1046-1051] diss. 2008 iii, 228p
172. The Performance of Small-note Vorschläge in the Keyboard and Chamber Music of J. S. Bach. PhD diss., Birmingham Conservatoire (UCE), 2001. 2 vols, 357pp. diss. 2001 357p
173. The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. DMA diss., University of Maryland, College Park, 1996. 80p. UMI No. DA9637748 diss. 1996 80p
174. Musik und Rhetorik insbesondere bei Johann Sebastian Bach MA diss., Hochschule für Musik 'Mozarteum', Salzburg. 1982, 39p. diss. 1982 39p
175. The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). MA diss., Musicology from St. Patricks College, Dublin, 2005. diss. 2005
176. Gregorian chant and medieval hymn tunes in the works of J. S. Bach. PhD diss., Musicology, The Catholic Univ. of America. Washington: Catholic University of America Press, [1957.] xii, 187p. - 2nd revised edition. West Hartford-Conn.: St.Joseph College 1957. diss. 1957 xii, 187p
177. Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. Wien: 1967. diss. 1967
178. The German troped polyphonic Magnificat. PhD diss., Musicology: University of Iowa, 1976. 2v. 685 p. diss. 1976 685p
179. Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. DMA diss., Univ. of Wisconsin, Madison, 2001. Advisor: John E. Aley. diss. 2001
180. The seven planets in Bach, Buxtehude, and a Dresden ballet of 1678. DMA diss., University of Houston, 2017. x, 235p. [BWV 4, 71, BuxWV 251] diss. 2017 x, 235p
181. Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives. PhD diss., Duke University, 1994. xv, 455p. - Ann Arbor: UMI, 1994. diss. 1994 xv, 455p
182. The Clavichord, the Bachs and German Emotionalism in the Eighteenth Century. PhD diss., Musicology. Columbia University 1971. [Type script] 286p. diss. 1971 286p
183. Le Clavier bien tempéré de Jean-Sébastien Bach: Le rôle de la rhétorique dans les stratégies compositionnelles de Bach. [Das wohltemperirte Clavier by Johann Sebastian Bach: The role of rhetoric in Bach's compositional strategies] PhD diss., Université de Montréal, 2008. 312p. - Ann Arbor, MI: University Microfilms International. UMI Number: AAT NR57747; ISBN: 978-0-494-57747-9. diss. 2008 312p
184. Opera at Mannheim, 1770-1778. PhD diss., Music: U. of North Carolina, Chapel Hill, 1992. UMI DA9309859 diss. 1992
185. A guide to the performance of Bach's B Minor Mass. DMus diss., Instrumental Conducting. Indiana University, 1968. 256p. diss. 1968 256p
186. Componenti bachiane nell'opera di Robert Schumann. [Bach influences in the works of Robert Schumann] lau, Stor. del' mus.: Universita degli Studi di Torino, 1986-87. diss. 1987
187. The Installation Cantatas of C. P. E. Bach. MMus diss., Boston University, 2008, 124p diss. 2008 124p
188. Seis sonatas e partias para violino solo de J. S. Bach ao violão: fundamentos para adaptação do ciclo. Doctoral Thesis, Escola de Comunicações e Artes, University of São Paulo, São Paulo, 2012. 192p + score. diss. 2012 192p
189. A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. PhD diss., Florida State U., 1993. 189 p. diss. 1993 189p
190. The early vocal works of Johann Sebastian Bach. Studies in style, scoring, and chronology. PhD diss. Ithaca, N. Y.: Cornell University 1989. ii, 319p DA 8924536. [BWV 208, 63, 1046a, 21] diss. 1989 ii, 319p
191. The Canonic Compositions of Johann Sebastian Bach: An Examination of Their Personal and Historical Context. MA dissertation, Queen's University Belfast, September 2005. 73p diss. 2005 73p
192. 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract. diss. 2017 123, 70, 2p
193. C.P.E. Bach: Six harpsichord concertos. [Wq. 43] MA thesis, Musicology: U. Birmingham, 1956. [Revised version of article published as 'C.P.E. Bach's harpsichord concertos', MLetters, XXXIX/3 (July 1958) 227-241] diss. 1956
194. Aria Forms in the Vocal Works of J. S. Bach, 1714-24. PhD diss., Musicology. Waltham, Mass: Brandeis Univ., 1988. xv, 337p diss. 1988 xv, 337p
195. The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice. PhD diss., Brandeis University, 2004. xix, 830p. - Ann Arbor, MI: University Microfilms International. ISBN: 0-496-83086-4. Dissertation No: 3135883. diss. 2004 xix, 830p
196. The aesthetic relevance of the Golden Section in The well-tempered clavier by J.S. Bach: The relationship between form, temporal flow, and proportional balance. DMA diss., University of Cincinnati, 2007. xi, 63p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-21880-7. Dissertation No: 3280091. diss. 2007 xi, 63p
197. A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. DMA diss. The University of Wisconsin - Madison, 2000. ii, 81p. diss. 2000 ii, 81p
198. Ludwig Bischoff: a mid-nineteenth-century music critic. PhD diss., Musicology: University of Texas, 1977. 442 p. diss. 1977 442p
199. A critical study of a manuscript collection of keyboard music dated 1688: from the Lowell Mason Library, Yale University. MA diss., Yale University, 1937. 66, xii leaves, [12] plates. (typescript) diss. 1937 66, xii Bl
200. Friedrich Wilhelm Rust. Berlin, Univ., Diss., 1927. - Essen: Kauermann, 1927. 156p. diss. 1927 156p
201. Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. Freie Universität Berlin, Phil. F., Diss. v. 13. Okt. 1951 (Nicht f. d. Aust.). - 138 gez. Bl. [Maschinenschr.] (unpublished) diss. 1951 138p
202. Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. MM diss., The University of Western Ontario, 1995. 156p. diss. 1995 156p
203. 'Zum Spielen und zum Tantzen', a Kinaesthetic Exploration of the Bach Cello Suites through Studies in Baroque Choreography. Critical reflection and documentation, Norwegian Research Fellowship for the Arts Programme. Norwegian Academy of Music, 2013. 85p. diss. 2013 85p
204. The clarinet in solo, chamber, and concerto repertoire. PhD, Concordia University, 1990. 115p. diss. 1990 115p
205. Mimesis: Die Aristotelische Nachahmungslehre im Wandel der Auffassungen und Interpretationen englischer Musikaesthetiker des 18. Jahrhunderts. Mainz, Phil. F., Diss. v. 18. Sept. 1953 (Nicht f. d. Aust.) - Mülheim a.d. Ruhr, 1952. vi, 197 gez. Bl. [Maschinenschr.] diss. 1952 vi, 197p
206. Three works for voice and French horn with accompaniment. DMA doc., Performance practice: U. of Cincinnati, 1994. 72 p. diss. 1994 72p
207. The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. DMA diss., The University of Texas at Austin, 1998, 365p. DissAbstracts 59/02-A. UMI AAI9824844 diss. 1998 365p
208. The Baroque violoncello and the unaccompanied cello suites of J. S. Bach, B.W.V. 1007 - 1012. PhD diss., Music: New York Univ., 1986. 232p. diss. 1986 232p
209. Self Parody among the Cantatas of Johann Sebastian Bach. PhD diss., Musicology. Boston: Univ. Graduate School 1962, xxii, 547p in 2 vols. (Ann Arbor Univ. Microfilms, 62-4542) diss. 1962 547p
210. Implied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. PhD diss. Northwestern University, 2001, 266p. Advisor: Richard Ashley. diss. 2001 266p
211. A study of the solo and chamber literature for the oboe d'amore from 1720-c.1760 with modern performance editions of select unpublished works. DMA diss., Performance and music literature: Eastman School of Music, 1977. 290 p. diss. 1977 290p
212. Palestrina in history: a preliminary study of Palestrina's reputation and influence since his death. PhD Dissertation. Columbia University, 1970. 201p diss. 1970 201p
213. Toccata und Präludien in der Orgelmusik von Merulo bis Bach. PhD diss., Univ. Hamburg, 1987, viii, 194 p. diss. 1987 viii, 194p
214. Clementi's Bach: The Well-Tempered Clavier, Gradus ad Parnassum, and the Prelude. MA thesis, Tufts University, May 2009. iv, 73p diss. 2009 iv, 73p
215. 'Plus d'étonnement que de plaisir': La première réception française de l'oeuvre de Johann Sebastian Bach, 1801-1840. MA diss., Université Paris IV Sorbonne UFR de Musicologie, 2011. 93, 153p. diss. 2011 93, 153p
216. Bach as Theologian; Motives, Key Structures and Accidentals in the St. John Passion. DMA diss. in Choral Conducting, Juilliard School, 2011. 240p. Advisor: Carl Schachter. diss. 2011 240p
217. The Use of Oboes in the Church Cantatas of Johann Sebastian Bach. Indiana State University, Terre Haute: Eastman School of Music, 1977. 214p. diss. 1977 214p
218. Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p diss. 1996 120p
219. Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p diss. 1996 110p
220. Étude de certains procédés architectoniques - en particulier numériques - dans la composition des œuvres de Jean-Sébastien Bach. thèse de doctorat, Université Paris 4 Sorbonne, 2003, 659 p. diss. 2003 659p
221. Cefalo e Procri (London, 1776): Dramatic Cantata for Three Voices and Orchestra by Johann Christian Bach; Critical Edition with Performance Suggestions and Commentary. DMA diss., Composition, University of Illinois, 1968. 2 vols., i, 162p diss. 1968 i, 162p
222. The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. PhD diss., Theory, Indiana University, 1993. xii, 243p. diss. 1993 xii, 243p
223. 'Er ist doch ein alter Prachtkerl gewesen': De Bach-receptie in Mendelssohns orgelwerken. MA diss., Musicologie from Katholieke Universiteit Leuven, 2012. diss. 2012
224. A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. DMA diss., Southwestern Baptist Theological Seminary, 2001. xv, 199p. ISBN: 0-493-45819-0. diss. 2001 xv, 199p
225. Der Musikbegriff bei Johannes Kepler. PhD diss. Ruprecht-Karl-U. Heidelberg, 1971. diss. 1971
226. Formirovanie instrumental'noj faktury v organnoj muzyke Germanii XV-XVIII vekov. [The development of instrumental texture in German organ music of the 15th to 18th centuries] MA thesis, Teorija muzyki: Rostovskaja Konservatorija im. S. Rahmaninova, 1995. 24 p. diss. 1995 24p
227. Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. PhD diss., Justus-Liebig-Universität Gießen, 1998. 414p diss. 1998 414p
228. Das Rezitativ bei Bach. Wien, 1936. diss. 1936
229. Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. Dottore in Discipline delle Arti della Musica e dello Spettacolo. Università degli Studi di Bologna, 2006. 94p. diss. 2006 94p
230. Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. PhD diss., Stanford University, 1996, vii, 176p diss. 1996 vii, 176p
231. A performer's study of selected organ compositions by Johann Sebastian Bach. Diss. Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982. diss. 1982
232. Sammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach. Diplomarbeit. Leipzig: Karl-Marx-Universität 1977, 127p. [type-script] diss. 1977 127p
233. Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach. Paris, Univ., Diss., 2004. 623p. diss. 2004 623p
234. Christian Heinrich Rinck und die Orgelmusik seiner Zeit. [Ein Beitrag zur Geschichte der deutschen protestantischen Kirchenmusik um 1800] Heidelberg, Phil. Diss. v. 3.Dez.1931 [17.Jan.1933]. - Bad Oeynhausen: Theine & Peitsch, 1933, xxvi, 104p. - Untertitel erst 1933? diss. 1933 xxvi, 104p
235. Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. DMA diss., University of North Carolina, Greensboro, 2008. 106p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-925729. Dissertation No: 3337466. diss. 2008 106p
236. Inquiry into J.S. Bach's method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology. MA thesis, Music: U. of British Columbia, 1997. vi, 52 p. diss. 1997 vi, 52p
237. Bach's Goldberg variations: A study of technical and stylistic transferences to the piano. MMus diss., University of Cape Town, 1990. vii, 96p. diss. 1990 vii, 96p
238. The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. PhD diss, Music, Harvard University, 1958. 2 vols: xxx, 488 Bl; vi, 514 Bl; 139 Bl (separate bibliography) diss. 1958 1145 Bl
239. Die Vokalthematik Joh. Seb. Bachs. Dargestellt an den Arien der Kirchenkantaten. Berlin, Univ., Diss., 1935 (Nur in beschr. Anz. f. d. Austausch). - Leipzig: Breitkopf & Härtel, (1935). 62p. [Aus: Bach-Jb. 1934] diss. 1935 62p
240. Armida abbandonata by George Frideric Handel. An edition reflecting the performance practice of the Baroque era. DMA diss.: University of Maryland, 1978. 61p. diss. 1978 61p
241. A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. DMA diss., Southwestern Baptist Theological Seminary. 1995. 165p. [see DissAbstracts p. 2896] diss. 1995 165p
242. Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. Univ. of Columbia 1980. 341p diss. 1980 341p
243. Sistema sredstv muzykal'noj ritoriki v orkestrovyh sûitah I.S. Baha, G.F. Gendelâ, G.F. Telemana. [The means of musical rhetoric in orchestral suites of J.S. Bach, Handel, and Telemann] Kand (Iskusstvovedenie) diss., Rossijskaâ Akademiâ Muzyki imeni Gnesinyh, Moskva, 2002. 210p. diss. 2002 210p
244. 'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. DMA doc., University of Arizona, 1993, 57p diss. 1993 57p
245. The baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations. DMA doc., U. of Southern California, 2000. 176p. - Ann Arbor, MI: University Microfilms International, 2000. ISBN: 0-493-54906-4. Dissertation No: 3041447. diss. 2000 176p
246. Foundations of early music in Melbourne: Leonard Fullard and other pioneers. PhD thesis. University of Melbourne, Faculty of Music, 2006. xii, 454p diss. 2006 xii, 454p
247. The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. MM thesis, Rhodes U., 1995. diss. 1995
248. Geschichte der musikalischen Temperatur. Diss. Erlangen, Univ., 1935. - Unveränd. Nachdr. der 1935 ersch. Inaugural-Diss. Lauffen/Neckar: Rensch, 1986. viii, 143p. ISBN: 3-921848-14-8 diss. 1935 viii, 143p
249. The Development and Application of Keyboard Fingering Principles in the Music of J. S. Bach and C. P. E. Bach: An Analysis in Comparison with Modern Approaches to Fingering, and the Utilization of the J. C. Bach-Ricci Method for Nurturing a Versatile Technique in the Early Stages of Study. DMA diss., The University of North Carolina at Greensboro, 2014. xiv, 192p. [BWV 870a, 925, 934] diss. 2014 xiv, 192p
250. Carl Philipp Emanuel Bach's concerto in C, W.43, no. 6: A discussion and performance edition. DMA diss., University of Oklahoma, 1991. 265p diss. 1991 265p
251. The Interpretation of Bach's Well-Tempered Clavier, Book One: A Study in Diversity. DMA diss., University of Rochester, 1969. xiii, 487p. diss. 1969 xiii, 487p
252. Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective. DMA diss., The University of Texas at Austin, 2004. xii, 167p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-76120-X. diss. 2004 xii, 167p
253. Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts. PhD diss. Otto-von-Gueriche-Universität Magdeburg, 2004. diss. 2004 417p
254. An expert system of harmonization of chorales in the style of J. S. Bach. PhD diss., Computer science: State Univ. of New York, Buffalo, 1986. 297p. DA 9609106. diss. 1986 297p
255. Die Musikanschauung Augustins nach seiner Schrift 'De musica'. Freiburg i.B., Phil. Diss. v. 3. Febr. 1929. - Ohlau in Schles.: Eschenhagen, 1929. 128p. - Mikrofiche-Ausg.: Freiburg: Univ.-Bibl., 1990. diss. 1929 128p
256. A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach. DMA diss., Univ. of Oklahoma, 1979. 247p diss. 1979 247p
257. Mozart's Viennese copyists. PhD diss, University of Southern California, 2001. 2416p. diss. 2001 2416p
258. A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p diss. 1993 133p
259. Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. Tübingen Uni. 1973. diss. 1973
260. Unechtes unter J. S. Bachs Klavierwerken. Univ. Tübingen, 1976. 43p. diss. 1976 43p
261. The Ritornello principle in the organ works of Bach. PhD diss., Music History and Literature, Evanston and Chicago, Ill., Northwestern Univ. in 2 vols. 524p. (Ann Arbor Microfilms. LC Card No. Mic 60-4749.) diss. 1960 524p
262. J.S. Bach in everyday life: The 'choral identity' of an amateur 'art music' Bach choir and the concept of 'choral capital'. PhD diss. in Sociology, University of Exeter, 2012. 352p diss. 2012 352p
263. Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: quellenkritische Untersuchungen zu einem Problem des Frühwerks. PhD diss., Musicology, Freiburg im Breisgau. 1992. 298p, 194p (Anh. 1. Kritischer Bericht, Lesartenverzeichnisse) + Edition (Anh.2 - Manuskript für Wiener Urtext-Edition / Schott-Verl., Mainz) diss. 1992 3 vols
264. Symmetry and proportion: Generative and formative procedures of J. S. Bach's 'Brandenburg Concerto No. 3'. Master of Music Theory diss., West Virginia University, 2001. vii, 33p diss. 2001 vii, 33p
265. Von Laura zum himmlischen Bräutigam: Der petrarkistische Diskurs in Dichtung und Musik des deutschen Barock. PhD diss., Rijksuniversiteit Utrecht, 2003. 286p. diss. 2003 286p
266. Die Markus-Passion von Reinhard Keiser und ihre Aufführungen unter Bach in Leipzig. [Mag.-arb. Ludwig-Max.-Universität München]. - München. 1995. 53p, 60p. diss. 1995 60p
267. A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. DMA doc., Performance practice: Arizona State Univ., 1987. 140p. [DA 8805471.] diss. 1987 140p
268. Die Konzertform Johann Sebastian Bachs. Leipzig, Phil. F., Diss. v. 26. März 1947 (Nicht f. d. Austausch). - (Leipzig, 1947). 82 gez. Bl. mit eingekl. graph. Darst. [Maschinenschr.] - Microfiche in SBB (2000). diss. 1947 82p
269. Treatment of the Trumpet in the Bible and its Relationship to the Sacred Solo Arias with obbligato Trumpet by Johann Sebastian Bach. DMA diss., Arizona State University, 1984. 79p diss. 1984 79p
270. Linear aspects of the fugues of J. S. Bach's 'The Well-tempered Clavier'. A Quantitative Survey. PhD diss., Univ. of Nottingham, 1980. 594p. diss. 1980 594p
271. A critical study and transcription of J. C. Bach's symphonies op.6, nos.2 and 5. MMus diss., Goldsmith College, University of London, 1978. diss. 1978
272. The piano concerto in London concert life between 1801 and 1850. PhD, University of Cincinnati, 1991. 383p. diss. 1991 383p
273. Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. PhD diss., Musicology, Technische Universität, Berlin. 1981. 160p diss. 1981 160p
274. Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. [Johannes Brahms' Reception of J. S. Bach: a study on performance, catalogue of his library and arrangements] Keio University, MA dissertation, 1998. diss. 1998
275. Untersuchungen über Einflüsse Johann Sebastian Bachs auf das theoretische und praktische Wirken seines Schülers Johann Philipp Kirnberger. PhD diss., Universität Erlangen-Nürnberg, 1974. vi, 414p. [contains 'Verzeichnis der Klavier- und Orgelwerke Kirnbergers'] diss. 1974 vi, 414p
276. Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. PhD diss., Dept. of Music Theory, Indiana University, August 2010. 680p. diss. 2010 680p
277. Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. Tübingen 1970. (Druck 1984) diss. 1970
278. Lucio Silla: Vier Opera-seria-Vertonungen aus der Zeit zwischen 1770 und 1780. PhD diss., Rheinische Friedrich-Wilhelms-U. Bonn, 1991. 2 vols. 362, 155p. diss. 1991 362, 155p
279. C.P.E. Bach's fantasias: the rhetorical argument. MMus diss., University of New Mexico, 2000. vii, 148p diss. 2000 vii, 148p
280. Felix Mendelssohn-Bartholdy und die Rheinlande. Bonn, Phil. F., Diss. v. 28. Febr. 1923. 106 gez. Bl. [Maschinenschr.] - also 1929, 106p. [cf. Auszug in: Jahrbuch d. Phil. Fak. Bonn. Jg. 3. 1924/25. pp. 240-243] diss. 1923 106p
281. Disputatio Effectus Musicæ In Hominem Gratiosissimæ Facultatis Medicæ Consensu / Præside Michael Ernst Ettmullero,... Et Respondente Christian Gottlieb Jöchero, ... Die Calend. III. Januarii Anni M DCC XIV. Sistens resp. [Leipzig, Univ., Diss., 1714] Lipsiae: Bauchius, 1714. 39p. diss. 1714 39p
282. An Annotated List of Sacred Cantatas: 1960 - 1976. DMA diss., Rochester, N. Y.: Eastman School of Music, 1978. 688p. diss. 1978 688p
283. The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. PhD diss., Harvard University, 2010. xiv, 327p. 654p. diss. 2010 xiv, 327p
284. J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. PhD diss., The University of New South Wales, 1998. diss. 1998
285. Bach-Busoni Chaconne. A piano transcription analysis. DMA diss., The University of Nebraska, Lincoln, 2006. vi, 152p. - Ann Arbor, MI: University Microfilms International, 2006; ISBN: 978-0-542-61862-8. Dissertation No: 3212927. [BWV 1004/5] diss. 2006 vi, 152p
286. Wilhelm Friedemann Bach. Seine Leben und seine Werke mit thematischem Verzeichnis seiner kompositionen und zwei Bildern. Dissertation zur Erlangungt der Doktorwürde der Hohen philosophischen Fakultät der Universität Leipzig. - [Leipzig, Phil. Diss. v. 13. Nov. 1913, Ref. Riemann, Köster] - Leipzig: Radelli & Hille, 1913. iv, 170, 31p. - Erscheint gleichzeitig im Buchhandel im Verlag von C. F. Kahnt Nachfolger, Leipzig. (= Studien zur Musikgeschichte, 1) diss. 1913 iv, 170, 31p
287. 17th-Century Contrapuntal Theory in Germany. Eastman school of the Univ. of Rochester, 1964. 1965. diss. 1965
288. A Critical-Bibliographical Study of the Rinck Collection. MA. diss., Yale Univ., 1958. (type script) diss. 1958
289. The Passion-tide cantatas of Christoph Graupner. PhD diss., Music: University of California, Santa Barbara, 1971. ix, 252 p. diss. 1971 ix, 252p
290. Die Orgel im Werk Edward Elgars. PhD diss., Musicology: Universität Göttingen, 1973. - Göttingen: Bärenreiter, 1973. 348p. (= Göttinger musikwissenschaftliche Arbeiten, 5) diss. 1973 348p
291. Die Musikaliensammlung der Familie von Voß: Ein Beitrag zur Berliner Musikgeschichte um 1800. PhD diss., Georg-August-U. Gottingen, 1995. 586 p. diss. 1995 586p
292. J. S. Bach és a zenei forma két kultúrája. [J. S. Bach and two cultures of music] PhD diss., Liszt Academy of Music, Budapest, 2012. 211p. diss. 2012 221p
293. Bachs Werke in ihren Bearbeitungen 1750-1950: 1. Die Vokalwerke. Doctoral thesis. Christian-Albrechts Universität zu Kiel. - Kiel, Phil. F., Diss. v. 16. Dez. 1955 (Nicht f. d. Aust.) - 1955. 387 gez. Bl., mehr. Taf. [Maschinenschr.] diss. 1955 387p
294. Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. Hochschulschrift: Heidelberg, Univ., Diss., 1954. 134p. - druck Heidelberg, 1955. diss. 1954 134p
295. Orchestersuiten der Bach-Zeit. PhD diss., Musicology, Bochum. 1990 diss. 1990 'year' unconfirmed
296. The Ornamentation in Seven Flute Sonatas Composed by, or Attributed to, J. S. Bach. Ed.D., Music Education, University of Illinois, 1976. 477 p. diss. 1976 477p
297. Performing Solo Bach: An Examination of the Evolution of Performance Traditions of Bach's Unaccompanied Violin Sonatas from 1802 to the Present. DMA diss., Cornell University, 1999. 194p [UMI AAI9914682] diss. 1999 194p
298. Johann Sebastian Bachs weltliche Kantaten: eine musikwissenschaftlich-literarische Betrachtung. Melbourne, Univ., Diss., 1950. - Göttingen: Göttinger Druckerei u. Verlag Ges. [1950]. 98p. - London: Hinrichsen [by the author], 1950. 98p. diss. 1950 98p
299. Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. Hamburg, Univ., Diss., 1966. - Neue Bach-Ausgabe. Serie VII, Band 7(Suppl.), Kritischer Bericht. 1971. 150p. diss. 1966 150p
300. Elements of Romantic Tendency in Selected Keyboard Works of J. S. Bach: A Study with References to the Visual Arts. PhD dissertation - New York University 1978. 287p. diss. 1978 287p
301. Raný vývoj klavíru a klavírní pedagogiky a komparace interpretaèních pøístupù ve vybraných skladbách J. S. Bacha a F. Chopina. Diploma thesis, Faculty of Education, Masaryk University, Brno. 2006. 63p. [BWV 1055] diss. 2006 63p Latin 2
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