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Bach Bibliography Search Result |
Series : ^diss.$Your search has generated the following results ...
Year : 2010
Max number of results shown : 300
Output sorted : alphabetically (table)
| Type | List | Author | Title [further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Alípio, Alisson | O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. | diss. | 123p | ||||
| | 2. | Boršulâk, Al'ona Miroslavìvna | Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. | diss. | 267p | ||||
| | 3. | Callahan, Michael Richard | Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. | diss. | xvi, 293p | ||||
| | 4. | Engelsdorfer, Amy Lynne | Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. | diss. | 680p | ||||
| | 5. | Exner, Ellen | The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. | diss. | xiv, 327p | ||||
| | 6. | Friedrich, Siegfried | Aspekte der Tonhöhenausdeutung in Johann Sebastian Bachs Das Wohltemperierte Klavier, Band I und II sowie in Franz Schuberts Die schöne Müllerin: Zum Auffassungsmodell eines 'intentionalen Tones' als Verbindungsglied zwischen Tonhöhenwahrnehmung und kompositorischer Tonhöhenbedeutung. | diss. | 610p | ||||
| | 7. | Gordeeva, Elena Vladimirovna | Muzykal'naâ leksikografiâ smyslovyh struktur v klavirnyh tekstah I.-S. Baha. | diss. | 263p | ||||
| | 8. | Hammes, Andrea | Johann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. | diss. | 112p | ||||
| | 9. | Knyt, Erinn Elizabeth | Ferruccio Busoni and the Ontology of the Musical Work: Permutations and Possibilities. | diss. | xvii, 624p | ||||
| | 10. | Lachat-Sarrete, Priscille | L'entrée du soliste dans les concertos de 1750 à 1810, à travers les œuvres de Johann Christian Bach, Haydn, Mozart, Viotti et Beethoven. | diss. | 652p | ||||
| | 11. | Miller, Ann Elizabeth | Pure 3rds or 5ths: Great violinists' solutions to a problematic incongruity. | diss. | 206p | ||||
| | 12. | Plutalov, Denis V. | Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. | diss. | 121p | ||||
| | 13. | Psujek, Jennifer Lauren | The Intersection of Gender, Religion, and Culture in Nineteenthcentury Germanic Salons. | diss. | v, 73p | ||||
| | 14. | Sarlo, Dario | Investigating Performer Uniqueness: The Case of Jascha Heifetz. | diss. | 430p | ||||
| | 15. | Shkolnik, Guy | The Thematic Potential and Its Realization in Selected Fugues from J.S. Bach's Well-Tempered Clavier. | diss. | 208p | ||||
| | 16. | Sullivan, Daniel | J.S. Bach and permutational design. | diss. | 126p | ||||
| | 17. | Waszynski, Barbara | Das Übernahme der Datensätze aus der Bach Bibliography von Yo Tomita in das Bibliothekssystem des Bach-Archivs: Erarbeitung eines Konzeptes für eine gestufte Konvertierung. | diss. | 90p | ||||
 | 18. | Watson, Marva J. | The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach. | diss. | viii, 107p |