Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Aschauer, Mario | Deutschsprachige Clavier-Lehrwerke in der zweiten Hälfte des 18. Jahrhunderts. |
diss. |
| | 2008 |
265p |
|
| 2. | Boelcke, Andreas M. | Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. |
diss. |
| | 2008 |
xii, 81p |
|
| 3. | Ceballos, Sara Gross | Keyboard portraits: Performing character in the eighteenth century. |
diss. |
| | 2008 |
330p |
|
| 4. | Chapman, David | Thoroughbass pedagogy in nineteenth-century Viennese composition and performance practices. |
diss. |
| | 2008 |
xv, 448p |
|
| 5. | Colahan, Ellwood P. | Metric Conflict in The Brandenburg Concertos of J. S. Bach. |
diss. |
| | 2008 |
iii, 228p |
|
| 6. | Corduban, Mihaela-Lidia | Le Clavier bien tempéré de Jean-Sébastien Bach: Le rôle de la rhétorique dans les stratégies compositionnelles de Bach. |
diss. |
| | 2008 |
312p |
|
| 7. | Cortens, Evan Philip | The Installation Cantatas of C. P. E. Bach. |
diss. |
| | 2008 |
124p |
|
| 8. | Dougherty, Michael P. | Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. |
diss. |
| | 2008 |
106p |
|
| 9. | Gingrich, M. Linda | The seen and the unseen: Hidden allegorical links in the Trinity season chorale cantatas of J.S. Bach. |
diss. |
| | 2008 |
146p |
|
| 10. | Kelly, Laura Lynn | August Halm's Von zwei Kulturen der Musik: A translation and introductory essay. |
diss. |
| | 2008 |
257p |
|
| 11. | Lee, Hye Won | The toccata and the history of touch: A pianist's survey of the symbiosis of style and performance practice of selected toccatas from Froberger to Muczynski. |
diss. |
| | 2008 |
84p |
|
| 12. | Lindner, Matthew | Blood, Wounds and Heart-Religion: J. S. Bach Reception in Late Nineteenth-Century Bethlehem, Pennsylvania. |
diss. |
| | 2008 |
ix, 143p |
|
| 13. | Mandelbaum, Karen G. | The late keyboard rondos of Carl Philipp Emanuel Bach: Issues of genre, form, and voice leading. |
diss. |
| | 2008 |
373p |
|
| 14. | Molčan, Ján | Vývoj sonátovej formy v klavírnej tvorbe romantikov prvej polovice 19. storočia (Analýza vplyvov a príčin zmien hudobného myslenia a z toho rezultujúce nároky na interpretáciu). |
diss. |
| | 2008 |
203p |
|
| 15. | Murphy, Michael Troy | Performance practice of Johann Sebastian Bach's 'Passio Secundum Johannem'. A study of 25 years of recorded history (1982-2007) as influenced by events surrounding the Historically Informed Performance movement. |
diss. |
| | 2008 |
xiii, 342p |
|
| 16. | Randwijck, Rutger J. C. van | Music in Context. Four Case Studies. |
diss. |
| | 2008 |
244p |
|
| 17. | Scholz, Anna | J. S. Bach: Hat szvit szólócsellóra (BWV 1007–1012): Előadásmód, artikuláció. A források és a kritikai kiadások problematikája. |
diss. |
| | 2008 |
192p |
|
| 18. | Scholz, Anna | J. S. Bach: Six suites for violoncello solo (BWV 1007–1012): Performance, articulation problems of the sources and the critical editions. |
diss. |
| | 2008 |
7p |
|
| 19. | Simpson, Will M.B. | A conductor's guide to J.S. Bach's cantata 150 'Nach Dir, Herr, Verlanget Mich'. |
diss. |
| | 2008 |
173p |
|
| 20. | So, Jeong-Hwa | Rhetorical perspectives on the large settings on the Catechism Chorales in J.S. Bach's Clavierubung III. |
diss. |
| | 2008 |
89p |
|
| 21. | Weman Ericsson, Lena | '...the world in a skater's silence before Bach': Historically Informed Performance in the Perspective of Contextual Musical Ontology, Illustrated through a Case Study of Sonata in E major, BWV 1035, by J. S. Bach. |
diss. |
| | 2008 |
xi, 176p |
|
| 22. | Weman Ericsson, Lena | '...världens skridskotystnad före Bach': Historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach. |
diss. |
| | 2008 |
x, 153p |
|
| 23. | Wiley, Christopher | Re-writing composers' lives : critical historiography and musical biography. |
diss. |
| | 2008 |
|
|
| 24. | Yang, Shu-Ting | Salute to Bach: Modern treatments of Bach-inspired elements in Luigi Dallapiccola's Quaderno musicale di Annalibera and Heitor Villa-Lobos' Bachianas brasileiras no. 4. |
diss. |
| | 2008 |
104p |
|